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HOMERIC-ILIAD.Pdf
Homeric Iliad Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power Contents Rhapsody 1 Rhapsody 2 Rhapsody 3 Rhapsody 4 Rhapsody 5 Rhapsody 6 Rhapsody 7 Rhapsody 8 Rhapsody 9 Rhapsody 10 Rhapsody 11 Rhapsody 12 Rhapsody 13 Rhapsody 14 Rhapsody 15 Rhapsody 16 Rhapsody 17 Rhapsody 18 Rhapsody 19 Rhapsody 20 Rhapsody 21 Rhapsody 22 Rhapsody 23 Rhapsody 24 Homeric Iliad Rhapsody 1 Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power [1] Anger [mēnis], goddess, sing it, of Achilles, son of Peleus— 2 disastrous [oulomenē] anger that made countless pains [algea] for the Achaeans, 3 and many steadfast lives [psūkhai] it drove down to Hādēs, 4 heroes’ lives, but their bodies it made prizes for dogs [5] and for all birds, and the Will of Zeus was reaching its fulfillment [telos]— 6 sing starting from the point where the two—I now see it—first had a falling out, engaging in strife [eris], 7 I mean, [Agamemnon] the son of Atreus, lord of men, and radiant Achilles. 8 So, which one of the gods was it who impelled the two to fight with each other in strife [eris]? 9 It was [Apollo] the son of Leto and of Zeus. For he [= Apollo], infuriated at the king [= Agamemnon], [10] caused an evil disease to arise throughout the mass of warriors, and the people were getting destroyed, because the son of Atreus had dishonored Khrysēs his priest. Now Khrysēs had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom [apoina]: moreover he bore in his hand the scepter of Apollo wreathed with a suppliant’s wreath [15] and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. -
Provided by the Internet Classics Archive. See Bottom for Copyright
Provided by The Internet Classics Archive. See bottom for copyright. Available online at http://classics.mit.edu//Homer/iliad.html The Iliad By Homer Translated by Samuel Butler ---------------------------------------------------------------------- BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. -
Wulf: Libretto
WULF: LIBRETTO compiled by Vic Hoyland [Since most of this score uses modern English, it will be acceptable to perform this work using a translation in the country of performance, as well as using segments in the original French, Icelandic, Anglo‐Saxon, Latin, ancient Greek and Scottish Gaelic. Please contact UYMP to discuss any translation of the English text.] Iliad, chapter 18 (of 24): Patroclus, Achilles’ companion, is killed in battle. Achilles’ emotional reaction is extreme. His screams are heard by his mother, Thetis, from the depths of the sea. She calls on her nymphs (Nereids) to come to her son’s aid. “With these the bright cave was filled, and the nymphs all alike, beat their breasts, and Thetis led the lament.” The names of ancient Greek sea nymphs are recalled throughout the work. Part I – WULF 1. Glauke te Thaleia te Kymodoke te Nesaie Speio te Thoe Halia te Kymothoe te kai Actaee kai Limnoreia Kai Melite kai Iera kai Amphithoe kai Agave Doto te Proto te Pherusa Dynamene te Dexamene te Amphinome kai Kallineira Doris kai Panope kai te Galateia Nemertes te kai Apseudes kai Kallinassa Te Klymene Ianeira te kai Ianassa Maera kai Oreithyia te Amatheia.1 5. Protesilaus, Echepolus, Elephenor, Simoisius, Leukos, Democoon, Diores, Pirous, Phegeus, Idaeus, Odios, Phaestus, Scamandrius, Pherecles, Pedaeus, Hypsenor, Astynoos, Hyperion, Abas, Polyidos, Xanthus, Thoon, Echemmnon, Chromius, Pandarus, Deicoon.2 6. Sigmund took his weapons, but Skarphedinn waited the while. Skyolld turned against Grim and Helgʹ, and they fought violently. Sigmund had a helmet on his head and a shield at his side and was girt with a sword, his spear was in his hand; he turns against Skarphedinn, and thrusts at him with his spear, and the thrust struck the shield. -
Treasury of Olympus
IONIA Treasury of Olympus A Supplement for ZENOBIA by Günter D'Hoogh Written by Günter D'Hoogh © 2004 Additional material and assistance from Paul Elliott. Illustrations by Paul Elliott Acknowledgements It was a pleasure working on this project, being a history teacher it’s a fantastic feeling that it’s quite well possible to merge history and roleplaying together. I hope that the reader as much enjoys playing it as I enjoyed writing this little “Campaign Guide”. I especially want to thank Paul Elliott, the creator of the wonderful ZENOBIA. He has been my mentor, my great help and especially a very good friend who encouraged me when the spirit was low. Thanks Paul for letting me take part in your great adventure, for the editting work, for the maps and drawings, and for the fine articles you wrote in this book! I really hope we’ll see each other someday face-to-face my friend! Günter D’Hoogh 2 THE CONTENTS I INTRODUCTION II THE WORLD OF IONIA III CHARACTER CREATION IV GODS OF OLYMPUS V THE THESSALIAN WITCH VI MONSTERS & WILD ANIMALS VII PHILOSOPHY VIII TREASURES IX LABYRINTHS OF IONIA 3 I INTRODUCTION Ionia is a sleepy mountainous land steeped in history, a land of ancient cities that are home to philosophers, academics, poets and playwrights. Lost and forgotten beneath Ionia are the artefacts and treasures of the Olympian gods, harkening back to the Age of Heroes when Zeus, Ares and Athena walked the earth in disguise, when heroes like Achilles fought with magical invulnerability, when witches like Medea ruled secret enchanted islands. -
Homer the Iliad
1 Homer The Iliad Translated by Ian Johnston Open access: http://johnstoniatexts.x10host.com/homer/iliadtofc.html 2010 [Selections] CONTENTS I THE QUARREL BY THE SHIPS 2 II AGAMEMNON'S DREAM AND THE CATALOGUE OF SHIPS 5 III PARIS, MENELAUS, AND HELEN 6 IV THE ARMIES CLASH 6 V DIOMEDES GOES TO BATTLE 6 VI HECTOR AND ANDROMACHE 6 VII HECTOR AND AJAX 6 VIII THE TROJANS HAVE SUCCESS 6 IX PEACE OFFERINGS TO ACHILLES 6 X A NIGHT RAID 10 XI THE ACHAEANS FACE DISASTER 10 XII THE FIGHT AT THE BARRICADE 11 XIII THE TROJANS ATTACK THE SHIPS 11 XIV ZEUS DECEIVED 11 XV THE BATTLE AT THE SHIPS 11 XVI PATROCLUS FIGHTS AND DIES 11 XVII THE FIGHT OVER PATROCLUS 12 XVIII THE ARMS OF ACHILLES 12 XIX ACHILLES AND AGAMEMNON 16 XX ACHILLES RETURNS TO BATTLE 16 XXI ACHILLES FIGHTS THE RIVER 17 XXII THE DEATH OF HECTOR 17 XXIII THE FUNERAL GAMES FOR PATROCLUS 20 XXIV ACHILLES AND PRIAM 20 I THE QUARREL BY THE SHIPS [The invocation to the Muse; Agamemnon insults Apollo; Apollo sends the plague onto the army; the quarrel between Achilles and Agamemnon; Calchas indicates what must be done to appease Apollo; Agamemnon takes Briseis from Achilles; Achilles prays to Thetis for revenge; Achilles meets Thetis; Chryseis is returned to her father; Thetis visits Zeus; the gods con-verse about the matter on Olympus; the banquet of the gods] Sing, Goddess, sing of the rage of Achilles, son of Peleus— that murderous anger which condemned Achaeans to countless agonies and threw many warrior souls deep into Hades, leaving their dead bodies carrion food for dogs and birds— all in fulfilment of the will of Zeus. -
Eros and Psyche
UC-NRLF 111 *B 15 ft 33b EROS AND PSYCHE ROBERT BRIDG 8 1 l^w^^^i^^^^ EX LIBRIS r El ..... _ fefg^M -. 7S3 ] |L ^ __J Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/erospsycheOObridrich EROS fe? PSYCHE L'anima semplicetta che sa nulla. Dante. O latest-born, O loveliest vision far Of all Olympus' faded hierarchy. Keats. EROS & PSYCHE > ,> » » > BY >\ i ROBERT BRIDGES // LONDON GEORGE BELL AND SONS 1894 CHISWICK PRESS:—CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. NOTE This poem was first published in 1885. It has now- been revised throughout, and parts of the first and second cantos rewritten. It is printed in the form originally intended, the divisions corresponding to seasons, months and days. At the end of the volume a note will be found explaining the spelling. , R. B. Yattendon, 1894. 804741 FIRST QUARTER Spring % Tsyche s earthly parentage. Worshipped by men and persecuted by ^Aphrodite, she is loved and carried off by 6ros. r ; EROS & PSYCHE MARCH IN midmost length of hundred-citied Crete, The land that cradl'd Zeus, of old renown, Where grave Demeter nurseried her wheat, And Minos fashion'd law, ere he went down To judge the quaking hordes of HelPs domain, There dwelt a King on the Omphalian plain Eastward of Ida, in a little town. Three daughters had this King, of whom my tale Time hath preserved, that loveth to despise The wealth which men misdeem of much avail, Their glories for themselves that they devise For clerkly is he, old hard-featured Time, And poets' fabPd song, and lovers' rhyme He storeth on his shelves to please his eyes. -
Quaestiones Oralitatis II 1 (2016)
Quaestiones Oralitatis II 1 (2016) QUAESTIONES ORALITATISII 1 (2016) ZMIANY W OBRĘBIE KULTURY ORALNEJ ORAZ PRZY PRZECHODZENIU OD TRADYCJI ORALNEJ DO PIŚMIENNICZEJ Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych Pracownia Badań nad Tradycją Oralną Wrocław 2016 Quaestiones Oralitatis Redakcja naukowa II 1 (2016) : Sławomir Torbus Copyright © by Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych, Pracowania Badań nad Tradycją Oralną, 2016 ISSN 2449–8181 ISBN 978–83–942433–2–6 Kolegium redakcyjne Karol Zieliński redaktor naczelny Tomasz Mojsik zastępca redaktora naczelnego Ilona Chruściak sekretarz redakcji Redakcja językowa Adjustacja streszczeń angielskich Skład : Małgorzata Zadka Korekta : Ita Hilton : Artur Pacewicz : Alina Seminowicz Adres redakcji Instytut Studiów Klasycznych, Śródziemnomorskich i Orientalnych Pracownia Badań nad Tradycją Oralną ul. Komuny Paryskiej 21, pok. 23 50–451 Wrocław e-mail: [email protected] Wydawca Pracownia Badań nad Tradycją Oralną www.tradycjaustna.uni.wroc.pl SPIS TREŚCI Retoryka i oralność: Od Redakcjiprzypomnienia . 7 Jakub Zdzisław Licha«skiNajstarsze, greckie inskrypcje biesiadne a początki...................................... greckiego alfabetu 11 Marek W¦cowskiIzokrates, pisarz czy mówca? Kilka uwag o kompozycji „Panegiryku” . 27 Joanna Janik, Narratywizacja doświadczenia w historii ustnej przykład „Dziejów” Herodota . 55 Iwona Wie»el, Oralne fundamenty wielkanocnej wiary Kościoła zarys perspektywy . 75 Eligiusz Piotrowski„Historia, Brittonum” między oralnością -
Anihb Opol Ogical Records
ANI HB OPOL OGICAL RECORDS 11:2 A MOHAVE HISTORICAL EPIC BY A. L. KROEBER UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES CALIFORNIA West of River East of River 1 Hamulye-ttieme 2 Amat-kuvataqanye A Miakwa orve 4 Arnata-hotave ........ 5 Hanemo- 'ara 6 Aksam-kusaveve....... 7 &okupita-to8ompove ...... B Avi-kutaparve ..... 8 Avi-itlierqe -+A 18o-kuva'ire. 1 KwilyeE)ki 2 Avi-tutara....... 3 Nyamasave-kwahave C Avi-kwa-'ahwata 6 Aqwer-tunyive SCT 7 Ahtlye~- 'samata 9 Amat-kukyeta.......... B Qara'erve Rc2ry'vile 10 Hukelyeme 10 Aha-kwae)o'ilye lOx Malyko-vet!ierqe 5 11 Huk0ara-tsimanive C Selye'aye-kumitle 12 Ahmo-ke-tlimpape +- D Sukwily-'ihu 2 M 13 Muhunyake 12 Aha-havasu NT QO E Aqwaq-iove 6.0~R 14 Hanyo-kumas8)eve 9........ 15 Kuya-k-aqwaEGa O6 15x Mobilye-halye-tapmevelo D Mat-aqwaE)-kutyepe .-4 F Selye'aye-tumatt ~-Mhv 17 Amai-nye-qotase 18 Aha-kevare E Hokusave G Kamahnulye E, 16 Oyatr-ukyulyuve 17 Akatai-vasalyve \ ............ F Hattioqvatveve -.H (Aha-so8ape 3.0....OO Hx Aha-kuma9)e'e ........ 20 Vanyor-ivava 20a Kamus-huvutatte - 328NAR 20b Akyase-t-EOitlive 21 Aha-tsepuve 23 2la I-x -tulkoro . 8R G Amat-kusayi if-.I Qav-kuivahaX. 35 Ix Hamka-vaaulveX 20 Av'a-eemulye o- 22 TS'ies-ivave 23 Aha-'anya .. ..... H Avi-haly-kwa'ampa -.J Amat-tasilyke .... ji Jx Ae'i-kupome Hbo24F 24 Sa ontlive, Seqwaltiive 4 24a Ahahta 25 Aha-kupinye, -kuminye ...........P5 PO 21 Selye 'aye-ittierqe .0 26 Aqaq-nyi-va 3-.**~~ 22 Amat-kaputior-a, -ilyase 25 Ihne-va'uve~ ~~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~~~~~~2. -
This Thesis Is an Analysis of Achilles and Andromache in Homer's Iliad
ACHILLES AND ANDROMACHE: GENDER AMBIGUITY IN MOTIF, NARRATIVE, AND FORMULA BY SEAN NICHOLAS SIGNORE UNDER THE DIRECTION OF NANCY FELSON ABSTRACT This thesis is an analysis of Achilles and Andromache in Homer’s Iliad employing the formulaic theories of Milman Parry, Bakhtin, modern narratology, and deixis. These methodologies illuminate correlations between these seemingly different characters by commonalities within epic diction: the motif of Eetion, the shared narrative sequence of lamentation, and shared paradigmatic formula. In chapter one, Eetion marks a triadic relationship with Achilles, Andromache and Hector, in which if Achilles survived the war, he would have led Andromache off as wife, fulfilling his earlier loss of Briseis. In chapter two, Achilles and Andromache are shown to share the same narrative lament sequence; Achilles’ narrative is borrowed from a traditionally feminine one. In chapter three, Achilles shares the formula daimoni isos with Andromache in the modified mainadi ise, indicating not only parallel poetic descriptions in battle and lamentation, respectively, but also transcendence to a divine status. INDEX WORDS: Greek Poetry, Homer, Achilles, Andromache, Milman Parry, Bakhtin, Narratology, Oral Poetry, Eetion, Lamentation. ACHILLES AND ANDROMACHE: GENDER AMBIGUITY IN MOTIF, NARRATIVE, AND FORMULA BY SEAN NICHOLAS SIGNORE B.A., BRANDEIS UNIVERSITY, 2002 A THESIS SUBMITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF GEORGIA IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS ATHENS, GEORGIA AUGUST 2007 © 2007 Sean Nicholas Signore All rights reserved ACHILLES AND ANDROMACHE: GENDER AMBIGUITY IN MOTIF, NARRATIVE, AND FORMULA BY SEAN NICHOLAS SIGNORE Major Professor : Nancy Felson Committee: Jared Klein Nicholas Rynearson Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2007 iv For Nayantara v ACKNOWLEDGEMENTS This thesis would not have come to fruition without the shoulders of giants and the support of many. -
Dveoieii 'Sorres {Ro1k Llrlds Oq} Lnoqv
wa;1-uollDrls a\D I srolB/!\ orll Jo rlrlds oql dvEoIeII 'sorres {ro1K llrlds oq} lnoqv ',ftesso1g 'lerousD ur sl€luetuelg rols (\Jo 'g role I Eurnlonur suorleJodg lecrEery'V rele I lecr8ery;o sed,(1 'g 'deEolelggo s8uqro^N pu€ ornleN oLlL'7, 'srote 11 oqlJo tprdg eqt :deEolelg 'I SINflINOJ 'e;11 rnod PUB l{llBaq rnor{ errordrut oJ 'elnteu leuortorue rnoL af,ueque o1 lacuer{o JrEIJ puu suorsn 'saqsed\ pue sqreq por8eur 'sqraq gtlrn Surryozn ur eJuetsrsse lsralel6 ro; eqt Jo slurds ressel Jo suorlernfuoc ur 8ur>1onul JoC 'peep eq] Jo sllrtds eqr pue plrol!\rapun eqr Jo sJelqC aqr 'spog lerrlserreJ pue lerlseleC aql SurnBtuof, ur :srele4\ eqt Jo rprdg &.{8tlt E }o ef,uetsrsse eqt roC 'a.nourr"c an.LI aqt;o tlrrdS e 'rale4l SururacuoJ sJeDBtu IIE suJe oB oqm rprdg eqr qtr{\ 3uqro16 SUEJV1)A. EHJ CO JIUIdS IIHJ dVCOIE'IE ELELOGAP, THE SPIRIT OF THE \TATERS Elelogap is a spirit of the True Grimoire, and of the Key o/Solomon delivered by Armadel. The first part of the spirit's name comes from ancient roots meaning'elevated, exalted, high, praised'. It can be seen in the Greek Eleleu, 'praised'whence comes Eleleus, a title of Bacchus (the praised). The equivalent Hebrew root gives us 'Haltelujah': 'God be praised'. It can be seen also in Helel, a Hebrew title of Venus as Morning Star, which is to say Lucifer. An important spirit in several Grimoires is 'Gaap', also called Gap, Goap and even Tap. In some classifications Gaap is one of the Elemental Kings, in others he is the 'guide [the word used can also mean the leader] of the four '!7hi1e principal kings, as mighty as Bileth'. -
The Iliad of Homer
THE ILIAD OF HOMER Rendered into English Prose for the use of those who cannot read the original by Samuel Butler BOOK I The quarrel between Agamemnon and Achilles--Achilles withdraws from the war, and sends his mother Thetis to ask Jove to help the Trojans--Scene between Jove and Juno on Olympus. Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the sceptre of Apollo wreathed with a suppliant's wreath, and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. -
(Ναϊάδες). Naiads Were Nymphs of Fresh-Water Rivers, Lakes, Wells And
N Naiads (Ναϊάδες). Naiads were nymphs of fresh-water rivers, lakes, wells and fountains, belonging to the pantheon of nature deities who represented various features of the natural world. The Naiads tended to personify the particular spring or stretch of water which they inhabited, and became inseparably identified with their specific locality; because every town and village honoured its own particular spring or river, the presiding spirits were important to genealogists in the ancient world. Many ruling families claimed legendary descent from a Naiad, emphasising the connection between a noble house and its locale, and thus its entitlement to the land. In Sparta for example the eponymous Lacedaemon married Sparta, a grand-daughter of the Naiad Cleocharia, in Athens Erichthonius married the Naiad Praxithea by whom he had a son Pandion, and in Argos the ill-fated children of *Thyestes were born of a Naiad. Other mythographers used complex stories to explain geographical puzzles, such as the myth of the Naiad *Arethusa which accounted for the identical names of springs as far apart as Elis and Sicily; the Naiad *Cyrene, beloved of Apollo, was the daughter of the river god Peneius in Thessaly, and eventually gave her name to the city in Libya. In Homer the Naiads are given as the daughters of Zeus, whereas other sources explain them as the daughters of Oceanus or of the river with which they are associated. They lived as long as the lakes and springs with which they were associated continued to flow, and, as might be expected of water nymphs, were often represented as sexually dangerous.