Clarinet Handbook 2008-2009
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David Dzubay
all water has a perfect memory DAVID DZUBAY david Dzubay Disc A 69:46 Disc B 58:29 String Quartet No. 1 “Astral” 1. Double Black Diamond 10:08 common sense COMPOSERS’ COLLECTIVE SPARK 1. Voyage 5:57 Indiana University New Music Ensemble; 2. Starry Night 4:07 David Dzubay, conductor 3. S.E.T.I. 1:50 4. Wintu Dream Song 6:23 Kukulkan II 5. Supernova 3:39 2. Kukulkan’s Ascent (El Castillo March equinox) 2:37 all water has a perfect memory Orion String Quartet 3. Water Run (Profane Well) 3:31 6. all water has a perfect memory 15:12 4. Celestial Determination (El Caracol) 1:56 Voices of Change 5. Processional-Offering (Sacred Well) 4:51 6. Quetzalcoatl’s Sacrifice (The Great Ball Court) 4:13 7. Producing For A While 8:21 7. Kukulkan’s Descent (El Castillo September equinox) 2:13 Voices of Change Indiana University New Music Ensemble 8. Delicious Silence 7:11 Chamber Concerto for Trumpet, Violin & Ensemble Miranda Cuckson, violin 8. Déjà vu (passacaglia sospeso) 13:20 9. Rapprochement (intermezzo) 9:08 9. Lament 9:28 10. Détente(s) (scherzo) 6:31 Barkada Quartet Indiana University New Music Ensemble; 10. Volando 4:27 David Dzubay, conductor Zephyr Simin Ganatra, violin John Rommel, trumpet/flugelhorn/piccolo trumpet 11. Lullaby 3:09 Emily Levin, harp innova 011 © David Dzubay. All Rights Reserved, 2019. innova 024 innova® Recordings is the label of the American Composers Forum. innova.mu pronovamusic.com all water has a perfect memory solo, chamber and ensemble music by David Dzubay Welcome to this survey of some of my music from the narrative-based music remains somewhat abstract and early 21st century! The first disc assembles performanc- personal; the composer and audience may have very es from a variety of chamber ensembles and soloists, different interpretations of the same music because so spanning a period from 2003-2015. -
The Changing Role of the Bass Clarinet: Support for Its Integration Into the Modern Clarinet Studio
UNLV Theses/Dissertations/Professional Papers/Capstones 5-1-2015 The hC anging Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio Jennifer Beth Iles University of Nevada, Las Vegas, [email protected] Follow this and additional works at: http://digitalscholarship.unlv.edu/thesesdissertations Part of the Curriculum and Instruction Commons, Music Commons, and the Performance Studies Commons Repository Citation Iles, Jennifer Beth, "The hC anging Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio" (2015). UNLV Theses/Dissertations/Professional Papers/Capstones. Paper 2367. This Dissertation is brought to you for free and open access by Digital Scholarship@UNLV. It has been accepted for inclusion in UNLV Theses/ Dissertations/Professional Papers/Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE CHANGING ROLE OF THE BASS CLARINET: SUPPORT FOR ITS INTEGRATION INTO THE MODERN CLARINET STUDIO By Jennifer Beth Iles Bachelor of Music Education McNeese State University 2005 Master of Music Performance University of North Texas 2008 A doctoral document submitted in partial fulfillment of the requirements for the Doctor of Musical Arts Department of Music College of Fine Arts The Graduate College University of Nevada Las Vegas May 2015 We recommend the dissertation prepared under our supervision by Jennifer Iles entitled The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Department of Music Marina Sturm, D.M.A., Committee Chair Cheryl Taranto, Ph.D., Committee Member Stephen Caplan, D.M.A., Committee Member Ken Hanlon, D.M.A., Committee Chair Margot Mink Colbert, B.S., Graduate College Representative Kathryn Hausbeck Korgan, Ph.D., Interim Dean of the Graduate College May 2015 ii ABSTRACT The bass clarinet of the twenty-first century has come into its own. -
Teaching the Three T's of Clarinet Playing: Tone, Technique and Tonguing Dr
Teaching The Three T's of Clarinet Playing: Tone, Technique and Tonguing Dr. Gail Lehto Zugger OMEA Professional Development Conference February 1, 2019 This clinic will provide practical tips to improve your clarinet students, focusing on visual and aural cues to diagnose common problems. Basic fundamentals of technique, tone production and articulation will be discussed, giving effective strategies to teach these concepts to beginning, intermediate and advanced clarinetists. Simple exercises to develop good hand and finger position and improve transitions between registers will be demonstrated. Effective equipment options will be included. I. Assembly, Posture and Hold Position: A. Press D key on upper stack while gently twisting together with lower stack so as to not bend the bridge mechanism. B. When adding bell to the lower stack, grip the lower stack where there are no keys, on the bore only. Don’t bend the long metal rods associated with the pinky keys. C. Use cork grease regularly to reduce bending/breaking mechanisms. D. Place ligature on mouthpiece first, then insert reed from above so reed is less likely to become chipped during assembly. Just a shadow of the mouthpiece should be visible at the tip behind the reed. E. Head and neck should be in a natural-looking position while sitting tall. “Bring the instrument to you, not you to the instrument.” F. Clarinet angle to the body of 30-35 degrees. Right elbow should not rest on right thigh. Clarinet neck straps can relieve some weight off the right wrist. II. Tone A. Air—volume, air speed and support all keys to success. -
Backun Alternate Fingerings
Backun Alternate Fingerings Volume 1, Throat Tones Introduction The purpose of this booklet is to maintain our collective curiosity about the myriad ways to be expressive with the clarinet. There have been many books on fingerings printed in the past. Hopefully, there will be many more in the future. However, if you are able to find even one of these fingerings useful, the mission of this booklet will be accomplished. More than anything, we would like to encourage you to use your imagination to further expand on the information given. There are several pages in the back of this booklet with blank fingering diagrams for you to record your own alternate fingerings, or to share with your colleagues. It should also be noted that some fingerings may vary in effectiveness, depending on the brand of instrument and mouthpiece played, and ultimately, on the ability and sensitivity of you, the artist. How to Use This Booklet The highlighted tone holes are those that need to be covered. Please keep in mind that, at times, alternate fingerings will call for semi-closed tone holes. The highlighted keys are the ones that need to be actuated. It is very important to understand that while having alternate fingerings is useful, they are only as useful as one’s level of musicianship and sensitivity enables them to be. This is a guide to encourage critical musical thinking and, as such, it should remind us to think of the clarinet as a tool of expression. About Throat Tone Fingerings Because the throat notes use the shortest amount of the bore to resonate, it is advisable to use resonance fingerings that can elongate the tube to improve the tone, solidify the intonation and smooth the transition to the upper register. -
Van Cott Information Services (Incorporated 1990) Offers Books
Clarinet Catalog 9a Van Cott Information Services, Inc. 02/08/08 presents Member: Clarinet Books, Music, CDs and More! International Clarinet Association This catalog includes clarinet books, CDs, videos, Music Minus One and other play-along CDs, woodwind books, and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores (see Ordering Informa- tion). We also have a full line of flute, saxophone, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping if ordered with another item. Price and availability subject to change. C001. Altissimo Register: A Partial Approach by Paul Drushler. SHALL-u-mo Publications, SB, 30 pages. The au- Table of Contents thor's premise is that the best choices for specific fingerings Clarinet Books ....................................................................... 1 for certain passages can usually be determined with know- Single Reed Books and Videos................................................ 6 ledge of partials. Diagrams and comments on altissimo finger- ings using the fifth partial and above. Clarinet Music ....................................................................... 6 Excerpts and Parts ........................................................ 6 14.95 Master Classes .............................................................. 8 C058. The Art of Clarinet Playing by Keith Stein. Summy- Birchard, PB, 80 pages. A highly regarded introduction to the Methods ........................................................................ 8 technical aspects of clarinet playing. Subjects covered include Music ......................................................................... -
List of David Baker Compositions
List of David Baker Compositions Introductory Notes Although David Baker has written hundreds of arrangements on the compositions of other composers, this list covers only his own compositions. The designation “jazz ensemble” is used for compositions that are strictly jazz compositions. David Baker wrote nearly all of the compositions with this designation for big band and also arranged many of them for a variety of smaller jazz ensembles. ABRAHAM LINCOLN IN INDIANA (2008) Narrator and chamber ensemble (trumpet, alto saxophone/clarinet, tenor saxophone, baritone saxophone, trombone, piano, bass, and drums). Narratorʼs script written by David Baker. Nine movements: I. When Indiana Was the Frontier; II. Clearing Fields and Splitting Rails; III. On the Death of Loved Ones; IV. Boys at Play; V. And He Read Himself to Sleep; VI. Sunday Go to Meetinʼ; VII. Becoming His Own Man;VIII. A Country Boy; IX. Of Times Gone By. Commissioned by the Indiana AbrahamLincoln Bicentennial Commission. ABYSS (1968) Song cycle for soprano and piano. Text by Carole Wright. Four movements: I. Perception; II. Observation; III.Introspection; IV. Penetration. ADUMBRATIO (1971) Jazz ensemble. Also published in anarrangement for jazz nonet (trumpet, alto saxophone, tenor saxophone, trombone, baritone saxophone, guitar, piano, electric bass, and drums) by Three Fifteen West Fifty-Third Street Corp. in their Dave Baker Jazz Rock Series (Charles Colin Publications). THE AEBERSOLD STRUT (1982) Jazz ensemble. AFRO-CUBAN SUITE (1954) Band. One movement. AN AFTER HOURS LAMENT (1990) Jazz ensemble. AL-KI-HOL (1956) Jazz ensemble. ALABAMA LANDSCAPE (1990) Bass-baritone and orchestra. Text by Mari Evans. Commissioned by William Brown. -
Northwestern University Bienen School of Music Fanfare Fall 2018
HENRY AND LEIGH BIENEN SCHOOL OF MUSIC FALL 2018 152461.indd 1 9/17/18 2:54 PM first chair A MESSAGE FROM THE DEAN In spring 2008 Northwestern’s School Fellowships, research prizes, publication awards, major com- of Music was named in honor of retiring missions, teaching honors, and significant grants. Alumni have University president Henry S. Bienen secured positions as performers, administrators, and educa- and his wife, Leigh. We continue to be tors in leading arts and educational institutions throughout profoundly grateful for the privilege of the world. representing the excellence of Henry This past spring, the school achieved a new milestone— Bienen’s leadership. our first-ever Asia tour. From March 23 through April 1, the During the intervening decade, Northwestern University Symphony Orchestra gave concerts in the Bienen School’s many impressive Beijing, Shanghai, and Hong Kong, thrilling Chinese audiences achievements have included the unveiling of a strategic plan, and Northwestern alumni and friends with its professional cal- the establishment of the Institute for New Music as a hub for iber. For the 87 student musicians, the tour was an immensely study and performance of 20th- and 21st-century music, and valuable experience—participants have described it as the inauguration of the Skyline Piano Artists Series and the “life-changing” and “unforgettable”—with incalculable long- Robert M. and Maya L. Tichio Vocal Master Class Series. We term benefits for their professional careers. Throughout the have celebrated the 20th season of our Winter Chamber Music tour, the students were excellent representatives of Festival and the 25th season of the Segovia Classical Guitar Northwestern. -
A Performer's Guide to Multimedia Compositions for Clarinet and Visuals: a Tutorial Focusing on Works by Joel Chabade, Merrill Ellis, William O
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar. Mary Alice Druhan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Druhan, Mary Alice, "A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar." (2003). LSU Major Papers. 36. https://digitalcommons.lsu.edu/gradschool_majorpapers/36 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMER’S GUIDE TO MULTIMEDIA COMPOSITIONS FOR CLARINET AND VISUALS: A TUTORIAL FOCUSING ON WORKS BY JOEL CHADABE, MERRILL ELLIS, WILLIAM O. SMITH, AND REYNOLD WEIDENAAR A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mary Alice Druhan B.M., Louisiana State University, 1993 M.M., University of Cincinnati -
Disserational Final
A CLARINET REPERTOIRE SOFTWARE DATABASE FOR COLLEGE TEACHERS by Adam B. Ballif A Research Paper in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts ARIZONA STATE UNIVERSITY May 2004 ABSTRACT First-year clarinet professors should have a command of the major works in the standard clarinet repertoire. During their undergraduate work they will have studied and performed pieces such as the Mozart Clarinet Concerto, Poulenc Sonata, and Fantasiestücke by Schumann. As they move into graduate school and their techniques become more advanced, however, it is common for clarinetists to focus on twentieth- century works that demand extended techniques. This focus on modern music during final years of schooling leaves little time to study the vast repertoire of works that suit younger students. A gap is thus created between literature with which the new professor is most familiar and that which is most suited to undergraduate clarinet majors. Designed to bridge that gap, this research project results in a CD-ROM database that comprises all literature found in the personal libraries of two leading clarinet pedagogues, Robert Spring of Arizona State University and Howard Klug of Indiana University. The database will also assist new professors in finding unfamiliar works, which will be useful in teaching college students. In utilizing the personal libraries of Spring and Klug, I hoped to access a large percentage of the most current and best-regarded music for the undergraduate clarinetist. I chose the libraries of these two professors due to their unique styles of teaching and their reputations in the clarinet world. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
A Review of Eight University Clarinet Studios: an Investigation of Pedagogical Style, Content and Philosophy Through Observation and Interviews Margaret Iris Dees
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 A Review of Eight University Clarinet Studios: An Investigation of Pedagogical Style, Content and Philosophy Through Observation and Interviews Margaret Iris Dees Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A REVIEW OF EIGHT UNIVERSITY CLARINET STUDIOS: AN INVESTIGATION OF PEDAGOGICAL STYLE, CONTENT AND PHILOSOPHY THROUGH OBSERVATIONS AND INTERVIEWS By Margaret Iris Dees A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2005 Copyright © 2005 Margaret I. Dees All Rights Reserved The members of the Committee approve the treatise of Margaret I. Dees on November 2, 2005. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Carolyn Bridger Outside Committee Member _______________________ Eric Ohlsson Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS This paper is dedicated to Frank Kowalsky. He has been my teacher since 1984, a touchstone throughout my life, and the best editor a reluctant writer could ask for. A special thanks goes to the participating clarinet professors for donating their thoughts and time so freely for this study. I would like to thank Helen Earl for giving me the right books to read and for time in the red chairs; Dan Moseley for his many suggestions, editing expertise, and ability to draw a good bath; Connie Frigo for constant laughter, advice, and panic maintenance; Deborah Bish for shared angst, solutions and inspiration; Jenny Dees for brilliant prose and David Dees for answering his phone. -
John Bruce Yeh
Vol. 48 • No. 1 December 2020 JOHN BRUCE YEH ICA Plays On! Anna Hashimoto Clarinet Works by Black Composers Krzysztof Penderecki’s Clarinet Works TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope this finds you well and staying safe as we continue EDITORIAL BOARD to navigate these truly extraordinary times. I also hope Diane Barger, Heike Fricke, Denise Gainey, that you are finding or creating opportunities to make Jessica Harrie, Rachel Yoder music, whether it be on your own, socially distanced MUSIC REVIEWS EDITOR Iwith others or through a computer screen.