The Griffins War Free
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Vol 39 No 48 November 26
Notice of Forfeiture - Domestic Kansas Register 1 State of Kansas 2AMD, LLC, Leawood, KS 2H Properties, LLC, Winfield, KS Secretary of State 2jake’s Jaylin & Jojo, L.L.C., Kansas City, KS 2JCO, LLC, Wichita, KS Notice of Forfeiture 2JFK, LLC, Wichita, KS 2JK, LLC, Overland Park, KS In accordance with Kansas statutes, the following busi- 2M, LLC, Dodge City, KS ness entities organized under the laws of Kansas and the 2nd Chance Lawn and Landscape, LLC, Wichita, KS foreign business entities authorized to do business in 2nd to None, LLC, Wichita, KS 2nd 2 None, LLC, Wichita, KS Kansas were forfeited during the month of October 2020 2shutterbugs, LLC, Frontenac, KS for failure to timely file an annual report and pay the an- 2U Farms, L.L.C., Oberlin, KS nual report fee. 2u4less, LLC, Frontenac, KS Please Note: The following list represents business en- 20 Angel 15, LLC, Westmoreland, KS tities forfeited in October. Any business entity listed may 2000 S 10th St, LLC, Leawood, KS 2007 Golden Tigers, LLC, Wichita, KS have filed for reinstatement and be considered in good 21/127, L.C., Wichita, KS standing. To check the status of a business entity go to the 21st Street Metal Recycling, LLC, Wichita, KS Kansas Business Center’s Business Entity Search Station at 210 Lecato Ventures, LLC, Mullica Hill, NJ https://www.kansas.gov/bess/flow/main?execution=e2s4 2111 Property, L.L.C., Lawrence, KS 21650 S Main, LLC, Colorado Springs, CO (select Business Entity Database) or contact the Business 217 Media, LLC, Hays, KS Services Division at 785-296-4564. -
Gamer's Handbook Of
MU-GCA 6543 Gamer’s Handbook of the Unofficial Game Accessory Gamer’s Handbook of the Contents Gulf Coast Avengers Sea Urchin ................................................ 67 Captain Marvel ............................................ 2 Sunstroke .................................................. 69 Devilray ...................................................... 4 Sunturion .................................................. 70 Force II ...................................................... 6 Tezcatlipoca .............................................. 72 Pig Iron ...................................................... 8 Torpedo II ............................................... 74 Swamp Fox ............................................... 10 White Star [Estrella Blanca] ........................ 76 Thorn ....................................................... 12 Wildthing .................................................. 78 Weaver ..................................................... 14 Zoo Crew .................................................. 80 Texas Rangers Dust Devil ................................................. 16 Firebird ..................................................... 18 Lonestar ................................................... 20 Longhorn .................................................. 22 Red Wolf ................................................... 24 Texan ....................................................... 26 Bulwark .................................................... 28 Candra .................................................... -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
TSR6908.MHR3.Avenger
AVENGERS CAMPAIGN FRANCHISES Avengers Branch Teams hero/heroine and the sponsoring nation, Table A: UN Proposed Avengers Bases For years, the Avengers operated avengers membership for national heroes and New Members relatively autonomously, as did the has become the latest political power chip Australia: Sydney; Talisman I Fantastic Four and other superhuman involved in United Nations negotiations. China: Moscow; Collective Man teams. As the complexities of crime Some member nations, such as the Egypt: Cairo; Scarlet Scarab fighting expanded and the activities of the representatives of the former Soviet France: Paris; Peregrine Avengers expanded to meet them, the Republics and their Peoples' Protectorate, Germany: Berlin; Blitzkrieg, Hauptmann team's needs changed. Their ties with have lobbied for whole teams of powered Deutschland local law enforcement forces and the beings to be admitted as affiliated Great Britain: Paris; Spitfire, Micromax, United States government developed into Avengers' branch teams. Shamrock having direct access to U.S. governmental The most prominent proposal nearing a Israel: Tel Aviv; Sabra and military information networks. The vote is the General Assembly's desired Japan: Undecided; Sunfire Avengers' special compensations (such as establishment of an Avengers' branch Korea: Undecided; Auric, Silver domestic use of super-sonic aircraft like team for the purpose of policing areas Saudi Arabia: Undecided; Arabian Knight their Quintets) were contingent on working outside of the American continent. This Soviet Republics: Moscow; Peoples' with the U.S. National Security Council. proposal has been welcomed by all Protectorate (Perun, Phantasma, Red After a number of years of tumultuous member nations except the United States, Guardian, Vostok) and Crimson Dynamo relations with the U.S. -
Movie Review: Spider-Man: Far from Home
Movie Review: Spider-Man: Far From Home By Bonnie Griffin In the next Marvel installment, Spider-Man: Far From Home, Peter Parker, played by Tom Holland, is trying to get away and spend some quality time with his crush, M.J., but evil has a different idea. He must face a new evil intent on ending the world without the help of the Avengers. Parker is forced to step up and believe in himself. He needs to find his own strength, and face his fears on his own in order to defeat the newest threat to the world’s survival. Check out ourmovie review. Check out our movie review on Spider-Man: Far From Home, an action-packed film for the whole family! Should you see it: If you are a fan of the Marvel universe, and you have seen Avengers: Endgame, then you will not want to miss what comes next in Spider-Man: Far From Home. As the next installment following in the Marvel franchise, this movie will help us Marvel fans see beyond the world Endgame left for our neighborhood friendly Spider-Man. It is a movie of perseverance and teaches us that we can all conquer evil if we just believe in ourselves. Who to take: Spider-Man: Far From Home is rated PG-13 and is a great action packed movie you can watch with your family, with just enough romance for date night. Cupid’s Advice: We’re inspired by the strength that Spider-Man shows in this movie. He has to learn to believe in himself and understand that he is good enough to defeat evil even when he doesn’t have the backup of the Avengers at his side. -
The Hulk Outline
The Hulk Synopsis Bruce Banner volunteers to be a test subject for a gamma-based super soldier program for General Ross. The experiment fails and the exposure to the gamma radiation turn Banner into the Hulk, who mindlessly kills everyone in his path. Banner becomes a fugitive, turning into the Hulk every time his heart rate exceeds 200 beats per minute, and Ross starts the Hulkbusters to deal with the Hulk and other gamma- powered superhumans. Over the next two years, the Hulk gradually becomes more intelligent over time and fights other gamma-powered supervillains like the Leader and Abomination. Banner gradually takes notice and sympathizes with him. One day, as Banner walks around in Las Vegas, he notices Abomination rampaging in Vegas Strip. Abomination notices him and he attacks Banner as he turns into the Hulk. They fight as Hulkbusters come and open fire on them, killing innocent people (including children) in the process. Hulk takes them down as Abomination retreats, and the rest of the people run from the Hulk. Banner encourages Hulk to prove he’s a hero to the world, but Hulk refuses, thinking he’ll never be accepted among humanity. Banner’s cousin, Jennifer Walters, comes to him and offers him to come to Reno with her after eavesdropping on his talk with Hulk. They make it there and they’re greeted by Jen’s friends, Jane Foster and Betty Ross. They have lunch at a local pizza restaurant when Absorbing Man and the Wrecking Crew cause chaos. Thor (who Jane arranged with Jen and Betty to meet) comes to stop them, but is overwhelmed when the villain activate gamma devices that increase their power. -
Superheroes and Identities: an Introduction
Superheroes and Identities: An Introduction EDITOR 1: Mel Gibson Address: CETL Hub@CLC, 1 Coach Lane, Coach Lane Campus, Benton, Newcastle upon Tyne NE7 7XA Telephone: 0191 215 6378 Email: [email protected] Biographical note: Dr. Mel Gibson is a Senior Lecturer at the University of Northumbria, UK. Her research is in Comics and Graphic Novels, Picturebooks and Children’s Literature. She runs training and promotional events about comics, manga, visual literacies and graphic novels for libraries, schools. Her website is http://www.dr-mel-comics.co.uk/. EDITOR 2: David Huxley Address: Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone:01612471942 Email: [email protected] Biographical note: David Huxley is a Senior Lecturer at Manchester Metropolitan University. He is editor of Routledge's 'The Journal of Graphic Novels and Comics' (2010 - ) and has drawn and written a wide range of adult and children's comics. Academic research is in censorship and the media. EDITOR 3: Joan Ormrod (corresponding author) Address: Manchester Metropolitan University, 307 Chatham Building, Department of Media, Cavendish St, Manchester, M15 6BR. Telephone: 01612471938 Email: [email protected] Biographical note: Joan Ormrod is a senior lecturer at Manchester Metropolitan University. She is editor of Routledge's The Journal of Graphic Novels and Comics (2010-). Her research areas are in women in comics, subcultures and fantasy. 1 Superheroes and identities: an introduction The superhero represents, in many ways, the aspirations, concerns and dreams of contemporary life. Superhero films became the biggest genre in Hollywood after 9/11 and they are the focus of top selling video games. -
Active Warrants 07-01-21
LAKE HAVASU POLICE DEPARTMENT 09/01/2021 09:15 Active Warrants By City - LAKE HAVASU CITY Want ID Issued Name (Last, First, Middle) DOB Race Sex Charge Address 14134 06/22/2017 Abeyta, Kristina Jean 10/04/1978 W F Rule Of Criminal Procedure Failure 2511 Mcculloch Blvd N 102, Lake Havasu City To Comply 30006 12/19/2018 Abney, Lance Marcus 08/11/1987 W M Failure To Appear 2nd Deg 3085 El Dorado Ave N, Lake Havasu City 20888 03/24/2018 Abrego, Ruben Arthur Ii 08/15/1976 W M Rule Of Criminal Procedure Failure 450 Mohican Dr, Lake Havasu City To Comply 8244 01/27/2015 Achterberg, Kimberly Dawn 09/11/1982 W F Rule Of Criminal Procedure Failure 100 Lakemaster Ln, Lake Havasu City To Comply 20886 03/24/2018 Ackerman, Steve 08/22/1981 W M Rule Of Criminal Procedure Failure 4062 Gold Spring Rd E, Lake Havasu City To Comply 8764 08/21/2015 Acret, James Elvero 05/08/1963 W M Rule Of Criminal Procedure Failure 2192 Barranca Dr, Lake Havasu City To Comply 33861 05/10/2019 Adams, Joshua Paul 05/12/1986 W M Rule Of Criminal Procedure Failure 660 Grand Island Dr, Lake Havasu City To Comply 8029 11/17/2014 Adams, Kevin Todd 09/27/1979 W M Rules Of Criminal Procedure -failure 2035 Acoma Blvd W .119, Lake Havasu City To Appear 8173 01/06/2015 Adams, Kevin Todd 09/27/1979 W M Rule Of Criminal Procedure Failure 2035 Acoma Blvd W .119, Lake Havasu City To Co 8169 12/30/2014 Adams, Shawn Michael 04/17/1979 W M Rule Of Criminal Procedure Failure 700 Mcculloch Blvd S, Lake Havasu City To Co 15734 10/03/2017 Adcock, Katrina Marie 02/27/1979 W F Failure To Appear -
OH 215 – Laverne Griffin
Wisconsin Veterans Museum Research Center Transcript of an Oral History Interview with LaVERNE GRIFFIN Colonel, Air Force, Korea and Vietnam 2000 OH 215 OH 215 Griffin, LaVerne (b. 1928) Oral History Interview, 2000 User Copy: 2 sound cassettes, analog, 1 7/8 ips, mono. Master Copy: 1 video recording; ½ inch, color. Abstract: LaVerne Griffin, of Portage (Wisconsin), discusses his experiences learning to fly and becoming a reconnaissance pilot who served in the Korean and Vietnam wars. He talks about joining the Army Air Force in 1946, and making the transition from small propeller planes to the P-51 Mustang and jet-engine aircraft. He estimates that he flew 25 missions in Korea and 150 in Vietnam. He talks about being awarded the Distinguished Flying Cross after flying reconnaissance missions looking for signs of nuclear armament in Russia at the outset of the Cold War. Griffin, who entered military service after graduating from Portage High School in the mid-1940s, earned an aerospace engineering degree from Penn State University in 1963, using the education to help work on infrared and laser detection systems, and also to analyze enemy equipment. He gained experience as an operations officer, wing commander and squadron commander as he rose through the ranks, and served as an advisor to the National Guard, teaching reconnaissance, before retiring in 1974 with the rank of colonel. Biographical Sketch: Griffin was born in 1928 in Milwaukee and graduated from Portage High School. He married in 1954 and had three children. Interviewed by James McIntosh, 2000 Transcribed by Joseph Deutsch, 2012 Reviewed and corrected by Liz Van Deslunt, 2013 Abstract written by David Hunt, 2015 ii Interview Transcript: McIntosh: I‘m talking to LaVerne Griffin, and it‘s 8 December, year 2000. -
China's Arctic Ambitions and What They Mean for Canada
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2018-01 China's Arctic Ambitions and What They Mean for Canada Lackenbauer, P. Whitney; Lajeunesse, Adam; Manicom, James; Lasserre, Frédéric University of Calgary Press http://hdl.handle.net/1880/106384 book https://creativecommons.org/licenses/by-nc-nd/4.0 Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca CHINA’S ARCTIC AMBITIONS AND WHAT THEY MEAN FOR CANADA by P. Whitney Lackenbauer, Adam Lajeunesse, James Manicom, and Frédéric Lasserre ISBN 978-1-55238-902-7 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. -
X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2015 X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E. Shelton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the American Popular Culture Commons, International and Area Studies Commons, and the Religion Commons Recommended Citation Shelton, Lyndsey E., "X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media" (2015). University Honors Program Theses. 146. https://digitalcommons.georgiasouthern.edu/honors-theses/146 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media An Honors Thesis submitted in partial fulfillment of the requirements for Honors in International Studies. By Lyndsey Erin Shelton Under the mentorship of Dr. Darin H. Van Tassell ABSTRACT It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games.