Black, Latinx and Chicanx Life and Interiority Beyond Statist Redemption
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Toward a Diasporan Ethics by Ianna Hawkins Owen A
Ordinary Failures: Toward a Diasporan Ethics by Ianna Hawkins Owen A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in African American Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Darieck Scott, Chair Professor Leigh Raiford Professor Juana María Rodríguez Professor Michael Cohen Summer 2016 Abstract Ordinary Failures: Toward a Diasporan Ethics by Ianna Hawkins Owen Doctor of Philosophy in African American Studies and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Darieck Scott, Chair In Ordinary Failures I develop a new conception of “diaspora” as the ordinary failure of recognitions and solidarities founded on ideological and ancestral ties. Informed by the queer studies turn toward negativity and the relational turn in African diaspora studies, my project examines the interventions of artists and writers of the diaspora who opt to recite intraracial failure (between blacks) in the face of their structurally overdetermined failure as minoritized subjects. I identify in textual and visual objects an engagement with the promise of intimacy attendant to the artist’s lived experience of diaspora and there I aim to expose the limits of diaspora discourse. My explorations of the failures of diaspora are aided by pushing on queer theories of negativity to speak to race. This project departs from traditional approaches to black failure such as the black mainstream’s condemnation or eschewal of black failure in favor of respectability politics and the black left’s redemption of failure through revisionist narratives of resistance. -
The Ohio State University
Intersections of History, Memory, and “Rememory:” A Comparative Study of Elmina Castle and Williamsburg Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Ashley Camille Bowden, B.A. Graduate Program in African American and African Studies The Ohio State University 2009 Thesis Committee: Dr. Walter Rucker, Advisor Dr. Leslie Alexander Dr. Ahmad Sikainga Copyright by Ashley Camille Bowden 2009 ABSTRACT The representation of freed and enslaved people of African descent at sites such as Elmina, Ghana, and Williamsburg, Virginia, are subject to much criticism and praise. “Founded” by the Portuguese in 1482 and later controlled by the Dutch, Elmina is distinguished as the first of its kind. Initially established as a trading center between Africans and Europeans, those interactions soon gave birth to Elmina as a dungeon for holding Africans as slaves for sale into slavery. Williamsburg, a living history museum, is identified as the second colonial capital following the Jamestown settlement. On the eve of the American Revolution its citizens were confronted with questions of freedom, independence, and bondage. While many white settlers fought for independence and freedom from England, they simultaneously embodied slavery and unequal treatment towards enslaved and free African Americans. Today, both Elmina and Williamsburg reflect historical spaces as memory of the past. This thesis explores the ways that contemporary historical interpreters depict Elmina and Williamsburg. Some of the goals of this thesis are to study and analyze the sites‟ contemporary flaws, the sources these flaws, the ways that the histories of these sites are packaged for guests, and to explore how the sites‟ guests are encouraged to re-interpret and identify with the trans-Atlantic slave trade and slavery. -
Venus in Two Acts
Venus in Two Acts Saidiya Hartman Small Axe, Number 26 (Volume 12, Number 2), June 2008, pp. 1-14 (Article) Published by Duke University Press For additional information about this article http://muse.jhu.edu/journals/smx/summary/v012/12.2.hartman.html Access provided by UCLA Library (10 Jan 2014 14:41 GMT) Venus in Two Acts Saidiya Hartman ABSTRACT: This essay examines the ubiquitous presence of Venus in the archive of Atlantic slavery and wrestles with the impossibility of discovering anything about her that hasn’t already been stated. As an emblematic figure of the enslaved woman in the Atlantic world, Venus makes plain the convergence of terror and pleasure in the libidinal economy of slavery and, as well, the intimacy of history with the scandal and excess of literature. In writing at the limit of the unspeak- able and the unknown, the essay mimes the violence of the archive and attempts to redress it by describing as fully as possible the conditions that determine the appearance of Venus and that dictate her silence. In this incarnation, she appears in the archive of slavery as a dead girl named in a legal indict- ment against a slave ship captain tried for the murder of two Negro girls. But we could have as easily encountered her in a ship’s ledger in the tally of debits; or in an overseer’s journal—“last night I laid with Dido on the ground”; or as an amorous bed-fellow with a purse so elastic “that it will contain the largest thing any gentleman can present her with” in Harris’s List of Covent- Garden Ladies; or as the paramour in the narrative of a mercenary soldier in Surinam; or as a brothel owner in a traveler’s account of the prostitutes of Barbados; or as a minor character in a nineteenth-century pornographic novel.¹ Variously named Harriot, Phibba, Sara, Joanna, Rachel, Linda, and Sally, she is found everywhere in the Atlantic world. -
Intro African-American History
Photo Credit: Chandan Khanna, June 2, 2020, Minneapolis State Capitol, Minnesota. Fall 2020 Course Title: Introduction to African-American History (History BC2440) Class Days/Times: MW, 2:40-3:55 p.m. (NYC/EST) Venue: Zooming in From Wherever You are in The World Instructor: Professor Celia E. Naylor Office: 817 Milstein Center Zoom Office Hours: Tuesdays, 4:00-6:00 pm EST and by appt. Office Tele: 854-4876 E-mail: [email protected] Time Zone: EASTERN CENTRAL MOUNTAIN PACIFIC Mon: 2:40-3:55 pm 1:40-2:55 pm 12:40-1:55 pm 11:40 am-12:55 pm Weds: 2:40-3:55 pm 1:40-2:55 pm 12:40-1:55 pm 11:40 am-12:55 pm COURSE OVERVIEW (AKA THE PURPOSE OF THIS COURSE) We are in the midst of a global pandemic that has disproportionately impacted people of African descent (as well as Indigenous and Latinx people) and those living in impoverished and insecure conditions in this country. We are still reckoning with nationwide and global uprisings in response to the litany of incidents of anti-Black state-sanctioned violence and acts of vigilante violence/domestic terrorism, while simultaneously attempting to understand this moment, this movement, along the long arc of history. We are witnessing history and recognizing the importance of looking back in history to tease out more capacious understandings of the present moment and the future possibilities ahead of us. Over the past several months some of you may have read about, watched, and/or participated in the recent worldwide protests/uprisings; others may have decided to disengage from (or avoid) these images, videos, news reports, and protests/uprisings. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
THE SHI KING INDIANA Unl\;1:RS!TY Limwlr ( I, , I V, H Str !Jobn1ubbock's"'Un~Te~ L)Ooks
SIR JOHN LUBBOCK'S HUNDRED BOOKS THE SHI KING INDIANA UNl\;1:RS!TY LImWlr ( I, , I V, h Str !Jobn1ubbock's"'un~te~ l)ooks ,THE SHI KING THE OLD II POETRY CLASSIC" OF THE CHINESE A CLOSE METRICAL TRANSLATION, WITH ANNOTATIONS BY WILLIAM JENNINGS, M.A. VICAR OF BURDON', BERKS LATH COLONIAl. CHAPLAINt INCUMBENT OF ST. JOHN'S CATKKDRALI HONG KONG 1on~on anb• ~ew moth GEORGE ROUTLEDGE AND SONS LIMITED 'TJL24-7~ ,}- if I £:f! " If Chinese scholars would bring the ancient literature near to us, if they would show us something in it that really concerns us, something that is not merely old but eternally young, Chmese "tuJies would soon take their place in public estimation by the side of Indo-European, Babylonian, and Egypuan scholarship There is no reason why China should remain so strange, so far removed from our common mterests."-PROF. MAX MULLER, In Nm(teenth Century for May, 1891, J l1el1icate 'XE::r:s :soox: TO MY WIFE. INTRODUCTION TO THE SHI RING.- BY THE TRANSLATOR. WHATEVERbe the merits of this collection of the venerated ancient poetry of the Chinese, it possesses one quality which ought to have weight with the European reader: it represents, as in a mirror, the circumstances, the thoughts, the habits, the joys and sorrows of persons of all classes of society in China 3,000 years ago, pour. trayed by themselves. In it we have some of the oldest writings of that ancient race of strange custom and peculiar ideas. And yet, as proving that human nature IS the same in its feelings and humours, and in its virtues and vices, despite the limits of millenniums and the boundaries of continents, there are pages in which we feel ourselves standing in the midst of the modern life of Europe. -
The Belly of the World: a Note on Black Women's Labors
Souls A Critical Journal of Black Politics, Culture, and Society ISSN: 1099-9949 (Print) 1548-3843 (Online) Journal homepage: http://www.tandfonline.com/loi/usou20 The Belly of the World: A Note on Black Women’s Labors Saidiya Hartman To cite this article: Saidiya Hartman (2016) The Belly of the World: A Note on Black Women’s Labors, Souls, 18:1, 166-173, DOI: 10.1080/10999949.2016.1162596 To link to this article: http://dx.doi.org/10.1080/10999949.2016.1162596 Published online: 01 Jun 2016. Submit your article to this journal Article views: 122 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=usou20 Download by: [Duke University Libraries] Date: 21 June 2016, At: 13:15 Souls Vol. 18, No. 1, January–March 2016, pp. 166–173 COMMENTS FROM THE FIELD The Belly of the World: A Note on Black Women’s Labors Saidiya Hartman The slave ship is a womb/abyss. The plantation is the belly of the world. Partus sequitur ventrem—the child follows the belly. The master dreams of future increase. The modern world follows the belly. Gestational language has been key to describing the world-making and world-breaking capacities of racial slavery. What it created and what it destroyed has been explicated by way of gendered figures of conception, birth, parturition, and severed or negated maternity. To be a slave is to be “excluded from the prerogatives of birth.” The mother’s only claim—to transfer her disposses- sion to the child. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Saidiya Hartman the Time of Slavery
Saidiya Hartman The Time of Slavery For to me history was not a large stage filled with commemoration, bands, cheers, ribbons, medals, the sound of fine glass clinking and raised high in the air; in other words, the sounds of victory. For me history was not only the past: it was the past and it was also the present. I did not mind my defeat, I only minded that it had to last so long; I did not see the future, and that is perhaps as it should be. —Jamaica Kincaid, The Autobiography of My Mother Slavery here is a ghost, both the past and the living presence; and the problem of historical representation is how to represent the ghost. —Michel-Rolph Trouillot, Silencing the Past A memorial plaque posted near the entryway of the courtyard of Elmina Castle reads, ‘‘In everlasting memory of the anguish of our ances- tors. May those who died rest in peace. May those who return find their roots. May humanity never again perpetrate such injustice against humanity.Wethelivingvowtoupholdthis.’’As the plaque suggests, reckoning with our respon- sibility to the dead necessitates not only our remembrance but also a promise to forswear the injustice that enabled this crime against hu- manity to occur. It would appear that our lives The South Atlantic Quarterly :, Fall . Copyright © by Duke University Press. Downloaded from https://read.dukeupress.edu/south-atlantic-quarterly/article-pdf/101/4/757/469080/02.pdf by SIMON FRASER UNIVERSITY, [email protected] on 25 June 2018 758 Saidiya Hartman and even those of the dead depend on such acts of remembrance. -
Nobody Has to Know
ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction. -
Afro Pessimism
AFRO PESSIMISM “SLAVERY IS THE THRESHOLD OF THE POLITICAL WORLD, ABOLITION THE INTERMINABLE RADICALIZATION OF EVERY RADICAL MOVEMENT.” AFRO- PESSIMISM AN INTRODUCTION racked & dispatched designed. printed. bound. minneapolis, january 2017 no copyright authorization not sought or granted in the production of this edition. any part of this book may be reproduced, stored virtually, or transmitted by any means, electronic, physical, supernatural, photocopying, or otherwise, without prior permission of the publisher. this reader is not intended for profit. free pdf | connect: rackedanddispatched.noblogs.org racked&[email protected] set in AVANT-GARDE and Baskerville 91 14 20 66 6 CONTENTS Introduction 7 I. Blacks and the Master/Slave Relation | 2015 15 FRANK B. WILDERSON, III II. The Burdened Individuality of Freedom | 1997 31 SAIDIYA HARTMAN III. The Avant-Garde of White Supremacy | 2002 49 STEVE MARTINOT & JARED SEXTON IV. The Prison Slave as Hegemony’s (Silent) 67 Scandal | 2003 FRANK B. WILDERSON, III V. The Belly of the World: A Note on Black 80 Women’s Labors | 2016 SAIDIYA HARTMAN VI. Mama’s Baby, Papa’s Maybe: An American 91 Grammar Book | 1987 HORTENSE J. SPILLERS VII. The Vengeance of Vertigo: Aphasia and Abjection 123 in the Political Trials of Black Insurgents | 2011 FRANK B. WILDERSON, III VIII. The Vel of Slavery: Tracking the Figure of 148 the Unsovereign | 2014 JARED SEXTON References 170 Further Reading 178 INTRODUCTION his reader is intended to be an introduction to the theory Tcalled Afro-pessimism. Collected in this volume are articles spanning three decades of thought, with topics ranging from police violence, the labor of Black women, and the slave’s transformation following emancipation, to the struggles of the Black Liberation Army and elements of anti-Blackness in Indigenous struggles for sovereignty. -
America and Race: a Bibliography for UK History Undergraduates
America and Race: A Bibliography for UK History Undergraduates Highlights Edition The America and Race bibliography project presents works that provide accessible historical insights into conceptions of race, the social construction of difference, and the freedom struggles that have attempted to dismantle white supremacy. The project adopts a broad chronological span from early America to the contemporary United States, and includes Atlantic, global, national, and regional approaches. The titles that appear below are recommendations for critical engagement, rather than endorsements. This bibliography provides a resource for undergraduates across the UK who are delving deeper into their study of the history of American racism, be it in self-directed further reading, independent revision or preliminary dissertation research. Module designers may also wish to use this list. The bibliography subcategories are organised chronologically, with more thematic categories at the end. The scholarly books and articles on this list are generally available in research libraries, including university libraries accessible to undergraduates, and the publicly accessible British Library, Institute of Historical Research, National Library of Scotland, and National Library of Wales. Northern Irish readers without university affiliation may be able to access the National Library of Ireland in Dublin. Check www.worldcat.org for the nearest copies. Whenever an open access resource exists, the link has been provided. This highlights edition is also available on