DOCSLIB.ORG

Graph Representation and Mining Applied in Comic Images Retrieval Thanh Nam Le

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Graph Representation and Mining Applied in Comic Images Retrieval Thanh Nam Le Graph representation and mining applied in comic images retrieval Thanh Nam Le To cite this version: Thanh Nam Le. Graph representation and mining applied in comic images retrieval. Computer Vision and Pattern Recognition [cs.CV]. Université de La Rochelle, 2019. English. NNT : 2019LAROS008. tel-02475609 HAL Id: tel-02475609 https://tel.archives-ouvertes.fr/tel-02475609 Submitted on 12 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. LA ROCHELLE UNIVERSITÉ ÉCOLE DOCTORALE EUCLIDE Laboratoire Informatique, Image et Interaction (L3i) THÈSE présentée par : Thanh Nam LE soutenue le : 29 mars 2019 pour obtenir le grade de : Docteur de l’Université de La Rochelle Discipline : Informatique et Applications Graph Representation and Mining Applied in Comic Images Retrieval [Représentation par graphes et Fouille de graphes : Application à la recherche d’images de bandes dessinées par le contenu] COMPOSITION DU JURY : Sébastien ADAM Professeur, Université de Rouen Normandie (France), Examinateur Jean-Christophe BURIE Professeur, Université de La Rochelle (France), Encadrant de thèse Josep LLADÓS Professeur, Université Autonome de Barcelone (Espagne), Rapporteur Muhammad Muzzamil LUQMAN Ph.D, Ingénieur de Recherche, Université de La Rochelle (France), En- cadrant de thèse Jean-Marc OGIER Professeur, Université de La Rochelle (France), Directeur de thèse Nicole VINCENT Professeur, Université Paris Descartes (France), Rapporteur Director Prof. Jean-Marc Ogier Laboratoire Informatique, Image et Interaction (L3i) Universit´ede La Rochelle (France) Co-Directors Prof. Jean-Christophe Burie Laboratoire Informatique, Image et Interaction (L3i) Universit´ede La Rochelle (France) Dr. Muhammad Muzzamil Luqman Laboratoire Informatique, Image et Interaction (L3i) Universit´ede La Rochelle (France) Reporters Prof. Nicole Vincent Laboratoire d'Informatique Paris Descartes (LIPADE) Universit´eParis-Descarte (France) Prof. Josep Llad´os Centre de Visi´oper Computador (CVC) Universitat Aut`onomade Barcelona (Spain) Examiner Prof. S´ebastienAdam Laboratoire d'Informatique, du Traitement de l'Information et des Syst`emes(LITIS) Universit´ede Rouen Normandie (France) This document was typeset by the author using LATEX 2". The research described in this book was carried out at the Laboratoire Informatique, Image et Interaction (L3i) from the Universtit´ede La Rochelle, and at the Centre de Visi´oper Computador (CVC) from the Universitat Aut`onoma de Barcelona. Copyright © 2019 by Thanh-Nam LE. All rights reserved. No part of this publication may be repro- duced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the author. Acknowledgements It would not have been possible to achieve this thesis and write this manuscript without the help and support of the kind people that helped me through such a long and arduous journey. I would like to first express my gratitude to my three supervisors, for their com- pany over the past years of Ph.D program, as I worked my way from writing the very first initial proposal to a complete study. Thank you Professor Jean-Marc Ogier, who have given me the chance to partici- pate in this interesting research project related to graph and comics. Such combina- tion was really new to me at the beginning, when we first met in Hanoi. Later on, you were much occupied with the new demanding role of presidency, yet you always found time to help with improving the quality of my work, be it a paper, or a thesis manuscript, or a general advice. Thank you Professor Jean-Christophe Burie, who helped me throughout my re- search work, giving me the valuable suggestions, and guided me in completing this thesis, especially in the final phases. Thank you for your great help in extending the funding for my research. I appreciate your meticulousness in revising all the writing, and how you helped me with all the administrative paperwork. Thank you Muzzamil, for all detailed guidance and encouragements, for the count- less hours of exchange we had together, which I'll never forget. You were not only a tutor, but also a good friend indeed. I thank you for your help, not only concerning research and scientific aspects, but also on other matters of life during my Ph.D. Yes, it is not exaggerated: your continuous encouragement and patience are much appreciated, as they pushed me to go through the crucial and rough stages of my thesis. I'm also thankful to all the members of my PhD jury. In particular, I thank the reviewers, Professor Nicole Vincent and Professor Josep Llados for reviewing my thesis manuscript and providing their valuable remarks, and I thank Professor Sebastien Adam for spending his valuable time as my thesis examiner. During my time working on this thesis, I had the great fortune of being able to travel to other institutions and meet excellent research teams there. It helped prevented isolated lab time of doing research in an echo chamber. Going to other places gave me the chance to get to know new minds, new ideas, new people and new culture. Thank you again Josep for receiving me as a visiting PhD student and for the kind guidance during my three months at CVC, UAB Barcelona. You were always willing to help and give best suggestions. Working with you was a great pleasure. I i ii ACKNOWLEDGEMENTS would also like to thank Dr. Motoi Iwata and Professor Koichi Kise for receiving me twice at Osaka Prefecture University and for the great experience I had in Japan. Thank you to all my friends, colleagues, and all the staffs at L3i for your support and for the years that I passed among you. I prefer to not mention names, since the list would be very long, and I don't want to miss anyone. You all were very kind to me, and I always felt so comfortable working in the lab, thanks to the hospitality the people here, despite a minor language barrier. My parents and my wife deserve my deepest appreciation, for their love, encour- agement, understanding, patience and support. They help me successfully complete this important phase of my life. And thank you my little son, for always being my unlimited source of joy and hope in life. This work is dedicated to you, Phillipe Gia-Minh. Abstract Graphs are powerful mathematical modeling tools used in various fields of Computer Science, and in Pattern Recognition in particular. In information retrieval tasks from image databases where content representation is based on graphs, the evaluation of similarity is based both on the appearance of spatial entities and on their mutual relationships. In this thesis we present a novel scheme of Attributed Relational Ad- jacency Graphs representation and mining, which has been applied in content-based retrieval of comic images. We first address the problem of graph representation of image and its applications in Pattern Recognition, with a focus on content-based im- age retrieval (CBIR) applications. The images used in this thesis are comics images, which have their inherent difficulties in applying content-based retrieval, such as their abstractness, partial occlusion, scale change and shape deformation due to viewpoint changes. We propose a graph representation that yields stable graphs and allow to retain high-level and structural information of objects of interest in comic images. Next, we extend the indexing and matching problem to graph structures representing the comic image, and apply it to the problem of retrieval. The graphs in the graph database representing the whole comic volume are then mined for frequent patterns (or frequent substructures). This step is to overcome the non-repeatability problem caused by the unavoidable errors introduced into the graph structure during the graph construction stage, which ultimately create a semantic gap between the graph and the content of the comic image. Finally, we demonstrate the effectiveness of the system with a database of annotated comic images. Experiments of performance measures is addressed to evaluate the performance of this CBIR system. Keywords: graph matching, graph based modeling, graph mining, frequent pat- tern mining, pattern recognition, deformable object recognition, content-based image retrieval, comic image retrieval iii R´esum´e Les graphes sont de puissants outils de mod´elisation math´ematiqueutilis´esdans divers domaines de l'informatique, et en particulier en reconnaissance des formes. Dans une t^ache de recherche d'informations dans de grandes bases de donn´ees images o`ula repr´esentation du contenu est bas´eesur des graphes, l'´evaluation de la similarit´eest bas´ee`ala fois sur l'apparence des entit´esspatiales et leurs relations mutuelles. Dans cette th`ese,nous pr´esentons un nouveau sch´emade repr´esentation et d'exploration de graphes d'adjacence relationnels attribu´es.Ce sch´emaa ´et´eappliqu´epour rechercher des personnages dans les images de bandes dessin´ees. Nous abordons d'abord le probl`emede la repr´esentation sous forme d'un graphe de l'image et de ses applications en reconnaissance des formes, en mettant l'accent sur les applications de recherche d'images bas´eessur le contenu (CBIR). Les images utilis´eesdans cette th`ese sont des images de bandes dessin´ees,qui poss`edent des sp´ecificit´esqui sont des freins pour les m´ethodes de recherche d'information par le contenu utilis´eesdans la litt´erature. Le contenu, des bandes dessin´ees,tel que les objets et les personnages, est com- plexe.
Load more

Recommended publications
  • Part Enon - Vol
    Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 11-4-1987 The Parthenon, November 4, 1987 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, November 4, 1987" (1987). The Parthenon. 2505. https://mds.marshall.edu/parthenon/2505 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. ---- - --~------. ---------- --------- - --- ----- --Wednesday-------------------------- November 4, 1987 The Part enon - Vol. 89, No. 32 Marshall University's student newspaper Huntington, W.Va. BOR passes budget - Request to go to Legislature for consideration next session Northern Community Coll~ge at Wheel­ By SUSAN K. LAMBERT ing, were presented two proposals, one and KAREN E. KLEIN of$253 million and one of$243 million. Reporters The board split the vote 5-5 before Board President Louis J. Costanzo cast The Board of Regents approved Tues the deciding vote in favor of the lesser ay a $243 million budget proposal for amount. higher education to be presented to the Regent Tom Craig of Huntington, who Legislature for the 1988-89 fiscal year. was critical of the higher amount, said The approved request represents a 21 a request for more money would be percent increase over the $200 million "pinned on hopes that somehow there budget this year. It would fund just are revenues out there that can be mar­ half of what is needed to meet the min­ shaled into our coffers." imum salary levels for college and uni­ Included in the proposal is a request versity employees.
    [Show full text]
  • Selecting a Topic
    Lesson Comic Design: 1 Selecting a Topic Time Required: One 40-minute class period to share some of their topic ideas Materials: sample comic strips, Student Worksheet 1 with the class. At the end of the Comic Design: Story and Character Creation, blank class discussion, ask each student to paper, pens/pencils have a single topic in mind for their comic strip. LESSON STEPS 6 Download Student Worksheet 1 Comic Design: Story 1 Ask students to name some comic strips that they and Character Creation from www.scholastic.com like or read. Distribute samples of current comics. /prismacolor and distribute to students. Tell You can cut comics out of a newspaper or look for students that their comic should tell a story in three free comics online through websites such as panels that is related to their chosen topic. The www.gocomics.com. story should follow a simple “arc”—which has a 2 Have students read the comic samples. Then ask beginning (the first panel), a middle (the second students to describe what they think makes for a panel), and a conclusion (the final panel). Encourage good comic. Write their responses on the board. students to look at the comic samples and talk with Answers may include: funny, well-drawn, smart, fellow students about their story arcs for inspiration. or suspenseful. Tell students that comic strips are 7 Have students complete Part I of the student a type of cartoon that tells a story. As the students worksheet. This will help them to develop their topic have noted in their descriptions, these stories are and the story that they want to tell.
    [Show full text]
  • Dilbert and Dogbert in the Information Age 79
    DILBERT AND DOGBERT IN THE INFORMATION AGE 79 Dilbert and Dogbert in the Information Age: Productivity, Corporate Culture, and Comic Art Karen Langlois California State Polytechnic University, Pomona In the cartoon strip of the same name, Dilbert, an engineer, contends with the complexities and challenges of technological change and corporate restruc- turing. The cartoon, a satire on modern corporate culture, criticizes the pervasive influence of the business efficiency movement known as Total Quality Management. The issue of productivity in the post-modern age holds particular relevance for educators at a time when institutions of higher learning seek to restructure themselves in the image of the modern corporation. Introduction In the past decade the cartoon strip Dilbert has become a phenomenon of popular culture. Created by cartoonist Scott Adams, it has become the fastest growing comic strip in America. Dilbert, the cartoon’s protagonist, is a naive, introverted engineer, toiling in the wasteland of American bureaucracy. His sardonic pet, Dogbert, is employed as a part-time management consultant. For the modern employee Dilbert and Dogbert have achieved the status of cultural icons. Confronted with the information revolution of the nineties, a transformation greater in scope than the industrial revolution, these new American (anti)heroes contend with the complexities and challenges of technological change and corporate restructuring. The identification of the public with the plight of the cartoon characters is evidenced by the craze for Dilbert and Dogbert merchandise. In addition to a television show and best selling books, Dilbert mania has created a market for Dilbert and Dogbert apparel, desk art, and dolls.
    [Show full text]
  • Dilbert": a Rhetorical Reflection of Contemporary Organizational Communication
    UNLV Retrospective Theses & Dissertations 1-1-1998 "Dilbert": A rhetorical reflection of contemporary organizational communication Beverly Ann Jedlinski University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Jedlinski, Beverly Ann, ""Dilbert": A rhetorical reflection of contemporary organizational communication" (1998). UNLV Retrospective Theses & Dissertations. 957. http://dx.doi.org/10.25669/3557-5ql0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS Uns manuscript has been reproduced from the microfilm master. UMI fifans the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afifrct reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiH be noted.
    [Show full text]
  • Aesop After Darwin: the Radical Anthropomorphism of the Far Side
    Aesop After Darwin: The Radical Anthropomorphism of The Far Side Aesop After Darwin: The Radical Anthropomorphism of "The Far Side" Paper given at the Popular Culture Association of the South, Knoxville, TN, October 1988 Whenever you observe an animal closely you feel as if a human being sitting inside were making fun of you. Elias Canetti, The Human Province Gary Larson is on sabbatical, taking a fourteen month break from cartooning in order to refuel his creativity. {Author's note, November 1996: Larson has, of course, now retired.} But even if he should never draw another cow or another nerd, his daily, one- frame comic strip "The Far Side" has already left its mark on American popular culture. For "The Far Side" has a devout following and, thanks to its frequent display on the office doors of both scientists and humanists, as well as the calendars, greeting cards, and coffee mugs spontaneously generated in its wake, Larson's cartoons have indeed become a prominent part of our cultural landscape. (In 1985 the California Academy of Sciences in San Francisco even mounted a full scale exhibit of over four hundred "Far Side" cartoons plus other related props.) Indeed, for many of us his imagination has forever shaped our perception of things: I, for one, will attest that "The Far Side" has fine tuned my own sixth sense of humor. Though decidedly modern, at the heart of much of Larson's bizarre humor lies an impulse as old as Aesop, to which the former biology major Larson gives a post-Darwinian twist.
    [Show full text]
  • Coordinated Management of Meaning (CMM)
    Confirming Pass Objective Interpretive CHAPTER ● 6 Socio-cultural tradition Phenomenological tradition Coordinated Management of Meaning (CMM) of W. Barnett Pearce & Vernon Cronen Barnett Pearce and Vernon Cronen bemoan the fact that most communication theorists and practitioners hold to a transmission model of communication. This model depicts a source that sends a message through a channel to one or more Transmission model receivers. Picturing communication as a transfer of meaning Source ➔ Message ➔ Channel ➔ Receiver by a source sending a message through a In this model, communication is considered successful to the extent that a high- channel to a receiver. fidelity version of the message gets through the channel and the receiver’s interpretation of it closely matches what the sender meant. People who picture communication this way tend to focus either on the message content or on what each party is thinking, but CMM says that they lose sight of the pattern of com- munication and what that pattern creates. Pearce, a communication professor at the Fielding Graduate Institute before he died in 2010, and Cronen (University of North Carolina Wilmington) would undoubtedly extend their critique to the def nition of communication we offer in Chapter 1. We suggested that communication is the relational process of creating and interpreting messages that elicit a response. What’s wrong with this description? Although the two theorists would appreciate our concern for relationship and response, they would note that our def nition continues to treat communication as merely a means of exchanging ideas. They’d say that our def nition looks through communication rather than directly at it.
    [Show full text]
  • The Muse, 2014
    The Muse spring.2014 The Muse The Literary & Arts Magazine of Howard Community College Editorial Committee Tara Hart Mark Keats Stacy Korbelak Sylvia Lee Rick Leith William Lowe Juliette Ludeker Ryna May Zachary Pajak Tim Singleton Student submissions reviewed and selected by editorial committee. Faculty and staff submissions reviewed and selected by non-contributing editors. Design Editor Stephanie Lemghari Cover Art Front: “Rebirth” by Debra-Ann Smith Back: “Fairy Dust” by Debra-Ann Smith contents poetry prose The Women Gather (for Asantewa) 4 Lenett Partlow-Myrick Sympathy for the Devil 6 Marie Westhaver Gifts 5 Barbara Brickman Life is a Playlist 18 Rick Brown Your Sunflower 14 Nsikan Akpan Concrete 28 Kalen Breland Scene at the Vacant Lot 16 Peggie Hale 50 shades of Beige 38 Claudia Dugan Rearview 17 Alexa MacNaught A Summer Night 44 Kevin Hughes Autumn’s Kiss 22 Ji Hyun Ryu My Religion? 48 Pattie Holy-Ilenda Words 24 Alexa Abee The Calm and the Storm 54 Marina Kovacs-McCaney Pretzels with French Mustard 26 Michelle Kreiner Thou Shalt Not! 58 Pattie Holy-Ilenda Betrayal 31 Lisa Arbareri This Pen for Hire 66 Robert Hamill Cannizaro Park 32 K.J. Kovacs Awakening 70 Nick Jones Rooted 35 Allysha Romero Seeing Circles 82 Bill Davis Violet 36 Mollie Rose Trail A Soliloquy for James Gatz 42 Emily Elizabeth Bellor Bullet 47 Aduragbemi Okiji art Leaves 53 Anna Sandacz Between the Shadows 13 Hebah Haddad What a Dancer Wants 56 Chelsea Green Ficus 23 Sarah English Golden 57 Michael Pileggi Barrels 27 Erin Kline Blue Infinities 62 Kalen Breland The Biggest Ben 34 Stacy Korbelak Love’s Wicked Cousin Dressed as a Twin 64 Torsten Schulz Beautiful Black Lungs 41 E.
    [Show full text]
  • Annual Report of the Pacific Northwest Forest and Range Experiment Station for the Calendar Year 1968
    TABLE OF CONTENTS Page IN GENERAL 1 MAP OF FIELD UNITS 4 STATION ADMINISTRATION STAFF PROJECTS AND SCIENTISTS — 1968 7 SOME HIGHLIGHTS OF 1968 DEVELOPMENTS 11 ANNOTATED LIST OF PUBLICATIONS 35 IN GENERAL 1968 will be remembered as the year tion of two new research laboratories, key staff man first observed directly the far side of the additions, increased funds at the Silviculture moon. As did previous years, 1968 also marked Laboratory in Bend, Oregon, and completion of progress toward finding answers to the ever- additional greenhouse facilities at the Forest expanding earthly problems of how best to man- Hydrology Laboratory in Wenatchee, Washington. age, protect, and use forests, ranges, and water- sheds. Several key staff changes and additions oc- Space age techniques as well as more traditional curred. We were saddened by the death of Dr. methods were employed by the Pacific Northwest Kenneth W. Krueger who died in July. He came to Forest and Range Experiment Station and her the Station in 1957 from the University of Idaho, many research partners. The Station's 152 scien- first specializing in forest disease research, later in tists continued to cooperate iri many joint pro- timber management research. grams with fellow researchers, universities, private David Tackle is now Assistant Director, Timber research foundations, forest industries, and govern- Management Research, following the retirement of ment resource agencies. Their findings covered a George S. Meagher. Dr. Glenn L. Crouch suc- wide range of scientific disciplines. ceeded Tackle as project leader in charge of To illustrate briefly the diversity and complex- Animal Damage Control at Olympia, Washington.
    [Show full text]
  • The N1agazine of Rice University Volume 45
    The N1agazine of Rice University Volume 45. No. 2, Winter 19S9 Building Rice In February, Rice breaks ground on two major buildings that mark its greatest construction effort in the past two decades. SMARM Winter 1989, % ol. 45, No.2 Editor "Women's Work" Suzanne Johnson Any remaining notions of a "Typical Rice Girl" are left behind there's nothing typical Assistant Editor as three alumnae entrepreneurs prove Maggi Stewart about a "TRG." Contributing and Staff Writers: Mimi Crossley Scheleen Johnson '87 Rice on Ice 10 Bill Noblitt Contents Debbie Schmidt '89 Sitting in its subtropical surroundings, Rice supports a hotbed Writer Keith C. Watson follows Editorial Assistants of activity in polar research. Timothy Moloney '90 Rice scientists to the ends of the Earth for the chilling story. Jay Fitzgerald '91 Art Director Jeff Cox Thies from the Far Side 15 Graphic Designers humans and silly scientists are Corinne Zeutzius Condescending cows, hapless Geri Snider '80 just a few of the characters that inhabit the world of Donna Mary Owens'90 Carolyn Caddes shows that Mar- Martin. Writer/Photographer Photographer tin's rise in the world of humor publishing is not just funny Tommy LaVergne business. Officers of the Association of Rice Alumni President, J.D.(Bucky) Allshouse '71 President-Elect, Bridget Rote Jensen '53 From Razorbacks to Raising Hopes 20 1st Vice President, Juliana Williams Itz '72 Head Football Coach Jerry Berndt trades 2nd Vice President. Karen Hess Rogers '68 Athletic Director and Treasurer, H. Russell Pitman '58 the Owls of Rice for those of Temple, while Arkansas' Fred Past President, William (Bill) Merriman '67 Goldsmith heads for Houston with high hopes for reviving Executive Director, Susan Baker '78 Rice football.
    [Show full text]
  • The Description and Indexing of Editorial Cartoons: an Exploratory Study Christopher Ryan Landbeck
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Description and Indexing of Editorial Cartoons: An Exploratory Study Christopher Ryan Landbeck Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION THE DESCRIPTION AND INDEXING OF EDITORIAL CARTOONS: AN EXPLORATORY STUDY By Christopher Ryan Landbeck A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2013 Chris Landbeck defended this dissertation on January 16, 2013. The members of the supervisory committee were: Corinne Jörgensen Professor Directing Dissertation Lois Hawkes University Representative Michelle Kazmer Committee Member Paul Marty Committee Member Besiki Stvilia Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii I dedicate this to my wife, Rebekah Sariah Landbeck. Even when it’s bad, it’s better than most. iii ACKNOWLEDGEMENTS I would like to acknowledge the following people as integral to the completion of this work: Corinne Jörgensen; whose time and effort have not gone unnoticed; Casey McLaughlin; whose help with the steve.tagger software was crucial to this work; Nicole Alemanne; whose pointing out of certain mistakes proved to be a lifesaver; Mai Lustria; whose example I will follow in many, many ways; David Miner; whose counsel and wisdom kept me on the right path; Diane Rasmussen; whose insights and ear helped me in times of uncertainty; And Gary Van Osdell; whose offhand comment “History majors can always become librarians” led me to where I am.
    [Show full text]
  • Consumer Target Brand Essence Marketing Highlights Merchandise Program Target Categories Licensing Notables
    From the mind of Scott Hilburn comes a situational comic featuring dogs, cats, cops, bees, wolves, game shows, bears, telephones, sports, zebras, nursery-rhyme icons and cavemen, topped off with the occasional evil scientist. Readers have proven eager to share The Argyle Sweater with co-workers, friends, family and even their enemies. It will soon adorn offices and cubicles everywhere, dissecting life around us with a scalpel-sharp wit. www.gocomics.com/theargylesweater Consumer Target Marketing Highlights • Primary: Men/Women 18-45 • Nationally syndicated comic with impressive • Emphasis: Working professionals, Students, Parents readership of Teens/College Students • Newspaper clients include The Washington Post, Los Angeles Times, Chicago Tribune, Houston Chronicle, Minneapolis Star Tribune, New York Daily News, Brand Essence and a host of online sites operated by Media News • Distributed by Universal Uclick since 2008 Group • A grown-up’s comic inspired and drawn with childlike • Large, loyal online following at GoComics.com imagination • Has been compared to Gary Larson’s The Far Side Merchandise Program • Andrews McMeel Publishing • Recycled Paper Greetings • Cafe Press Target Categories • Plush • Event/promotion • Home decor • Office Supplies • Party Goods • Games • Apps Licensing Notables • Top-selling day-to-day calendars published by Andrews McMeel Publishing • Comic collections published by Andrews McMeel Publishing • Greeting card line with Recycled Paper Greetings © Scott Hilburn For licensing opportunities, please contact: Sarah Hicks, Universal Uclick, 816.581.7336 [email protected] 1130 Walnut St., Kansas City, MO 64106 www.UniversalUclick.com.
    [Show full text]
  • English Language Graphic Novels
    English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by publisher and then by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 75 4 Winds Titre Wins Nominations 4 Winds Wilderness Book II 2 Chiodo, Joe colorist Truman, Timothy AAA Pop Atomics 2 Allred, Michael Rich, Jamie editor Aardvark-Vanaheim Cerebus 2 51 Gerhard inker Sim, Dave writer, let ABC League of Extraordinary Gentlemen 3 Moore, Alan writer Promethea (also DC Comics) 3 7 Cox, Jeromy Dunbier, Scott editor Gray, Mike Klein, Todd letterer Moore, Alan Williams III, J.H. Tom Strong 7 Dunbier, Scott editor Ehrlich, Tad colorist Gordon, Al inker Moore, Alan writer Sprouse, Chris artist Page 2 of 75 ABC Titre Wins Nominations Tomorrow Stories 2 1 Baikie, Jim Dunbier, Scott editor Gebbie, Melinda Moore, Alan Nowlan, Kevin Veitch, Rick Top Ten 10 2 Cannon, Zandar Zander Dunbier, Scott editor Ha, Gene Moore, Alan Abiogenesis Press Strangehaven 1 Millidge, Gary Spencer Abstract Studio Strangers In Paradise 1 9 Moore, Terry Acme Features Life in Hell 2 Groening, Matt Active Synapse
    [Show full text]