English 563 Syllabus
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Roy's Criticisms Towards the Caste System As Reflected
ROY’S CRITICISMS TOWARDS THE CASTE SYSTEM AS REFLECTED THROUGH THE MAIN CHARACTERS AND THEIR CONFLICTS IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of Requirements For the Degree of Sarjana Sastra In English Letters By IRINE CAHYANING TYAS Student Number: 044214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 ii iii God is in every tommorow, Therefore I life for today. Certain of finding at sunrise, Guidance and strength for the way. Power for each moment of weakness, Hope for each moment of pain, Comfort for every sorrow, Sunshine and joy after the rain... Anonymous iv I dedicate this thesis for My Beloved Parents, My Little Brothers, and Edo Baskoro who always support me in accomplishing this thesis. v vi vii Acknowledgements I would like to express my biggest gratitude to Jesus Christ and Virgin Mary for the blessings, strength and miracles They have been giving in my life, so that I am finally able to accomplish this undergraduate thesis. Thank God for answering my prayers. My gratitude is also directed to my advisor, Ni Luh Putu Rosiandani, S.S, M.Hum. I am also grateful for her guidance, patience, and especially for the time she has spent for reading and correcting my thesis. I also thank to my co- advisor Elisa Dwi Wardani S.S., M.Hum. for your guidance in finishing this thesis. I really appreciate all things she has done in process of writing my thesis Furthermore, I deeply express my gratitude to my beloved parents for their love, prayers, support, both financial and spiritual and good advices. -
World Literature Reading List
WEST BLOOMFIELD HIGH SCHOOL ENGLISH DEPARTMENT Eleventh Grade Honors World Literature: Summer Reading Assignment 2019 Please complete the assignment during the summer. Assignment #1 Step A: Read Homegoing by Yaa Gyasi Winner of the PEN/ Hemingway Award Winner of the NBCC's John Leonard Award Shortlisted for the British Book Award - Debut of the Year A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, PopSugar, Minneapolis Star Tribune, BuzzFeed, The Guardian, Financial Times Ghana, eighteenth century: two half-sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed— and shows how the memory of captivity has been inscribed on the soul of our nation. Assignment #2 Independent reading choice!!! This summer, I want you to choose a book (or more if you’d like to!) to read from which you will both find enjoyment and learn about another part of the world. -
A Stylistic Approach to the God of Small Things Written by Arundhati Roy
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy. -
The Theme of Transgressing Social Boundaries in Arundhati Roy's The
id14791789 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Södertörns University College C-essay English Department Spring 2005 Supervisor: Dr. Claire Hogarth Crossing Lines: The Theme of Transgressing Social Boundaries in Arundhati Roy’s The God of Small Things Naz Shakely Table of Contents Introduction 1 Ammu Transgressing Boundaries 3 Velutha Transgressing Boundaries 6 Ammu and Velutha Breaking the Love Laws 8 The Love Laws 9 The Gender Issue 10 Punishments 12 Conclusion 14 Works Cited 17 id14803105 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com 1 Introduction Everywhere we turn, we come across moral boundaries that we at least think we are not supposed to cross, but that we do cross nonetheless. “As ye sow, ye shall reap” is a proverb we all have heard sometime (Roy 31). But is it really true? Do we get what we deserve? And if so, who decides what is right and what is wrong? Who decides what we should and should not be punished for? In Arundhati Roy’s The God of Small Things, most of the characters cross moral boundaries. Eventually, they all get punished for doing so. In this novel, Roy presents two kinds of morality. One of them is social morality, which can be defined as what a group thinks is good and right or the way one should behave. The other one is individual morality – what oneself thinks is the right way to act. -
Challenging Humanism: Human-Animal Relations in Recent Postcolonial Novels
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Borrell, Sally (2009) Challenging humanism: human-animal relations in recent postcolonial novels. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/6520/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
IJRAR Research Journal
© 2019 IJRAR May 2019, Volume 6, Issue 2 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) RACE, GENDER AND CASTE IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS 1 S.Durgadevi 1 M.A English 1Department of English, 1Sri Balamurugan Arts and Science College, Tamil Nadu, India. Abstract: The article compares race and caste as two forms of inequality and argues that inequality of caste are illuminated in the same way as those of race by a consideration of gender. The nature of gender, race and caste and other influences on the economist situation of individuals and groups. Arundhati Roy’s The God of Small Tings(1997) challenges the categories of race, gender and caste. I will also elaborate and expand on how the different forms of sexual transgression –inappropriate teacher – student relationships, rape, inter-caste relationship and incestuous relationships attempt to undermine and overcome the categories that bind them. At first glance, Disgrace and The God Small of Things appear to have little in common. The authors when they were writing their novels, poignantly presenting transgression of the bodies as a social trope that redefines relationship of power and class. However, I would like to argue that even while Coetzee and Roy present this transgression as the ideological centers of both Disgrace and The God of Small Things they are not permanent solution to resolving the race, gender and caste issues, and while they appear to overcome these differences briefly, the aforementioned categories are only reinforced in the long run. Index Terms - Race, gender and caste. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
The Trauma of Neo-Colonialism in Arundhati Roy’S the God of Small Things and Aravind Adiga’S the White Tiger
THEORY & PRACTICE IN ENGLISH STUDIES, VOL. VI, ISSUE 2, 2013 THE TRAUMA OF NEO-COLONIALISM IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS AND ARAVIND ADIGA’S THE WHITE TIGER Ksenija Švarc INTRODUCTION EVEN though India gained its independence in 1947, it still con- tinues to be ruled by its former colonizers and the new colonial elites more or less indirectly through the influence of multina- tional corporations on the government of India, which has fa- cilitated the implementation of their decisions. Roy deliberately euphemizes this by calling it “creating a good investment cli- mate” (Arundhati 2008, 33), whereas Kwame Nkrumah gives it the title neocolonialism. In other words, neocolonialism is a model of indirect subjugation that has been taking place for over fifty years, but it experienced an upswing only in the 1980’s with the advent of corporate globalization and its domi- nant ideology of neoliberal capitalism. With the installation of neoliberal ideologues like Margaret Thatcher and Ronald Reagan as the heads of the most powerful states, favourable conditions were created for the introduction of the main princi- ples of neoliberal economic reforms, i.e. liberalization of the market, cutting expenditure for social services, deregulation, privatization, and the elimination of the concept of “the public good” or “community” (Martinez and Garcia 2013). This model was implemented throughout the world, and particularly in less developed countries like India, which were impoverished due to the structural crisis of the 1970’s, and thus needed aid in the form of loans to rebuild their devastated economies. Never- theless, loans were given based solely on strict observance and implementation of the requirements of international financial institutions like the IMF and the World Bank, which in those countries effected debts that would never be repaid. -
V.S. Naipaul: from Gadfly to Obsessive
V.S. Naipaul: From Gadfly to Obsessive Mohamed Bakari* All the examples Naipaul gives, all the people he speaks to tend to align themselves under the Islam versus the West opposition he is determined to find everywhere. It is all tiresome and repetitious. Edward W.Said The Man and the Prize : The announcement of the 2001 Nobel Laureate for Literature in October that year elicited the kind of reaction that was predictable, given the reputation and the choice, that of Sir Vidhiadar Surajparasad Naipaul. Of Indian ancestry, V.S. Naipaul is a grandchild of Hindu Brahmins who found their way to the Caribbean island of Trinidad as indentured labourers to escape the grinding poverty of Utterpradesh. Naipaul’s was just one of a stream of families that were encouraged to migrate to the West Indies from the former British colonies of India and Chinese enclaves in Mainland China. Slavery had been abolished in the British Empire in 1832 and the former African slaves were no longer available to the sugarcane plantations and labour had to be sought from somewhere. In their natural ingenuity the British devised the new institution of indentured labour, which was really a new euphemism for a new form of servitude. Whereas the slaves were forcibly repatriated against their will, the new indentured labourers had the carrot of landownership dangled in front of them, to lure them to places they had no idea of. The new immigrants added a new dimension to an already complex racial situation, by adding the Asian layer to the Carib, European and African admixtures created by Alternatives: Turkish Journal of International Relations, Vol.2, No.3&4, Fall&Winter 2003 243 waves of migration. -
The Voice of Subaltern: in the Novel of Aravind Adiga's The
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 8, Issue 10, Oct 2020, 65–68 © Impact Journals THE VOICE OF SUBALTERN: IN THE NOVEL OF ARAVIND ADIGA’S THE WHITE TIGER AND ARUNDHATI ROY’S THE GOD OF SMALL THINGS Nitesh Kumar Mishra Assistant Professor, Nagarjun Umesh Sanskrit college, Tarauni, Darbhanga, Bihar, India Received: 09 Oct 2020 Accepted: 14 Oct 2020 Published: 24 Oct 2020 ABSTRACT In choosing my title, I am inspired by an extraordinary exactly what has taken place after Aravind Adiga’s protagonist in The White Tiger where he explain the situation of subsltern in our society and Arundhati Roy’s voiceless people in The God of Small Things. Essay penned by Gayatri Chakravorty Spivak “Can the Subaltern speak” in the 1990s. What happens if Subaltern starts to speak for their personal or social issues? KEYWORDS: White Tiger, Arunthati Roy, Aravind Adiga INTRODUCTION The twentieth century post colonial and post imperialist societies of South Asia and India saw the rise of a particular group of writers whose interests were mainly focussed on the exposition and representation of the marginalised or the non-elites also known as the subalterns. This narrative strategy was initially inspired by the writings of Marxist. In India, Ranajit Guha who is known for his Marxist approach propounded a working definition of "subaltern": "The word "subaltern".... stands for the meaning as given in the Concise Oxford Dictionary, that is, of inferior rank. It will be used as a name for the general attitude of subordination in South Asian Society whether this is expressed in terms of class, caste, age, gender and office or in any other way.” The two Indians novelist who have won Man Booker Prize are Arundhati Roy and Aravind Adiga. -
Reading Yann Martel's Life of Pi
INTERNATIONAL JOURNAL FOR INNOVATIVE RESEARCH IN MULTIDISCIPLINARY FIELD ISSN: 2455-0620 Volume - 6, Issue - 8, Aug – 2020 Monthly, Peer-Reviewed, Refereed, Indexed Journal with IC Value: 86.87 Impact Factor: 6.719 Received Date: 01/08/2020 Acceptance Date: 18/08/2020 Publication Date: 31/08/2020 A Saga of Human Resilience: Reading Yann Martel’s Life of Pi Ankita Pandey Research Scholar, Department of English and MEL University of Lucknow, Lucknow, Uttar Pradesh, India Email - [email protected] Abstract: Resilience is all about shifting our perceptions, changing our responses, and experiencing real growth. It is well defined by an American author Elizabeth Edwards “Resilience is accepting your new reality, even if it's less good than the one you had before. You can fight it, you can do nothing but scream about what you've lost, or you can accept that and try to put together something that's good”(“Resilience Remembered”, 2010). Resilient people often have a good sense of humour, patience, action-oriented approach, faith, optimism, tolerance of negative effect, adaptability to change etc. Whether an individual or a group of people, we have numerous examples of people who proved themselves and started their lives again after being badly affected by hazardous situations. Literature has promiscuous stories that deal with human resilience and one of them is Yann Martel’s masterpiece Life of Pi that was published in 2001. Life of Pi is a story of an Indian Tamil boy named Piscine Molitor Patel who was later nicknamed as “Pi”. The story of the novel revolves around the life of Pi who faced a shipwreck and had to survive on a lifeboat in the Pacific Ocean with a Bengal Tiger for 227 days. -
World Literature Reading List
WEST BLOOMFIELD HIGH SCHOOL ENGLISH DEPARTMENT Eleventh Grade Honors World Literature Hello! Welcome to Honors World Literature. We get to spend the year exploring how literature and theater evolved over time, all while exploring the universality of the human experience through time and space. I could not be more excited to take this journey with you! Please do not hesitate to email me should you want any help picking out a book or two to read. There is almost nothing I love more than talking about books! Summer Reading Assignment 2020: Please read two books during the summer. Step #1 Read Homegoing by Yaa Gyasi Winner of the PEN/ Hemingway Award Winner of the NBCC's John Leonard Award Shortlisted for the British Book Award - Debut of the Year A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, PopSugar, Minneapolis Star Tribune, BuzzFeed, The Guardian, Financial Times Ghana, eighteenth century: two half-sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem.