Animal Symbolism in Yann Martel's Life of Pi 54
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World Literature Reading List
WEST BLOOMFIELD HIGH SCHOOL ENGLISH DEPARTMENT Eleventh Grade Honors World Literature: Summer Reading Assignment 2019 Please complete the assignment during the summer. Assignment #1 Step A: Read Homegoing by Yaa Gyasi Winner of the PEN/ Hemingway Award Winner of the NBCC's John Leonard Award Shortlisted for the British Book Award - Debut of the Year A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, PopSugar, Minneapolis Star Tribune, BuzzFeed, The Guardian, Financial Times Ghana, eighteenth century: two half-sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. Yaa Gyasi’s extraordinary novel illuminates slavery’s troubled legacy both for those who were taken and those who stayed— and shows how the memory of captivity has been inscribed on the soul of our nation. Assignment #2 Independent reading choice!!! This summer, I want you to choose a book (or more if you’d like to!) to read from which you will both find enjoyment and learn about another part of the world. -
The Laughing Hyena by Guy Belleranti
Name: __________________________________ The Laughing Hyena by Guy Belleranti Have you ever heard an animal laugh? Well, if you haven't, you may want to go to your local zoo and visit the hyena exhibit. These large African mammals are known for their loud, chattering laugh! The laughing hyena is another name for the largest species of hyena, the spotted hyena. While they look kind of like very large dogs they are actually more closely related to cats. However, they aren't exactly cats either. Instead, they're in a family of their own along with their smaller relatives -- the striped and brown hyenas and the insect-eating aardwolfs. Do laughing hyenas really laugh? Their cry does sound a little like laughing, but you wouldn't confuse their voices for human beings. They also make whooping calls, groans, squeals and many other noises to communicate with one another. In fact, spotted hyenas are among Africa's most vocal animals. Spotted hyenas live in groups called clans. Some clans have over 80 members. Each clan marks out a territory and it defends against other clans. Females, who are slightly larger and more aggressive than males, are in charge of the clans. Females are also great moms. They usually give birth to two cubs, and are very protective. They provide milk to their cubs for over a year. Spotted hyenas play an important role as scavengers. They clean up predator's leftovers and even garbage left by humans. With their strong jaws and teeth they can even crush and digest bones. While they are mainly meat eaters, they occasionally eat plants, too. -
Character Breakdown BANZAI a Slick Yet Childish Hyena Who Works For
Character Breakdown BANZAI A slick yet childish hyena who works for Scar. He would be the leader of the group if hyenas weren't so lazy. Look for an outgoing and confident actor who can portray nastiness and gruffness. As Banzai is always featured with Shenzi and Ed, consider auditioning the hyenas in trios. Male or Female, Any Age ED The third member of Scar's trio of lackeys. He has a loud, cackling laugh that is his only form of communication. Ed should be played by an actor who can laugh unabashedly and communicate through physicality and facial expressions rather than words. This role can be played by a boy or girl. Male or Female, Any Age ENSEMBLE The ensemble plays various inhabitants of the Pridelands, such as giraffes, elephants, antelopes, wildebeest, and other creatures you choose to include. This group can have as few or as many performers as your production permits. There are also several moments to showcase individual dancers in "The Lioness Hunt" and "I Just Can't Wait to Be King." HYENAS Scar's army, helping carry out his evil plot to take over the Pridelands. Hyenas are mangy, mindless creatures who sing in "Be Prepared." Male or Female, Any Age LIONESSES The fierce hunters of the Pridelands and featured in "The Lioness Hunt," "The Mourning," and "Shadowland." Female, Any Age MUFASA The strong, honorable, and wise lion who leads the Pridelands. Mufasa should command respect onstage and also show tenderness with his son, Simba. Male, Any Age NALA Grows from a cub to a lioness before she confronts Scar, so cast a more mature actress to play the character beginning in Scene 10, As with older Simba and Young Simba, ensure that this switch in actors performing a single role is clear. -
Challenging Humanism: Human-Animal Relations in Recent Postcolonial Novels
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Borrell, Sally (2009) Challenging humanism: human-animal relations in recent postcolonial novels. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/6520/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
LIFE of PI a Fox 2000 Pictures Presentation
MOVIE REVIEW Afr J Psychiatry 2013;16:219 LIFE OF PI A Fox 2000 Pictures Presentation. A Haishang Films / Gil Netter Production. A Film by Ang Lee Film reviewed by Franco P. Visser From the multi award-winning director With the animals destined for and film maker Ang Lee ( Crouching overseas clients, the Patel family Tiger Hidden Dragon, Brokeback boards a Japanese cargo vessel Mountain, Sense and Sensibility ) bound for Canada where the Patel comes a magical and epic film about family hopes to make a new life for the tragic and extraordinary life of Pi themselves following the loss of the Patel. Pi was given the names ‘Piscine zoo. A heavy storm ensues one night Molitor’ by his respected uncle whom whilst travelling to Canada and the he referred to as Mamaji, a famous ship sinks. Pi and the Bengal tiger Indian swimmer, who named him Richard Parker becomes castaways after the famed art deco swimming at sea with no hope of being pool complex next to the Bois de rescued. A magical and adventurous Boulogne Park in Paris. The Piscine journey starts for both Pi and the Molitor swimming pool was built in tiger, and both need to learn to live the late 1920’s and opened by together on a small lifeboat in the amongst others the famous Johnny middle of the Pacific Ocean. As Weissmuller. This pool was also mentioned earlier, a hyena, a zebra where Louis Réard introduced and and an orang-utan also survived the popularised the bikini. Now sadly sinking ship, although needless to closed and vandalised by graffiti say that confined along with a Bengal artists and the like, the Piscine Molitor tiger on a small wooden lifeboat, the remains a landmark historical former three animals do not survive. -
Reading Yann Martel's Life of Pi
INTERNATIONAL JOURNAL FOR INNOVATIVE RESEARCH IN MULTIDISCIPLINARY FIELD ISSN: 2455-0620 Volume - 6, Issue - 8, Aug – 2020 Monthly, Peer-Reviewed, Refereed, Indexed Journal with IC Value: 86.87 Impact Factor: 6.719 Received Date: 01/08/2020 Acceptance Date: 18/08/2020 Publication Date: 31/08/2020 A Saga of Human Resilience: Reading Yann Martel’s Life of Pi Ankita Pandey Research Scholar, Department of English and MEL University of Lucknow, Lucknow, Uttar Pradesh, India Email - [email protected] Abstract: Resilience is all about shifting our perceptions, changing our responses, and experiencing real growth. It is well defined by an American author Elizabeth Edwards “Resilience is accepting your new reality, even if it's less good than the one you had before. You can fight it, you can do nothing but scream about what you've lost, or you can accept that and try to put together something that's good”(“Resilience Remembered”, 2010). Resilient people often have a good sense of humour, patience, action-oriented approach, faith, optimism, tolerance of negative effect, adaptability to change etc. Whether an individual or a group of people, we have numerous examples of people who proved themselves and started their lives again after being badly affected by hazardous situations. Literature has promiscuous stories that deal with human resilience and one of them is Yann Martel’s masterpiece Life of Pi that was published in 2001. Life of Pi is a story of an Indian Tamil boy named Piscine Molitor Patel who was later nicknamed as “Pi”. The story of the novel revolves around the life of Pi who faced a shipwreck and had to survive on a lifeboat in the Pacific Ocean with a Bengal Tiger for 227 days. -
World Literature Reading List
WEST BLOOMFIELD HIGH SCHOOL ENGLISH DEPARTMENT Eleventh Grade Honors World Literature Hello! Welcome to Honors World Literature. We get to spend the year exploring how literature and theater evolved over time, all while exploring the universality of the human experience through time and space. I could not be more excited to take this journey with you! Please do not hesitate to email me should you want any help picking out a book or two to read. There is almost nothing I love more than talking about books! Summer Reading Assignment 2020: Please read two books during the summer. Step #1 Read Homegoing by Yaa Gyasi Winner of the PEN/ Hemingway Award Winner of the NBCC's John Leonard Award Shortlisted for the British Book Award - Debut of the Year A New York Times Notable Book A Washington Post Notable Book One of the Best Books of the Year: NPR, Time, Oprah.com, Harper’s Bazaar, San Francisco Chronicle, Mother Jones, Esquire, Elle, Paste, Entertainment Weekly, the Skimm, PopSugar, Minneapolis Star Tribune, BuzzFeed, The Guardian, Financial Times Ghana, eighteenth century: two half-sisters are born into different villages, each unaware of the other. One will marry an Englishman and lead a life of comfort in the palatial rooms of the Cape Coast Castle. The other will be captured in a raid on her village, imprisoned in the very same castle, and sold into slavery. Homegoing follows the parallel paths of these sisters and their descendants through eight generations: from the Gold Coast to the plantations of Mississippi, from the American Civil War to Jazz Age Harlem. -
Summer Reading
Summer Reading 2019 !P English Literature Congratulations for enrolling in AP English Literature! This summer we ask that you read of the one novels below for the beginning of the school year. We will be discussing, analyzing, and writing about the novel in the first three weeks of the school year. Choose one of the following novels: Life of Pi The Road The Handmaid’s Tale Extremely Loud & Yann Martel Cormac McCarthy Margaret Atwood Incredibly Close Jonathan Safran Foer As you read this summer, consider the following: Annotate the book! Take notes in the margins and put sticky notes throughout with your thoughts and reactions. You may read this book in June and not have to discuss it until August – you want to have some points to look back on. Take notes! This doesn’t have to be formal, but make it work for you. Things I would suggest you look for include: characters, key scenes that significantly influence the plot, symbols, major metaphors, significant uses of figurative language, and settings. !sk questions! If you don’t understand something, write it down. If you think a scene is strange, odd, or unexplainable, make a note with what you’re thinking. Consider the effect of the setting on the protagonist, and how the effect contributes to the meaning of the work as a whole. Bottom line – Be an active reader! Be prepared to think critically and write analytically about the book on Day One! We look forward to meeting you! AP English IV Teachers Birdville ISD . -
Stpps High School English – Parent Guidance
STPPS HIGH SCHOOL ENGLISH – PARENT GUIDANCE ABOUT LOUISIANA’S ELA GUIDEBOOKS ELA Guidebooks is an English language arts curriculum for core instruction. Made by teachers for teachers, the Guidebook units ensure all students can read, understand, and express their understanding of complex, grade-level texts, ensuring their readiness for college or a career. In the ELA Guidebooks, students: ● explore central questions that connect units in a yearlong pathway; ● examine texts by multiple authors about substantive topics; ● engage in varied opportunities to read, discuss, write, and present; and ● experience integrated instruction and assessment leading to a comprehensive ELA experience. THE STPPS HIGH SCHOOL ENGLISH EXPERIENCE The highly acclaimed texts we explore through our high school English curriculum provide opportunities for students to analyze traditional literature and modern classics in order to examine significant questions. At the high school level, texts of appropriate complexity for college and career readiness inevitably cover topics that are more sophisticated. As one of the aims of education is to help students be ready for life beyond high school, it is essential for students to engage with texts representing authentic issues within society. Additionally, it is important for students to receive an age-appropriate educational experience. Every text is vetted by teachers, district staff, and community members and all high school English teachers receive training and resources connected to the implementation of curriculum. Teachers are prepared with the tools they need to ensure students are both engaged in complex thinking and experiencing age-appropriate content. Finally, we would like to provide all parents and guardians the opportunity to ask questions about our high school English curriculum, teacher training, or instructional process. -
Life of Pi, Historiography, and Psychotherapy
Frausel/1 Rebecca Frausel B.A., English Literature and Psychology Honors Thesis, Spring 2010 Life of Pi, Historiography, and Psychotherapy Thesis Defense: March 31, 2010 Revised: April 3, 2010 Committee Members: Primary Advisor: Karen Jacobs, Associate Professor, Honors Council Representative, Department of English Janice Ho, Assistant Professor, Department of English Secondary Advisor: Mary Klages, Associate Professor, Department of English Mithi Mukherjee, Assistant Professor, Department of History Frausel/2 And better had they ne’er been born, Who read to doubt, or read to scorn. --Sir Walter Scott Maybe God’s silence is an appeal to get beyond factuality. Maybe God’s trick is to call us through the imagination. If you don’t have any imagination, you live a diminished life. The overly reasonable life is a shrunken life. So much alienation in Western cultures is due to an excess of reason. --Yann Martel Frausel/3 Table of Contents Abstract…………………………………………………………………...…………...4 1. Introduction…………………………………………………………………...…….5 2. Hayden White’s “The Historical Text as Literary Artifact”……….………...……..8 3. Narrative Structure: Unspinning the Yarn of Life of Pi….………………..………15 4. Motif #1: Politics………………………………………………………..………...28 5. Motif #2: Anthropomorphism and Zoomorphism…..…………………..…….......32 6. Parallel Stories…...……………………………………………………..…………39 6.1. The Story With Animals and the Story Without Animals………..…………41 6.2. The Narrator and Martel………..…………………………………………...54 7. Conclusion……….……….……………………………………………….………56 Endnotes….…………………..………………………………………………………59 Works Cited.…………………..………………………………………………..……61 Frausel/4 Abstract This thesis explores the relationship between historiography and psychotherapy through an analysis of Yann Martel’s 2001 novel Life of Pi using Hayden White’s essay “The Historical Text as Literary Artifact.” The use of historiography as a psychotherapeutic technique is a fairly recurrent theme in our culture. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more.