Die Nachtstreife Sendung 2: Musikliste

Total Page:16

File Type:pdf, Size:1020Kb

Die Nachtstreife Sendung 2: Musikliste Die Nachtstreife Sendung 2: Musikliste TimeCode TimeCode Musiktitel Komponist Interpret Labelcode Katalognummer Musikverlag Sendedauer In Out Musikwerk The Night Drive Trent Reznor, Trent Reznor, 42693 780163493627 Lakeshore 10:00:00 10:00:14 Atticus Ross Atticus Ross Records 00:00:14 10:00:14 10:00:26 Duct tape Steve Jablonsky Steve Jablonsky 08126 M2-36986 Milan Records 00:00:12 Chopper ambush Steve Jablonsky Steve Jablonsky 08126 M2-36986 Milan Records 10:00:26 10:00:34 00:00:08 10:00:34 10:00:43 Proper motivation Steve Jablonsky Steve Jablonsky 08126 M2-36986 Milan Records 00:00:09 10:00:43 10:01:48 The Mole Hans Zimmer Hans Zimmer 06868 88985461482 Sony Classical 00:01:05 The Night Drive Trent Reznor, Trent Reznor, 42693 780163493627 Lakeshore 10:01:43 10:02:10 Atticus Ross Atticus Ross Records 00:00:27 The Night Drive Trent Reznor, Trent Reznor, 42693 780163493627 Lakeshore 10:02:12 10:02:43 Atticus Ross Atticus Ross Records 00:00:31 Magnetic Trent Reznor, Trent Reznor, 45270 NULL 01 THE NULL 10:02:43 10:03:31 Atticus Ross Atticus Ross CORPORATION 00:00:48 10:03:31 10:03:39 Hostage part 1 Steve Jablonsky Steve Jablonsky 08126 M2-36986 Milan Records 00:00:08 A familiar taste Trent Reznor, Trent Reznor, 45270 NULL 01 THE NULL 10:03:35 10:04:11 Atticus Ross Atticus Ross CORPORATION 00:00:36 Water trail John Gürtler, Jan Paradox Paradox 10:04:12 10:05:23 Miserre, Lars Paradise Paradise Berlin 00:01:11 Voges Lord of the sins Frederic King Frederic King 51025 LAA037 Law & Audio 10:05:19 10:06:42 Avis Avis 00:01:23 10:06:43 10:08:32 Miguel meets his maker Daniel Licht Daniel Licht 08126 699 720-2 Milan Records 00:01:49 Reminescence underscore Carlo Inderhees, Carlo Inderhees, 13808 UBM 2191-35 10:08:36 10:08:51 Sebastian Katzer Sebastian Katzer UBM RECORDS 00:00:15 Escalation Daniel Licht Daniel Licht 08126 399 732-2 Milan Records 10:08:51 10:09:52 00:01:01 That's where we got to John Gürtler, Jan Paradox Paradox 10:09:46 10:10:57 Miserre, Lars Paradise Paradise Berlin 00:01:11 Voges 10:11:07 10:11:44 The lost ticket Daniel Licht Daniel Licht 08126 699 720-2 Milan Records 00:00:37 Die Nachtstreife Sendung 2: Musikliste Pieces form the whole Trent Reznor, Trent Reznor, 45270 NULL 01 THE NULL 10:11:45 10:12:53 Atticus Ross Atticus Ross CORPORATION 00:01:08 See you on the other side Blake Neely Blake Neely 50893 794043189852 WaterTower 10:12:49 10:13:40 Music 00:00:51 Looking too closely GREENALL, Fink 12885 RCPDCD001 Ninja Tune FINIAN PAUL; THORNTON, TIMOTHY 10:13:40 10:15:33 00:01:53 WILLIAM; WHITTAKER, GUY 10:15:33 10:16:15 Tense Clint Mansell Clint Mansell 00286 PRCD 300304 Nonesuch 00:00:42 Field trip Blake Neely Blake Neely 50893 LLLCD 1405 WaterTower 10:16:10 10:17:33 Music 00:01:23 10:17:32 10:18:29 The Mole Hans Zimmer Hans Zimmer 06868 88985461482 Sony Classical 00:00:57 10:18:23 10:20:37 Shivering soldier Hans Zimmer Hans Zimmer 06868 88985461482 Sony Classical 00:02:14 Dark Dave Lynch, Iain Dave Lynch, Iain 57090 RAY009CD Raygun Records 10:20:40 10:22:45 Archer, Luke Archer, Luke 00:02:05 Sital-Singh Sital-Singh Phantoms and friends Jett Pace Old Man Canyon RANDM 040 RandM Records 10:22:52 10:25:08 00:02:16 Behind the bookcase Harry Gregson- Harry Gregson- 06868 G0100039457366 Sony Classical 10:25:11 10:27:51 Williams Williams 00:02:40 The Cleaners John Gürtler, Jan Paradox Paradox 10:27:51 10:29:35 Miserre, Lars Paradise Paradise Berlin 00:01:44 Voges Behind the bookcase Harry Gregson- Harry Gregson- 06868 G0100039457366 Sony Classical 10:29:35 10:30:05 Williams Williams 00:00:30 10:30:05 10:30:53 Finding the bones Chris Harris Chris Harris 29775 4em102-01 4 Elements Music 00:00:48 Storm Hunt Harry Gregson- Harry Gregson- 06868 G0100039457366 Sony Classical 10:30:53 10:32:51 Williams Williams 00:01:58 Top of the tower Harry Gregson- Harry Gregson- 06868 G0100039457366 Sony Classical 10:32:46 10:33:54 Williams Williams 00:01:08 Die Nachtstreife Sendung 2: Musikliste The Night Drive Trent Reznor, Trent Reznor, 42693 780163493627 Lakeshore 10:33:50 10:36:54 Atticus Ross Atticus Ross Records 00:03:04 10:36:55 10:37:49 Warm Shadow Finian Greenall Finian Greenall 57251 B0018148-02 Republic Records 00:00:54 The Night Drive Trent Reznor, Trent Reznor, 42693 780163493627 Lakeshore 10:38:02 10:40:25 Atticus Ross Atticus Ross Records 00:02:23 Jordan finds the room John Debney John Debney 42693 LKS 343252 Lakeshore 10:40:23 10:42:13 Records 00:01:50 Belong LOCKEY, Editors 07800 PIASR1020LPX Play It Again JUSTIN ; LAY, Sam EDWARD OWEN; LEETCH, 10:42:09 10:44:46 00:02:37 RUSSELL; SMITH, THOMAS MICHAEL HENRY .
Recommended publications
  • BBC Four Programme Information
    SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras.
    [Show full text]
  • The Commutation Test and Chris Bacon's Score for Source Code As
    The Commutation Test and Chris Bacon’s Score for Source Code as a Framework for Film Music Pedagogy Aaron Ziegel, Towson University he cinema, whether experienced at the neighborhood multiplex or streamed at home, is arguably the medium through which today’s col- lege-age Americans are most likely to encounter newly composed sym- Tphonic music. Given the ubiquity of the film-viewing experience, students are often eager to learn the tools and methodologies that can equip them to criti- cally assess and more fully comprehend the function of music in movies. The filmSource Code (2011), directed by Duncan Jones and scored by Chris Bacon, provides a particularly effective starting point through which this process can begin.1 This article will discuss the pedagogical potential found in the film’s main titles and the impact of applying a commutation test to this sequence. Although here I address one specific example, the methodology of the commu- tation test is easily adaptable to other circumstances, as the theoretical foun- dation will make clear. While variations on the commutation test are a regular occurrence in many film music classrooms, this essay aims to present an intro- ductory primer that may be of use to instructors interested in an entry point for incorporating film music studies into their teaching. With that in mind, the appendix presents one suggestion for how to create film clips for classroom use. The value of this classroom activity extends beyond providing students with an engaging and memorable learning experience. By situating this analysis I wish to express my gratitude to the many students at Towson University whose feedback and enthusiastic classroom participation, along with suggestions from the anonymous reviewers, helped me to refine the pedagogical approach described in this essay.
    [Show full text]
  • KEVIN MCKEEVER Music Editor FILM CREDITS
    KEVIN MCKEEVER Music Editor FILM CREDITS The Toxic Avenger Ghost in the Shell Director: Macon Blair Director: Rupert Sanders Legendary Entertainment Arad Productions Composers: The Blair Brothers Composer: Clint Mansell Coming 2 America Rings – Temp Director: Craig Brewer Director: F Javier Gutierrez Eddie Murphy Productions Macari/Edelstein Composer: Jermaine Stegall Composer: Matthew Margeson Sonic the Hedgehog (uncredited) xXx: Return of Xander Cage – Temp/Final Director: Jeff Fowler Director: D. J. Caruso Paramount Pictures Hua Hua Media Composer: Junkie XL Composers: Robert Lydecker & Brian Tyler The Rhythm Section (uncredited) Teenage Mutant Ninja Turtles: Out of the Director: Reed Morano Shadows – Final Paramount Pictures Director: Dave Green Composer: Steve Mazzaro Canadian Film or Video Production Tax Credit Program Composer: Steve Jablonsky Like a Boss (uncredited) Director: Miguel Arteta Scouts Guide to The Zombie Apocalypse – Paramount Pictures Temp/Final Composer: Christophe Beck Director: Christopher Landon Broken Road Productions Point Blank – Final Composer: Matthew Margeson Director: Joe Lynch WarParty Film/Netflix Drunk Wedding Composer: Mitch Lee Director: Nick Weiss Weston Pictures Wonder Park (uncredited) Composer: Nathan Matthew David Director: Josh Appelbaum & André Nemec Paramount Animation Project Almanac Composer: Steven Price Director: Dean Israelite Insurge Pictures Bumblebee Director: Travis Knight Allspark Pictures/Paramount Pictures Composer: Dario Marianelli Page 1 of 3 Transformers: Age of Extinction Footloose
    [Show full text]
  • Mark Kermode's Best Films of 2019
    Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year.
    [Show full text]
  • Choreographers Showcase Playbill 2016
    Dance Chicago 2016 5.. Krissie Odegard Geye 10. Nick Pupillo Music Composers- Pro Modern, Beach Blanket CHOREOGRAPHERS’ SHOWCASE 12.3.16 Trifecta Youth Company/Dance and Music Visceral Studio Company Blammo, Empty Set, Twisted Sister, Johann John Schmitz, Founder & Artistic Director, Curation Academy Nick Pupillo, Artistic Director Johannson Production Manager: Michael Clayton Stults JR. Krissie Odegard Geye, Artistic Director Depart (Premiere) Dancers: Meredith Cashman, Jenna Cochran, Stage Manager: Mel Dalivia Humanity Rewritten (Future Stars 11.12.16) Music Composer: Max Richter Denae Eldridge, Kayla Fiore, Tessa Kauppila, Lighting Design: David Goodman and Music Composers: Vaughan Williams, Dancers - Leah Emanuel, Lauren Katchem, Mandy Krebs, Shannon Leahy, Amanda Mudd, Megan Wines Nobou Uematsu Michelle Kies, Samantha Krachtus, Francesca Parker O'Neill, Annie Obereiner, Brynne Reeder, Sound: Andrew Dallas Dancers: Avery Arnold, Arantza Bascaran, Macala Levita, Ally McGuire, Gianna O'Connor, Sasha Olivia Ruby Show runner: Sarah Knoke Bartucci, Sophia Bienko, Kaleigh De la Cruz, Sarah Olevsky, Maggie Sablich, Emma Thesing www.forumdancetheatre.net Eshoo, Grace Fitzpatrick, Delaney Haas, Britt visceraldance.com Hoover, Peyton Lallas, Gabriella Lujan, Keely 15. Gauri Jog Miller, Melina Nestos, Julia Novy, Kyra Phelan, 11. Joey Claeyssen Indian Dance School 1. Megan Rhodes McKenna Rogers, Sabrina Penepacker, Sophie On Broadway Dancers, Senior Company Gauri Jog, Artistic Director All Aflutter (3/21/15) Philbrick, Isabele Schuerman, Emmaline Schuh, Kim Scerine. Artistic Director Kathak Medley Composer: Electro Swing Italia Lauren Slaber, Kendall Sorkin, Megan Sullivan, MOVE YOUR BODY (Dance Slam 11.5.16) (sargam, paran and Thumri) Costume Design: Megan Rhodes Alyssa Yagelski, Sarah Yagelski, Rachel Zlotowicz This work won this year’s Dance Slam http://www.gaurijog.com Dancers: Kaitlin Davis, Sarah Glover, Kelsie Jayne Music: Sia Nashley Mattocks, Taylor Raley, Megan Rhodes 6.
    [Show full text]
  • Concert with Elia Cmiral September 23, 2012
    Concert with Elia Cmiral September 23, 2012 To date, Elia has written nearly forty scores for independent films, TV and major studios Born in Czechoslovakia, Elia Cmiral including STIGMATA, WRONG TURN, attended the Prague Music JOURNEY TO THE END OF THE NIGHT and Conservatory, where he studied the PULSE trilogy. Cmiral’s scores for THE DEATHS OF IAN STONE, produced by Stan composition and double bass. Elia's first Winston and Brian Gilbert, and TOOTH AND scoring opportunity came with his NAIL, were featured in the 2008 After Dark father's production of CYRANO DE Horrorfest. His score for SPLINTER, a cutting- BERGERAC. From this experience he edge horror film directed by Toby Wilkins, discovered his passion for writing for the received the Best Score award at the stage. Screamfest'08 film festival in Los Angeles. Elia then worked with Czech director Juraj Herz Elia Cmiral on a score for the German-produced film By the early 80's, Cmiral had moved to HABERMANN, a WWII drama based on a true Sweden. Throughout his time there, he wrote story, which won the top prize at the 7th “Jewish scores for several European films, TV, and Eye” Film Festival in Ashkelon, Israel. three ballets. In 1989, he moved to the United A Czech composer Elia Cmiral, States to attend USC's Scoring for Motion Elia also composed part of "A Symphony of Pictures and Television program. Soon after Hope," a collaboration of several Hollywood presents a Concert Suite from his graduating from USC, Cmiral scored his first composers, which is to benefit victims of the American feature, APARTMENT ZERO, Haiti earthquake disaster.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • With the London Contemporary Orchestra
    Clint Mansell: Moon (15) with the London Contemporary Orchestra Start time: 7.30pm Running time: 1 hour 50 minutes no interval Please note all timings are approximate and subject to change Brit Seaton discusses the history behind the iconic film and Clint Mansell’s score ahead of the performance. While it may be true that sound can’t be heard in space, the soundtrack to Duncan Jones’s Moon, composed by the inimitable Clint Mansell, resonates with a lucid, unearthly atmosphere. For the first time, the London Contemporary Orchestra perform Mansell’s original score side-by-side with a screening of the cult sci-fi film. This special performance celebrates the 50th anniversary of Apollo 11, the first landing on the moon, as well as ten years since the release of Jones’s acclaimed directorial debut. On the far side of the moon, lone astronaut Sam Bell (actor Sam Rockwell) nears the end of his three-year contract at a lunar base mining Helium-3, a substance aiding the Earth’s diminishing energy resources. His robot assistant Gerty being his only company, Sam longs to return home to his family, until a shocking discovery reveals that getting there might be harder than he thought. Moon is an homage to the classic sci-fi genre with a heartfelt, personal story. Mansell recalls receiving Jones’s script ‘out of the blue’ and being immediately struck by its exploration of celestial isolation and loneliness, and the questions it raises about what it means to be human. ‘I still think it’s one of the best — if not the best script I’ve ever read,’ he says.
    [Show full text]
  • "Elle," Anne Dudley, Composer "Eye in the Sky," Paul Hepker And
    "Elle," Anne Dudley, composer "Eye in the Sky," Paul Hepker and Mark Kilian , composers "Fantastic Beasts and Where to Find Them ," James Newton Howard, composer "Fences," Marcelo Zarvos, composer "Finding Dory," Thomas Newman, composer "The First Monday in May," Ian Hultquist and Sofia Hultquist, composers "Florence Foster Jenkins," Alexandre Desplat, composer "Floyd Norman: An Animated Life," Ryan Shore, composer "The Founder," Carter Burwell, composer "Free State of Jones," Nicholas Britell, composer "Ghostbusters," Theodore Shapiro, composer "The Girl on the Train ," Danny Elfman, composer "Gleason," Dan Romer and Saul Simon MacWilliams, composers "Gold ," Daniel Pemberton, composer "Greater," Stephen Raynor-Endelman, composer "Hacksaw Ridge," Rupert Gregson-Williams, composer "Hail, Caesar!," Carter Burwell, composer "The Handmaiden ," Cho Young-wuk, composer "Hands of Stone," Angelo Milli, composer "Hell or High Water," Nick Cave and Warren Ellis, composers "Hidden Figures," Pharrell Williams and Benjamin Wallfisch, composers "High-Rise," Clint Mansell, composer "How to Be Single," Fi l Eisler, composer "Hunt for the Wi lderpeople," Lukasz Buda and Samuel Scott, composers "The Huntsman: Winter's War," James Newton Howard , composer "Ice Age: Collision Course," John Debney, composer "Independence Day: Resurgence," Thomas Wander and Harald Kloser, composers "Ind ignation," Jay Wadley, composer "The Invitation," Theodore Shapiro, composer "Ithaca ," John Mellencamp, composer "Jack Reacher: Never Go Back," Henry Jackman, composer "Jackie," Mica Levi, composer "Julieta ," Alberto Iglesias, composer "The Jungle Book," John Debney, composer "Keeping Up with the Joneses," Jake Monaco, composer "Kicks," Brian Re itzell, composer "Krisha," Brian McOmber, composer "Kubo and the Two Strings," Dario Marianelli , composer "La La Land ," Justin Hurwitz , composer "Land of Mine," Sune Martin , composer "Landfill Harmonic," Michael A.
    [Show full text]
  • A Sony Pictures Classics Release
    MOON A Sony Pictures Classics Release Directed By Duncan Jones Produced by Stuart Fenegan, Trudie Styler Written By Nathan Parker Starring Sam Rockwell Also Featuring Kevin Spacey as the voice of “Gerty” East Coast Publicity West Coast Publicity Distributor Donna Daniels PR. Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 20 West 22nd St., #1410 Judy Chang Leila Guenancia New York, NY 10010 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax DIRECTOR’S STATEMENT I have always been a fan of science fiction films. In my mind, the golden age of SF cinema was the ‘70s, early ‘80s, when films like Silent Running, Alien, Blade Runner and Outland told human stories in future environments. I’ve always wanted to make a film that felt like it could fit into that canon. There are unquestionably less of those kind of sci-fi films these days. I don’t know why. I have a theory though: I think over the last couple of decades filmmakers have allowed themselves to become a bit embarrassed by SF’s philosophical side. It’s OK to “geek out” at the cool effects and “oooh” and “ahh” at amazing vistas, but we’re never supposed to take it too seriously. We’ve allowed ourselves to be convinced that SF should be frivolous, for teenage boys. We’re told that the old films, the Outlands and Silent Runnings, were too plaintive, too whiney.
    [Show full text]
  • For Immediate Release
    FOR IMMEDIATE RELEASE TRIBECA FILM AND MIRAMAX ANNOUNCE DISTRIBUTION DEAL FOR LAST NIGHT STARRING KEIRA KNIGHTLEY, SAM WORTHINGTON, EVA MENDES AND GUILLAUME CANET *** U.S. Release Planned in Spring for Ensemble Romance (New York and Santa Monica February 2, 2011) - Tribeca Film and Miramax today announced they are teaming up on the U.S. release of Last Night, an intricately layered relationship drama starring Keira Knightley, Sam Worthington, Eva Mendes and Guillaume Canet. Tribeca Film has acquired theatrical, VOD and select digital rights to Last Night and plans to release the film in Spring 2011 theatrically in multiple U.S. markets, including New York and Los Angeles, and also via national VOD outlets and on additional platforms. Miramax has retained distribution rights for home video and television sales and long-term digital rights. Last Night centers on a married couple apart for an evening when the husband takes a business trip with a colleague to whom he’s attracted. While he’s resisting temptation, his wife encounters her past love. Starring the Academy Award®-nominated Knightley (Pride & Prejudice), Worthington (Avatar), Mendes (The Other Guys), Canet (Tell No One) and Griffin Dunne (After Hours), the film is written by Massy Tadjedin, who makes her directorial debut with Last Night. Tadjedin is a screenwriter whose credits include The Jacket, which starred Knightley and Adrien Brody. Clint Mansell (Black Swan) is the film’s composer, and cinematography is by Peter Deming (Mulholland Dr.). “Tribeca Film and Last Night are perfectly matched, and we are excited about the opportunity to bring this film to audiences across the country,” said Jon Patricof, Chief Operating Officer, Tribeca Enterprises.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]