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Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Exploring the Referral and Usage of Science Fiction in HCI Literature
Exploring the Referral and Usage of Science-Fiction in HCI Literature? Philipp Jordan1, Omar Mubin2, Mohammad Obaid3, and Paula Alexandra Silva4 1 University of Hawaii at Manoa, Honolulu, USA [email protected] 2 SCEM, Western Sydney University, Sydney, Australia [email protected] 3 Uppsala University, Uppsala, Sweden [email protected] 4 DigiMedia Research Center, University of Aveiro, Aveiro, Portugal [email protected] Abstract. Research on science fiction (sci-fi) in scientific publications has indicated the usage of sci-fi stories, movies or shows to inspire novel Human-Computer Interaction (HCI) research. Yet no studies have anal- ysed sci-fi in a top-ranked computer science conference at present. For that reason, we examine the CHI main track for the presence and nature of sci-fi referrals in relationship to HCI research. We search for six sci-fi terms in a dataset of 5812 CHI main proceedings and code the context of 175 sci-fi referrals in 83 papers indexed in the CHI main track. In our results, we categorize these papers into five contemporary HCI research themes wherein sci-fi and HCI interconnect: 1) Theoretical Design Re- search; 2) New Interactions; 3) Human-Body Modification or Extension; 4) Human-Robot Interaction and Artificial Intelligence; and 5) Visions of Computing and HCI. In conclusion, we discuss results and implications located in the promising arena of sci-fi and HCI research. Keywords: Design fiction, Future visions, HCI inspiraton, Popular cul- ture in science, Science fiction 1 Introduction Sci-fi has inspired many technological innovations. Its influence is present in the invention, conceptualization, design and application of interfaces and technology. -
Arrow Gets Straight to the Point!
FOR IMMEDIATE RELEASE London UK, xx January 2021 ARROW GETS STRAIGHT TO THE POINT! THIS JANUARY ON ARROW: AN EXCLUSIVE COLLECTION OF CHILLING SHORT FILMS, CULT KITSCH IN THE LOVE WITCH, SPANISH SHOCKS IN [REC], LOVED TO DEATH, SHORT ON TIME AND MORE! ARROW is the passion-driven film platform giving film fans the opportunity to watch a curated selection of movies that the Arrow Video brand is famous for. In January, ARROW are premiering a new era in short films under the ARROW Shorts banner with an exclusive collection of extraordinary Covid-era chillers that will send your mind reeling, as well as an unmissable selection of brand new additions to the channel. WATCH & SHARE THE JANUARY TRAILER HERE In January ARROW presents an exclusive selection of the outstanding entries from its HORROR LOCKDOWN SHORTS contest, short films delivering slick, sharp scares, delving into oft-uncharted and bizarre worlds, offering a glimpse of burgeoning new talent just waiting to burst forth. The entries were judged by cult directors Justin Benson and Aaron Moorhead, who said the films are “better than they have any right to be”. The films include the surreal and innovative lockdown lunacy of Silent & Deadly, featuring a disgruntled armchair; the marvellously macabre and unexpected UnTooned; the strikingly eerie The Wedding Ritual; the very creepy nerve-jangler Stagnant; the mini-giallo split-screen shocker A Date with Death; the almost unbearably intense and nightmarish Insecticide; the brilliantly chilling and atmospheric The Drawing; the mournful and moving The Garden; the unhappy playroom of Toys and the superbly realised Night Feed. -
8Th Lichtspielklub Short Film Festival Sputnik Kino # Badehaus Szimpla # Acudkino # Filmkunst 66
8th Lichtspielklub Short Film Festival Sputnik Kino # Badehaus Szimpla # Acudkino # Filmkunst 66 15.–19.1.2015 # The Programme “British Shorts” präsentiert zum 8. Mal die aufregendsten Kurzfilme Thu 15.1. 20:00 / Badehaus Szimpla aus Großbritannien und Irland. Von Drama, Comedy, Animation, Festival Opening & Festival Screening & Concert: Snøffeltøffs & Party Thriller, Experimentalfilm, Musikvideo bis Doku ist alles vertreten. Drama / Comedy / Animation / Music Video / Documentary (Concert details: page 20) Parties, Konzerte, Talks, ein Workshop mit 48-Stunden-Filmprojekt, ein Open Screening und eine Ausstellung ergänzen das Programm und wie immer werden ein Jury- und ein Publikumspreis vergeben. Dieses Jahr neu: Erstmals wird es eine Stand-Up-Comedy-Live- Show geben, wir setzen mit einem zusätzlichen Screening einen Schwerpunkt auf Animationen und die Retrospektive präsentiert ein Film konzert mit den ersten britischen Kurzfilmen der Filmge- schichte – inklusive zeitgemäßem Live-Soundtrack von Dirk Markham! British Shorts presents, for the 8th time, the most exciting short films from Great Britain and Ireland. From drama, comedy, animation, thriller, horror, experimental film and music videos to documentary films all gen- res are present. Concerts, parties, a free film workshop (including a 48- hour film project), the Open Screening, talks and an exhibition will create Light Half still: Film a great festival atmosphere and as always there will be jury and audience Die Trilogie “A United Howl” wird das Festival eröffnen: Drei Filme über Un- awards. New this year is a live stand-up comedy show and an additional angepasste, Außenseiter und Einzelgänger. The festival opens with Karan screening with animation films only. And our retrospective is all about Kandhari’s A United Howl – a trilogy of shorts about misfits, outsiders & loners. -
AP Composition and College Composition Students
Reading Assignment for AP Composition and College Composition Students Over the summer, read three books of your choice from different genres: Fiction: Romance, Fantasy, comedy, epistolary, etc. Non-Fiction: Biography, historical non-fiction, short stories, etc. Because you are preparing for a "writing" course, you should answer three "writerly" questions posed by Francine Prose in her book Reading Like a Writer: #1. Why did the author use the point of view s/he did? How would the story be different if it was told from, say, 1st person perspective and not 3rd? #2. As you read, write down three great sentences--known as "purple passages." Ernest Hemingway said that an author's ambition every day is to create "one true sentence." Consequently, he "discarded unnecessary words, stripped away narrative flourishes" to create his "spare" novels. Please find a few great sentences in the works you are reading, and simply copy them down. #3. Evaluate the style. Write a complete, 150 word paragraph that evaluates the author's style. What specifically kept you interested in the story? If you were bored, why? Is there something special about the way the author writes--interesting words, wit, or wisdom? Please express your opinion and support it with insights from the book. Below are some sites with good lists and discussion groups for those books. HAVE FUN!! Reading Lists: http://www.bpl.org/kids/booksmags.htm#summer http://www.modernlibrary.com/top-100/100-best-novels/ http://home.comcast.net/~netaylor1/modlibnonfiction.html http://www.goodreads.com/group/show/21925.The_Modern_Library_100_Best_Novels_Challenge For specific suggestions, please consider these. -
Genre Bingo Myfreebingocards.Com
Genre Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/kbuxa2 Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/kbuxa2 Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/kbuxa2 Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. -
Accion Mutante
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Salford Institutional Repository “Esto no es un juego, es Acción mutante”: The Provocations of Álex de la Iglesia Peter Buse Núria Triana-Toribio Andrew Willis University of Salford University of Manchester University of Salford Speaking at the Manchester Spanish Film Festival in 2000, Álex de la Iglesia professed that he was not really a film director. “I’m more of a barman”, he claimed, “I just make cocktails”. His films, he implied, were simply an elaborate montage of quotations from other directors, genres, and film-styles, a self-assessment well borne out by Acción mutante (1993), the de la Iglesias team’s1 first feature film, which promiscuously mixes science fiction and comedy, film noir and western, Almodóvar and Ridley Scott. Were such a claim, and its associated renunciation of auteur status, to issue from an American independent director, or even a relatively self-conscious Hollywood director, would it even raise an eyebrow, so eloquently does it express postmodern orthodoxy? And does it make any difference when it comes from a modern Spanish director? As a bravura cut- and-paste job, a frenetic exercise in filmic intertextuality, Acción mutante is highly accomplished, but it would be a mistake to praise or criticize it on the grounds of its postmodern sensibilities alone without taking into account the intervention it made into a specifically Spanish filmic context where, in the words of the title song “Esto no es un juego, es acción mutante”. AFTER THE LEY MIRÓ Álex de la Iglesia has defined his cinema in terms of what it is not. -
Organizer of the 54Th Karlovy Vary IFF 2019: Film Servis Festival Karlovy Vary, A.S
Organizer of the 54th Karlovy Vary IFF 2019: Film Servis Festival Karlovy Vary, a.s. Organizers of the 54th Karlovy Vary IFF thank to all partners which help to organize the festival. 54th Karlovy Vary IFF is supported by: Ministry of Culture Czech Republic Main partners: Vodafone Czech Republic a.s. innogy MALL.cz Accolade City of Karlovy Vary Karlovy Vary Region Partners: UniCredit Bank Czech Republic and Slovakia, a.s. UNIPETROL SAZKA Group the Europe’s largest lottery company DHL Express (Czech Republic), s.r.o. Philip Morris ČR, a.s. CZECH FUND – Czech investment funds Official car: BMW Official fashion partner: Pietro Filipi Official coffee: Nespresso Supported by: CZ - Česká zbrojovka a.s. Supported by: construction group EUROVIA CS Supported by: CZECHOSLOVAK GROUP Partner of the People Next Door section: Sirius Foundation Official non-profit partner: Patron dětí Film Servis Festival Karlovy Vary, Panská 1, 110 00 Praha 1, Czech Republic Tel. +420 221 411 011, 221 411 022 www.kviff.com Official beverage: Karlovarská Korunní Official beauty partner: Dermacol Official champagne: Moët & Chandon Official beer: Pilsner Urquell Official drink: Becherovka Main media partners: Czech Television Czech Radio Radiožurnál PRÁVO Novinky.cz REFLEX Media partners: BigBoard Praha PLC ELLE Magazine magazine TV Star Festival awards supplier: Moser Glassworks Software solutions: Microsoft Consumer electronics supplier: LG Electronics Partner of the festival Instagram: PROFIMED Main hotel partners: SPA HOTEL THERMAL Grandhotel Pupp Four Seasons Hotel Prague Partner of the No Barriers Project: innogy Energie Wine supplier: Víno Marcinčák Mikulov - organic winery GPS technology supplier: ECS Invention spol. s r.o. -
Super ACRONYM - Round 5
Super ACRONYM - Round 5 1. After retiring, this athlete founded the Crest Computer Supply Company and served as the athletic director of Southern Illinois University. This player claimed to only need "18 inches of daylight" and led the NFL in the majority of both rushing and kick return categories in 1966. This Wichita-born athlete was often called the (*) "Kansas Comet." This man's autobiography I Am Third detailed his close relationship with his roommate of a different race, which was adapted into a film in which this man was played by Billy Dee Williams. The late Brian Piccolo was a dear friend of, for 10 points, what Bears running back? ANSWER: Gale (Eugene) Sayers <Nelson> 2. The Tiny Desk, a prototype devised by this character, allows people to alleviate stress by flipping their office desks without creating a huge mess. This man sings about a "Leprechaun on the lawn at Boston Common" and a creature "the size of (*) Luxembourg" as part of a "Kaiju Rap" inspired by the film Reptilicus. This character is tormented by Max, an assistant played by Patton Oswalt, and Kinga, played by Felicia Day. For 10 points, name this "mug in a yellow jumpsuit" who is trapped "on the dark side of the moon" in the revival of Mystery Science Theater 3000 and is played by a namesake comedian with the surname Ray. ANSWER: Jonah Heston (accept either underlined portion; do not accept or prompt on "(Jonah) Ray") <Vopava> 3. After the Creolettes were renamed for these things, they recorded the song "The Wallflower (Dance With Me Henry)" with Etta James. -
FLM201 Film Genre: Understanding Types of Film (Study Guide)
Course Development Team Head of Programme : Khoo Sim Eng Course Developer(s) : Khoo Sim Eng Technical Writer : Maybel Heng, ETP © 2021 Singapore University of Social Sciences. All rights reserved. No part of this material may be reproduced in any form or by any means without permission in writing from the Educational Technology & Production, Singapore University of Social Sciences. ISBN 978-981-47-6093-5 Educational Technology & Production Singapore University of Social Sciences 463 Clementi Road Singapore 599494 How to cite this Study Guide (MLA): Khoo, Sim Eng. FLM201 Film Genre: Understanding Types of Film (Study Guide). Singapore University of Social Sciences, 2021. Release V1.8 Build S1.0.5, T1.5.21 Table of Contents Table of Contents Course Guide 1. Welcome.................................................................................................................. CG-2 2. Course Description and Aims............................................................................ CG-3 3. Learning Outcomes.............................................................................................. CG-6 4. Learning Material................................................................................................. CG-7 5. Assessment Overview.......................................................................................... CG-8 6. Course Schedule.................................................................................................. CG-10 7. Learning Mode................................................................................................... -
Myfff2017 the One & Only Online French Film Festival Is Back!
PRESENTS MY FRENCH FILM FESTIVAL .COM JAN 19 - FEB 19, 2018 8TH EDITION É DITORIAUX / E DITORIALS P.4 & 6 M Y F R E NCH F IL M F E ST I VA L P.8 P RIX D É C E RN É S / A WARDS P.10 PLATefORmeS PARTENAIRES / PARTNER PLATFORMS P.12 J URYS / J URI E S P.14 I LS AI me NT L E fe ST I VA L / T H E Y LIK E TH E fe ST I VA L P.18 I ND E X D E S F IL M S / M OVI E IND E X P.19 L A S É L E CTION / T H E S E L E CTION WTF...RENCH!? P.20 HIT THE ROAD! P.32 TEEN STORIES P.38 FRENCH & FURIOUS P.46 LOVE "À LA FRANÇAISE" P.56 NEW HORIZONS P.64 J URYS P R É C É D E NTS / P R E VIOUS J URI E S P.71 U NI F RANC E P.73 P ART E NAIR E S / P ARTN E RS P.74 3 PAOLO SORRENTINO, PRÉSIDENT DU JURY DE MYFRENCHFILMFESTIVAL « Le cinéma français est un point de repère pour les cinéastes du monde entier. Il a toujours été marqué par sa capacité d’expérimentation et de renouveau, et par le soutien qu’il a donné au travail des auteurs. J’aime le cinéma français, surtout celui de François Truffaut : son idée du cinéma a toujours été une source d’inspiration pour moi. -
Never Surrender
AirSpace Season 3, Episode 12: Never Surrender Emily: We spent the first like 10 minutes of Galaxy Quest watching the movie being like, "Oh my God, that's the guy from the... That's that guy." Nick: Which one? Emily: The guy who plays Guy. Nick: Oh yeah, yeah. Guy, the guy named Guy. Matt: Sam Rockwell. Nick: Sam Rockwell. Matt: Yeah. Sam Rockwell has been in a ton of stuff. Emily: Sure. Apparently he's in a ton of stuff. Nick: Oh. And they actually based Guy's character on a real person who worked on Star Trek and played multiple roles and never had a name. And that actor's name is Guy. Emily: Stop. Is he really? Nick: 100 percent. Intro music in and under Nick: Page 1 of 8 Welcome to the final episode of AirSpace, season three from the Smithsonian's National Air and Space Museum. I'm Nick. Matt: I'm Matt. Emily: And I'm Emily. Matt: We started our episodes in 2020 with a series of movie minis and we're ending it kind of the same way, diving into one of the weirdest, funniest and most endearing fan films of all time, Galaxy Quest. Nick: The movie came out on December 25th, 1999, and was one of the first widely popular movies that spotlighted science fiction fans as heroes, unlike the documentary Trekkies, which had come out a few years earlier and had sort of derided Star Trek fans as weird and abnormal. Galaxy Quest is much more of a love note to that same fan base.