Walt Disney's Comics & Stories #725 Preview

Total Page：16

File Type：pdf, Size：1020Kb

Walt Disney's Comics & Stories #725 Preview

STORY 1 The Search for the Zodiac Stone Chapter 6 of 12: Mode Star from Italian Topolino 1784, 1990 (New to the USA) WRITER Bruno Sarda ARTIST Massimo De Vita COLORIST Nea Aktina A. E. and Digikore Studios STORY 2 with Travis and Nicole Seitler LETTERER Travis and Nicole Seitler Dinner Time from Silly Symphonies Sunday comic strip, 1933 TRANSLATION AND DIALOGUE Jonathan H. Gray WRITER Ted Osborne ARTIST Al Taliaferro COLORIST Digikore Studios EDITOR Sarah Gaydos IFC DESIGNER Paul Hornschemeier ARCHIVAL EDITOR David Gerstein COVER DESIGNER Tom B. Long REGULAR COVER PENCILS John Loter REGULAR COVER INKS AND COLORS Lou Rodriguez SUB COVER Massimo Asaro SUB COVER COLORS Mario Perrotta RI COVER Derek Charm STORY 3 Defective Detectives from Chip ‘n’ Dale 11, 1957 WRITER Nick George ARTIST Harvey Eisenberg COLORIST Digikore Studios Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, Carlotta Quattrocolo, For international rights, and Christos and David Terzopoulos please contact [email protected] Ted Adams, CEO & Publisher Greg Goldstein, President & COO Facebook: facebook.com/idwpublishing Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief Matthew Ruzicka, CPA, Chief Financial Officer YouTube: youtube.com/idwpublishing Alan Payne, VP of Sales Dirk Wood, VP of Marketing Tumblr: tumblr.idwpublishing.com Lorelei Bunjes, VP of Digital Services Instagram: www.IDWPUBLISHING.com Jeff Webber, VP of Licensing, Digital and Subsidiary Rights instagram.com/idwpublishing WALT DISNEY’S COMICS AND STORIES #725, NOVEMBER 2015. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2015 Disney Enterprises, Inc. All rights reserved. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. The IDW logo is registered in the U.S. Patent and Trademark Office. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC. Printed in Korea. IDW Publishing does not read or accept unsolicited submissions of ideas, stories, or artwork. .

Copy Link

Recommended publications

Disney Comics from Italy♦ © Francesco Stajano 1997-1999
Disney comics from Italy♦ © Francesco Stajano 1997-1999 http://i.am/filologo.disneyano/ A Roberto, amico e cugino So what exactly shall we look at? First of all, the Introduction fascinating “prehistory” (early Thirties) where a few pioneering publishers and creators established a Disney Most of us die-hard Disney fans are in love with those presence in Italy. Then a look at some of the authors, seen comics since our earliest childhood; indeed, many of us through their creations. Because comics are such an learnt to read from the words in Donald’s and Mickey’s obviously visual medium, the graphical artists tend to get balloons. Few of us, though, knew anything about the the lion’s share of the critics’ attention; to compensate for creators of these wonderful comics: they were all this, I have decided to concentrate on the people who calligraphically signed by that “Walt Disney” guy in the actually invent the stories, the script writers (though even first page so we confidently believed that, somewhere in thus I’ve had to miss out many good ones). This seems to America, a man by that name invented and drew each and be a more significant contribution to Disney comics every one of those different stories every week. As we studies since, after all, it will be much easier for you to grew up, the quantity (too many) and quality (too read a lot about the graphical artists somewhere else. And different) of the stories made us realise that this man of course, by discussing stories I will also necessarily could not be doing all this by himself; but still, we touch on the work of the artists anyway.
[Show full text]
Boom! Studios 2011 Summer Catalog Big
BOOM! STUDIOS 2011 SUMMER CATALOG BIG. BOLD. BOOM! STAN’S BACK! BOOM! Studios’ Summer 2011 lineup explodes with the welcome return of the most beloved man in comics: Stan “The Man” Lee, creator of such characters as Spider- Man, Iron Man, the X-Men and the Incredible Hulk! BOOM! welcomes Stan’s brand-new creations, SOLDIER ZERO, THE TRAVELER and STARBORN, superheroes who are sure to be fast favorites for any reader who loves action-packed adventure. Mark Waid’s Eisner and Harvey Award-nominated IRREDEEMABLE and INCORRUPTIBLE continue to pack a super-powered punch, consistently arriving atop “Must-Buy” lists and exciting reviewers and readers alike. FARSCAPE and 28 DAYS LATER continue to carry on the quality and suspense of the original franchises while the Eisner Award-nominated DO ANDROIDS DREAM OF ELECTRIC SHEEP? receives constant praise, hailed as a graphic interpretation that perfectly accentuates the source material. Rounding out BOOM!’s summer offerings, Claudio Sanchez, lead singer of Coheed and Cambria, and Peter David complete their beloved science fiction epic, THE AMORY WARS: IN KEEPING SECRETS OF SILENT EARTH: 3 with the ending that will have fans on the edge of their seats. CONTENTS JUNE ............................................................... p. 1 28 DAYS LATER VOLUME 4: GANGWAR IRREDEEMABLE VOLUME 6 FARSCAPE VOLUME 4: TANGLED ROOTS SOLDIER ZERO VOLUME 1 JULY ................................................................. p. 5 INCORRUPTIBLE VOLUME 4 POTTER’S FIELD DO ANDROIDS DREAM OF ELECTRIC SHEEP? VOLUME 5 THE
[Show full text]
Paperino E in Particolare Alla Produzione E Allo Sviluppo Del Fumetto Disney in Italia, Relativi Al Valore Della Tariffa B Pari a 1,10€ Per Ciascun Francobollo
Poste Italiane comunica che oggi 30 ottobre 2019 vengono emessi dal Ministero dello Sviluppo Economico francobolli ordinari appartenenti alla serie tematica “LE ECCELLENZE ITALIANE DELLO SPETTACOLO” dedicati a Paperino e in particolare alla produzione e allo sviluppo del fumetto Disney in Italia, relativi al valore della tariffa B pari a 1,10€ per ciascun francobollo. Tiratura: trecentomila esemplari per ciascun degli otto francobolli stampati in foglietto, quattrocentomila esemplari per il francobollo stampato in foglio Foglio da ventotto esemplari. I francobolli sono stampati dall’Istituto Poligrafico e Zecca dello Stato S.p.A., in rotocalcografia, su carta bianca, patinata neutra, autoadesiva, non fluorescente. Bozzetti: a cura del a cura della The Walt Disney Company Italia S.r.l. e ottimizzato dal Centro Filatelico della Direzione Operativa dell’Istituto Poligrafico e Zecca dello Stato S.p.A Foglietto composto da otto francobolli: gli otto francobolli, racchiusi in un foglietto e dedicati all’85° anniversario della creazione di Paolino Paperino (Donald Duck) sono tutti illustrati da Giorgio Cavazzano, fumettista italiano apprezzato in tutto il mondo, che affianca Paperino, di volta in volta in ogni vignetta, con i famosi personaggi protagonisti di mille avventure. Da sinistra a destra, raffigurano rispettivamente: 1. Paperino alla guida della inseparabile e leggendaria automobile targata 313, in primo piano sul profilo dell’Italia; in alto a destra, è riprodotto il logo dell’85° anniversario della creazione di Paperino; 2. Paperino e Archimede Pitagorico, svampito e geniale inventore; 3. Paperino e Nonna papera, eccellente cuoca, insieme a Ciccio, indolente, incapace e ingordo; 4. Paperino la cui ombra si trasforma in Paperinik, misterioso giustiziere mascherato di Paperopoli che riscatta Paperino dalla sua proverbiale sfortuna; 5.
[Show full text]
Donald Duck from Wikipedia, the Free Encyclopedia Donald Duck
Donald Duck From Wikipedia, the free encyclopedia Donald Duck First appearance The Wise Little Hen (1934) Created by Walt Disney Clarence Nash (1934–1985) Voiced by Tony Anselmo (1985–present) Don Nickname(s) Uncle Donald Duck Avenger (USA) Superduck (UK) Aliases Italian: Paperinik Captain Blue Species Pekin duck Family Duck family Significant other(s) Daisy Duck (girlfriend) Ludwig Von Drake (uncle) Scrooge McDuck (uncle) Relatives Huey, Dewey, and Louie (nephews) Donald Fauntleroy Duck[1] is a cartoon character created in 1934 at Walt Disney Productions and licensed by The Walt Disney Company. Donald is an anthropomorphic white duck with a yellow-orange bill, legs, and feet. He typically wears a sailor suit with a cap and a black or red bow tie. Donald is most famous for his semi-intelligible speech and his explosive temper. Along with his friend Mickey Mouse, Donald is one of the most popular Disney characters and was included in TV Guide's list of the 50 greatest cartoon characters of all time in 2002.[2] He has appeared in more films than any other Disney character[3] and is the fifth most published comic book character in the world after Batman, Superman, Spider-Man, and Wolverine.[4] Donald Duck rose to fame with his comedic roles in animated cartoons. He first appeared in The Wise Little Hen (1934), but it was his second appearance in Orphan's Benefit which introduced him as a temperamental comic foil to Mickey Mouse. Throughout the 1930s, '40s and '50s he appeared in over 150 theatrical films, several of which were recognized at the Academy Awards.
[Show full text]
Spionaggio Nei Fumetti
FUMETTO Spionaggio nei fumetti GIUSEPPE POLLICELLI Il fumetto si afferma e si definisce come linguaggio tra la fine del XIX e l’inizio del XX secolo, quando i grandi quotidiani degli Stati Uniti d’America iniziano a ospitare con regolarità tavole e strisce che – fondendo tra loro parole e immagini, due ambiti che fino ad allora si tendeva a tenere separati – offrono, per lo più attraverso lo strumento dell’ironia, una lettura critica della società occidentale (in particolare di quella americana) capace di integrare le analisi e i resoconti dei canonici articoli di giornale. La dimensione sempre più industriale assunta dall’editoria periodica aumenta esponenzialmente la diffusione dei fumetti, i cui autori si cimentano presto anche con registri diversi da quello umoristico e con generi come il poliziesco, il thriller, l’esotico, la fantascienza e il western. Senza dimenticare un altro caposaldo della letteratura avventurosa: lo spionaggio, tema di questa rubrica. pochi ne sono consapevoli ma il chard Felton Outcault. «Io li allerto sem - 1895 è stato cruciale nella storia pre, i miei interlocutori, siano essi i lettori In dell’umanità. È infatti l’anno in di un mio articolo o gli intervenuti a una cui sono nati sia il cinema che il fumetto. mia conferenza, dicendo loro qualcosa del Di questi due linguaggi ‘fratelli’ è il se - genere: Non credeteci, se vi raccontano condo quello più vecchio, seppure di che il fumetto prende origine dalla co - poco. E non perché alcuni degli elementi lonna traiana o dai filatteri medievali o di base della grammatica fumettistica fos - dalla tappezzeria di Bayeux.
[Show full text]
STORY 1 the Search for the Zodiac Stone STORY 2 Dinner Time STORY 3 Defective Detectives EDITOR Sarah Gaydos IFC DESIGNER Paul H
STORY 1 The Search for the Zodiac Stone Chapter 6 of 12: Mode Star from Italian Topolino 1784, 1990 (New to the USA) WRITER Bruno Sarda ARTIST Massimo De Vita COLORIST Nea Aktina A. E. and Digikore Studios STORY 2 with Travis and Nicole Seitler LETTERER Travis and Nicole Seitler Dinner Time from Silly Symphonies Sunday comic strip, 1933 TRANSLATION AND DIALOGUE Jonathan H. Gray WRITER Ted Osborne ARTIST Al Taliaferro COLORIST Digikore Studios EDITOR Sarah Gaydos IFC DESIGNER Paul Hornschemeier ARCHIVAL EDITOR David Gerstein COVER DESIGNER Tom B. Long REGULAR COVER PENCILS John Loter REGULAR COVER INKS AND COLORS Lou Rodriguez SUB COVER Massimo Asaro SUB COVER COLORS Mario Perrotta RI COVER Derek Charm STORY 3 Defective Detectives from Chip ‘n’ Dale 11, 1957 WRITER Nick George ARTIST Harvey Eisenberg COLORIST Digikore Studios Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, Carlotta Quattrocolo, For international rights, and Christos and David Terzopoulos please contact [email protected] Ted Adams, CEO & Publisher Greg Goldstein, President & COO Facebook: facebook.com/idwpublishing Robbie Robbins, EVP/Sr. Graphic Artist Twitter: @idwpublishing Chris Ryall, Chief Creative Officer/Editor-in-Chief Matthew Ruzicka, CPA, Chief Financial Officer YouTube: youtube.com/idwpublishing Alan Payne, VP of Sales Dirk Wood, VP of Marketing Tumblr: tumblr.idwpublishing.com Lorelei Bunjes, VP of Digital Services Instagram: www.IDWPUBLISHING.com Jeff Webber, VP of Licensing, Digital and Subsidiary Rights instagram.com/idwpublishing WALT DISNEY’S COMICS AND STORIES #725, NOVEMBER 2015. FIRST PRINTING. All contents, unless otherwise specified, copyright © 2015 Disney Enterprises, Inc. All rights reserved.
[Show full text]
Topolino E Il Mistero Di Tapioco Sesto
LA STORIA TOPOLINO E IL MISTERO DI PRIMA EDIZIONE: T 142-143 (10 e 25/7/1956) TAPIOCO SESTO SUCCESSIVE EDIZIONI: CWD 5 [I Gialli di Topolino] (12/1960); Soggetto, sceneggiatura e disegni CWDNS 7 [I Gialli di Topolino] (7/1977); CD 33 (1/1996); MD 29 di Romano Scarpa ‒ 53 tavole (1/2005); GC 321 (8/2013) carpa tesse una trama nel contempo poetica e appassio- nante, fondamentalmente divisa in due parti, che coinci- Sdono con i due episodi. Il primo ha l’andamento di una fa- vola urbana sullo stile dei film di Frank Capra, con impliciti riferi- menti a Topolino e il selvaggio Giovedì (1940) di Merrill DeMaris e Floyd Gottfredson. La seconda parte guarda invece, tra intrighi di palazzo e scambi di identità, al romanzo di Anthony Hope Il prigioniero di Zenda (The Prisoner of Zenda, 1894), e alla sua pa- rodia disneyana, Topolino sosia di re Sorcio (Mickey Mouse as His Royal Highness, 1937-38) di Ted Osborne e Floyd Gottfredson. La connessione di questa storia con le strisce quotidiane è rin- forzata dall’uso del retino tipografico, nonché dall’impiego di una sottostruttura a gag, proprio come se si trattasse di strisce quotidiane USA rimontate per il tascabile italiano, dove peraltro ap- pare qua e là la firma “Walt Disney”. Tale firma è riprodotta da Scarpa nelle tavole 3, 11, 14, 20, 27, 30, 33, 37, 41, 45, 48, 52. La storia è inoltre siglata “RS-3” nella prima vignetta e “RS 3-II” nella vignetta che apre il secondo episodio. Su CWD 5 e CWDNS 7, noti col titolo I Gialli di To- polino, nove vignette vengono allargate per collegare le due puntate.
[Show full text]
Walt Disney's Donald Duck
DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 1 DonaldDuckDailies1_Layout 1 7/16/15 2:44 PM Page 2 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 3 IDW PUBLISHING San Diego VOLUME VOLUME ONE • 1938-1940 DonaldDuckDailies1_Layout 1 7/16/15 2:45 PM Page 4 ART AL TALIAFERRO SCRIPTS BOB KARP (4/6/1938 - 7/18/1940) HOMER BRIGHTMAN (2/7 - 4/5/1938) GAG IDEAS BY CARL BARKS (5/25, 6/10, 6/27, 7/2, 7/6, 7/25, 10/25, 10/27, 11/26/1938 and 1/10, 2/4, 2/6/1939) THE LIBRARY OF AMERICAN COMICS EDITOR/CO-DESIGNER DEAN MULLANEY ASSOCIATE EDITOR BRUCE CANWELL ART DIRECTOR/CO-DESIGNER LORRAINE TURNER CONSULTING EDITOR DAVID GERSTEIN PRODUCTION ASSISTANTS JOSEPH KETELS and REBEKAH CAHALIN ISBN: 978-1-63140-335-4 First Printing, July 2015 Published by: IDW Publishing a Division of Idea and Design Works, LLC 2765 Truxton Road, San Diego CA 92106 www.idwpublishing.com LibraryofAmericanComics.com Ted Adams, Chief Executive Officer/Publisher Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr. Graphic Artist Chris Ryall, Chief Creative Officer/Editor-in-Chief Matthew Ruzicka, CPA, Chief Financial Officer Alan Payne, VP of Sales • Dirk Wood, VP of Marketing Lorelei Bunjes, VP of Digital Services Jeff Webber, VP of Digital Publishing & Business Development Distributed by Diamond Book Distributors 1-410-560-7100 Special thanks to Curt Baker, Ken Shue, Iliana Lopez, Julie Dorris, and Danielle Digrado at Disney; Susan Liberator and Marilyn Scott at the Billy Ireland Cartoon Library and Museum at the Ohio State University for filling in several weeks of missing strips; Steve Geppi, Josh Geppi, and Mike Wilbur at Diamond International Galleries; Germund von Wowern, Sarah Gaydos; Justin Eisinger; and Alonzo Simon.
[Show full text]
T He P Ersistence of Mick Ey
Hello, Dali! When Walt Disney and famed abstract artist Salvador Dali teamed up in 1946, they birthed a famed cartoon featurette called “Destino,” that wouldn’t be seen until decades after its inception! How come? Would you believe—Mickey Mouse, Donald Duck, and Goofy invaded Dali’s outrageous world of art, and turned Uncle Walt’s plans even abstract-er than before! Then stick around for more action with Donald, Mickey, and the whole Walt Disney’s Comics and Stories supporting cast! Donald and evil Argus McSwine clash as demolition derby drivers in “Roadhogs,” and as super-hot curry chefs in “You of Mickey Persistence The Vindaloo, You Lose a Few!” Then, in “Night of the Living Text,” Mickey and Goofy learn they’re really living in a comic book—or are they? Collects IDW’s Walt Disney’s Comics and Stories #733-735 TheThe PersistencePersistence ofof MickeyMickey From Italian Topolino #2861, 2010 Writer: Roberto Gagnor Artist: Giorgio Cavazzano Inker: Sandro Zemolin Colorist: Kawaiistudio Letterers: Nicole and Travis Seitler Translation and Dialogue: Joe Torcivia with Roberto Gagnor Roadhogs From Dutch Donald Duck #20/2009 Writers: Kirsten de Graaff and Mau Heymans Artist: Mau Heymans Colorists: Sanoma with Travis and Nicole Seitler Letterers: Nicole and Travis Seitler Translation and Dialogue: Thad Komorowski CocoonCocoon SoonSoon From Silly Symphonies Sunday comic strip, 1933 Writer: Ted Osborne IsIs IzzyIzzy AsAs HeHe Was?Was? Artist: Al Taliaferro From Dutch Donald Duck #36/2004 Colorist: Digikore Studios Writer: Frank Jonker Artist: Jordi Alfonso Inker: Comicup Studio Colorist: Sanoma Letterers: Nicole and Travis Seitler Translation and Dialogue: David Gerstein Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo.
[Show full text]
Giubergiam-Mattioa
Traduzione: Per quale ragione avete bagnato il pavimento con il sapone? Facciamo questo affinché sparisca il coronavirus. Particolarità: Qua: avverbio interrogativo, significa per quale Qua + indicativo (unxistis): proposizione interrogativa Hoc: pronome dimostrativo neutro e significa questo Ut: congiunzione e significa affinché Pereant: verbo di modo congiuntivo, tempo presente, significa sparire. Ut +pereant: proposizione finale, ut/ne(per le negative)+congiuntivo. Da dove è tratta? La vignetta originale da cui prende spunto quella in latino è una delle famose vignette presenti nelle ultime strisce giornaliere della Disney, disegnate da Floyd Gottfredson e dedicate alle avventure del famoso personaggio animato, chiamato Topolino. Tra queste vignette animate compaiono però altri personaggi, tra cui Paperino ( noto anche come Donald Duck) e i suoi tre nipotini Qui, Quo e Qua (anche chiamati Huey, Dewey e Louie), protagonisti di questa vignetta. Donald Duck e i tre nipotini Donald Duck è un personaggio dei cartoni animati e dei fumetti della Disney, creato da Carl Barks. Mentre i suoi tre nipotini: Qui, Quo, Qua, anche presenti nei fumetti della Disney, sono stati ideati da Al Taliaferro e Ted Osborne. Il significato della vignetta: Alla vignetta originale della Disney sono state aggiunte due battute che fanno riferimento alla situazione in cui si ritrova il mondo adesso, cioè alla guerra che tutti stiamo combattendo contro il coronavirus. In particolare questa vignetta vuole diffondere un chiaro messaggio su come proteggersi e prevenire il contagio dal virus: lavare e disinfettare le superfici a contatto con l’esterno utilizzando il sapone e l’acqua e lasciandoli agire su di esse per qualche minuto.
[Show full text]
“NOBODY COULD SLEEP with THIS INFERNAL BUSINESS ON!” Translations of Verbal Humour in Floyd Gottfredson’S Mickey Mouse
“NOBODY COULD SLEEP WITH THIS INFERNAL BUSINESS ON!” Translations of verbal humour in Floyd Gottfredson’s Mickey Mouse Bachelor’s thesis Markus Vuorenoja University of Jyväskylä Department of Languages English January 2016 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Kielten laitos Tekijä – Author Markus Vuorenoja Työn nimi – Title ”Nobody could sleep with this infernal business on!”: Translations of verbal humour in Floyd Gottfredson’s Mickey Mouse Oppiaine – Subject Työn laji – Level Englanti Kandidaatintutkielma Aika – Month and year Sivumäärä – Number of pages Tammikuu 2016 24 Tiivistelmä – Abstract Tämä tutkielma käsittelee verbaalisen huumorin kääntämistä sarjakuvissa ja sen aiheuttamia haasteita kääntäjille. Tutkielma keskittyy Mikki Hiiri -sanomalehtisarjakuviin, joiden alkuperäisiä, englanninkielisiä versioita ja suomenkielisiä käännöksiä vertasin. Tavoitteena oli selvittää, mitkä aineistossa esiintyvät verbaalisen huumorin muodot ovat erityisen haastavia mahdollisimman tarkan ja lähdetekstille uskollisen kääntämisen näkökulmasta, ja millaisia käännöstekniikoita suomalaiset kääntäjät näissä tilanteissa käyttivät. Laajemmassa kontekstissa tutkielman tavoitteena oli osaltaan valaista aihetta, jota on tutkittu varsin vähän sarjakuvantutkimuksen alalla. Tutkimusaineistona toimi viisi Mikki Hiiri -sarjakuvatarinaa englannin- ja suomenkielisinä versioina. Sarjat valittiin satunnaisesti sellaisten tarinoiden joukosta, joiden molemmat versiot olivat helposti saatavilla. Vertasin alkuperäistekstiä
[Show full text]
VOL. 2 the Three Little Kittens
A fter more than eighty years—the complete Silly Symphony newspaper strips are collected in English for the first time! This second of four volumes presents the spectacular Sunday pages from 1935 to 1939, featuring the first comic strip adaptation of a feature-length film—Snow White and the Seven Dwarfs…the original Donald Duck series, plus the Three Little Pigs (and the Big Bad Wolf, of course), Elmer the Elephant, Pluto, Goofy, and VOL. 2 the Three Little Kittens. The artwork for these rare strips has come straight from the Disney vaults, each page meticulously colored COMPLETE 1935 using as a guide the original color proofs! It’s a symphony of TO 8STORIES 1939 fun and adventure from Disney’s earliest days. PLUS THE FIRST DONALD DUCK COMIC STRIPS!! $49.99 • IDWPUBLISHING.COM • LIBRARYOFAMERICANCOMICS.COM THE LIBRARY OF AMERICAN COMICS EDITOR/CO-DESIGNER DEAN MULLANEY ASSOCIATE EDITOR BRUCE CANWELL ART DIRECTOR/CO-DESIGNER LORRAINE TURNER CONSULTING EDITOR DAVID GERSTEIN COLOR RE-CREATION DIGIKORE STUDIOS SCANNING REBEKAH CAHALIN INTRODUCTION J. B. KAUFMAN PUBLISHED BY TED ADAMS ISBN: 978-1-63140-804-5 First Printing, December 2016 Published by: IDW Publishing a Division of Idea and Design Works, LLC CONTENTS 2765 Truxtun Road, San Diego CA 92106 www.idwpublishing.com SILLY SYMPHONIES LibraryofAmericanComics.com Ted Adams, Chief Executive Officer/Publisher Greg Goldstein, Chief Operating Officer/President Robbie Robbins, EVP/Sr. Graphic Artist Chris Ryall, Chief Creative Officer THREE LITTLE KITTENS / 12 THE PRACTICAL PIG / 164 David
[Show full text]