Contemporary Architecture in Historic Environment: Bibliography
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Slum Clearance in Havana in an Age of Revolution, 1930-65
SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 by Jesse Lewis Horst Bachelor of Arts, St. Olaf College, 2006 Master of Arts, University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Jesse Horst It was defended on July 28, 2016 and approved by Scott Morgenstern, Associate Professor, Department of Political Science Edward Muller, Professor, Department of History Lara Putnam, Professor and Chair, Department of History Co-Chair: George Reid Andrews, Distinguished Professor, Department of History Co-Chair: Alejandro de la Fuente, Robert Woods Bliss Professor of Latin American History and Economics, Department of History, Harvard University ii Copyright © by Jesse Horst 2016 iii SLEEPING ON THE ASHES: SLUM CLEARANCE IN HAVANA IN AN AGE OF REVOLUTION, 1930-65 Jesse Horst, M.A., PhD University of Pittsburgh, 2016 This dissertation examines the relationship between poor, informally housed communities and the state in Havana, Cuba, from 1930 to 1965, before and after the first socialist revolution in the Western Hemisphere. It challenges the notion of a “great divide” between Republic and Revolution by tracing contentious interactions between technocrats, politicians, and financial elites on one hand, and mobilized, mostly-Afro-descended tenants and shantytown residents on the other hand. The dynamics of housing inequality in Havana not only reflected existing socio- racial hierarchies but also produced and reconfigured them in ways that have not been systematically researched. -
Architectural Traces of an Admirable Cipher: Eleven in the Opus of Carlo Scarpa1
Nexus Esecutivo 19-01-2004 9:17 Seite 7 Marco Frascari Architectural Traces of an Admirable Cipher: Eleven in the Opus of Carlo Scarpa1 Consciously or unconsciously, part of the apparatus that architects use in their daily fabrications of the built environment grows out of their understanding of numbers and numerals. Marco Frascari examines the use of number and especially the number 11 in the architecture of Carlo Scarpa. In Scarpa’s opus, it is true that One and One Equals Two, but it is also wonderfully true that A Pair of Ones Makes an Eleven. Imagination is everything (Raymond Roussel 1975, p. 279). Introduction In their daily fabrications of the built environment, architects deal with the various chiastic relationships between visible and invisible. Part of the apparatus that they use, consciously or unconsciously, to imagine future constructions grows out of their understanding of numbers and numerals. To divine future buildings they rely on numeracy.2 Architectural numeracy consists in neither objective nor subjective constructs based on an arithmetical use of numbers, but rather in sedimentations of experience, formed by matter and memory. By the agency of tectonic aspects controlled by numbers, architects relate visible construction with invisible constructs. By linking recollection and anticipations, architectural numeracy deals with the meanings of constructional aspects and gives new visual angles. By using poli-dimensional tools of transversal epistemologies such as “angelic numbers” and “monstrous numerals”, the architect’s control of numbers transacts tangible matter with intangible dreams. Numbers summon up in detailed examinations what is passing and what is to come. Embodied in tectonic events and parts, numbers hinge the past and the future of buildings and their inhabitants into a search for a way of life with no impairment caused by psychic activity. -
From Urban Studies to Urban Architecture: Critiques on the Use of Eurocentric Theories in Shaping the Emerging Cities” in Kudhori, D., & Kamini, Y
BANDUNG SPIRIT BOOK SERIES TOWARDS A SUSTAINABLE ECOLOGY Global Challenges and Local Responses in Africa and Asia 55 Years after the Bandung Asian-African Conference 1955 Editors: Darwis Khudori and Yukio Kamino Swadiansa, E. (2012b). “From Urban Studies to Urban Architecture: Critiques on the Use of Eurocentric Theories in Shaping the Emerging Cities” In Kudhori, D., & Kamini, Y. (ed). Towards a Sustainable Ecology: Global Challenges and Local Responses in Africa and Asia. Published in 5 countries; Beijing: OCHSPA Alliance, Malang: UB Press, Paris: GRIC Le Havre Universite, Tokyo: OISCA International, Casablanca: Africa Challenge. Pp. 235-43. ISBN: 978-602-203- 274-8. Copyright © 2012 by Darwis Kudhori This document is protected by the copyright law, authorised permission granted strictly for the open publication on Global University portal. To order complete version of the book please visit: www.bandungspirit.org Page 1 of 10 From Urban Studies to Urban Architecture: Critiques on the Use of Eurocentric1 Theories in Shaping the Emerging Cities Eka Swadiansa ABSTRACT The civilization of mankind today can be defined as an urban civilization. Historically speaking, ‘Urban Theories’ have originally been developed in Europe and later in the United States, thus today; their worldwide practices are always greatly influenced by the Eurocentric point of view. The Urban Theories were developed from ‘Urban Studies and Urban Planning’, to greater focus on ‘Urban Design and Compact City’, and to globally focus on ‘Alpha City’; however, far from these established utopia, the emerging cities are still struggling for fulfilling the basic primordial needs among their proletarian citizen. This paper is a two-section inquiry. -
Urbanistica N. 146 April-June 2011
Urbanistica n. 146 April-June 2011 Distribution by www.planum.net Index and english translation of the articles Paolo Avarello The plan is dead, long live the plan edited by Gianfranco Gorelli Urban regeneration: fundamental strategy of the new structural Plan of Prato Paolo Maria Vannucchi The ‘factory town’: a problematic reality Michela Brachi, Pamela Bracciotti, Massimo Fabbri The project (pre)view Riccardo Pecorario The path from structure Plan to urban design edited by Carla Ferrari A structural plan for a ‘City of the wine’: the Ps of the Municipality of Bomporto Projects and implementation Raffaella Radoccia Co-planning Pto in the Val Pescara Mariangela Virno Temporal policies in the Abruzzo Region Stefano Stabilini, Roberto Zedda Chronographic analysis of the Urban systems. The case of Pescara edited by Simone Ombuen The geographical digital information in the planning ‘knowledge frameworks’ Simone Ombuen The european implementation of the Inspire directive and the Plan4all project Flavio Camerata, Simone Ombuen, Interoperability and spatial planners: a proposal for a land use Franco Vico ‘data model’ Flavio Camerata, Simone Ombuen What is a land use data model? Giuseppe De Marco Interoperability and metadata catalogues Stefano Magaudda Relationships among regional planning laws, ‘knowledge fra- meworks’ and Territorial information systems in Italy Gaia Caramellino Towards a national Plan. Shaping cuban planning during the fifties Profiles and practices Rosario Pavia Waterfrontstory Carlos Smaniotto Costa, Monica Bocci Brasilia, the city of the future is 50 years old. The urban design and the challenges of the Brazilian national capital Michele Talia To research of one impossible balance Antonella Radicchi On the sonic image of the city Marco Barbieri Urban grapes. -
Powerpoint Sunusu
ARCH 222 HISTORY OF ARCHITECTURE II PRESENTATION 11.05.2017 ZEYNEP YAĞCIOĞLU THE ATHENS CHARTER (1943) LE CORBUISER • The Athens Charter is a written manifesto which published by the Swiss architect and urban planner Le Corbusier in 1943. The book’s context is about the Fourth Congress of CIAM as a summary which eventuated in a passenger boat from Marsellie, France to Athens, Greece and back again in 1933. It was first published in France and in those years that The Athens Charter was published, France was at the height of the German occupation and the Vicky government. To make the modern architecture and the urban planning more efficient, rational and hygienic; the charter can be interpreted as a condensed version of them as a total remaking of cities in the industrial world. CIAM ( Congrés Internationaux d’Architecture Moderne) is founded at the Chateau of La Sarraz, Switzerland in June 1928. Its purpose was to advance both modernism and internationalism in architecture and urban planning as an avant-garde association of architects. To do a service the interests of the society, CIAM saw itself as an elite group who revolutionize the architecture and city planning. Its members were consists of some of the best known architects of the twentieth century such as Le Corbusier, Walter Gropious, and Richard Neutra, and also many of others who considered it for principles on how to formalize the urban environment in a rapidly changing world. CIAM is considered of as an instrument of propaganda to improve the reason of the new architecture that was developing in Europe in 1920s from the beginning. -
Carlo Scarpa: Visions in Glass 1926-1962 a Private European Collection
P R E S S RELEASE | NEW YORK | 1 2 APRIL 2 0 1 7 | F O R IMMEDIATE RELEASE Carlo Scarpa: Visions in Glass 1926-1962 A Private European Collection CARLO SCARPA (1906-1978) Carlo Scarpa, circa 1970 Detail: CARLO SCARPA (1906-1978) A ‘TESSUTO-BATTUTO’ VASE, DESIGNED © Lino Bettanin - CISA A. Palladio- Regione AN IMPORTANT ‘MURRINE OPACHE’ DISH, 1938-40 Veneto CIRCA 1940 Estimate: $20,000-30,000 Estimate: $100,000-150,000 DEDICATED AUCTION | MAY 4, 2017 | CHRISTIE’S NEW YORK New York—Christie’s is pleased to announce the sale of Carlo Scarpa: Visions in Glass 1926-1962. A Private European Collection, taking place on May 4, 2017 at Christie’s New York. The sale features the only single-owner collection of works by the Venetian architect and designer Carlo Scarpa ever to be sold at auction to this day. Encompassing approximately 90 pieces of Italian art glass, the collection provides an overview of the pioneering styles Scarpa created for M.V.M. Cappellin and subsequently Venini between the years 1926 and 1962. In his collaboration with the two glassmakers and in particular with Venini, Scarpa developed a modern vocabulary for the century-old techniques of glass making and paved the way for the resurgence of the island of Murano as a center of glass with a modern outlook. Deeply influenced by his training as an architect, Scarpa developed a range of new surface treatments and techniques, while being inspired by ancient Roman glass as well as Chinese works of art. The pieces included in this collection encompass over forty years of his creations, offering a body of work which is unparalleled at auction. -
Doxiadis, from Ekistics to the Delos Meetings
17th IPHS Conference, Delft 2016 | HISTORY URBANISM RESILIENCE | VOLUME 06 Scales and Systems | Policy Making Systems of City,Culture and Society- | Urbanism and- Politics in the 1960s: Permanence, Rupture and Tensions in Brazilian Urbanism and Development URBAN pLANNING IN GUANABARA STATE, BRAZIL: DOXIADIS, FROM EKISTICS TO THE DELOS MEETINGS Vera Rezende Universidade Federal Fluminense This article looks into the evolution of the Ekistics Theory as formulated by Constantinos A. Doxiadis for the drawing up of a concept of Network. Following the Delos Meetings, this theory, a science of human settlements, subsequently evolved into the idea of human activity networks and how they could apply to different fields, especially architecture and urbanism. Those meeting were held during cruises around the Greek Islands with intellectuals from different areas of knowledge and countries. , Moreover, Ekistics theory was used as a basic for the formulation of the Plan for Guanabara State, Brazil, whose launch in 1964 took place a few months after the first Delos Meeting in 1963. The plan was developed for Guanabara State following the transfer of the country’s capital from Rio de Janeiro to Brasília in 1960. Carlos Lacerda, the first elected governor, invited Doxiadis, hoping that by using technical instruments devised by the Greek architect and by relying on a foreign consultant, the plan would turn the city-state into a model of administration, apart from political pressures. The article highlights the rationality based on the Ekistics, strongly -
Residential Spaces As Urban Fabric: the Case of São Paulo
The 4 th International Conference of the International Forum on Urbanism (IFoU) 2009 Amsterdam/Delft The New Urban Question – Urbanism beyond Neo-Liberalism RESIDENTIAL SPACES AS URBAN FABRIC: THE CASE OF SÃO PAULO Christine Van Sluys* *Universitat Politécnica de Catalunya, Barcelona, España, [email protected] ABSTRACT: The accelerated population growth faced by São Paulo during the 20th century resulted in a construction of a complex and ambiguous territory. Since the end of the 1930s, São Paulo has developed different public housing policies to face the growing housing deficit. These policies gave priority to quantitative issues and gradually dissociate the urban residential project of the city construction process. Meanwhile, we can identify projects that have sought this double challenge: The residential amount and the urban quality. This essay attempts to analyze from historical processes, the role that public residential urban projects have played in the construction of the metropolitan territory. KEY WORDS: rapid urban growth, urban structure, social housing, residential urban project, socio- territorial inequalities, São Paulo. SÃO PAULO METROPOLIS The metropolitan region of São Paulo has an area of approximately 8.051 km2 and its urbanized area corresponds to 2.209 km2. Today the population of the metropolitan region of São Paulo is approximately 20 million inhabitants of which 11 million live in the city 1. The metropolitan region of São Paulo raises 19% of the Brazilian GDP, which does not prevent; having rates of unemployment around 17.6% and a residential deficit of around 12% 2. This represents approximately 864 thousand homes, whereas the total deficit of the country is 7.2 million homes 3. -
Industrial and Warehouse Buildings Study Report
REPORT ON CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FOR THE CITY OF SYDNEY OCTOBER 2014 FINAL VOLUME 1 Eveready batteries, 1937 (Source: Source: SLNSW hood_08774h) Joseph Lucas, (Aust.) Pty Ltd Shea's Creek 2013 (Source: City Plan Heritage) (Source: Building: Light Engineering, Dec 24 1955) VOLUME 1 CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FINAL REPORT Job No/ Description Prepared By/ Reviewed by Approved by Document of Issue Date Project Director No Manager/Director FS & KD 13-070 Draft 22/01/2014 KD/24/01/2014 13-070 Final Draft KD/17/04/2014 KD/22/04/2014 13-070 Final Draft 2 KD/13/06/2014 KD/16/06/2014 13-070 Final KD/03/09/2014 KD/05/09/2014 13-070 Final 2 KD/13/10/2014 KD/13/10/2014 Name: Kerime Danis Date: 13/10/2014 Note: This document is preliminary unless it is approved by the Director of City Plan Heritage CITY PLAN HERITAGE FINAL 1 OCTOBER 2014 / H-13070 VOLUME 1 CITY OF SYDNEY INDUSTRIAL & WAREHOUSE BUILDINGS HERITAGE STUDY FINAL REPORT TABLE OF CONTENTS VOLUME 1 – REPORT Executive summary ........................................................................................................................ 4 1.0 About this study................................................................................................................... 6 1.1 Background ........................................................................................................................ 6 1.2 Purpose ............................................................................................................................. -
Carlo Scarpa: Architecture and Design Pdf, Epub, Ebook
CARLO SCARPA: ARCHITECTURE AND DESIGN PDF, EPUB, EBOOK Guido Beltramini, Italo Zannier, Vaclav Sedy, Gianant Battistella | 320 pages | 13 Feb 2007 | Rizzoli International Publications | 9780847829118 | English | New York, United States Carlo Scarpa: Architecture and Design PDF Book Learn more about the change. The exhibition illustrates how Carlo Scarpa worked, with a lot of attention to the surface of the objects and the final decoration. Carlo Scarpa: Architect. The organizational Gestalt-Laws are consciously used by the master to form one wholeness of the different spogli. The art of making as well as the use and development of local traditions and crafts was of capital importance in the work of Scarpa, and it is true that the sort of crafts that he used are out of reach for the most architects and clients of today. The psychology of visual perception. A perfectionist, he would often stay throughout the night alongside the glass blowers in order to perfect new designs. Controspazio, 2. In the second line of the small Roman letters inscription, the four letters I. Carlo Scarpa a Castelvecchio: l'archivio digitale dei disegniLe fotografie sono consultabili on-line, gratuitamente e senza restrizioni, salvo l'approvazione delle condizioni di utilizzo, per gli utenti registrati. Consequently is that the reason why at these days in the architectural archives a lot of literature from others about him available is, but not literature directly from him. Tomba Brion by Carlo Scarpa. Where a flat figure has a contour as a boundary, a three-dimensional object has a surface. In conclusion the second step is essential, since the three different Gestalt-Laws are applied on this particular step. -
Frank Lloyd Wright in Venice and the Masieri Memorial
MODERNISM CONTESTED: FRANK LLOYD WRIGHT IN VENICE AND THE MASIERI MEMORIAL DEBATE by TROY MICHAEL AINSWORTH, B.A., M.A. A DISSERTATION IN LAND-USE PLANNING, MANAGEMENT, AND DESIGN Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Michael Anthony Jones Co-Chairperson of the Committee Bryce Conrad Co-Chairperson of the Committee Hendrika Buelinckx Paul Carlson Accepted John Borrelli Dean of the Graduate School May, 2005 © 2005, Troy Michael Ainsworth ACKNOWLEDGMENTS The task of writing a dissertation is realized through the work of an individual supported by many others. My journey reflects this notion. My thanks and appreciation are extended to those who participated in the realization of this project. I am grateful to Dr. Michael Anthony Jones, now retired from the College of Architecture, who directed and guided my research, offered support and suggestions, and urged me forward from the beginning. Despite his retirement, Dr. Jones’ unfaltering guidance throughout the project serves as a testament to his dedication to the advancement of knowledge. The efforts and guidance of Dr. Hendrika Buelinckx, College of Architecture, Dr. Paul Carlson, Department of History, and Dr. Bryce Conrad, Department of English, ensured the successful completion of this project, and I thank them profusely for their untiring assistance, constructive criticism, and support. I am especially grateful to James Roth of the John F. Kennedy Library in Boston, Massachusetts, for his assistance, and I thank the John F. Kennedy Library Foundation for awarding me a research grant. Likewise, I extend my thanks to the Ernest Hemingway Foundation and Society for awarding me its Paul Smith-Michael Reynolds Founders Fellowship to enable my research. -
Japanese Spatial Culture, Nature and Architecture
PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword by Kengo KUMA Edited by Salvator-John A. LIOTTA and Matteo BELFIORE PATTERNS and LAYERING Japanese Spatial Culture, Nature and Architecture Foreword: Kengo KUMA Editors: Salvator-John A. LIOTTA Matteo BELFIORE Graphic edition by: Ilze PakloNE Rafael A. Balboa Foreword 4 Kengo Kuma Background 6 Salvator-John A. Liotta and Matteo Belfiore Patterns, Japanese Spatial Culture, Nature, and Generative Design 8 Salvator-John A. Liotta Spatial Layering in Japan 52 Matteo Belfiore Thinking Japanese Pattern Eccentricities 98 Rafael Balboa and Ilze Paklone Evolution of Geometrical Pattern 106 Ling Zhang Development of Japanese Traditional Pattern Under the Influence of Chinese Culture 112 Yao Chen Patterns in Japanese Vernacular Architecture: Envelope Layers and Ecosystem Integration 118 Catarina Vitorino Distant Distances 126 Bojan Milan Končarević European and Japanese Space: A Different Perception Through Artists’ Eyes 134 Federico Scaroni Pervious and Phenomenal Opacity: Boundary Techniques and Intermediating Patterns as Design Strategies 140 Robert Baum Integrated Interspaces: An Urban Interpretation of the Concept of Oku 146 Cristiano Lippa Craft Mediated Designs: Explorations in Modernity and Bamboo 152 Kaon Ko Doing Patterns as Initiators of Design, Layering as Codifier of Space 160 Ko Nakamura and Mikako Koike On Pattern and Digital Fabrication 168 Yusuke Obuchi Foreword Kengo Kuma When I learned that Salvator-John A. Liotta and Matteo Belfiore in my laboratory had launched a study on patterns and layering, I had a premonition of something new and unseen in preexisting research on Japan. Conventional research on Japan has been initiated out of deep affection for Japanese architecture and thus prone to wetness and sentimentality, distanced from the universal and lacking in potential breadth of architectural theories.