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For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Fancyclopedia: F – Version 1 (May 2009)
The Canadian Fancyclopedia: F – Version 1 (May 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. F FACES / FAERIE / FALCON / FALCON SF&F SOCIETY / FANACTIC / FANADIAN / FANATICUS / FANCESTOR WORSHIP / FANCYCLOPEDIA / FANDOM / FANDOMS (Numbered Eras) / FANDOMS CANADIAN (Numbered Eras) / THE FANDOM ZONE / FAN DRINKS / FANED - FAN ED / FANERGY / FAN FEUD / FAN FILMS / FAN FILMS ( AMERICAN ) / FAN FILMS ( BRITISH ) / FAN FILMS ( CANADIAN ) / FANICHE / FANNISH DRINKSH BOOK / FANNISH LEGENDS / FANTARAMA / FAN-TASMS / FANTASTELLAR ASSOCIATION / FANTASTOLOGY / FANTASY / FANTASY CLASSIFICATION SYSTEM / FANTASY PICTORIAL / FANTHOLOGY 76 / FANTIQUARIAN / THE FANTIQUARIAN CHRONICLER / FANUCK - FANUCKER / FAST- FORWARD / FAT, OLD, AND BORING / FAZZ BAZZ / FELTIPIXINE / FEM FAN - FEMME FAN / FEN / FENAISSANCE / FEN AND THE ART OF FANZINE PUBLISHING / FEN COMMANDMENTS / FERGONOMICS / FERSHIMMELT / FEWMETS / FIAGGH / FIAWOL / FICTONS FREE-FOR-ALL / FIE / FIJAGH / FILK / FILKSONG / FILKER / FILK ROOM / FILKZINE / FILLER / FILLERS / FINAL FRONTIER / THE FINAL FRONTIER / FIRST CANADIAN CARBONZINE / FIRST CANADIAN FAN CLUB / FIRST CANADIAN FAN DIRECTORY / FIRST CANADIAN FAN ED / FIRST CANADIAN -
Eng 4936 Syllabus
ENG 4936 (Honors Seminar): Reading Science Fiction: The Pulps Professor Terry Harpold Spring 2019, Section 7449 Time: MWF, per. 5 (11:45 AM–12:35 PM) Location: Little Hall (LIT) 0117 office hours: M, 4–6 PM & by appt. (TUR 4105) email: [email protected] home page for Terry Harpold: http://users.clas.ufl.edu/tharpold/ e-Learning (Canvas) site for ENG 4936 (registered students only): http://elearning.ufl.edu Course description The “pulps” were illustrated fiction magazines published between the late 1890s and the late 1950s. Named for the inexpensive wood pulp paper on which they were printed, they varied widely as to genre, including aviation fiction, fantasy, horror and weird fiction, detective and crime fiction, railroad fiction, romance, science fiction, sports stories, war fiction, and western fiction. In the pulps’ heyday a bookshop or newsstand might offer dozens of different magazines on these subjects, often from the same publishers and featuring work by the same writers, with lurid, striking cover and interior art by the same artists. The magazines are, moreover, chock-full of period advertising targeted at an emerging readership, mostly – but not exclusively – male and subject to predictable The first issue of Amazing Stories, April 1926. Editor Hugo Gernsback worries and aspirations during the Depression and Pre- promises “a new sort of magazine,” WWII eras. (“Be a Radio Expert! Many Make $30 $50 $75 featuring the new genre of a Week!” “Get into Aviation by Training at Home!” “scientifiction.” “Listerine Ends Husband’s Dandruff in 3 Weeks!” “I’ll Prove that YOU, too, can be a NEW MAN! – Charles Atlas.”) The business end of the pulps was notoriously inconstant and sometimes shady; magazines came into and went out of publication with little fanfare; they often changed genres or titles without advance notice. -
Science Fiction
Science Fiction Module Convenors: Dr Caroline Edwards & Dr Joe Brooker Module Level: BA Level 6 (optional module) Time: Wednesdays 6-7.20pm, 2014-15 Module description This module introduces students to some of the key concepts and methodological approaches used in the contemporary study of science fiction (SF). SF is understood inclusively, as a capacious genre overlapping at times with fantasy, utopian/dystopian literature, Gothic, satire, speculative fiction, and the alternate mappings of literary history offered by modernism or postmodernism. Focusing on its development throughout the twentieth and into the twenty-first century, we will consider the ways in which SF has evolved: in particular in the novel and the short story, but also at times invoking other forms such as drama and film. We will be drawing on a range of critical approaches through which to explore some of the defining interests of SF literature and to reflect upon its critical reception in secondary literature. Module aims and objectives • To develop understanding of debates about genre. What is ‘genre fiction’? What distinctions or hierarchies are established between ‘literary’ and ‘genre’ texts? How have our understandings of SF as a genre changed over the last century? • To become familiar with recurring tropes such as robots, space exploration, genetic engineering, dystopian futures and (post-) apocalyptic worlds. • To explore ways that Science Fiction has acted as a social commentary on contemporary society. • To gain an understanding of how Science Fiction has explored ideas including parallel worlds, alternate histories and different models of time and reality. • To gain knowledge of diverse critical approaches to SF, including those from Marxism, structuralism, gender studies, postcolonial theory, cultural history, adaptation studies, ecocriticism and utopianism / dystopianism. -
The National Fantasy Fan Produced by the National Fantasy Fan Federation
The National Fantasy Fan Produced by the National Fantasy Fan Federation Vol. 10, No. 2 June 2010 National Fantasy Fan Federation 2010 Officers President: Jon D. Swartz, 12115 Missel Thrush Court, Election Teller: Ruth R. Davidson, 4807 Capay Drive #2, Austin, TX 78750; [email protected] San Jose, CA 95118; [email protected] The Directorate Historian: Jon D. Swartz (see President) Chairman: Dennis Davis, 25549 Byron St., San The Editorial Cabal Bernardino, CA 92404-6403; [email protected] Editor: Heath Row (See Directorate) Vice Chairman: Sarah E. Harder, 1574 Notre Dame Ave., Online Editor: Ruth R. Davidson (see Election Teller) Belmont, CA 94002; [email protected] Reviews Editor: Heath Row (see Directorate) Heath Row, 438 N. Stanley Ave., Los Angeles, CA 90036; [email protected] Art Editor: Sarah E. Harder (see Directorate, Vice Chairman) David Speakman, 501 Moorpark Way #83, Mountain View, CA 94041; [email protected] Publisher: Craig Boyd, P.O. Box 25631, Little Rock, AR 72221-5631 Keith Walker, 6 Vine St., Lancaster, Lancashire LA1 4UF UK; [email protected] Distributor: Dennis Davis (see Directorate, Chairman) Secretary: Dennis Davis (see Directorate, Chairman) Advisor: Ruth R. Davidson (see Election Teller) Treasurer: William Center; [email protected] Bureaus and Activities Artists Bureau: Sarah E. Harder (see Directorate, Vice Neffer Amateur Press Alliance (N'APA): R-Laurraine Chairman) Tutihasi (see Birthday Cards) Birthday Cards: R-Laurraine Tutihasi, P.O. Box 5323, Neffy Awards: David Speakman (see Directorate) Oracle, AZ 85623-5323; [email protected] Round Robins: Patricia King, 510 Village Court, Nashville, Correspondence: Sarah E. Harder (See Directorate, Vice TN 37206 Chairman) Short Story Contest: Jefferson Swycaffer, P. -
Tolkien Fandom Review 1964
Tolkien Fandom Review from its beginnings to 1964 by Sumner Gary Hunnewell (Hildifons Took) 2010 Second Edition (August 2010) First Edition (June 2010) 50 copies © 2010, The New England Tolkien Society Sumner Gary Hunnewell (Hildifons Took) 2030 San Pedro Dr., Arnold, Missouri 63010 U.S.A. A Short Overview of Tolkien Fandom up to 1964 Although serious admirers and fans of Tolkien existed soon after the publication of The Fellowship of the Ring*, an organized Tolkien fandom as “The Fellowship of the Ring” sprung forth in a 49-minute meeting during the Pittsburgh Worldcon on September 4, 1960. A group of dedicated Los Angeles science fiction fans had been kicking around the idea of a Tolkien only club as early as 1959. As Ken Cheslin, the British agent of The Fellowship of the Ring, aptly put it “I would say that the Tolkein [sic] society [meaning The Fellowship of the Ring] wasn’t an offshoot…it consisted of fans who regarded JRR as, I think, a little something extra, a little area of interest IN ADDITTION [sic] to the then fandom, not an alternative or a replacement, substitute, etc.” The first controversy was what to call the group as some thought The Fellowship of the Ring was a bit ostentatious. Moreover, of course, there were rules. The people who formed the club would allow ‘Counsels’ created if there were five or more members in an area. Those people who provided accepted research papers would become members. Non-members could purchase the magazine. Although there was enthusiasm by Ted Johnstone (editor) and Bruce Pelz (publisher) of the group’s fanzine, I Palantir, for this level of scholarship and membership, no councils formed. -
Guest Editorial
Guest E ditorial Allen M. Steele WHERE WE CAME FROM IS WHERE WE’RE GOING The following essay is adapted from a speech made at the second Asian Pacific Sci - ence Fiction Convention (Apsfcon 2019) in Beijing, China, on May 26, 2019. I’m not only a science fiction writer, but also a science fiction historian, albeit of the armchair variety. The history of the SF genre fascinates me just about as much as any SF novel I’ve ever read. I’ve often used SF history as the background for my own work, such as my novel Arkwright , and lately my interest has only become stronger as I’ve explored the genre’s origins. One of the most wonderful things that’s come out of my studies is an appreciation for SF’s roots and just how truly international they are. More importantly, though, if we accept the idea that examining history can be a reliable means of forecasting the future—a major reason why it’s important to preserve the past and study it—then it’s possible that we may be able to perceive the direction where we’re headed by looking back to see where we’ve come from. Thus, a brief, and by no means complete, history of science fiction: Like science fiction’s close cousin, fantasy, SF has its roots in fables and myth-olo - gy, stories of the fantastic as opposed to realistic fiction. Much of this, particularly the imaginative literature published prior to the mid-nineteenth century, could be considered proto-SF. -
Missives to Mythlore
Volume 1 Number 4 Article 14 10-15-1969 Missives to Mythlore Stanley Hoffman Nan Bruade Iver Rogers Marty Helgesen Patrick Strang See next page for additional authors Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Hoffman, Stanley; Bruade, Nan; Rogers, Iver; Helgesen, Marty; Strang, Patrick; and Kreeft, Peter (1969) "Missives to Mythlore," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 1 : No. 4 , Article 14. Available at: https://dc.swosu.edu/mythlore/vol1/iss4/14 This Letter is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Authors Stanley Hoffman, Nan Bruade, Iver Rogers, Marty Helgesen, Patrick Strang, and Peter Kreeft This letter is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol1/iss4/14 Missives f® M yt M@r© Stanley- Hoffmaja, 7857 Orion ave . -
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: an E-Ethnographic Study
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: An E-Ethnographic Study Student: P.D.T. Staps (Tim) ANR: 558935 Supervisors: Dr. M. Spotti Dr. S. Milan Second reader: Dr. M. van Zaanen Master thesis Communication and Information Sciences Track Data Journalism Faculty of Humanities, Tilburg University May 2014 A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES ii A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES Preface My career as a student of Tilburg University is coming to an end. It was fun being a student and I enjoyed it very much. For me it is the end of an era of being a student and the beginning of a new period of my life, with a fulltime professional career maybe? You may want to know why I wrote a master thesis about the fandom of Game of Thrones. This report is the final product of my master thesis, which I carried out as part of the master program Communication- and Information Sciences, specialization Data Journalism. The road towards the point of graduation and completing this thesis was not easy. What made it challenging and fun for me was changing topic. My first topic was about social media that enables and provides fans a certain level of “backstage access” to their favorite artists. In other words, they have a direct line to their favorite artist. After abandoning this topic I switched to the question: what is a good-enough fan? Being a fan of a cultural object is something I personally ‘spread’ around: I openly state that I am a fan of FC Barcelona, Game of Thrones, J.R.R. -
NORTHWESTERN UNIVERSITY the Reality of Fantasy Sports
NORTHWESTERN UNIVERSITY The Reality of Fantasy Sports: Transforming Fan Culture in the Digital Age A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of Media, Technology and Society By Ben Shields EVANSTON, ILLINOIS June 2008 2 © Copyright by Ben Shields 2008 All Rights Reserved 3 ABSTRACT The Reality of Fantasy Sports: Transforming Fan Culture in the Digital Age Ben Shields This dissertation analyzes the transformation of fantasy sports from a deviant, outside- the-mainstream fan culture to a billion-dollar industry that comprises almost 20 million North American participants. Fantasy sports are games in which participants adopt the simultaneous roles of owner, general manager, and coach of their own teams of real athletes and compete in leagues against other fantasy teams with the individual statistical performance of athletes determining the outcome of the match and league standings over a season. Through an analysis of how fantasy sports institutions are co-opting an existing fan culture, the dissertation seeks to contribute to an emerging body of scholarship on the communication dynamic between fans and media institutions in the digital age. In order to understand this cultural shift within the context of fantasy sports, it focuses on three research questions: What is the history of fantasy sports? Why do fantasy sports stimulate avid and engaged fan behaviors? How do fantasy sports institutions communicate with fantasy sports fan cultures? The methodology employed in this study combines both an ethnographic approach and textual analysis. Personal interviews were conducted with fifteen decision makers from fantasy sports companies such as SportsBuff, Rotowire, Fantasy Auctioneer, Mock Draft Central, Grogan’s Fantasy Football, CBS Sportsline, and ESPN. -
Loscon 34 Program Book
LosconLoscon 3434 WelcomeWelcome to the LogbookLogbook of the “DIG”“DIG” LAX Marriott November 23 - 25, 2007 Robert J. Sawyer Author Guest Theresa Mather Artist Guest Capt. David West Reynolds Fan Guest Dr. James Robinson Music Guest 1 2 Table of Contents Anime .................................. Pg 68 Kids’ Night Out ..................... Pg 63 Art Show .............................. Pg 66 Listening Lounge .................. Pg 71 Awards Masquerade .......................... Pg 59 Evans-Freehafer ................ Pg 56 Members List ................. Pg 75-79 Forry ................................. Pg 57 Office / Lost & Found .......... Pg 71 Rotsler .............................. Pg 58 Photography/Videotape Policies .... Pg 70 Autographs .......................... Pg 73 Programming Panels ....... Pg 38-47 Bios Regency Dancing .................. Pg 62 Author Guest of Honor .........Pg 8-11 Registration .......................... Pg 71 Artist Guest of Honor ........ Pg 12-13 Room Parties ........................ Pg 63 Music Guest of Honor ........ Pg 16-17 Security Fan Guest of Honor ................. Pg 14 Rules & Regulations ..... Pg 70,73 Program Guests ........... Pg 30-37 No Smoking Policy ............. Pg 73 Blood Drive ........................... Pg 53 Weapons Policy ........... Pg 70,73 Chair’s Message .................. Pg 4-5 Special Needs ....................... Pg 60 Children’s Programming ........ Pg 68 Special Stories Committee & Staff ............. Pg 6-7 Peking Man .................. Pg 18-22 Computer Lounge ............... -
By Lee A. Breakiron ONE-SHOT WONDERS
REHeapa Autumnal Equinox 2015 By Lee A. Breakiron ONE-SHOT WONDERS By definition, fanzines are nonprofessional publications produced by fans of a particular cultural phenomenon, such as a literary or musical genre, for the pleasure of others who share their interests. Readers themselves often contribute to fanzines by submitting their own articles, reviews, letters of comment, and fan fiction. Though the term fanzine only dates from 1940 when it was popularized within science fiction and comic book fandom, the first fanzines actually date back to at least the nineteenth century when, as a uniquely American development, literary groups formed amateur press associations or APAs in order to publish collections of poetry, fiction, and commentary. Few, if any, writers have had as many fanzines, chapbooks, and other ephemera dedicated to them as has Robert E. Howard. Howard himself self-published his own typed “zine,” The Golden Caliph of four loose pages in about August, 1923 [1], as well as three issues of one entitled The Right Hook in 1925 (discussed later). Howard collaborated with his friends Tevis Clyde “Clyde” Smith, Jr., and Truett Vinson in their own zines, The All-Around Magazine and The Toreador respectively, in 1923 and 1925. (A copy of The All-Around Magazine sold for $911 in 2005.) Howard also participated in an amateur essay, commentary, and poetry journal called The Junto that ran from 1928 to 1930, contributing 10 stories and 13 poems to 10 of the issues that survive. Only one copy of this monthly “travelogue” was circulated among all the members of the group.