DOCSLIB.ORG

Stargirl Episode Guide Episodes 001–020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stargirl Episode Guide Episodes 001–020 Stargirl Episode Guide Episodes 001–020 Last episode aired Tuesday September 21, 2021 www.cwtv.com © © 2021 www.cwtv.com © 2021 © 2021 www.cbr.com © 2021 www.imdb.com stargirl.fandom.com The summaries and recaps of all the Stargirl episodes were downloaded from https://www.imdb.com and https:// www.cwtv.com and https://stargirl.fandom.com and https://www.cbr.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in thetext ! This booklet was LATEXed on September 23, 2021 by footstep11 with create_eps_guide v0.68 Contents Season 1 1 1 Pilot ...............................................3 2 S.T.R.I.P.E. .9 3 Icicle . 15 4 Wildcat . 19 5 Hourman and Dr. Mid-Nite . 23 6 The Justice Society . 27 7 Shiv Part One . 29 8 Shiv Part Two . 33 9 Brainwave . 37 10 Brainwave Jr. 43 11 Shining Knight . 49 12 Stars & S.T.R.I.P.E. Part One . 53 13 Stars & S.T.R.I.P.E. Part Two . 57 Season 2 61 1 Summer School: Chapter One . 63 2 Summer School: Chapter Two . 65 3 Summer School: Chapter Three . 69 4 Summer School: Chapter Four . 73 5 Summer School: Chapter Five . 77 6 Summer School: Chapter Six . 81 7 Summer School: Chapter Seven . 85 Actor Appearances 89 Stargirl Episode Guide II Season One Stargirl Episode Guide Pilot Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Tuesday May 19, 2020 Writer: Geoff Johns Director: Glen Winter Show Stars: Brec Bassinger (Courtney Whitmore / Stargirl), Yvette Monreal (Yolanda Montez / Wildcat), Anjelika Washington (Beth Chapel / Doc- tor Mid-Nite), Cameron Gellman (Rick Tyler / Hourman), Trae Romano (Mike Dugan), Jake Austin Walker (Henry King Jr.), Hunter Sansone (Cameron Mahkent)„ Meg DeLacy (Cindy Burman), Neil Jackson (Jor- dan Mahkent / Icicle), Christopher James Baker (Henry King Sr. / Brainwave), Amy Smart (Barbara Whitmore), Luke Wilson (Pat Dugan / S.T.R.I.P.E.) Guest Stars: Henry Thomas (Dr. Mid-Nite / Charles McNider), Joel McHale (Sylvester Pemberton / Starman), Eric Goins (Steven Sharpe / The Gambler), Neil Hopkins (Lawrence ’Crusher’ Crock / Sportsmaster), Joy Osmanski (Paula Brooks / Tigress), Hina X. Khan (Anaya Bowin / The Fiddler), Joe Knezevich (William Zarick / The Wizard), Mark Ashworth (Janitor Justin), Lou Ferrigno Jr. (Rex Tyler / Hourman), Brian Stapf (Ted Grant / Wildcat), Stella Smith (Artemis Crock), Ash- ley Winfrey (Jenny Williams), Wil Deusner (Joey Zarick), Max Frantz (Isaac Bowin), Annie Thurman (Mary Kramer), Jasun Jabbar Wardlaw Jr. (Brian Tanner Balloid), Sam Brooks (Travis Thomas), Maizie Smith (Courtney @ 5), Olivia Baughn (Mary @ 5), Ashani Roberts (Char- lotte Balogh), Elizabeth Bond (Maggie Kramer), Christian Adam (Josh Hamman), Suehyla El-Attar (Mrs. Patterson), Julia Armitage (Town Girl), Kadrolsha Ona Carole (American Dream Employee), Roy Luke (City Worker), Mason Pike (Driver), Jimmy Star (American Dream Em- ployee), Shawn Weston Thacker (Student), Jaclyn White (Football Fan) Summary: Courtney’s seemingly perfect life in Los Angeles gets upended with a move to Blue Valley, Nebraska with her mother Barbara, stepfather Pat Dugan and stepbrother Mike, and she finds herself struggling to adapt to her new town and high school. But when Courtney discovers that Pat is harboring a major secret about his past, she ultimately becomes the unlikely inspiration for a new generation of Super Heroes. In a flashback set ten years before dur- ing the holiday season, Pat Dugan rushes through empty streets as he tries to get a hold of Starman, who replies to follow his orders to stay away. Their conversation stops short as he screams, just as Pat breaks through the front door of a cliff- side mansion, set ablaze with green lights as a battle for the ages rages inside. Be- fore he can descend up the stairs, Wildcat is pushed through a wall, landing near Pat. He rushes to the fallen hero’s side, as he coughs weakly. Pat forced to leave 3 Stargirl Episode Guide him as he enters the mansion, where he begins to dodge electric shock bolts as The Wizard ends a fight between Tigress and Hourman by levitating the latter. Dr. Mid-Nite is pushed onto the scene, yelling at Pat to leave before a large hand of black moving matter grabs and drags him away. Hourman is dropped onto the floor and is gravely injured, before The Wizard turns his sight on Pat. Welcoming him to the show, the Wizard is incapacitated by Starman and his Cosmic Staff. Tigress and Sportsmaster engage him in combat until they are beaten with his staff. Starman yells at Pat for not waiting in the car, and doesn’t notice Brainwave until he is airborne is a vortex of debris. He aims his staff at the villain, but his attack blocked by a mental shield. A war between mind and will proceeds until which Brainwave breaks and is hit with a beam of light. Starman turns but is stabbed with a dagger of ice in the chest, and falls to the floor. He feebly whispers that the Justice Society of America is gone to Pat as his sidekick carries him to the car to escape. However, Solomon Grundy gives chase, and as he nears Pat presses a button that allows the car to convert into a jet-setting mode and flies off as Solomon hits the back of the vehicle. Damage as done, as an engine dies mid-air and the car crashes into the woods. The two men escape before it explodes, and Pat sets Starman on the floor. He explains that he needs to go to a hospital, but Starman is resolute that it’s the end for him. He tells Pat the JSA must live on, its legacy must survive. Someone with grace, honor, and courage must carry it — but not Pat. In his dying words he states Pat was a good friend. Across Los Angeles, a young Courtney Whitmore, gift in hand, stares at a window as Barbara converses with her friend Miss Kramer and daughter Mary, before telling her own daughter they will watch her while she heads for work. Courtney cries to her mom that she wants to see her daddy. Barbara tells her she understands, before heading out. Courtney watches her mother leaving outside. In the present day, a now teenaged Courtney is packing up her bedroom for the big move, reminiscing about before spotting that same gift for her father on a shelf. She puts it in a box as Mary approaches, telling her she’ll miss her. The two girls embrace sadly, until their attention is turned to Pat arriving outside. Mary notes her new dad, but Courtney coldly states he is not her father and is the reason to moving to Nebraska. With Pat is his own son Mike, himself upset at moving to a rural location. Pat begs his son to stay positive, only to get a snarky reply that it’ll blow positive ass. Mike tells his father he thought they’d stop moving around when he hooked up with Barbara, a term Pat rejects. He tries to help Courtney with a box only to be ignored by her. Barbara notes her anger, telling her Blue Valley is where she grew up and they made the choice to move together. The blended family and their movers arrive to their new house, with Mike being awestruck by the size of his new home. Pat’s attention is distracted as the movers begin to handle a mysteri- ously long trunk, exclaiming its delicate. He tells them he’ll handle, and asks his family if they want to get a bite to eat as Courtney notices a box labelled auto parts. The four walk into the heart of the town, greeted by their residents as they stumble upon Richie’s, the diner where Pat and Barbara met two years ago. Courtney asks why he was in Nebraska, where Pat ominously replies he was looking for something. At night, Pat discreetly goes into the basement to unlock a trunk filled with secret and clas- sified JSA files on the members of the Injustice Society of America, and unravels a heavilyhigh- lighted map with Blue Valley circled around it. Upstairs, Courtney is still unboxing, stopping and looking around the many more still to go. She stops, pained by all the sudden changes in her life but takes comfort in looking up at the starry night sky. The next morning, Pat drives Courtney to her first day of school at Blue Valley High School, whose texting with Mary. He breaks the ice by telling a story on how he moved around a lot when he was young, essentially finding his father to be his best friend. Pat says he made some friends later in life and knows how hard it is to lose someone, but Courtney is unmoved. They arrive, at Pat bids his stepdaughter a great day to her annoyance. She cautiously walks down the crowded school hallway to the school’s office. She’s angered that the school gymnastics team hasbeen recalled due to budget cuts, but the school official with her tells her cheer leading is an option. Pat later stops by his new auto works business, where he meets Larry Crock, otherwise known by "Crusher" and the owner of the self-named gymnasium down the street. He says his gym offers boot camp classes to get in-shape, continuing to promote his business as Pat nervously states he needs to set up the garage first. He bids Larry goodbye, but Larry insists on the nickname "Crusher". 4 Stargirl Episode Guide An excited Barbara arrives for her first day at "The American Dream", where her escort de- scribes the company’s promise to invest back in Blue Valley, and points at two of the executives, one of them being William Zarick.
Load more

Recommended publications
  • W a S H in G T O N N a T U R a L H E R It
    PROGRAM HERITAGE NATURAL Status of Federally Listed Plant Taxa in Washington State Prepared for WASHINGTON U.S. Fish and Wildlife Service, Region 1 Prepared by Walter Fertig 28 June 2021 Natural Heritage Report 2021-01 1 Status of Federally Listed Plant Taxa in Washington State Award Number F18AF01216 Report Date: June 28, 2021 Prepared for U.S. Fish and Wildlife Service Western Washington Fish and Wildlife Office Region 1 Section 6 funding by Walter Fertig Botanist Washington Natural Heritage Program Washington Department of Natural Resources PO Box 47014 Olympia, WA 98504-7014 ii Cover: Ute ladies’ tresses (Spiranthes diluvialis). Photo by Walter Fertig, WNHP, 22 August 2018. Acknowledgements: Thanks to the following individuals for sharing data, providing reviews, or otherwise helping with this project: Jane Abel, Keith Abel, Jon Bakker, Susan Ballinger, Molly Boyter, Paula Brooks, Tom Brumbelow, Keyna Bugner, Tara Callaway, Jeff Chan, Alex Chmielewski, Karen Colson, Kelly Cordell, Ernie Crediford, Vicki Demetre, Nate Dietrich, Peter Dunwiddie, Ethan Coggins, Matt Fairbarns, Kim Frymire, John Gamon, Wendy Gibble, Rod Gilbert, Bridgette Glass, Sarah Hammon, Jamie Hanson, Anthony Hatcher, John Hill, Jasa Holt, Molly Jennings, Regina Johnson, Tom Kaye, Stacy Kinsell, Jake Kleinknecht, Hailee Leimbach-Maus, Joe LeMoine, Peter Lesica, Laurie Malmquist, Adam Martin, Heidi Newsome, Robert Pelant, Jenifer Penny, Von Pope, Tynan Ramm-Granberg, James Rebholz, Nathan Reynolds, Randi Riggs, Joe Rocchio, Jenny Roman, Mike Rule, Melissa Scholten, Sarah Shank, Mark Sheehan, Jacques Sirois, Karen Stefanyk, Mike Stefanyk, George Thornton, Sheri Whitfield, David Wilderman, and David Woodall. My apologies (and thanks!) to anyone I may have omitted. i Table of Contents Contents Introduction...........................................................................................................................
    [Show full text]
  • The Rat Pack and the British Pierrot
    THE RAT PACK AND THE BRITISH PIERROT: NEGOTIATIONS OF NATIONAL IDENTITY, ALIENATION AND BELONGING IN THE AESTHETICS AND INFLUENCES OF CONCERTED TROUPES IN POPULAR ENTERTAINMENT. DAVE CALVERT A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts by Research The University of Huddersfield January 2013 Abstract The thesis below consists of an introduction followed by three chapters that reflect on the performance work of two distinct forms, the British Pierrot troupe and the Rat Pack. The former is a model of performance adopted and adapted by several hundred companies around the British coastline in the first half of the twentieth century. The latter is an exclusive collaboration between five performers with celebrated individual careers in post-World War Two America. Both are indebted to the rise of blackface minstrelsy, and the subsequent traditions of variety or vaudeville performance. Both are also concerned with matters of national unity, alienation and belonging. The Introduction will expand on the two forms, and the similarities and differences between them. While these broad similarities lend a thematic framework to the thesis, the distinctions are marked and specific. Accordingly, the chapters are discrete and do not directly inform or refer to each other. Chapter One considers the emergence of the Pierrot troupe from a historical European aesthetic and argues that despite references to earlier Italian and French modes of performance, the innovations of the new form situate the British Pierrot in its contemporary and domestic context. Chapter Two explores this context in more detail, and looks at the Pierrot’s place in a symbolic network that encompasses royal imagery and identity, the racial implications of blackface minstrelsy and the carnivalesque liminality of the seaside.
    [Show full text]
  • Botany, Invasive Plants, Native Plants, Genetics
    United States Department of Agriculture Forest Service Pacific Northwest FY-16 Region Program Accomplishments Calochortus umpquaensis, Umpqua mariposa lily, is found only in the Umpqua River watershed of Botany southwestern OR. A big "anthophorid" bee is tucked into the flower. Invasive Plants Native Plants Genetics U.S. Department of Agriculture (USDA) civil rights regulations and policies In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offices, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, gender identity (including gender expression), sexual orientation, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the responsible Agency or USDA’s TARGET Center at (202) 720-2600 (voice and TTY) or contact USDA through the Federal Relay Service at (800) 877-8339. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at http://www.ascr.usda.gov/complaint_filing_cust.html and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form.
    [Show full text]
  • The New Snowden Hall Embraces Two Fundamental for the People Who Use the Building Every Day
    M C CARDELL INSTALLED AS VICE-CHANCELLOR n FACES OF SEWANEE VETERANS WINTER 2011 SewaneePUBLISHED FOR ALUMNI AND FRIENDS OF THE UNIVERSITY OF THE SOUTH The New Snowden Hall A home of wood and stone for the study of forestry and geology Sewanee_WTR11.indd 1 1/21/11 2:21 PM Editor Buck Butler, C’89 Associate Editor Pamela Byerly in this Graphic Designer Susan Blettel ISSUE Assistant Editor Heather Walsh, C’12 Photographers Stephen Alvarez, C’87, David Bean, Woodrow Blettel, Buck Butler, Don Hamerman, Tad Merrick, Paul O’Mara, Maurice Taylor, Lawson Whitaker, C’73 Sewanee is published quarterly by the University of the South, including the College of Arts and Sciences and The School of Theology, and is distributed without charge to alumni, parents, faculty, students, staff, and friends of the University. © Copyright 2011, Sewanee. A Home of Wood and Stone Faculty All rights reserved. members and architects collaborated every step of Send address changes to: the way to make sure the renovation and new addition Office of University Relations to Snowden Hall made it the ideal place for the study 735 University Avenue of forestry and geology in Sewanee. P AGE 12 Sewanee, TN 37383-1000 Phone: 800.367.1179 E-mail: [email protected] The Vets Sewanee alumni who are veterans of the armed forces gathered on the Mountain in November Write to us: We welcome letters. for a special Veterans Day celebration. We took the Letters should refer to material pub- opportunity to learn a little about their service, which lished in the magazine and include the writer’s full name, address, and spans military history from World War II to Operation telephone number.
    [Show full text]
  • Tigress Free Ebook
    FREETIGRESS EBOOK Nick Dowson,Jane Chapman | 27 pages | 10 Apr 2007 | Candlewick Press (MA) | 9780763633141 | English | Cambridge, MA, United States Tigress (DC Comics) Example sentences from the Web for tigress The tigress ocean had shown herself in many moods since I had found myself within reach of her claws. My Danish Sweetheart, Volume 3 of 3 | William Clark Russell For all her soft daintiness, there was something of the tigress in Eileen Meredith. TIGRESS is trusted by professional and collegiate players who understand the importance of high performance, high quality equipment. We offer the same materials and craftsmanship in every glove we make, regardless of the player's age group. Some companies offer "kid's gloves". Tigress is ruthless, aggressive and a talented field agent, but also extremely vain, arrogant, competitive and willing to hold a grudge. Paula Brooks Tigress Tigress boldly roams off the beaten track for ideas. Pursuing elusive scents for consumer-brand insights and path-breaking strategies. With a voracious hunger to discover untrodden trails and brave revenue streams. Taking brands through untrammelled terrain to hidden opportunities in value creation and profitability. Want to learn more? Improve your vocabulary with English Vocabulary in Use from Cambridge. Learn the words you need to communicate with confidence. tigress noun [C] (WOMAN). The tiger (Panthera tigris) is the largest extant cat species and a member of the genus Panthera. It is most recognisable for its dark vertical stripes on orange-brown fur with a lighter underside. It is an apex predator, primarily preying on ungulates such as deer and wild boar.
    [Show full text]
  • Read Ebook {PDF EPUB} Batman the Complete History by Les Daniels Batman Complete History by Les Daniels
    Read Ebook {PDF EPUB} Batman The Complete History by Les Daniels Batman Complete History by Les Daniels. But, ah, those names, how they thrilled and fed our imaginations: the Flash, Green Lantern, Green Arrow, Aqua-Man and Hawkman, the Mighty Thor, and a little later the Silver Surfer, Spiderman and the X-Men. To the ignorant eyes of parents, our carefully tended stacks of 20, 50 or 200 issues of Action Comics, World's Finest, Detective Comics, Marvel Comics and so many others merely appeared to tell the same story, again and yet again: A gaudily costumed crime fighter battles a seemingly unbeatable enemy -- sometimes the oddly loquacious alien from another planet or dimension, sometimes the white-coated mad scientist with his destructo-ray, often (and best of all) the monstrous result of some laboratory experiment gone horribly wrong. Never such innocence again. Nowadays, comics have grown up and taken steroids: They are swarthy, mean, perverse, complex, adult. They even require specialized stores -- like X-rated videos -- and aspire to literature. "Graphic novels" can be intricate and wonderful -- ask any student of Neil Gaiman's The Sandman or look at the pastiche brilliance of Alan Moore's The League of Extraordinary Gentlemen -- but they would likely frighten or puzzle the children who lingered for hours over the early adventures of Superman, Batman and Wonder Woman. Three oversized histories now document the life and times of these most durable of all the comic-book legends. Les Daniels's cleanly written text reveals not only the artistic, business and marketing decisions that have made Superman, Batman and Wonder Woman recognizable round the world, but also the ways in which each of their comics differs from the others in style and tone.
    [Show full text]
  • Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
    i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
    [Show full text]
  • KOREY MICHAEL WASHINGTON Production Designer Cardioid-Oval-2Wz6.Squarespace.Com
    KOREY MICHAEL WASHINGTON Production Designer cardioid-oval-2wz6.squarespace.com PROJECTS Partial List DIRECTORS PRODUCERS/STUDIOS THE WONDER YEARS Fred Savage 20TH TELEVISION / ABC Pilot Melissa Wylie, Saladin Patterson ALL AMERICAN Pilot & Series Various Directors WARNER BROS. / THE CW Art Director Lori-Etta Taub, Nkechi Okoro Carroll AMBITIONS Benny Boom OWN / WILL PACKER PROD. Pilot & Series Various Directors Dianne Ashford, Jamey Giddens, Will Packer HART OF THE CITY Leslie Small COMEDY CENTRAL Season 2 Kevin Hart, Dana Riddick, Joey Wells HOUSE OF PAYNE Tyler Perry TBS Seasons 6 & 7 Various Directors Roger Bobb, Ozzie Areu, Tyler Perry MILES AHEAD Feature Film Don Cheadle SONY PICTURES CLASSICS Art Director Daniel Wagner, Robert Ogden Barnum BELLE’S Ed Weinberger TV ONE Pilot & Series Suny B. Parker Ed Weinberger, Leo Lawrence TEEN WOLF Jeff Davis MTV Pilot Marty Adelstein RECTIFY Seasons 3 & 4 Stephen Gyllenhaal SUNDANCE CHANNEL Art Director Various Directors Marshall Persinger, Mark Johnson STOMP THE YARD 2: HOMECOMING Rob Hardy SCREEN GEMS Feature Film Dianne Ashford, Will Packer THINK LIKE A MAN Feature Film Tim Story SCREEN GEMS 2nd Unit Glenn Gainor, Will Packer, Rob Hardy DROP DEAD DIVA Seasons 1 - 3 Jamie Babbit LIFETIME Art Director Various Directors Robert J. Wilson, Josh Berman THE LENA BAKER STORY Ralph Wilcox AMERICAN WORLD PICTURES Feature Film Ralph Wilcox, Dennis Johnson PASTOR BROWN Rockmond Dunbar ARC ENTERTAINMENT Feature Film Charles Oakley, Shaun Livingston THREE CAN PLAY THAT GAME Samad Davis SONY PICTURES Feature Film Dianne Ashford, Will Packer, Rob Hardy TROIS: THE ESCORT Sylvain White COLUMBIA TRISTAR Feature Film Dianne Ashford, Rob Hardy, Will Packer PANDORA’S BOX Rob Hardy COLUMBIA TRISTAR Feature Film Will Packer, Gregory Anderson SPECIALS Partial List UNT MS.
    [Show full text]
  • 2017… Program of Work
    2017… PROGRAM OF WORK. Umatilla National Foresttt View from Oregon Butte - Pomeroy Ranger District United States Department of Agriculture FOREST SERVICE 1 The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, age, disability, and where applicable, sex, marital status, familial status, parental status, religion, sexual orientation, genetic information, political beliefs, reprisal, or because all or part of an individual’s income is derived from any public assistance program. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, 1400 Independence Avenue, S.W., Washington, D.C. 20250-9410, or call (800) 795-3272 (voice) or (202) 720-6382 (TDD). USDA is an equal opportunity provider and employer. 2 TABLE OF CONTENTS Umatilla National Forest 2017 Program of Work 2016 Forest Staff and Accomplishments………………....…….. Page 5 South Zone Program of Work: Heppner Ranger District.………..…………………………..……….….. Page 7 North Fork John Day Ranger District………………………….…..….… Page 21 North Zone Program of Work: Pomeroy Ranger District …………………………..…………………… Page 33 Walla Walla Ranger District…………….……………………………..... Page 41 Forest-Wide Program of Work: Forest-wide projects…………………………………….…………….…
    [Show full text]
  • 2017-2018 Annual Report
    Annual Report 2017-2018 Marmion Abbey | Marmion Academy | Abbey Farms | Guatemala Mission | 1 2017-2018 Annual Report Dear Friends of Marmion, Marmion is blessed to have the generous support of our alumni, parents (past and present) and dear friends who invest in the many ministries of the Marmion monks. This 2017-18 Annual Report recognizes those who provided financial support to the Abbey, Academy, Abbey Farms and Guatemala Priory over this past fiscal year (July 1, 2017 - June 30, 2018). During this fiscal year, Marmion was blessed to receive $3,545,298 in donations in support of the Abbey, Academy, Abbey Farms and the Guatemala Priory. These generous gifts came from 1,929 individual donors (couples are counted as one) from 47 states and 4 countries outside of the U.S. (see map below). With your help, we educated 600 young men (Marmion and Colegio Seminario San José), provided $800,000 in financial aid and scholarships, installed air conditioning on the bottom floor of the Yender Hall Classroom Building, renovated and reopened the after-school snack shop, purchased new curtains for the stage and reroofed Alumni Hall and the main Abbey building, added new dual-credit courses and additional educational programing, planned the groundbreaking of the Abbey Farms Apple Orchard, and continued to serve the people of Quetzaltenango, Guatemala. This is just a snapshot of what was achieved as a result of donations to Marmion. We are excited to announce that for the first time the MARMION FUND goal of $1.25 million was not only achieved, but exceeded. Participation in the annual fund mailing, Giving Tuesday, Marmathon, Salute to Youth, the BIG GIVE, the Guardian Angel Fund and Alumni Association events support the MARMION FUND efforts to fill the gap between tuition ($12,150) and the cost of educating our students (a gap of $2,250 per student).
    [Show full text]
  • The Skeptic Contents Vol 25, No 1 Autumn 2005 ISSN 0726-9897 Regulars
    the Skeptic Contents Vol 25, No 1 Autumn 2005 ISSN 0726-9897 Regulars Editor ♦ 3 – Editorial — Who to Blame?— Barry Williams Barry Williams ♦ 4 – Around the Traps — Bunyip ♦ 63 – Letters Contributing Editors ♦ 66 - Notices Tim Mendham Steve Roberts Technology Consultant Features Richard Saunders ♦ 6 - Facing Disasters — Rob Hardy Chief Investigator ♦ 8 - Communication Failure — Peter Bowditch Ian Bryce ♦ 10 - Much Ado ... — Sir Jim R Wallaby ♦ 11 - Nutrition Myth: Artificial Sweeteners — Glenn Cardwell All correspondence to: ♦ 14 - The Psychic Skeptic Pt 2 — Karen Stollznow Australian Skeptics Inc ♦ 19 - Pestiferous Laws — Colin Keay PO Box 268 ♦ Roseville NSW 2069 21 - Sensing Nothing — Christopher Short Australia ♦ 23 - Psychics Dealt Out — Anon (ABN 90 613 095 379 ) ♦ 28 - One Strange Brotherhood — Brian Baxter ♦ 32 - The Skeptical Potter — Daniel Stewart Contact Details ♦ 36 - Escaping the Gravitational Pull of the Gospels — David Lewis Tel: (02) 9417 2071 ♦ Fax: (02) 9417 7930 40 - Resting on Shaky Ground — Sue-Ann Post new e-mail: [email protected] ♦ 43 - The Good Word: Language Lapses — Mark Newbrook ♦ 46 - Review: An Amazing Journey — Rob Hardy Web Pages ♦ 48 - Review: Where Do We Go From Here? — Martin Hadley Australian Skeptics ♦ 49 - Review: Memoirs of a Country Doctor — Ros Fekitoa www.skeptics.com.au ♦ No Answers in Genesis 50 - Literature v Literalism — Peter Bowditch http://home.austarnet.com.au/stear/default.htm ♦ 51 - Feedback: Self Help Books — John Malouf ♦ 52 - Feedback: Sex Drugs & Rock ‘n Roll — Loretta Marron the Skeptic is a journal of fact and opinion, ♦ 54 - Forum: When the Cheering Had to Stop published four times per year by Australian ♦ 58 - Forum: Society, Medicine & Alternative Medicine Skeptics Inc.
    [Show full text]
  • The Reflection of Sancho Panza in the Comic Book Sidekick De Don
    UNIVERSIDAD DE OVIEDO FACULTAD DE FILOSOFÍA Y LETRAS MEMORIA DE LICENCIATURA From Don Quixote to The Tick: The Reflection of Sancho Panza in the Comic Book Sidekick ____________ De Don Quijote a The Tick: El Reflejo de Sancho Panza en el sidekick del Cómic Autor: José Manuel Annacondia López Directora: Dra. María José Álvarez Faedo VºBº: Oviedo, 2012 To comic book creators of yesterday, today and tomorrow. The comics medium is a very specialized area of the Arts, home to many rare and talented blooms and flowering imaginations and it breaks my heart to see so many of our best and brightest bowing down to the same market pressures which drive lowest-common-denominator blockbuster movies and television cop shows. Let's see if we can call time on this trend by demanding and creating big, wild comics which stretch our imaginations. Let's make living breathing, sprawling adventures filled with mind-blowing images of things unseen on Earth. Let's make artefacts that are not faux-games or movies but something other, something so rare and strange it might as well be a window into another universe because that's what it is. [Grant Morrison, “Grant Morrison: Master & Commander” (2004: 2)] TABLE OF CONTENTS 1. Acknowledgements v 2. Introduction 1 3. Chapter I: Theoretical Background 6 4. Chapter II: The Nature of Comic Books 11 5. Chapter III: Heroes Defined 18 6. Chapter IV: Enter the Sidekick 30 7. Chapter V: Dark Knights of Sad Countenances 35 8. Chapter VI: Under Scrutiny 53 9. Chapter VII: Evolve or Die 67 10.
    [Show full text]