2015 Impact Report Table of Contents
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Glitz and Glam
FINAL-1 Sat, Feb 24, 2018 5:31:17 PM Glitz and glam The biggest celebration in filmmaking tvspotlight returns with the 90th Annual Academy Your Weekly Guide to TV Entertainment Awards, airing Sunday, March 4, on ABC. Every year, the most glamorous people • For the week of March 3 - 9, 2018 • in Hollywood stroll down the red carpet, hoping to take home that shiny Oscar for best film, director, lead actor or ac- tress and supporting actor or actress. Jimmy Kimmel returns to host again this year, in spite of last year’s Best Picture snafu. OMNI Security Team Jimmy Kimmel hosts the 90th Annual Academy Awards Omni Security SERVING OUR COMMUNITY FOR OVER 30 YEARS Put Your Trust in Our2 Familyx 3.5” to Protect Your Family Big enough to Residential & serve you Fire & Access Commercial Small enough to Systems and Video Security know you Surveillance Remote access 24/7 Alarm & Security Monitoring puts you in control Remote Access & Wireless Technology Fire, Smoke & Carbon Detection of your security Personal Emergency Response Systems system at all times. Medical Alert Systems 978-465-5000 | 1-800-698-1800 | www.securityteam.com MA Lic. 444C Old traditional Italian recipes made with natural ingredients, since 1995. Giuseppe's 2 x 3” fresh pasta • fine food ♦ 257 Low Street | Newburyport, MA 01950 978-465-2225 Mon. - Thur. 10am - 8pm | Fri. - Sat. 10am - 9pm Full Bar Open for Lunch & Dinner FINAL-1 Sat, Feb 24, 2018 5:31:19 PM 2 • Newburyport Daily News • March 3 - 9, 2018 the strict teachers at her Cath- olic school, her relationship with her mother (Metcalf) is Videoreleases strained, and her relationship Cream of the crop with her boyfriend, whom she Thor: Ragnarok met in her school’s theater Oscars roll out the red carpet for star quality After his father, Odin (Hop- program, ends when she walks kins), dies, Thor’s (Hems- in on him kissing another guy. -
THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
Mt. Lebanon High School Evening and Technical Theatre Companies Present
Mt. Lebanon High School Evening and Technical Theatre Companies present: The Curious Savage is presented by special arrangement with Dramatists Play Service, Inc., New York. Synopsis The Curious Savage is the story of an elderly widow named Mrs. Savage, whose husband has left her $10 million dollars. She intends to give the entire fortune away to people who wish to pursue their “foolish dreams,” but her stepchildren strongly object. To prevent her from doing away with their family’s wealth and ruining their legacy, they have her committed to a sanatorium called The Cloisters, and it is among the gentle residents there that she finds her true family. The Curious Savage is a warm comedy that compares the kindness and loyalty of psychiatric patients with the greed and hostility of so-called “normal people.” Place and Time The year is 1950 and all scenes take place in the Living Room of “The Cloisters” in a Massachusetts town. Scenes Act 1, Scene 1: Night Act 1, Scene 2: The next morning. Act 2, Scene 1: That night, after dinner Fifteen Minute Intermission Act 2, Scene 2: A few nights later. Act 3: A few minutes later. The videotaping or other video or audio recording of this production is strictly prohibited. Cast Blue Cast: November 4 & 6 Sloan Criner as Braden Carroll as Josie Cosentino as Florence Hannibal Mrs. Paddy Jacob Hornicak as Jeffrey Claire Connell as Olivia Salib as Fairy May Ethel Savage (Part 1) Grace Kearns as Maddie McGuffey as Ethel Savage Melanie Rayl as (Part 2) Miss Wilhelmina Dr. -
DENZEL DEFINED the Actor Opens up About V E R T I S E M E a Major Influence in His a D N T Life and Career TAKE the LEAD in PG
DOWNLOAD THIS ISSUE ON YOUR TABLET FOR FREE FROM THE APP STORE OR GOOGLE PLAY! FOOD & FITNESS September 2014 / $4.95 Lunchbox Menus MEN’S From the Pros HEALTH pg. 52 HOW WILL 3-D Testosterone Therapy HEALTH PRINTING pg. 15 HIGHLIGHTS TRANSFORM Healthy MEDICINE? HEALTHY Aging PG. 34 BEAUTY pg. 57 Gel Manicures: FAMILY & Are They Safe? PARENTING pg. 18 Pregnancy & Food Allergies LIVING pg. 23 HEALTHY The 411 on Egg Freezing pg. 14 DENZEL DEFINED The actor opens up about V E R T I S E M E a major influence in his A D N T life and career TAKE THE LEAD IN PG. 28 Your Health TURN TO PAGE 39 september 2014 Contents FEATURES Pg. 28 Pg. Download WebMD Magazine for FREE on the App Store and 34 Google Play. THE LESSONS Denzel THAT I FIRST Defined LEARNED AT With such a long, successful, HOME“ AND AT and storied career, Denzel CHURCH AND Washington surprisingly THEN LATER didn’t stray from his roots. AT THE CLUB“ The two-time Academy KEPT ME FROM Award winner remains tethered to his values GETTING INTO and beliefs because of an ANY SERIOUS important connection that TROUBLE. continues to be a driving force in his life: the Boys & Girls Club. As the national spokesperson for the club, he continues to give back, passing on the important IN EVERY ISSUE lessons he learned and inspiring new generations to Pg. 5 chase their dreams. EDITOR’S NOTE Learn about the new Healthy Target program New in the WebMD app. Dimensions Pg. -
Pre-Raphaelite Brotherhood (PRB) Had Only Seven Members but Influenced Many Other Artists
1 • Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 2 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works. -
Pre-Raphaelites: Victorian Art and Design, 1848-1900 February 17, 2013 - May 19, 2013
Updated Wednesday, February 13, 2013 | 2:36:43 PM Last updated Wednesday, February 13, 2013 Updated Wednesday, February 13, 2013 | 2:36:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Pre-Raphaelites: Victorian Art and Design, 1848-1900 February 17, 2013 - May 19, 2013 Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation and all other information as required (*) utilizing the order form at the end of this page. Digital images will be sent via e-mail. Please include a brief description of the kind of press coverage planned and your phone number so that we may contact you. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Ford Madox Brown The Seeds and Fruits of English Poetry, 1845-1853 oil on canvas 36 x 46 cm (14 3/16 x 18 1/8 in.) framed: 50 x 62.5 x 6.5 cm (19 11/16 x 24 5/8 x 2 9/16 in.) The Ashmolean Museum, Oxford, Presented by Mrs. W.F.R. Weldon, 1920 William Holman Hunt The Finding of the Saviour in the Temple, 1854-1860 oil on canvas 85.7 x 141 cm (33 3/4 x 55 1/2 in.) framed: 148 x 208 x 12 cm (58 1/4 x 81 7/8 x 4 3/4 in.) Birmingham Museums and Art Gallery, Presented by Sir John T. -
Annual Report 2019/20 “We Are Here, Standing Strong, in Our Rightful Place.”
Annual Report 2019/20 “ We are here, standing strong, in our rightful place.” Over the last two years, Highlander has expand our reach to tens of thousands of new is alive and well, and we have been able to persevered in the face of the intersecting and returning Highlander friends and family. thrive because we are held up by a community crises of white supremacist violence, a global Highlander’s operations continued, providing of care. pandemic, climate disaster, the failures of administrative infrastructure for a robust the state, the rise of authoritarianism, police fiscal sponsorship program, offering a range violence, and the many other interlocking forms of movement accompaniment and support of oppression that impact our staff and the services to the uprisings of Summer 2020, and people we serve. giving extra attention to building democracy in (and beyond) election season and attending to After the March 2019 fire, the outpouring of capital improvements of Highlander’s land and support from Highlander’s movement family buildings. across the region, the United States, and globe meant that we could focus on recovering even After the fire, we shared a message inspired by while continuing to welcome thousands of the song, “Solid as a Rock,” with our supporters: people to Highlander for educational work “We are here, standing strong, in our rightful and radical hospitality. The fire required us to place.” That message remains true today. The quickly adapt and practice resilience, a posture fire that destroyed our main office did not that effectively prepared us for early 2020’s destroy us or our work. -
The Photography Program's Guest Speaker for the Festival of the Arts Is
The Photography Program’s guest speaker for the Festival of the Arts is photographer and filmmaker Lauren Greenfield. She will speak Tuesday April 17 @ 6 pm in the Redwood Room in the CSUS University Union. Students in Sharmon Goff’s class may earn extra credit points by attending this event. Lauren Greenfield Biography Photographer/filmmaker Lauren Greenfield has garnered critical acclaim documenting modern youth culture, examining pervasive phenomena from eating disorders and the obsession with body image, to the extreme effects of consumerism. Author of the groundbreaking books, Fast Forward, Girl Culture, and Thin, Greenfield has been named one of the 25 most influential photographers working today (American PHOTO). Her work appears regularly in The New York Times Magazine, London Sunday Times Magazine, Time, and GQ, and is in many museum collections including the SFMOMA, the Getty, LACMA, Art Institute of Chicago, ICP, the Smithsonian, and the Museum of Fine Arts, Houston. Greenfield directed and produced her first feature-length documentary film,THIN (HBO, 2006), about the treatment of eating disorders. THIN premiered at Sundance Film Festival, won Best Documentary at the London International Film Festival, and was nominated for an Emmy for Outstanding Direction. Her followup, kids + money (HBO, 2008), was also selected by Sundance, and won the Cinema Eye Honor in Nonfiction filmmaking, the Audience Award at the AFI Film Festival, and the Gold Hugo at the Chicago International Television Awards. Greenfield’s work was recently showcased in the Getty Museumʼs historical exhibition, “Engaged Observers: Documentary Photography since the Sixties” (along with Eugene Smith, Philip Jones Griffiths, Leonard Freed, Susan Meiselas, James Nachtwey, and Sebastiao Salgado.) She was a featured artist in the “Beauty Culture” exhibition at the Annenberg Space for Photography in Los Angeles, California, for which she was commissioned to direct a short film also entitled “Beauty Culture”, which will premiere at the Tribeca Film Festival in April. -
3. Pre-Raphaelite Brotherhood
• Of course, their patrons, largely the middle-class themselves form different groups and each member of the PRB appealed to different types of buyers but together they created a stronger brand. In fact, they differed from a boy band as they created works that were bought independently. As well as their overall PRB brand each created an individual brand (sub-cognitive branding) that convinced the buyer they were making a wise investment. • Millais could be trusted as he was a born artist, an honest Englishman and made an ARA in 1853 and later RA (and President just before he died). • Hunt could be trusted as an investment as he was serious, had religious convictions and worked hard at everything he did. • Rossetti was a typical unreliable Romantic image of the artist so buying one of his paintings was a wise investment as you were buying the work of a ‘real artist’. 1 • The Pre-Raphaelite Brotherhood (PRB) had only seven members but influenced many other artists. • Those most closely associated with the PRB were Ford Madox Brown (who was seven years older), Elizabeth Siddal (who died in 1862) and Walter Deverell (who died in 1854). • Edward Burne-Jones and William Morris were about five years younger. They met at Oxford and were influenced by Rossetti. I will discuss them more fully when I cover the Arts & Crafts Movement. • There were many other artists influenced by the PRB including, • John Brett, who was influenced by John Ruskin, • Arthur Hughes, a successful artist best known for April Love, • Henry Wallis, an artist who is best known for The Death of Chatterton (1856) and The Stonebreaker (1858), • William Dyce, who influenced the Pre-Raphaelites and whose Pegwell Bay is untypical but the most Pre-Raphaelite in style of his works. -
Scms 2017 Conference Program
SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program. -
Ocm08458220-1834.Pdf (12.15Mb)
317.3M31 A 4^CHTVES ^K REGISTER, ^ AND 18S4. ALSO CITY OFFICEKS IN BOSTON, AND OTHKR USEFUL INFORMATION. BOSTON: JAMES LORING, 132 WASHINGTON STREET. — — ECLIPSES IN 1834. There will be five Eclipses this year, three of ike Svtf, and two of tht Moon, as follows, viz;— I. The first will be of the Sun, January, 9th day, 6h. 26m. eve. invisible. II. The second will likewise be of the Sun, June, 7th day, 5h. 12m. morning invisible. III. The third will be of the Moorr, June, 21st day, visible and total. Beginning Ih 52m. ^ Beginning of total darkness 2 55 / Middle 3 38 V, Appar. time End of total darkness (Moon sets). ..4 18 C morn. End of the Eclipse 5 21 j IV. The fourth will be a remarkable eclipse of the Sun, Sunday, the 30th day of November, visible, as follows, viz : Beginning Ih. 21m. J Greatest obscurity 2 40 fAppar. time End 3 51 ( even. Duration 2 30 * Digits eclipsed 10 deg. 21m. on the Sun's south limb. *** The Sun will be totally eclipsed in Mississippi, Alabama Georgia, South Carolina. At Charleston, the Sun will be totally eclipsed nearly a minute and a half. V. The fifth will be of the Moon, December 15th and I6th days, visible as follows viz : Beginning 15th d. lOli. Q2m. ) Appar. time Middle 16 5 > even. End 1 30 ) Appar. morn. Digits eclipsed 8 deg. 10m. (JU* The Compiler of the Register has endeavoured to be accurate in all the statements and names which it contains ; but when the difficulties in such a compilation are considered, and the constant changes which are occur- ring, by new elections, deaths, &c. -
Inaugural Livermore Valley Film Festival to Launch in May 2016
VOLUME LII, NUMBER 47 Your Local News Source Since 1963 SERVING DUBLIN • LIVERMORE • PLEASANTON • SUNOL THURSDAY, NOVEMBER 19, 2015 'Where Science Meets Art' Theme Inaugural Livermore Valley Film Festival to Launch in May 2016 Find Out What's The new Livermore Val- ing distance of the Bankhead and feature films, as well mation Short, and Student on the closing day of the Happening ley Film Festival (LVFF) Theater on First Street. De- as discussion panels and Short. A separate 24-Hour festival, May 15, 2016. A will open May 13, 2016 signed to inspire and engage workshops. Ironman Film Competition San Francisco Bay Area Check Out Section A in downtown Livermore filmmakers, storytellers, At the core of the LVFF will be run concurrently Best Award in the Student Section A is filled with providing a diverse range and film fans of all ages, is the official juried com- in which participants will film category will also be information about arts, of film-related events built the festival will offer the petition. Film submissions be challenged to produce a announced. people, entertainment and around the theme of “Where opportunity to explore how are being accepted online in short film that aligns with In addition to events held special events. There are Science Meets Art.” A proj- science and technology are multiple categories: Feature, the theme and contains spe- at the Bankhead Theater, the education stories, a variety ect of the Livermore Valley both portrayed in films and Documentary Feature, Sci- cific elements. Winners in all Vine Cinema and Alehouse of features, and the arts and Performing Arts Center, the used in the filmmaking pro- ence/Technology/Innova- categories will be presented on First Street and the i- entertainment and bulletin majority of the LVFF events cess.