GL17 · Premios Óscar
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
What Characters Learn and What They Never Will
What characters learn and what they never will This session was written by Lucy for The Script Factory’s I © screenwriting course presented at BFI Southbank, June 2013. The teaching points in this lecture are mostly illustrated with reference to the following four films: Argo (dir. Ben Affleck, scr. Chris Terrio, 2012) Sightseers (dir. Ben Wheatley, scr. Alice Lowe & Steve Oram, 2012) Up in the Air (dir. Jason Reitman, scr. Jason Reitman & Sheldon Turner, 2009) Animal Kingdom (dir./scr. David Michod, 2010) Screenwriting lore dictates that characters should learn life-improving lessons through their experiences. Pardon our French, but that’s bullsh*t! In many films the external challenges the character faces are so great that it’s imperative that they are equipped with the necessary attributes to tackle those obstacles from the outset. In other movies the characters remain obstinate despite what life throws at them and their inability to change is exactly what the film is about. This session examines how to chart convincing character journeys and, if your character does need to overcome a flawed attitude to life, how to ensure that the difference in whom they are at the beginning and end of the film is clearly marked. By far the most vital way that an audience literally gets on board with what’s at stake in a story is through the characters. This is because we generally go to see films in order to have an emotional experience. There are probably exceptions but, on the whole, we don’t buy tickets because we want to be educated, we are not hoping to improve our minds or learn a lesson – we are going to the cinema to have a vicarious experience through watching characters do stuff. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture
Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Lauren Melody Shell Florence, South Carolina Master of Fine Arts, Mary Baldwin College, 2009 Master of Letters, Mary Baldwin College, 2008 Bachelor of Arts in English and Theatre, Anderson University, 2006 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Fine Arts Department of Drama University of Virginia May, 2014 ii Approval Name: Lauren Melody Shell Degree: Master of Fine Arts (Technical Direction) Title of Thesis: Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Review Committee: ________________________________________ LaVahn Hoh, MFA; M.A Supervisor and Department Head Professor of Technical Direction ________________________________________ Michael Rasbury Graduate Faculty Associate Professor of Sound Design ________________________________________ Steven Warner, MFA Technical Director/Lecturer University of Virginia Technical Director Date Defended/Approved: _________________________ iii Table of Contents Part I: Introduction……………………………………………………………………… 1 Part II: The Movement and Evolution of Fairy Tales…………………………………... 3 Part III: Special Effects Makeup Throughout Time…………………………………….. 11 Part IV: Fairy Tales Found in TV and Film…………………………………………….. 19 Part V: Conclusion……………………………………………………………………… 32 Appendix A: Materials and Construction Glossary…………………………………….. 33 Appendix B: Step-by-Step Process of Fairy Tale Makeup Creation……………………. 36 Appendix C: Character Flowchart for Once Upon a Time……………………………… 50 Works Cited……………………………………………………………………………... 51 Works Consulted………………………………………………………………………... 54 1 Part I: Introduction “Once upon a time…” These words create a formula that signifies the beginning of a tale. This tale will inevitably contain any number of the following constructs: acts of heroism, a maiden in peril, an evil queen, a magical kiss, an impish trickster, an epic duel, and/or a happily ever after. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
I H611 Oween Iv
THE BLOB Meet the Goo Crew I H611 OWEEN IV - I Michael's revenge _ ) Tom Savini shocker: _ "I hate splatter!" I fRIGHT NIGHT 2 - I The FX boys _ with the bats I PHANTASM II - I See the blood spurt _ FANGORIA "77 GUTS 14 NONS ON SKATES Does Donald G. Jackson.., the man behind "The Demon Lover" and now "Roller Blade Warriors, " set out to make dumb movies on purpose? 20 "THE KISS" AND TELL "Fly" vets Chris Walas and Stephen Dupuis supply the monste,: FX for a Canadian demon tale. 26 THE BOYS OF "FRIGHT NIGHT-PART 2" FX chief Bart Mixon & his men turn beauty into beast in the vampire sequeL 30 THANKS FOR THE MAMMARIES Can "Elvira. Mistress of the Dark" make it on the big screen? Cassandra Peterson's betting her career on it. 35 PREVIEW: "NIGHTMARE ON ELM STREET 4" The sequel that comes as no surprise finds Freddy offing the Elm Street kids. 40 THE RETURN OF TOM SAVINI After the simian shenanigans Of "Monkey Shines, .. the Scream Great wants to segue into the director's c hair. 44 FROM. SPHERE TO SPHERE Don Coscarelli hopes he reclaimed his foothold infear fandom with "Phantasm 11. " 48 B(J(LDING A BETTER "BLOB" No more Jell-Ojokes. please. Just watch Tony Gardner's FX catapult him into makeup stardom. 52 MR. EVIL ED Thank heavens! Stephen Geolfreys, the maniacal kid from "Fright Night" and "976-EVIL, " isn't like the obnoxious twits he plays on sc reen . Publishers NORMAN .JACOBS GRAVY KERRY O' QUINN Associate Publisher 6 ELEGY Repealing 56 NIGHTMARE RITA EISENSTEIN pooper·scooper laws LIBRARY Farris jumbles Assistant Publisher 7 POSTAL ZONE MILBURfilSMITH Reader review Circulation Director roundup ART SCHULKlrt 58 PIT & PEN OF 10 MONSTER ALEX GORDON Creative Director W.R. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
BEST PICTURE O up Director Actor in a Leading Role ACTRESS in a Leading Role Actor in a Supporting Role ACTRESS in a Supporting
Up–to–the–minute Oscar news and wrap-up on vulture.com 2010 OSCAR PooL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Avatar Ajami Burma VJ Anders Østergaard and Lise Lense-Møller The Blind Side Israel | Directed by Scandar Copti and Yaron Shani The Cove Louie Psihoyos and Fisher Stevens District 9 The Milk of Sorrow (La Teta Asustada) Food, Inc. Robert Kenner and Elise Pearlstein Peru | Directed by Claudia Llosa An Education The Most Dangerous Man in America: A Prophet (Un Prophète) The Hurt Locker Daniel Ellsberg and the Pentagon Papers France | Directed by Jacques Audiard Judith Ehrlich and Rick Goldsmith Inglourious Basterds The Secret in Their Eyes (El Secreto de Sus Ojos) Which Way Home Rebecca Cammisa Precious Argentina | Directed by Juan José Campanella A Serious Man The White Ribbon (Das Weisse Band) DOcuMENtarY SHOrt SubJect Up Germany | Directed by Michael Haneke China’s Unnatural Disaster: The Tears of Up in the Air Sichuan Province Jon Alpert and Matthew O’Neill OriGINal SCOre The Last Campaign of Governor Booth Gardner DirectOR Avatar James Horner Daniel Junge and Henry Ansbacher James Cameron Avatar Fantastic Mr. Fox Alexandre Desplat The Last Truck: Closing of a GM Plant Kathryn Bigelow The Hurt Locker The Hurt Locker Marco Beltrami and Buck Sanders Steven Bognar and Julia Reichert Quentin Tarantino Inglourious Basterds Sherlock Holmes Hans Zimmer Music by Prudence Roger Ross Williams and Lee Daniels Precious Up Michael Giacchino Elinor Burkett Jason Reitman Up in the Air Rabbit à la Berlin Bartek Konopka and Anna Wydra OriGINal SONG ActOR IN A LeadiNG ROle The Princess and the Frog “Almost There” ANIMated SHOrt FilM Jeff Bridges Crazy Heart Music and Lyric by Randy Newman French Roast Fabrice O. -
Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505
Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 VOLUME 8 NUMBER 4 Anniversary Issue 2012 Features Departments 22 The Hollywood Museum 4 From the President Congratulates Local 706 Tonight is your night! 24 Creating the Fantasy 6 Local Perspective With hair & make-up effects Artisans’ 75th Anniversary 8 Special Thanks 28 75 Years of Wonderful History A letter from Gov. Brown The way we were 10 Certificate of Recognition From Mayor Villaraigosa 13 Guild News The first contract 16 Government Proclamations Top, left to right: Our charter, a hand-embroidered Local 706 banner before hairdressers came in. Above: 1950s Deb Star Ball at the Hollywood Palladium Above, from left: Imogene Coca in make-up, Carmen Dirigo, hair stylist to the stars of the 1930s & 1940s. 1 Official Magazine of Hollywood Make-up Artists & Hair Stylists. Published in the Interest of ALL the Members of Make-up Artists & Hair Stylists I.A.T.S.E. Local 706 Thank You Supervising Editor JEFF ANGELL Contributing Writers MICHAEL FRANCIS BLAKE SUSAN CABRAL-EBERT TOMMY COLE Publisher For your Generous Support INGLEDODD PUBLISHING Office Manager KATHY SAIN as the Presenting Sponsor Mailing List Manager DIANE BURNS of our The Artisan is published quarterly 75th Diamond Anniversary Celebration by Make-up Artists & Hair Stylists, I.A.T.S.E. Local 706, 828 No. Hollywood Way, Burbank, CA 91505 Phone (818) 295-3933. Fax 818-295-3930 All editorial and photo and Your Continuous Encouragement submissions should be sent to e-mail address: [email protected] of our Professional Development and Craft. -
32-01 Cover BC Summer2011.Indd
Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 Berlin London San Francisco Chennai KRYOLAN Corp. KRYOLAN City* 132 Ninth Street 2034 North Halsted Street 7ER*VERGMWGS'%97% Chicago, IL 6061497% Phone: +1 1800/kryolan Phone: +1 415/863 9684 +1 773/248 1419 Fax: +1 415/863 9059 Fax: +1 773/248 1486 E-mail: [email protected] E-mail: [email protected] Web: www.kryolan.com Web: www.kryolan.com Find KRYOLAN on VOLUME 7 NUMBER 3 Summer 2011 what’s inside 20 Features 19 Emmy Awards Primetime nominees & daytime winners 20 Introducing the Immortals A make-up designer’s dream 24 Grimm Tales Scary characters come to life 19 10 24 IT’S TIME TO GET INSPIRED. Departments Study the basics. Experiment with colors and textures. Achieve your dreams. At Make-Up 4 From the President Stand Up, Fight Back campaign Designory (MUD), we provide the building blocks for an exceptional learning experience. 6 Local Perspective MUD was founded over a decade ago by accomplished professional make-up artisans. At our two thriving campuses From the Business Rep in Los Angeles and New York, students from around the world join us to study the latest techniques in beauty make-up 10 Guild News artistry, hairstyling, character and special effects make-up. We’ve graduated some of the fi nest make-up artists in the A trade show & on the set visit industry into “starring roles” – from Hollywood to Broadway and the runways of Europe. -
Hurt Locker’ Sweeps Oscars, Winners 82Nd Academy Awards
life TUESDAY, MARCH 9, 2010 ‘Hurt Locker’ sweeps Oscars, Winners 82nd Academy Awards makes Hollywood history Best picture The Hurt Locker The Iraq war drama won six Academy Awards, including best film and best director, Best actor while Sandra Bullock and Jeff Bridges were named best actress and best actor Jeff Bridges, Crazy Heart Best actress BY BOB TOurtellOtte Sandra Bullock, The Blind Side REUTERS, LOS ANGELES Director Kathryn Bigelow, The Hurt Locker Foreign language film The Secret in Their Eyes (El Secreto de Sus Ojos) Supporting actor Christoph Waltz, Inglourious Basterds Supporting actress Mo’Nique, Precious: Based on the Novel ‘Push’ by Sapphire Original screenplay Mark Boal, The Hurt Locker Adapted screenplay Geoffrey Fletcher, Precious: Based on the Novel ‘Push’ by Sapphire Animated feature Up Animated short film Logorama Art direction Rick Carter and Robert Stromberg (art direction) and Kim Sinclair (set decoration), Avatar Costume design Sandy Powell, The Young Victoria Makeup Barney Burman, Mindy Hall and Joel Harlow, Star Trek From left: Mark Boal, Kathryn Bigelow and Greg Shapiro celebrate winning the best picture Oscar for The Hurt Locker; Sandra Bullock poses with her best actress Oscar for The Blind Side; Jeff Bridges holds his best actor Oscar for Crazy Heart. PHOTOS: AGENCIES Cinematography Mauro Fiore, Avatar he Hurt Locker director Kathryn “This has been a dream, beyond a who helps take a homeless youth off the McDaniel had when she won supporting Live action short film Bigelow battled her way into Oscar dream,” said Boal, a journalist who was street and makes him into a football success. -
"Long Before the War Ended, Patton Was a Legend. Spectacular, Swaggerinc , Pistol Packing, Deeply Religious and Violently Profane
No BASTARD EVER WON A WAR BY DYING FOR HIS COUNTRY. HE WON IT BY MAKING THE OTHER POOR DUMB BASTARD DIE FOR HIS COUNTRY..." GENERAL GEORGE S, RATION, JR. FROM A NEW YORK TIMES EDITORIAL, DEC. 22, 1945: "LONG BEFORE THE WAR ENDED, PATTON WAS A LEGEND. SPECTACULAR, SWAGGERINC , PISTOL PACKING, DEEPLY RELIGIOUS AND VIOLENTLY PROFANE... EASILY MOVED TO ANGER... EASILY MOVED TO TEARS... HE WAS A STRANGE COMBINATION OF FIRE AND ICE." «*-«•r. snrrr/ K uu, MJJJW•X * tit "t*Vl TOV i !*m Keumt rttMIUH.SgttffiffB mUiSlRWmStlK 81. l«m*S/i«SS. 'ISSlfliilSSTSItt SlbUliMMtn tfWT (OIBSWTK V facets of t fie 'Diamond: 75 years of 'Best "Picture Dinners Academy of Motion Ticture Arts and Sciences SamueC QoCcfwyn 'Theater ApriC28, 2003 1970 The Forty-Third Academy Awards® presentation, for films released in 1970, was held on April 15, 1971 in the Dorothy Chandler Pavilion of the Los Angeles County Music Center. It was produced for the Academy by Robert Wise. It was produced and directed for NBC by Richard Dunlap. Awards were presented by thirty-four "Friends of Oscar®" including: Burt Bacharach, Harry Belafonte, Richard Benjamin, Joan Blondell, Jim Brown, Genevieve Bujold, Glen Campbell, Petula Clark, Angie Dickinson, Melvyn Douglas, Lola Falana, Janet Gaynor, Goldie Hawn, Bob Hope, John Huston, James Earl Jones, Shirley Jones, Sally Kellerman, Burt Lancaster, Steve McQueen, John Marley, Walter Matthau, Sarah Miles, Ricardo Montalban, Jeanne Moreau, Merle Oberon, Ryan O'Neal, Gregory Peck, Paula Prentiss, Juliet Prowse, Eva Marie Saint, George Segal, Maggie Smith and Gig Young. Ingmar Bergman received the Thalberg Award, Frank Sinatra the Hersholt Humanitarian Award and Honorary Oscars went to Orson Welles and Lillian Gish.