Scripting the Revolutionary Worker Autobiography: Archetypes, Models, Inventions, and Marketsã
IRSH 49 (2004), pp. 371–400 DOI: 10.1017/S0020859004001725 # 2004 Internationaal Instituut voor Sociale Geschiedenis Scripting the Revolutionary Worker Autobiography: Archetypes, Models, Inventions, and Marketsà Diane P. Koenker Summary: This essay offers approaches to reading worker autobiographies as a genre as well as source of historical ‘‘data’’. It focuses primarily on one example of worker narrative, the autobiographical notes of Eduard M. Dune, recounting his experiences in the Russian Revolution and civil war, and argues that such texts cannot be utilized even as ‘‘data’’ without also appreciating the ways in which they were shaped and constructed. The article proposes some ways to examine the cultural constructions of such documents, to offer a preliminary typology of lower- class autobiographical statements for Russia and the Soviet Union, and to offer some suggestions for bringing together the skills of literary scholars and historians to the task of reading workers’ autobiographies. In the proliferation of the scholarly study of the autobiographical genre in the past decades, the autobiographies of ‘‘common people’’ have received insignificant attention. Autobiography, it has been argued, is a bourgeois genre, the artifact of the development of modern liberal individualism, the product of individuals with leisure and education to contemplate their selfhood in the luxury of time.1 Peasants, particularly during the time of ‘‘motionless history’’, are judged to constitute ‘‘anti-autobiographical space’’. Workers, whether agricultural,
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