Tenshin Shoden Katori Shinto Ryu Programme Général Tachi Jutsu

Total Page:16

File Type:pdf, Size:1020Kb

Tenshin Shoden Katori Shinto Ryu Programme Général Tachi Jutsu Tenshin Shoden Katori Shinto Ryu Programme Général Tachi Jutsu Omote No Tachi Ryo To Jutsu Itsutsu no Tachi Eigetsu no Tachi (Nio no Kurai) Nanatsu no Tachi Suigetsu no Tachi (Tenchi no Kurai) Kasumi no Tachi Isso nami no Tachi (Huyo no Kurai) Hakka no Tachi Murakumo no Tachi (Sasu no Kurai) Gogyo no Tachi KoDachi Jutsu Mitsu no Tachi Hangetsu no Kodachi Yotsu no Tachi Suigetsu no Kodachi In no Tachi Seigan no Kodachi Sha no Tachi Hatsu no Tachi Gokui Hichijo no Tachi Toyama no Tachi (Ukifune no Kurai) Kataname no Tachi (Yosui no Kurai) Agenami no Tachi (Sangetsu no Kurai) Bo Jutsu Omote no Bo Gogyo no Bo Seri ai no Bo Gedan kamae no bo Sune Hishigi no Bo Kasumi kakari no bo Sayu no Bo Denko kamae no bo Kasa Hazushi no Bo In kamae no bo Hane Tsurube no Bo Hikizue kamae no bo Tate Nami no Bo Ritsu Yo Kamae no bo Naginata Jutsu Omote no Naginata Gokui Hichijo no Naginata Itsutsu no Naginata Embi no Naginata Nanatsu no Naginata Tombo no Naginata Kasumi no Naginata Yoko no Naginata Hakka no Naginata Iai Jutsu Omote no Iaijustsu Gokui no Iaijustsu Suwary Iai Suwary Iai Kusanagi no Ken Kumo giri no Tachi Nuki Tsuke no Ken Hangetsu no Tachi Nuki Uchi no Ken Mui ichi no Ken Uken Mu ni no Ken Saken Seigan no Ken Happoken Tachi Iai. Battojutsu Yuki Ai Gyaku Nuki no Tachi Zengo Chidori No Tachi Yuki Ai Migi Chidori No Tachi Gyaku Nuki No Tachi Nuki Uchi No Tachi So jutsu Shuriken Jutsu Hiryu no Yari Omote no Shurike (7 techniqes) Koryu no Yari Gogyo no Shuriken (8 techniqes) Tsuke Dome no Yari Gokui no Shuriken (9 techniques) Age Ya no Yari (Yoshi no Yari) Denko no Yari Yoru Ya no Yari Tenshin Shoden Katori Shinto Ryu Programme 1er Dan Kamae Chudan No Kamae. Seigan no Kamae. Ko Gasumi. Te Ura Gasumi. O Gasumi Migi Gedan no Kamae. Hidari Gedan No Kamae In No Kamae. Sha no Kamae. Shin no Kamae Migi Jodan no Kamae. Hidari Jodan no Kamae Suwari Gedan no Kamae. Torii Ken no Kata Bo no Kata Ken Jutsu Itsutsu no Tachi Nanatsu no Tachi Kasumi no Tachi Hakka no Tachi Bo Jutsu Seri ai no Bo Sune Hishigi no Bo Naginata Jutsu Itsutsu no Naginata IAI Jutsu. Suwary Iai Kusanagi no Ken Nuki Tsuke no Ken Nuki Uchi no Ken Uken Saken Happoken Temps minimum de pratique 3 ans. Examen : Connaissance du programme. Connaissance du Katana et historique du Tenshin Shoden Katori Shinto Ryu. Tenshin Shoden Katori Shinto Ryu Programme 2ème Dan Ken Jutsu Itsutsu no Tachi Nanatsu no Tachi Kasumi no Tachi Hakka no Tachi Bo Jutsu Seri ai no Bo Sune Hishigi no Bo Sayu no Bo Kasa Hazushi no Bo Naginata Jutsu Itsutsu no Naginata Nanatsu no Naginata Iai Jutsu Suwary Iai. 6 Katas Tachi Iai : 5 Katas Temps minimum de pratique 2 ans après l’obtention du 1er Dan Tenshin Shoden Katori Shinto Ryu Programme 3ème Dan Ken Jutsu Itsutsu no Tachi Nanatsu no Tachi Kasumi no Tachi Hakka no Tachi Bo Jutsu Seri ai no Bo Sune Hishigi no Bo Sayu no Bo Kasa Hazushi no Bo Hane Tsurube no Bo Tate Nami no Bo Naginata Jutsu Itsutsu no Naginata Nanatsu no Naginata Kasumi no Naginata Hakka no Naginata Iai Jutsu Suwary Iai. 6 Katas Tachi Iai : 5 Katas Temps minimum de pratique 3 ans après l’obtention du 2ème Dan Tenshin Shoden Katori Shinto Ryu Programme 4ème Dan Omote no Kata Ken Jutsu Bo Jutsu Naginata Jutsu Iai Jutsu Gokui no Kata Ryo To Jutsu Eigetsu no Tachi (Nio no Kurai) Suigetsu no Tachi (Tenchi no Kurai) Isso nami no Tachi (Huyo no Kurai) Murakumo no Tachi (Sasu no Kurai) KoDachi Jutsu Hangetsu no Kodachi Suigetsu no Kodachi Seigan no Kodachi Temps minimum de pratique 4 ans après l’obtention du 3ème Dan Tenshin Shoden Katori Shinto Ryu Programme 5ème Dan Omote no Kata Ken Jutsu Bo Jutsu Naginata Jutsu Iai Jutsu Gokui no Kata Ryo To Jutsu KoDachi Jutsu Gogyo no Tachi Mitsu no Tachi Yotsu no Tachi In no Tachi Sha no Tachi Hatsu no Tachi Gogyo no Bo Gedan kamae no bo Kasumi kakari no bo Denko kamae no bo In kamae no bo Hikizue kamae no bo Ritsu Yo Kamae no bo Temps minimum de pratique 5 ans après l’obtention du 4ème Dan Tenshin Shoden Katori Shinto Ryu Programme 6ème Dan Omote no Kata Ken Jutsu Bo Jutsu Naginata Jutsu Iai Jutsu Gokui no Kata Ryo To Jutsu KoDachi Jutsu Gogyo no Tachi Gogyo no Bo Su Jutsu Hiryu no Yari Koryu no Yari Tsuke Dome no Yari Yoshi no Yari (Age Ya no Yari) Denko no Yari Yoru Ya no Yari Iai Jutsu Kumo giri no Tachi Hangetsu no Tachi Mui ichi no Ken Mu ni no Ken Seigan no Ken Temps minimum de pratique 6 ans après l’obtention du 5ème Dan .
Recommended publications
  • Katori Shinto Ryu
    Katori Shinto Ryu The Katori shrine is a notable Shinto landmark that is located in Katori, Sawara city in the Chiba prefecture, and is dedicated to Futsu-nushi-no-mikoto. This mythological deity played a great role in pacifying the ancient land of Japan, bringing it under the rule of the grandson (Ninigi-no-mikoto) of the Sun Goddess (Ama-terasu-o-mi-kami) and ancestor of the imperial family. The Katori shrine was erected in praise and memory of Futsu-nushi-no-mikoto, and he was installed as the guardian deity of state security, industrial development, and martial valor. The Katori shrine is traditionally said to have been first erected in the eighteenth year of (642 B.C.) of the first sovereign Jimmu’s reign. Tenshin Shoden Katori Shinto Ryu was founded by Iizasa Choisai Ienao (1387-1488) and is the oldest martial tradition in Japan. Ienao was the son of a goshi (country warrior-gentry) who distinguished himself with the sword and spear on the battlefield. Young Ienao participated in many individual combats and was never defeated. After the downfall of the Chiba family, his clan, he built a dojo within the enclosure of the Katori shrine at the age of sixty. He worshiped daily at the shrine, performed austere purification ceremonies, and engaged in a strict regimen of martial training for one thousand days. While he was in this state of spiritual discipline, we are told, he perceived a vision. In it a powerful deity, Futsu-nushi-no-mikoto, gave Ienao one volume of heiho shinsho, that is, a book on martial strategy as was written by divine hands.
    [Show full text]
  • Katana, Daiyōkai: the Daiyōkai Katana Is Motorcycle, Kodachi
    The Japanese are a people firmly entrenched Motorcycle, Kodachi: Designed by engi- in their traditions. This extends to how their neers who originally studied engineering and craftsman produce their martial artifacts. As an aeronautics, it’s engine was originally created A catalogue of new example: creating a katana requires several for aviation and has been mounted to an all- weapons, armour, items craftsman each specializing in one part or as- terrain chassis. and vehicles used by the pect of the production of the final weapon. One JSA. Cost: Cost 8+3 craftsman forges the blade itself. Another Restriction: 2 (Japanese 1) sharpens and polishes the blade to give it it’s Tariff: - edge. A third craftsman produces the tsuba Civilians are prohibited and habaki and yet another assembles the from carrying weapons at any time in JSA parts and weaves the tsuki ito onto the tsuki. territories. Active Mili- In the case of the Domaru Powered Armor. tary are allowed to carry small arms, but Each individual suit is hand assembled and 1 8 10 long arms, powered fitted to the samurai to will wear it. Wearing a armour and TAG’s are suit of Domaru Powered Armor, not properly prohibited except in fitted could result in serious injury or even 1 2+5 (Knockdown) times of active military action. It is illegal for death. non-samurai to poses a Chassis 1, Comms 1, External 1, Motive 1 Katana. Samurai may carry a Katana, a Waki- 10 5 zashi and a Tanto, as Katana, Daiyōkai: The Daiyōkai Katana is they are always consid- 2 0 a mass produced Katana scaled up to suit the ered “active military” Daiyōkai Powered Armour.
    [Show full text]
  • Latest Japanese Sword Catalogue
    ! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000
    [Show full text]
  • Seminar on Japanese Swords 7 February 2005
    Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others.
    [Show full text]
  • IAIDO, JODO and NITEN Manual
    CLASSICAL MARTIAL ARTS CENTRE IAIDO, JODO AND NITEN Manual Welcome to CMAC.webloc 1 TorontoToronto CentralCentral RegionRegion Hasu Dojo 2 Table of Contents Table of Contents ..................................................................... 3 Belt Tying Procedures ......................... Error! Bookmark not defined. The Care and Use o f the Kobudo Uniform .................................... 6 THE PRACTICE UNIFORM .......................................................................................... 6 PUTTING ON THE UNIFORM ...................................................................................... 6 Folding the Hakama .................................................................. 7 Tying the Obi ........................................................................... 8 Tying t he Hakama ..................................................................... 9 Introduction to Sei Tei Gata Iaido ............................................ 11 Iaido, Kendo, and the Japanese Sword ...................................................................... 11 Brief History of Modern Sword Practice ...................................................................... 11 Father of Modern Swordsmanship .............................................................................. 12 History of the Sei Tei Gata .......................................................................................... 13 Bibliography ...............................................................................................................
    [Show full text]
  • 1455189355674.Pdf
    THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS
    [Show full text]
  • An Introduction to Zen Words and Phrases Translated by Michael D
    久須本文雄 Kusumoto Bun’yū (1907-1995) 禅語入門 Zengo nyūmon Tokyo: 大法輪閣 Daihōrin-kaku Co. Ltd., 1982 An Introduction to Zen Words and Phrases Translated by Michael D. Ruymar (Michael Sōru Ruymar) 1 What follows is a translation of Kusumoto Bunyū’s (久須本⽂雄) 1982 book Zengo Nyūmon (禅 語⼊⾨, An Introduction to Zen Words and Phrases, Tokyo: Daihōrin-kaku Co. Ltd.), absent its glossary of monastic terms. The main text consists of 100 words and phrases selected by Dr. Kusumoto for exegesis from a variety of sources, but particularly from classic kōan (Zen case) collections like the Blue Cliff Record, the Gateless Barrier, and the Book of Serenity, as well as from the collected writings or sayings of renowned Zen Masters from both China and Japan, like Zen Masters Linji and Dōgen, or, again, from the poetry of such as Han Shan (Cold Mountain) and others. As a genre, there are numerous books of this kind available in Japan, and I have become familiar with two excellent Zengo texts now available to English readers: (i) Moon by The Window: The calligraphy and Zen insights of Shodo Harada (Wisdom Publications, 2011), !and (ii) Zen Words Zen Calligraphy (Tankosha, 1991). It is evident from the breadth and depth of his commentaries that Dr. Kusumoto brought a lifetime of study to bear on the matter contained herein. Though sketchy, he was born in 1908 and graduated in 1933 from what is now Hanazono University, one of several prestigious institutions at which he was destined to lecture in his areas of specialization: Chinese philosophy and Zen studies.
    [Show full text]
  • Muso Jikiden Eishin Ryu; the Ryu Outline by S.G.Drossoulakis
    Muso Jikiden Eishin Ryu; the ryu outline by S.G.Drossoulakis The Japanese sword arts The arts of the sword as we know them today probably began with Iizasa Choisai the founder of the Tenshin Shoden Katori Shinto Ryu. This school included the use of many weapons from sword and stick to spear and throwing knives. One part of its curriculum was the fast draw and instant use of the sword, either in self-defence or as a pre-emptive strike. Hayashizaki Jinsuke Shigenobu (1542-1621) like Iizasa Choisai is reputed to have received a divine inspiration, which led to the development of his art called Muso Shinden Jushin Ryu Batto Jutsu; Batto means simply to draw a sword. The significant factor common to both of these schools as with many other sword schools which concerned themselves predominantly with the drawing of the sword, was that the art was practised purely as kata. MJER lineage and history (1550 – 1927) Founder : HAYASHIZAKI JINSUKE SHIGENOBU (c. 1542-1621), Regarded as the founder of Iaido, because of his overwhelming influence on the art. He lived in Oshu in Ashikaga Era. In order to avenge the assassination of his father, Hayashizaki Jinsuke at the age of 14 years old, was retracted in to Hayashizaki Myojin shrine, where he prayed and trained for one hundred days. During this time he received divine inspiration about the art of the sword. He called this school Shinmei Muso ryu and with it he avenged his father. Later he named his school the Muso Shinden Jushin Ryu Batto do .
    [Show full text]
  • A Yukimitsu Wakizashi
    ! Antique Japanese Swords For Sale As of March 19, 2013 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000 5 A MORIIE KATANA 71.0 NBTHK Hozon Eisho (1504~1521) ¥1,050,000 7 A NOBUHIDE KATANA 72.1 NTHK Kanteisho 2nd Bunkyu (1862) ¥2,500,000 8 A KIYOMITSU KATANA 67.6 NBTHK Hozon 2nd Eiroku (1559) ¥2,500,000 9 A YOSHIKUNI KATANA 69.0 Keian (1648~1651) ¥550,000 10 A KANETSUJI KATANA 69.5 NTHK Kanteisho Koji (1555~1557) ¥750,000 11 A YOSHISHIGE KATANA 62.9 NTHK Kanteisho Showa (Pre WWII) ¥525,000 12 A NAGAHIRO KATANA 60.1 2nd Ansei (1855) ¥500,000 SOLD A FUYUHIRO KATANA 67.0 Tokubetsu Kicho Eiroku (1558~1570) ¥625,000 14 A JUMYO WAKIZASHI 51.7 NTHK Kanteish o Kanbun (1661-1672) ¥450,000
    [Show full text]
  • An Outline of Budō History
    CHAPTER I AN OUTLINE OF BUDō HISTORY Uozumi Takashi AN OUTLINE OF BUDō HISTORY INTRODUCTioN The term budō“ ” was in use before the Tokugawa period (1600–1868), although it originally meant “the way of the life of a samurai”, or “bushidō”, and did not refer to bujutsu (martial techniques) or bugei (martial arts). Nowadays the word budō is used as generic term for modern martial arts such as jūdō, kendō and kyūdō, and came into widespread usage at the end of the Taishō era (1918–25). Nowadays, the disciplines referred to as budō, include the nine arts of jūdō, kendō, kyūdō, sumō, karate- dō, aikidō, shōrinji kempō, naginata and jūkendō. The national federations representing the nine budō arts are affiliated members of the Japanese Budō Association, which was founded in 1977. The various disciplines differ in history and content, and although some did not even originate in Japan, they all share common features. In budō, “character development” is emphasized more than competitive aspects. Moreover, the practitioner is not training, but engaging in “keiko” (literally “to study the past”) and practice is not conducted in a gymnasium, but in a dōjō (literally: “a place to study the Way”). Also, the practice and demonstration of kata (prearranged formal patterns of movements) is an important element of all budō, as are forms of propriety and etiquette (reihō), and all utilize a dan grading system to encourage and mark progress. We can thus consider these nine disciplines, each represented by their own federation, as modern Japanese budō. Schools representing traditions which developed before the modern era are called kobudō.
    [Show full text]
  • Swords and Daggers
    Swords and Daggers Swords are weapons formed by a blade (the part intended for striking) and a hilt (from which the sword is held) [Fig. 1]. While there have been swords made of wood and stone, the more predominant and effective examples have been made of some sort of metal. Bronze was used in ancient times, followed by iron and then steel. Daggers are a more primitive, much smaller weapon which share many features with the sword. As a general rule, knives have a single edge. Blade The sword’s blade can be divided between the forte (third of the blade closer to the hilt) and the foible (third of the blade closer to the tip). This refers to how much strength the wielder can put into each area of the blade when used as a lever. The part of the blade that becomes narrow and goes into the grip is called the tang [Fig. 2]. The point of balance [Fig. 3] is the sword’s center of gravity, often found on the blade very close to the hilt, and influences the handling of the weapon. The center of percussion [Fig. 3] is the area of the blade that produces the least amount of vibration when striking a target, and thus is the ideal place with which to strike. The cross-section of the blade [Fig. 4] is the shape it has when cut at the guard. The fullers, incorrectly called blood grooves in modern times, were used to reduce the weight of the blade and give it structural strength.
    [Show full text]
  • Japan Kendo Kata, Meaning of Kendo Study Site from はくどー / 佐々木博嗣- Translated by Ted Imoto, 09/21/2017
    Japan Kendo Kata, Meaning of Kendo Study Site from はくどー / 佐々木博嗣- translated by Ted Imoto, 09/21/2017 Forward Japan Kendo Kata #1 thru #10 explained herein is not intended to describe the detail of actual Kendo Kata that you can learn by reading the instruction manual, seeing on YouTube, or by attending at Kendo Kata seminar. But it is to present here the real meaning of each Kendo Kata explained in Kendo Study Site by はくどー庵/佐々木博嗣, Sasaki Hirotsugu sensei. Sasaki Hirotsugu sensei categorizes Kendo Kata into the three groups based on the contents and purposes; namely, “It teaches waza,” “It teaches reason/principle,” and “It teaches the way of truth/goal.” When Kendo Kata is looked at from the standpoint of thoughts and ideas for the cut, it may be categorized into the three cases; namely, “Cut to kill life for justice,” ”Cut to kill waza for mercy,” and ”Cut to kill heart for courage.” In the old days, the fight and winning the war was justice for the clan because they gained more farmlands meaning more food to produce and share with their peoples. Therefore, to win justice, they studied not only their enemies but also them- selves and all the situations to prepare for the win. 1. Japan Kendo Kata #1: Tachi no Kata (太刀の形), Ippon-Me (一本目) In the Ippon-Me, Uchidachi (打太刀, a role of a teacher) is teaching Shidachi (仕太刀, student) the importance of the basic Kendo’s Ma-Ai, by choosing “Men Nuki Men” waza both staring from Morote-Jōdan (諸手上段) stance.
    [Show full text]