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Contents Robert Irwin, Project for Former Fort D.A Chinati Foundation newsletter vol 18 2 Letter from Jenny Moore, executive director Carta de Jenny Moore, directora ejecutiva Contents Robert Irwin, Project for Former Fort D.A. Russell Contenido Hospital Building, Rob Weiner Robert Irwin, el proyecto para el antiguo edificio hospitalario del Fuerte D.A. Russell, Rob Weiner 5 Description and history of the project Descripción e historia del proyecto 6 Irwin and Chinati Irwin y Chinati 10 On Irwin’s Scrim veil–Black rectangle–Natural light, Whitney Museum of American Art, New York (1977), Jason Tomme Sobre el Scrim veil–Black rectangle–Natural light, Whitney Museum of American Art, New York, de 1977, de Irwin, Jason Tomme 18 On the Reopening of 101 Spring Street, NYC Sobre la reapertura del 101 de la Calle Spring, en la ciudad de Nueva York Flavin Judd Donald Judd COVER IMAGE Rackstraw Downes Bull Barn Interior, Marfa, TX 2007 Oil on canvas 17 ¼ x 19 inches THIS PAGE Rackstraw Downes Water-Flow Monitoring Installations On The Rio Grande Near Presidio, TX, Part 2: Facing South, The Flood-Plain From East Of The Gauge Shelter, 10 AM 2002–03 Oil on canvas 5 19 x 31 ⁄8 inches A Report on Three Exhibitions, Tyler Green Artists in Residence, Un informe sobre Tres Exposiciones, Tyler Green Nicolas Miller and Rob Weiner 26 Dan Flavin: Drawing Artistas en Residencia, 28 Donald Judd: The Multicolored Works Nicolas Miller y Rob Weiner 32 Claes Oldenburg: The Street and The Store/ 81 Karole Armitage Claes Oldenburg: Mouse Museum/Ray Gun Wing 82 Dirk Stewen 84 Matthew Roberts 34 Your Duck Is My Duck, 86 Yuh-Shioh Wong a story by Deborah Eisenberg 88 Hernan Bas Mi pato es su pato, un relato de Deborah Eisenberg 90 Jered Sprecher 61 Rackstraw Downes: 98 This Year The West Texas Paintings, 1998–2010, David Tompkins Este Año Rackstraw Downes: Los cuadros del oeste de Texas, 1998–2010, David Tompkins 100 Staff News Noticias sobre nuestro personal 79 Chinati Benefit Edition: Nate Lowman 101 Internship Program Edición Benéfica de Chinati: Programa de Becarios Nate Lowman 102 Funding Financiación 106 Acknowledgements Staff/board Credits/colophon Agradecimiento Personal/Consejo Reconocimiento/colofón En 2001 este boletín informativo anunció artistic ideas. The plans for Irwin’s in- temente la percepción que tenían los que la Fundación Chinati estaba dialo- stallation at Chinati are formulated in espectadores del espacio a su alrededor, gando con Robert Irwin sobre una insta- response to various aspects of the hos- impulsando una reconsideración de los lación permanente para el museo. Desde pital structure, from the particulars of sentidos y reforzando la importancia de entonces las ideas para la pieza han the building’s architecture to the site it- la obra de Irwin. Las reseñas y las imá- In 2001, this newsletter announced evolucionado sustancialmente, y ahora self, and the striking land and sky sur- genes de estas piezas aparecen en este the Chinati Foundation was in talks me entusiasma anunciar que los planes rounding it. Centered on a courtyard boletín informativo. with Robert Irwin about a permanent de Irwin para esta obra están termina- defined by pathways and plantings, La instalación de Irwin para la Funda- installation for the museum. Ideas for dos. A lo largo de los próximos dos años, the installation will be constructed in ción Chinati ha sido planificada espe- the piece have evolved substantially Chinati se embarcará en una campaña the existing footprint and maintain cíficamente para el emplazamiento del since then, and I am now thrilled to de recaudación de fondos y comenzará original architectural elements of the antiguo hospital del Fuerte D.A. Russell, announce that Irwin’s plans for this la construcción de lo que será la mayor building, which enable a distinctive un edificio en ruinas ubicado en el límite work are complete. Over the next y única estructura independiente y per- viewing experience. The interior will del campo de Chinati. Sigue el enfoque two years, Chinati will embark on manente dedicada exclusivamente a la include a gradation of light to dark que Irwin ha tomado al hacer arte desde a fundraising campaign and begin excepcional obra de Irwin. La instalación spaces, accomplished through the 1970, cuando abandonó la práctica del construction on what will be the larg- de Irwin será la treceava en entrar en la use of scrim and tinted windows. arte tradicional, basado en el taller, y se est and only permanent freestanding colección de la Fundación Chinati. La in- With a refined economy of means (the volvió “disponible en respuesta,” acep- structure dedicated exclusively to Ir- corporación cumple un deseo que expre- addition of a line, a shifted value of tando invitaciones para hacer instalacio- win’s remarkable work. Irwin’s instal- só Donald Judd ya en el año 1986 cuan- light, a plane of scrim), Irwin’s work nes, enseñar o hablar de su obra como lation will be the thirteenth to enter do publicó el primer catálogo para el activates an acute awareness of the forma de seguir desarrollando sus ideas the Chinati Foundation’s collection. artísticas. Los planes para la instalación The addition fulfills a wish Donald de Irwin en Chinati están formulados en Judd expressed as early as 1986 respuesta a varios aspectos relaciona- when he published the first catalogue dos con la estructura del hospital, desde for the museum. In his Statement for las particularidades de la arquitectura Chinati, Judd wrote of his intention to del edificio hasta el emplazamiento mis- present a comprehensive amount of mo, y las impresionantes tierra y cielo his own work, as well as that of John que lo circundan. Centrada en un patio Chamberlain and Dan Flavin, per- definido por caminos y plantaciones, la manently. In addition, he described instalación será construida de acuerdo the development of a “more natural con la planta existente y mantendrá los situation” in which an installation of originales elementos arquitectónicos del Irwin’s art, among others, would be edificio, que permiten una experiencia possible. Irwin’s addition is a timely distintiva de visión. El interior incluirá and important one for Chinati. una gradación de espacios que van del It has been a significant year for claro al oscuro, que se logrará a través Irwin. At the Vienna Secession he de telas y ventanas teñidas. presented Double Blind, a large in- Con una economía refinada de medios (la stallation of scrim frames that rede- incorporación de una línea, un valor des- fined the main exhibition space and plazado de luz, un plano de tela), la obra is one of only a few installations that de Irwin activa una aguda conciencia de Irwin has realized in Europe. The la complejidad de ver. Esta conciencia Whitney Museum of American Art aumentada nos permite experimentar re-presented Scrim veil—Black rect- plenamente la naturaleza dinámica de angle—Natural Light, an installation la luz, la presencia del espacio y nuestra Irwin first created for the museum in museo. En su Statement for Chinati, Judd complexity of seeing. This heightened propia relación con el mundo que nos 1977. Described as “one of the mas- escribió sobre su propósito de presentar awareness enables us to more fully rodea. La instalación de Irwin en Chinati terpieces of Light and Space,” the una extensa cantidad de su propia obra, experience the dynamic nature of ampliará hermosamente el diálogo entre work constantly challenged viewers así como la de John Chamberlain y Dan light, the presence of space, and our el arte, el paisaje y la arquitectura con las perception of the space around them, Flavin, de forma permanente. Además, own relationship to the world around que están relacionadas todas las obras prompting a reconsideration of one’s describió el desarrollo de una “situación us. Irwin’s installation at Chinati de nuestra colección. La instalación de senses and reinforcing the signifi- más natural” en que una instalación ar- will beautifully expand the dialogue Irwin es uno de los varios proyectos inspi- cance of Irwin’s work. Reviews and tística de Irwin, entre otros, sería posible. between art, the landscape, and ar- radores que Chinati ha planificado para images of these pieces are featured La incorporación de Irwin es oportuna e chitecture that all of the works in our los próximos años. Les mantendremos in this newsletter. importante para Chinati. collection are engaged in. The Irwin informados a medida que avancemos. Irwin’s installation for the Chinati Ha sido un año importante para Irwin. installation is one of several inspiring Ha sido también un año significativo para Foundation has been planned spe- En la Secession vienesa presentó Double projects Chinati has planned for the la obra de Judd. En junio, la Fundación cifically for the site of the former hos- Blind, una gran instalación de marcos de next few years. We will be keeping Judd celebró el fin de una extensa reno- pital at Fort D.A. Russell, a building tela que redefinieron el espacio principal you informed as we move forward. vación de varios años del 101 de la Calle ruin located on the edge of Chinati’s de exposición y que es sólo una de unas It has been a significant year for Spring, la residencia y el estudio del artis- campus. It is in keeping with the ap- cuantas instalaciones que Irwin ha reali- Judd’s work as well. In June, the Judd ta en la ciudad de Nueva York. El anterior proach Irwin has taken to making art zado en Europa. El Whitney Museum of Foundation celebrated the comple- espacio privado fue la primera ubicación since 1970, when he abandoned a American Art volvió a presentar Scrim tion of an extensive multi-year reno- en la que Judd trabajó muchas de sus traditional, studio-based art practice veil–Black rectangle–Natural light, una vation of 101 Spring Street, the art- ideas respecto a la instalación permanen- and became “available in response,” instalación que Irwin creó por primera ist’s residence and studio in New te de arte y su relación con la arquitectu- accepting invitations to make instal- vez para el museo en 1977.
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