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HBO's Vinyl Revisits the Golden Age of Rock
THEY WILL ROCK Photo by Niko Tavernise/HBO Photo by Niko YOU HBO’s Vinyl revisits the golden age of rock ‘n’ roll By Joe Nazzaro oardwalk Empire creators Terence Winter and Martin Scorsese team up with veteran rocker Mick Jagger (who Boriginally conceived the idea of a show two decades ago) for the new HBO drama Vinyl. It’s about music executive Richie Finestra (played by Bobby Cannavale) trying to run a successful business amid the fast-changing 1970s music scene. “The whole project takes place in 1973 New York,” explains make-up department head Nicki Ledermann, who won an Emmy for her work on the Boardwalk Empire pilot. “It’s about a record label owner and his experiences with the music industry, but we also have flashbacks back to Andy Warhol in the 1960s, as well as scenes set in the 1950s. Bobby Cannavale as Richie Finestra 96 MAKE-UP ARTIST NUMBER 119 MAKEUPMAG.COM 97 “THERE WAS ... A FUN AND EXPERIMENTAL EVOLUTION HAPPENING WITH THE BEAUTY MAKE-UP IN THE '70S.” —NICKI LEDERMANN “What’s cool about this show is it’s not just about punk rock; it’s about the start of it and how it started to evolve. We have every musical genre in this show, which makes it even more appealing, because we have all this good stuff from every type of music, from soul to blues to rock and roll to the early punk music. “There are fictional bands in the series, as well as people who really existed, so we have Alice Cooper and David Bowie, and some cool flashbacks to soul singers like Tony Bennett and Ruth Brown.” And there is no shortage of iconic styles in the series, from the outrageous to the glamorous. -
92Nd ACADEMY AWARDS® BALLOT
92nd ACADEMY AWARDS® BALLOT IMDb LIVE is covering the Academy Awards all evening long -- join us at IMDb.com on Feb. 9 at 7:30 p.m. ET/4:30 p.m. PT Name ¨ A B BEST ACHIEVEMENT ¨ A Marriage Story 8.1 14 Once Upon a Time... in Hollywood 7.7 Noah Baumbach IN COSTUME DESIGN Wylie Stateman A ¨ Once Upon a Time... in Hollywood 7.7 ¨ Jojo Rabbit A8.0 ¨ Star Wars: The Rise Of Skywalker A6.9 Total Correct Quentin Tarantino Mayes C. Rubeo Matthew Wood and David Acord A ¨ Parasite 8.6 ¨ Joker A8.6 /24 Bong Joon Ho and Jin Won Han Mark Bridges BEST ACHIEVEMENT 20 ¨ Little Women A8.1 IN VISUAL EFFECTS Jacqueline Durran BEST MOTION PICTURE BEST ADAPTED ¨ 1917 A8.5 01 08 A OF THE YEAR SCREENPLAY ¨ Once Upon a Time... in Hollywood 7.7 Guillaume Rocheron, Greg Butler, and A Arianne Phillips Dominic Tuohy ¨ 1917 A8.5 ¨ Jojo Rabbit 8.0 ¨ The Irishman A8.0 A Sam Mendes, Pippa Harris, Jayne-Ann Taika Waititi ¨ Avengers: Endgame 8.5 Christopher Peterson and Sandy Powell Tenggren, and Callum McDougall ¨ Joker A8.6 Dan DeLeeuw, Russell Earl, Matt Aitken, Todd Phillips and Scott Silver and Daniel Sudick ¨ Ford v Ferrari A8.2 A BEST ACHIEVEMENT IN ¨ A Peter Chernin, Jenno Topping, James Mangold ¨ Little Women 8.1 15 Star Wars: The Rise Of Skywalker 6.9 Greta Gerwig MAKEUP AND HAIRSTYLING Neal Scanlan, Patrick Tubach, Dominic Tuohy, ¨ Jojo Rabbit A8.0 and Roger Guyett Carthew Neal, Taika Waititi ¨ The Irishman A8.0 ¨ 1917 A8.5 Steven Zaillian ¨ The Irishman A8.0 ¨ Joker A8.6 Naomi Donne, Tristan Versluis, and Rebecca Cole Pablo Helman, Leandro Estebecorena, Todd Phillips, Bradley Cooper, Emma Tillinger ¨ The Two Popes A7.6 ¨ Bombshell A6.8 Nelson Sepulveda, and Stephane Grabli Koskoff Anthony McCarten Kazu Hiro, Anne Morgan, and Vivian Baker ¨ The Lion King A6.9 ¨ Little Women A8.1 ¨ Joker A8.6 Robert Legato, Adam Valdez, Andrew R. -
Hollywood and Film Critics
Hollywood and film critics: Is journalistic criticism about cinema now a part of the culture industry helping economy more than art? Argo: a case study of the movie and film reviews published in the printed media in United States student: Seyedjavad Rasooli Tutor: Jaume Soriano Coordinator: María Dolores Montero Sánchez DEPARTAMENTO DE MEDIOS, COMUNICACIÓN Y CULTURA Barcelona, September de 2015 Table of Contents Abstract ...................................................................................................................4 Introduction ............................................................................................................. 5 Theoretical Framework ............................................................................................. 6 Frankfurt School and Critical theory ......................................................................................... 6 The concept of culture industry................................................................................................ 8 The Culture Industry and Film................................................................................................. 11 About Hollywood .................................................................................................................... 12 Hollywood and Ideology.......................................................................................................... 15 About Film Critic Genre.......................................................................................................... -
Dossier De Presse
NE JAMAIS RENONCER. NE JAMAIS CÉDER. GARY OLDMAN EST WINSTON CHURCHILL UN FILM DE JOE WRIGHT RÉALISATEUR DE REVIENS-MOI lesheuressombres-lefilm.com FocusFeaturesFR #LesHeuresSombres LE 3 JANVIER 2018 UNIVERSAL PICTURES et FOCUS FEATURES présentent en association avec PERFECT WORLD PICTURES une production WORKING TITLE FILMS (DARKEST HOUR) Un film de JOE WRIGHT avec GARY OLDMAN, KRISTIN SCOTT THOMAS, LILY JAMES, STEPHEN DILLANE, RONALD PICKUP et BEN MENDELSOHN Scénario d’ANTHONY MCCARTEN Produit par TIM BEVAN, ERIC FELLNER, LISA BRUCE, ANTHONY MCCARTEN, DOUGLAS URBANSKI SORTIE : 3 JANVIER 2018 Durée : 2h05 Matériel disponible sur www.upimedia.com lesheuressombres-lefilm.com FocusFeaturesFR #LesHeuresSombres DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21 rue François 1er Youmaly BA 75008 Paris assistées de Tél. : 01 40 69 66 56 Clémence JOFFRE www.universalpictures.fr Synopsis Homme politique brillant et plein d’esprit, Winston Churchill doit prendre une décision fatidique : négocier Churchill (Gary Oldman) est un des piliers du Parlement un traité de paix avec l’Allemagne nazie et épargner à ce du Royaume-Uni, mais à 65 ans déjà, il est un candidat terrible prix le peuple britannique ou mobiliser le pays et improbable au poste de Premier Ministre. Il y est cependant se battre envers et contre tout. nommé d’urgence le 10 mai 1940, après la démission Avec le soutien de Clémentine (Kristin Scott Thomas), de Neville Chamberlain, et dans un contexte européen celle qu’il a épousée 31 ans auparavant, il se tourne vers dramatique marqué par les défaites successives des le peuple britannique pour trouver la force de tenir et Alliés face aux troupes nazies et par l’armée britannique de se battre pour défendre les idéaux de son pays, sa dans l’incapacité d’être évacuée de Dunkerque. -
La Marche Des Morts
1 La marche des morts Au commencement, il y avait un livre. Au commence- ment, il y a toujours un livre. Le comic book The Walking Dead paraît pour la première fois en 2003. D’abord pressenti pour être une bande dessinée de science-fiction sur fond d’invasion zombie et portant le joli nom de Dead Planet, le projet est revu et corrigé à maintes reprises. L’aspect SF est remisé au placard, et le cadre de l’histoire nous plonge dans une époque contemporaine, à ceci près qu’une épidémie galopante a transformé une très grande partie de l’humanité en zombies. Très vite, l’œuvre en noir et blanc remporte un énorme succès. Pensez donc, le premier numéro de la BD sorti en 2003 à seulement 7300 exemplaires est aujourd’hui vendu à plus de 10 000 euros. Les chiffres de vente donnent le vertige. Le numéro 100, édité avec 10 couvertures diffé- rentes, s’est vendu à près de 400 000 exemplaires rien qu’aux États-Unis. En France aussi, le phénomène TWD affole les compteurs. Tous les spécialistes le confirment : c’est le grand hit comics des 15 dernières années. Bien que 7 THE WALKING DEAD DÉCRYPTÉ TWD ne soit arrivé dans l’Hexagone qu’en 2007, chaque tome est aujourd’hui édité à plus de 100 000 exemplaires. Plus de 2 millions d’albums ont été écoulés en moins de 10 ans, et la licence représente près de la moitié des ventes de comics dans notre pays. Rien qu’en 2013, le numéro 1 a été acquis par plus de 50 000 curieux. -
O Destino De Uma Nação
O Destino de uma Nação Notas de Produção Tempo de exibição: 125 minutos 2 O Destino de uma Nação ELENCO Winston Churchill ………………………..…………..………………………. Gary Oldman Clemmie Churchil .…………………………………………..……………… Kristin Scott Thomas Elizabeth Layton ……………….………………………………………………. Lily James Visconde de Halifax .…………………………………...………………….… Stephen Dillane Neville Chamberlain ……………………..………………………………........ Ronald Pickup Rei George VI ………………………………………………….…........…...... Ben Mendelsohn PRODUÇÃO Diretor ………………..…………………………………….………… Joe Wright Producão .. Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, Douglas Urbanski Escrito por .……….…………….……………………………………… Anthony McCarten Tempo de exibição: 02:05 3 O Destino de uma Nação Índice I. Sinopse página 4 II. Palavras e Contexto página 5 III. Transformador página 9 IV. A Voz e o Hábito página 15 V. As Mulheres por Trás do Homem página 18 VI. Contemporâneos página 22 VII. Preparação das Cenas página 26 VIII. Seguindo os Passos página 30 IX. Hora da Atitude página 32 X. Sobre o Elenco página 34 XI. Sobre a Equipe de Produção página 43 XII. Elenco e Créditos página 58 4 O Destino de uma Nação Sinopse Gary Oldman, ator indicado para o Oscar® e ganhador do prêmio BAFTA™ é o astro de O Destino de uma Nação, do diretor premiado com o BAFTA™ Joe Wright, um relato inspirado na história verídica das primeiras semanas de Winston Churchill empossado no início da Segunda Guerra Mundial. O roteiro original de Anthony McCarten (também indicado para o Oscar®) revela o homem que havia por trás do ícone. Churchill é um brilhante e bem-humorado estadista, membro de destaque do Parlamento, mas, aos 65 anos de idade, é pouco provável que seja candidato a Primeiro Ministro. Entretanto, a situação na Europa é desesperadora. -
Pressioni Facciali Di Wink E I Movimenti Della Sua Mano Tipo-Arma (Con Mazza Incorporata) Venivano Controllati Via Radio Dai ‚Burattinai‘
Note di produzione Nel 2004, il visionario regista e sceneggiatore GUILLERMO DEL TORO ha portato sul grande schermo l’eroe del fumetto di MIKE MIGNOLA Hellboy (RON PERLMAN di Blade II, Alien: la clonazione). Il muscolosissimo agente segreto, con tanto di corna, coda e caratteraccio, era un Signor nessuno che sarebbe diventato il favorito di tanti ragazzi a appassionati del genere in tutto il mondo, compreso del Toro. Del Toro ha fatto conoscere il riluttante combattente del crimine ad un pubblico globale con la pellicola Hellboy, e lo spirito del film, le splendide scene d‘azione e gli ingegnosi effetti speciali lo hanno trasformato in un successo commerciale e di critica apprezzato sia dagli amanti del fumetto che dal pubblico in genere. L’odissea epica del cineasta continua con l‘action-thriller Hellboy: The Golden Army, film che segue il suo capolavoro del 2006, vincitore di tre Oscar® Il labirinto del fauno. Con muscoli più grandi, armi più potenti, moltitudini di mostri e un piccolo conflitto domestico, ritorna il nostro eroe rosso amante dei gattini. E questa volta prenderà a calci nel sedere molti più cattivi. Hellboy combatte la giusta battaglia quando il dovere lo chiama attraverso il suo ‚datore di lavoro‘: il top-secret Bureau for Paranormal Research and Defense (Istituto per la Ricerca e Difesa del Paranormale - un’agenzia clandestina creata nel 1943 da Roosevelt che utilizza tecnologie segrete, poteri misteriosi e una rete di operativi con poteri fuori dal comune per difendere il mondo dai più violenti esseri soprannaturali — noto anche come B.P.R.D. Preferirebbe di gran lunga starsene rilassato a fumare un sigaro, bere una birra confezione da sei, con la sua pirocinetica fidanzata Liz Sherman (SELMA BLAIR di La rivincita delle bionde, In Good Company) e i loro innumerevoli gatti. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Evidence from Movie Reviews
Does Media Concentration Lead to Biased Coverage? Evidence from Movie Reviews∗ Stefano DellaVigna Alec Kennedy UC Berkeley and NBER San Francisco Federal Reserve Bank [email protected] [email protected] September 14, 2011 Abstract Fueled by the need to cut costs in a competitive industry, media companies have be- come increasingly concentrated. But is this consolidation without costs for the quality of information? Concentrated media companies generate a conflict of interest: a media outlet can bias its coverage to benefit companies in the same group. We test empirically for bias by examining movie reviews by media outlets owned by News Corp.–such as the Wall Street Journal–and by Time Warner–such as Time.Wefind a statistically significant, if small, bias in the review score for 20th Century Fox movies in the News Corp. outlets. We detect no bias for Warner Bros. movies in the reviews of the Time Warner outlets, but find instead some evidence of bias by omission: the media in this group are more likely to review highly-rated movies by affiliated studios. Using the wealth of detail in the data, we present evidence regarding bias by individual reviewer, and also biases in the editorial assignment of review tasks. We conclude that reputation limits the extent of bias due to conflict of interest, but that nonetheless powerful biasing forces are at work due to consolidation in the media industry. ∗PRELIMINARY AND INCOMPLETE, DO NOT CITE WITHOUT PERMISSION. Ivan Balbuzanov and Xiaoyu Xia provided excellent research assistance. We thank audiences at UC Berkeley for very helpful com- ments. -
1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form. -
New Hollywood As Political Discourse
CAPTURING TURMOIL: NEW HOLLYWOOD AS POLITICAL DISCOURSE by DANA ALSTON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2018 An Abstract of the Thesis of Dana Alston for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2018 Title: Capturing Turmoil: New Hollywood as Political Discourse Approved: _______________________________________ Dr. Erin Hanna This thesis is an argumentative close analysis of themes, aesthetics, and political meanings within three New Hollywood films. It emerged out of an interest in the films of the 1960s and 70s and the changes within that era’s film industry. Those changes granted young, educated filmmaker opportunities to helm studio-driven projects, weaving material into their narratives that would have been impossible in a system ruled by the Hollywood Production Code. The era also included significant social and political unrest, and the films therein reflect that reality. In this project, I perform content analyses for three films within the New Hollywood movement — Bonnie and Clyde (1967), Dog Day Afternoon (1975), and Nashville (1975) — in order to understand how films in the movement used themes of celebrity, violence, and oppression to act as a form of discourse. All three films employ on-screen violence to complicate the audience’s initial assumptions of characters, and each film critiques the social and political issues of its time through this violence. For each analysis, I discuss several sequences’ mise-en-scène — the arrangement of elements within the entire frame — and connect them to broad socio-political ideas. -
Here to Find Them
www.pascalerecher.com Pascale Recher [email protected] Make-up & hair | London 079 72 036 178 uk.linkedin.com/in/pascalerecher Film & Television Designer Crowd supervisor 2016 The Crown Ivana Primorac Fiona Rodgers Crowd hair & make-up dailies 2016 Fantastic Beasts and Fae Hammond Marilyn Macdonald Crowd hair & make-up dailies where to find them 2015 Sounds of Music Jacquetta Levon Crowd hair & make-up team leader 2015 Demain tout Reynald Desbant Hair senior assistant commence 2015 Fantastic Beasts and Fae Hammond Marilyn Macdonald Crowd hair & make-up dailies where to find them 2015 The Crown Ivana Primorac Fiona Rodgers Crowd hair & make-up dailies 2015 Quacks pilot Niamh Morrison Hair and make-up (main team) 2015 The Royals season 2 Kate Benton Crowd hair & make-up dailies 2015 Downton Abbey Nic Collins Alison Philpott Crowd hair & make-up dailies season 6 2015 Bastille Day Re-shoot Lizzie Yianni Georgiou Hair and make-up (main team) 2015 Horrible Sciences Caitlin Tanner Hair and make-up dailies 2014 Tarzan Fae Hammond Marilyn Macdonald Crowd make-up artist dailies 2014 The Royals Kate Benton Crowd hair & make-up dailies 2014 Legend Christine Blundell Charmaine Fuller Crowd hair & make-up dailies 2014 Spotless Nadia Stacey Make-up dailies, dead bodies 2014 Wolf Hall Roseann Samuel Barbara Taylor Crowd hair & make-up dailies 2014 Frankestein Frances Hannon Karen Cohen Crowd hair & make-up dailies 2013 Fury Alessandro Bertolazzi Kat Fa Make-up artist (main team) 2013 Guardians of the Lizzie Yianni Georgiou Karen Cohen Crowd hair