Boston Symphony Orchestra Concert Programs, Season 117, 1997-1998, Subscription, Volume 02
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John Adams Par John Adams
John Adams par John Adams ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE John Adams © Riccardo Musacchio VENDREDI 28 FÉVRIER 2020 20H IGOR STRAVINSKY Le Chant du rossignol 1. Fête au palais de l’empereur de Chine 2. Marche chinoise 3. Les deux rossignols 4. Souffrance puis guérison de l’empereur de Chine (22 minutes environ) CLAUDE DEBUSSY / JOHN ADAMS Le Livre de Baudelaire 1. Le Balcon 2. Harmonie du soir 3. Le Jet d’eau 4. Recueillement (20 minutes environ) - entracte - PHILIP GLASS Glassworks, extrait : « Opening » (7 minutes environ) Études n°9 et n°3 (8 minutes environ) JOHN ADAMS « Must the Devil Have All the Good Tunes? » pour piano et orchestre (création française) 1. Gritty, funky, but in strict tempo. Twitchy, bot-like (« Plein de cran, funky, mais en gardant un tempo strict. Nerveux, robotique ») IAN BOSTRIDGE ténor 2. Much slower, gently, relaxed (« Beaucoup plus lent, doucement, relâché ») VÍKINGUR ÓLAFSSON piano 3. Più mosso: Obsession/Swing (« Plus rapide : obsession/swing ») (28 minutes environ) ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE Nathan Mierdl violon solo JOHN ADAMS direction Ce concert est présenté par Benjamin François et diffusé en direct sur France Musique. Il est également disoponible sur francemusique.fr et ARTE Concert John Adams est l’un des papes de la musique américaine qu’on a tour IGOR STRAVINSKY 1882-1971 à tour appelée minimaliste, répétitive et post-moderne. Il vient diriger sa version du Livre de Baudelaire de Debussy (il s’agit en réalité de Le Chant du rossignol l’orchestration des Cinq Chansons de Charles Baudelaire) et son propre Poème symphonique composé en 1917 (d’après l’opéra Le Rossignol composé par Stravinsky en 1914). -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
AS Level Performance Studies Topic Exploration Pack (John Adams)
Performance Studies A LEVEL Performance Studies: John Adams Topic Exploration Pack September 2015 www.ocr.org.uk Topic Exploration Pack We will inform centres about any changes to the specification. We will also publish changes on our website. The latest version of our specification will always be the one on our website (www.ocr.org.uk) and this may differ from printed versions. Copyright © 2015 OCR. All rights reserved. Copyright OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from this specification booklet for their own internal use. Oxford Cambridge and RSA Examinations is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Registered office: 1 Hills Road Cambridge CB1 2EU OCR is an exempt charity. 2 www.ocr.org.uk AS Level Performance Studies Contents John Adams Teacher Resource Pack ............................................................................................. 4 Background ..................................................................................................................................... 5 Adams’ Works ................................................................................................................................. 5 Fingerprints of Adams’ Style ........................................................................................................... 7 Influences ...................................................................................................................................... -
Mack Mccray Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 2-14-1999 Mack McCray Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Mack McCray" (1999). Center for Performing Arts Memorabilia. Book 142. http://opus.govst.edu/cpa_memorabilia/142 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PERfORMIhO flRTS and WFMT 98.7 HEARTLAND ARTS FUND present Mack McCray FEBRUARY 14,1999 GOVERNORS STATE UNIVERSITY "University Park, Illinois The Center for Performing Arts Mack McCray won First Prize in the San Fran- and cisco Symphony's Young Artist Competition and the Charleston Sym- WFMT 98.7 phony Competition, Silver Medal at the International "Enescu" Com- Heartland Arts Fund petition in Bucharest (plus a special award for best performance of a contemporary work), Silver Medal at the International Liszt Compe- present tition in Boston, and Juilliard's coveted Steuerman Award. In 1969- Mack McCray 70 McCray made his first spectacularly successful tour of Europe, Pianist with debuts in London, Vienna, Amsterdam, Hamburg, Brussels and Zurich. Sonata No. 100 in C Minor Padre Antonio Soler Sonata No. 7 in C Major (1729 - 1783) Since then McCray has performed around the world, notably at the Paris "Festivale d'autumne," at Seville's "Great Interpreters Series," Sonata No. -
October 2003
21ST CENTURY MUSIC OCTOBER 2003 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $84.00 per year; subscribers to the print version elsewhere should add $36.00 for postage. Single copies of the current volume and back issues are $10.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. e-mail: [email protected]. Typeset in Times New Roman. Copyright 2003 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Typescripts should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors with access to IBM compatible word-processing systems are encouraged to submit a floppy disk, or e-mail, in addition to hard copy. -
A/8/JS/O. V/V£ the KEYBOARD PERCUSSION
37? A/8/J S/o. V/V£ THE KEYBOARD PERCUSSION TRIOS OF TORU TAKEMITSU AND TOSHI ICfflYANAGI, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF CAHN, MASLANKA, MIKI, MIYOSHI, PTASZYNSKA, SCHULTZ, WESLEY-SMITH, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the requirements For the Degree of DOCTOR OF MUSICAL ARTS By Jimmy W. Finnie, B.M.Ed., M.M. Denton, Texas August, 1995 37? A/8/J S/o. V/V£ THE KEYBOARD PERCUSSION TRIOS OF TORU TAKEMITSU AND TOSHI ICfflYANAGI, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF CAHN, MASLANKA, MIKI, MIYOSHI, PTASZYNSKA, SCHULTZ, WESLEY-SMITH, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the requirements For the Degree of DOCTOR OF MUSICAL ARTS By Jimmy W. Finnie, B.M.Ed., M.M. Denton, Texas August, 1995 Finnie, Jimmy W., The Keyboard Percussion Trios of Toru Takemitsu and Toshi Ichiyanagi. A Lecture Recital. Together with Three Recitals of Selected Works of Cahn. Maslanka. Miki. Mivoshi. Ptaszvnska. Schultz. Weslev-Smith. and Others. Doctor of Musical Arts (Performance), August 1995, 77 pp., 34, bibliography, 41. The purpose of this study is to examine the various signatures of compositional style as manifested in the keyboard percussion trios Rain Tree by Toru Takemitsu and Wind Trace by Toshi Ichiyanagi. Significant personal interaction between the aforementioned Japanese composers and American composer John Cage justifies an investigation of his influence on their compositional styles. Toru Takemitsu is currently one of the most prolific Japanese composers. -
St. Lawrence String Quartet
THE DINA KOSTON AND ROGER SHAPIRO FUND FOR nEW mUSIC IN tHE LIBRARY oF CONGRESS ST. LAWRENCE STRING QUARTET Friday, January 23, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Friday, January 23, 2015 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO FUND fOR nEW mUSIC IN tHE LIBRARY oF CONGRESS ST. LAWRENCE STRING QUARTET GEOFF NUTTALL & MARK FEWER, vIOLINS LESLEY ROBERTSON, vIOLA CHRISTOPHER COSTANZA, CELLO • Program FRANZ JOSEPH HAYDN (1732-1809) String Quartet in E-flat major, op. -
MELOS-ETHOS'95 INTERNATIONAL FESTIVAL of CONTEMPORARY MUSIC November 7-17,1995 Bratislava
MELOS-ETHOS'95 INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC November 7-17,1995 Bratislava Member of the European Conference of Promoters of New Music 3rd INTERNATIONAL FESTIVAL of CONTEMPORARY MUSIC Member of the European Conference of Promoters of New Music 7-17 November 1995 Bratislava ...;, : The festival is supported by PRO SLOVAKIA fund of the Slovak Ministry of Culture and by KALEISDOSCOPE programme of the. Commission of the European Communities | : : - • The organizers express their warmest gratitude towards all institutions and companies for their support and assistance. f .!: '!'-::ir" MAIN ORGANIZER Slovak Music Union COLLABORATION Association of Slovak Composers Slovak Philharmonic Slovak Radio Music Fund Slovak Television WITH THE ASSISTANCE OF PRO HELVETIA • Schweizerische Kulturstiftung Kulturaustausch OST/WEST Institut Franpais, Bratislava Association Francais d'Action Artistique AFAA Austrian Embassy, Bratislava The British Council, Bratislava United States Information Service, Bratislava Gaudeamus Foundation, Amsterdam Ministry of Foreign Affairs of the Kingdom of Netherlands The Czech Centre, Bratislava Hungarian Cultural Centre, Bratislava The Polish Institute, Bratislava Experimental Studio of Slovak Radio, Bratislava Academy of Music and Performing Arts, Bratislava Municipality of the Capital of the Slovak Republic, Bratislava The Slovak Sinfonietta, Zilina Municipal Culture Centre - Zichy Palace Radio Ragtime .'•*:, . '•:• FESTIVAL COMMITTEE Vladimir Bokes (chairman) 4 Nad'a Hrckova IvanMarton ,,:• ' Robert Rudolf Peter Vafaff Peter Zagar EXECUTIVE COMMITTEE Jana Drobova BozenaHorvathova Marta Sulekova PRESS AND INFORMATION CENTRE .:.:: v. ;•;::;::::;•;:: ... :• ,- Slovenska hudobna unia Michalska 10 : 815 36 Bratislava ; :''" 3rd floor No. 332 ,, Tel. +427/333716 FESTIVAL OFFICE : Slovenska hudobna unia Michalska 10 815 36 Bratislava :el. +427/335291 Fax +427/330188 CONCERT CALENDAR Tuesday • 7 November . 4.30 p.m p. -
Toru Takemitsu” Held in Tokyo (August)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 T#ru Takemitsu: The Roots of His Creation Haruyo Sakamoto Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLOR IDA STATE UN IV ERSITY SCHOOL OF MUSIC TRU TAKEMITSU: THE ROOTS OF HIS CREATION By HARUYO SAKAMOTO A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Haruyo Sakamoto defended on December 10, 2002. __________________________________ Leonard Mastrogiacomo Professor Directing Treatise __________________________________ Victoria McArthur Outside Committee Member __________________________________ Carolyn Bridger Committee Member __________________________________ James Streem Committee Member Approved: _______________________________________________________________________ Seth Beckman, Assistant Dean, School of Music The Office of Graduate Studies has verified and approved the above-named committee members. In memory of my mother whose love and support made it possible for me to complete my studies With all my love and appreciation iii ACKNOWLEDGEMENTS I wish to express my deepest appreciation to Professor Leonard Mastrogiacomo for his encouragement, support, and insightful advice for the completion of this treatise. I would also like to thank the members of my committee, Dr. Carolyn Bridger, Dr. Victoria McArthur, and Professor James Streem for their generous help, cooperation, and guidance. Dr. and Mrs. Stephen Van Camerik have been kind enough to offer assistance as editors. Lastly, but not least, I extend my heartfelt gratitude to my family and friends, who stood by me with love and understanding. -
Composer Brochure | Works
Book 3.indb 2 John ADAMS ElliottCARTER 9/5/2008 12:08:42 PM John Adams Introduction English 1 Deutsch 4 Français 7 Abbreviations 10 Works Operas 12 Full Orchestra 16 Chamber Orchestra 20 Solo Instrument(s) and Orchestra 21 TABLE OF CONTENTS TABLE Voice(s) and Orchestra 22 Ensemble and Chamber with out Voice(s) 23 Piano(s) 26 Instrumental 26 Miscellaneous 27 Arrangements 27 Recordings 29 Chronological List of Works 32 Boosey & Hawkes Addresses 34 Composer List Cover photo: Deborah O'Grady Book 3.indb 3 9/5/2008 12:08:42 PM The Music of John Adams ON I The strains of his grandfather’s lakeside New England dance hall were among the earliest layers of John Adams’s aural CT memory. So too were the marching bands in which he played clarinet as a young student. Learning the basic European DU canon in front of the family Magnavox, Adams readily O assimilated it alongside the crazy quilt of American vernacular R music he encountered in the early postwar decades. Duke Ellington is a recurrent inspiration, and Adams’s love of jazz— which returns in unexpected forms, such as the improvisatory NT I “hypermelody” of the Violin Concerto (1993) or the electric violin’s raga-like musings in The Dharma at Big Sur (2003)— was early nurtured by his parents’ activities in jazz groups. As a student at Harvard during the cataclysmic upheavals of the late Sixties, Adams experienced the cognitive dissonance of the arid pronouncements of contemporary serialists when confronted with the fresh, Dionysian inventiveness of this golden age of rock. -
Counterpoint and Polyphony in Recent Instrumental Works of John Adams Alexander Sanchez-Behar
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Counterpoint and Polyphony in Recent Instrumental Works of John Adams Alexander Sanchez-Behar Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC COUNTERPOINT AND POLYPHONY IN RECENT INSTRUMENTAL WORKS OF JOHN ADAMS By ALEXANDER SANCHEZ-BEHAR A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 The members of the Committee approve the dissertation of Alexander Sanchez- Behar defended on November 6, 2007. Michael Buchler Professor Directing Dissertation Charles E. Brewer Outside Committee Member Jane Piper Clendinning Committee Member Nancy Rogers Committee Member Matthew R. Shaftel Committee Member The Office of Graduate Studies has verified and approved the above named committee members ii Dedicated to my parents iii ACKNOWLEDGMENTS I would like to express my sincere gratitude first and foremost to my advisor, Michael Buchler, for his constant support on all aspects of my dissertation. His inspiring approach to music theory stimulated much of my own work. I am indebted to the rest of my dissertation committee, Charles E. Brewer, Jane Piper Clendinning, Nancy Rogers, and Matthew Shaftel, for their encouragement. I also wish to convey my appreciation to Professors Evan Jones, James Mathes, and Peter Spencer. I would also like to acknowledge former music professors who influenced me during my years as a student: Candace Brower (my master’s thesis advisor), Robert Gjerdingen, Richard Ashley, Mary Ann Smart, John Thow, Michael Orland, Martha Wasley, Kirill Gliadkovsky, James Nalley, and David Goodman. -
Boston Symphony Orchestra Concert Programs, Summer, 1998
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, MUSIC DIRECTOR 9 9 8 HOLSTEN GALLERIES 5V,V DALE CHIHULY New Works Elm Street, Stockbridge, MA 01262 (Next to Post Office) (413) 298-3044 fax: (413) 298-3275 www.holstengalleries.com Celebrating twenty years in our newly renovated and expanded gallery space Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Seventeenth Season, 1997-98 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Treasurer Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Julian T. Houston Robert P. O' Block Gabriella Beranek Deborah B. Davis Edna S. Kalman ex-officio James F. Cleary Nina L. Doggett George Krupp Vincent O'Reilly John F. Cogan, Jr. Charles K. Gifford, Mrs. August R. Meyer Peter C. Read Julian Cohen ex-officio Richard P. Morse Hannah H. Schneider William F. Connell AvramJ. Goldberg Mrs. Robert B. Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Newman DeCelles, ex-officio Life Trustees Vernon R. Alden Archie C. Epps Mrs. George I. Richard Smith David B. Arnold, Jr. Mrs. John H. Kaplan Sidney Stoneman George H. Kidder J. P. Barger Fitzpatrick John Hoyt Stookey Leo L. Beranek Dean W. Freed Irving W. Rabb John L. Thorndike Abram T. Collier Mrs. John L. Mrs. George Lee Gran din Sargent Nelson J. Darling, Jr. Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Daniel R.