Natalie Pascale Clarinet
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David Dzubay
all water has a perfect memory DAVID DZUBAY david Dzubay Disc A 69:46 Disc B 58:29 String Quartet No. 1 “Astral” 1. Double Black Diamond 10:08 common sense COMPOSERS’ COLLECTIVE SPARK 1. Voyage 5:57 Indiana University New Music Ensemble; 2. Starry Night 4:07 David Dzubay, conductor 3. S.E.T.I. 1:50 4. Wintu Dream Song 6:23 Kukulkan II 5. Supernova 3:39 2. Kukulkan’s Ascent (El Castillo March equinox) 2:37 all water has a perfect memory Orion String Quartet 3. Water Run (Profane Well) 3:31 6. all water has a perfect memory 15:12 4. Celestial Determination (El Caracol) 1:56 Voices of Change 5. Processional-Offering (Sacred Well) 4:51 6. Quetzalcoatl’s Sacrifice (The Great Ball Court) 4:13 7. Producing For A While 8:21 7. Kukulkan’s Descent (El Castillo September equinox) 2:13 Voices of Change Indiana University New Music Ensemble 8. Delicious Silence 7:11 Chamber Concerto for Trumpet, Violin & Ensemble Miranda Cuckson, violin 8. Déjà vu (passacaglia sospeso) 13:20 9. Rapprochement (intermezzo) 9:08 9. Lament 9:28 10. Détente(s) (scherzo) 6:31 Barkada Quartet Indiana University New Music Ensemble; 10. Volando 4:27 David Dzubay, conductor Zephyr Simin Ganatra, violin John Rommel, trumpet/flugelhorn/piccolo trumpet 11. Lullaby 3:09 Emily Levin, harp innova 011 © David Dzubay. All Rights Reserved, 2019. innova 024 innova® Recordings is the label of the American Composers Forum. innova.mu pronovamusic.com all water has a perfect memory solo, chamber and ensemble music by David Dzubay Welcome to this survey of some of my music from the narrative-based music remains somewhat abstract and early 21st century! The first disc assembles performanc- personal; the composer and audience may have very es from a variety of chamber ensembles and soloists, different interpretations of the same music because so spanning a period from 2003-2015. -
The Changing Role of the Bass Clarinet: Support for Its Integration Into the Modern Clarinet Studio
UNLV Theses/Dissertations/Professional Papers/Capstones 5-1-2015 The hC anging Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio Jennifer Beth Iles University of Nevada, Las Vegas, [email protected] Follow this and additional works at: http://digitalscholarship.unlv.edu/thesesdissertations Part of the Curriculum and Instruction Commons, Music Commons, and the Performance Studies Commons Repository Citation Iles, Jennifer Beth, "The hC anging Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio" (2015). UNLV Theses/Dissertations/Professional Papers/Capstones. Paper 2367. This Dissertation is brought to you for free and open access by Digital Scholarship@UNLV. It has been accepted for inclusion in UNLV Theses/ Dissertations/Professional Papers/Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE CHANGING ROLE OF THE BASS CLARINET: SUPPORT FOR ITS INTEGRATION INTO THE MODERN CLARINET STUDIO By Jennifer Beth Iles Bachelor of Music Education McNeese State University 2005 Master of Music Performance University of North Texas 2008 A doctoral document submitted in partial fulfillment of the requirements for the Doctor of Musical Arts Department of Music College of Fine Arts The Graduate College University of Nevada Las Vegas May 2015 We recommend the dissertation prepared under our supervision by Jennifer Iles entitled The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio is approved in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Department of Music Marina Sturm, D.M.A., Committee Chair Cheryl Taranto, Ph.D., Committee Member Stephen Caplan, D.M.A., Committee Member Ken Hanlon, D.M.A., Committee Chair Margot Mink Colbert, B.S., Graduate College Representative Kathryn Hausbeck Korgan, Ph.D., Interim Dean of the Graduate College May 2015 ii ABSTRACT The bass clarinet of the twenty-first century has come into its own. -
Teaching the Three T's of Clarinet Playing: Tone, Technique and Tonguing Dr
Teaching The Three T's of Clarinet Playing: Tone, Technique and Tonguing Dr. Gail Lehto Zugger OMEA Professional Development Conference February 1, 2019 This clinic will provide practical tips to improve your clarinet students, focusing on visual and aural cues to diagnose common problems. Basic fundamentals of technique, tone production and articulation will be discussed, giving effective strategies to teach these concepts to beginning, intermediate and advanced clarinetists. Simple exercises to develop good hand and finger position and improve transitions between registers will be demonstrated. Effective equipment options will be included. I. Assembly, Posture and Hold Position: A. Press D key on upper stack while gently twisting together with lower stack so as to not bend the bridge mechanism. B. When adding bell to the lower stack, grip the lower stack where there are no keys, on the bore only. Don’t bend the long metal rods associated with the pinky keys. C. Use cork grease regularly to reduce bending/breaking mechanisms. D. Place ligature on mouthpiece first, then insert reed from above so reed is less likely to become chipped during assembly. Just a shadow of the mouthpiece should be visible at the tip behind the reed. E. Head and neck should be in a natural-looking position while sitting tall. “Bring the instrument to you, not you to the instrument.” F. Clarinet angle to the body of 30-35 degrees. Right elbow should not rest on right thigh. Clarinet neck straps can relieve some weight off the right wrist. II. Tone A. Air—volume, air speed and support all keys to success. -
Van Cott Information Services (Incorporated 1990) Offers Books
Clarinet Catalog 9a Van Cott Information Services, Inc. 02/08/08 presents Member: Clarinet Books, Music, CDs and More! International Clarinet Association This catalog includes clarinet books, CDs, videos, Music Minus One and other play-along CDs, woodwind books, and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores (see Ordering Informa- tion). We also have a full line of flute, saxophone, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping if ordered with another item. Price and availability subject to change. C001. Altissimo Register: A Partial Approach by Paul Drushler. SHALL-u-mo Publications, SB, 30 pages. The au- Table of Contents thor's premise is that the best choices for specific fingerings Clarinet Books ....................................................................... 1 for certain passages can usually be determined with know- Single Reed Books and Videos................................................ 6 ledge of partials. Diagrams and comments on altissimo finger- ings using the fifth partial and above. Clarinet Music ....................................................................... 6 Excerpts and Parts ........................................................ 6 14.95 Master Classes .............................................................. 8 C058. The Art of Clarinet Playing by Keith Stein. Summy- Birchard, PB, 80 pages. A highly regarded introduction to the Methods ........................................................................ 8 technical aspects of clarinet playing. Subjects covered include Music ......................................................................... -
List of David Baker Compositions
List of David Baker Compositions Introductory Notes Although David Baker has written hundreds of arrangements on the compositions of other composers, this list covers only his own compositions. The designation “jazz ensemble” is used for compositions that are strictly jazz compositions. David Baker wrote nearly all of the compositions with this designation for big band and also arranged many of them for a variety of smaller jazz ensembles. ABRAHAM LINCOLN IN INDIANA (2008) Narrator and chamber ensemble (trumpet, alto saxophone/clarinet, tenor saxophone, baritone saxophone, trombone, piano, bass, and drums). Narratorʼs script written by David Baker. Nine movements: I. When Indiana Was the Frontier; II. Clearing Fields and Splitting Rails; III. On the Death of Loved Ones; IV. Boys at Play; V. And He Read Himself to Sleep; VI. Sunday Go to Meetinʼ; VII. Becoming His Own Man;VIII. A Country Boy; IX. Of Times Gone By. Commissioned by the Indiana AbrahamLincoln Bicentennial Commission. ABYSS (1968) Song cycle for soprano and piano. Text by Carole Wright. Four movements: I. Perception; II. Observation; III.Introspection; IV. Penetration. ADUMBRATIO (1971) Jazz ensemble. Also published in anarrangement for jazz nonet (trumpet, alto saxophone, tenor saxophone, trombone, baritone saxophone, guitar, piano, electric bass, and drums) by Three Fifteen West Fifty-Third Street Corp. in their Dave Baker Jazz Rock Series (Charles Colin Publications). THE AEBERSOLD STRUT (1982) Jazz ensemble. AFRO-CUBAN SUITE (1954) Band. One movement. AN AFTER HOURS LAMENT (1990) Jazz ensemble. AL-KI-HOL (1956) Jazz ensemble. ALABAMA LANDSCAPE (1990) Bass-baritone and orchestra. Text by Mari Evans. Commissioned by William Brown. -
A Performer's Guide to Multimedia Compositions for Clarinet and Visuals: a Tutorial Focusing on Works by Joel Chabade, Merrill Ellis, William O
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2003 A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar. Mary Alice Druhan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Druhan, Mary Alice, "A performer's guide to multimedia compositions for clarinet and visuals: a tutorial focusing on works by Joel Chabade, Merrill Ellis, William O. Smith, and Reynold Weidenaar." (2003). LSU Major Papers. 36. https://digitalcommons.lsu.edu/gradschool_majorpapers/36 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMER’S GUIDE TO MULTIMEDIA COMPOSITIONS FOR CLARINET AND VISUALS: A TUTORIAL FOCUSING ON WORKS BY JOEL CHADABE, MERRILL ELLIS, WILLIAM O. SMITH, AND REYNOLD WEIDENAAR A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Mary Alice Druhan B.M., Louisiana State University, 1993 M.M., University of Cincinnati -
Disserational Final
A CLARINET REPERTOIRE SOFTWARE DATABASE FOR COLLEGE TEACHERS by Adam B. Ballif A Research Paper in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts ARIZONA STATE UNIVERSITY May 2004 ABSTRACT First-year clarinet professors should have a command of the major works in the standard clarinet repertoire. During their undergraduate work they will have studied and performed pieces such as the Mozart Clarinet Concerto, Poulenc Sonata, and Fantasiestücke by Schumann. As they move into graduate school and their techniques become more advanced, however, it is common for clarinetists to focus on twentieth- century works that demand extended techniques. This focus on modern music during final years of schooling leaves little time to study the vast repertoire of works that suit younger students. A gap is thus created between literature with which the new professor is most familiar and that which is most suited to undergraduate clarinet majors. Designed to bridge that gap, this research project results in a CD-ROM database that comprises all literature found in the personal libraries of two leading clarinet pedagogues, Robert Spring of Arizona State University and Howard Klug of Indiana University. The database will also assist new professors in finding unfamiliar works, which will be useful in teaching college students. In utilizing the personal libraries of Spring and Klug, I hoped to access a large percentage of the most current and best-regarded music for the undergraduate clarinetist. I chose the libraries of these two professors due to their unique styles of teaching and their reputations in the clarinet world. -
The Clarinet Choir Music of Russell S
Vol. 47 • No. 2 March 2020 — 2020 ICA HONORARY MEMBERS — Ani Berberian Henri Bok Deborah Chodacki Paula Corley Philippe Cuper Stanley Drucker Larry Guy Francois Houle Seunghee Lee Andrea Levine Robert Spring Charles West Michael Lowenstern Anthony McGill Ricardo Morales Clarissa Osborn Felix Peikli Milan Rericha Jonathan Russell Andrew Simon Greg Tardy Annelien Van Wauwe Michele VonHaugg Steve Williamson Yuan Yuan YaoGuang Zhai Interview with Robert Spring | Rediscovering Ferdinand Rebay Part 3 A Tribute to the Hans Zinner Company | The Clarinet Choir Music of Russell S. Howland Life Without Limits Our superb new series of Chedeville Clarinet mouthpieces are made in the USA to exacting standards from the finest material available. We are excited to now introduce the new ‘Chedeville Umbra’ and ‘Kaspar CB1’ Clarinet Barrels, the first products in our new line of high quality Clarinet Accessories. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] t is once again time for the membership to vote in the EDITORIAL BOARD biennial ICA election of officers. You will find complete Mitchell Estrin, Heike Fricke, Denise Gainey, information about the slate of candidates and voting Jessica Harrie, Rachel Yoder instructions in this issue. As you may know, the ICA MUSIC REVIEWS EDITOR bylaws were amended last summer to add the new position Gregory Barrett I [email protected] of International Vice President to the Executive Board. This position was added in recognition of the ICA initiative to AUDIO REVIEWS EDITOR engage and cultivate more international membership and Kip Franklin [email protected] participation. -
A Review of Eight University Clarinet Studios: an Investigation of Pedagogical Style, Content and Philosophy Through Observation and Interviews Margaret Iris Dees
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 A Review of Eight University Clarinet Studios: An Investigation of Pedagogical Style, Content and Philosophy Through Observation and Interviews Margaret Iris Dees Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A REVIEW OF EIGHT UNIVERSITY CLARINET STUDIOS: AN INVESTIGATION OF PEDAGOGICAL STYLE, CONTENT AND PHILOSOPHY THROUGH OBSERVATIONS AND INTERVIEWS By Margaret Iris Dees A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2005 Copyright © 2005 Margaret I. Dees All Rights Reserved The members of the Committee approve the treatise of Margaret I. Dees on November 2, 2005. ______________________ Frank Kowalsky Professor Directing Treatise ______________________ Carolyn Bridger Outside Committee Member _______________________ Eric Ohlsson Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS This paper is dedicated to Frank Kowalsky. He has been my teacher since 1984, a touchstone throughout my life, and the best editor a reluctant writer could ask for. A special thanks goes to the participating clarinet professors for donating their thoughts and time so freely for this study. I would like to thank Helen Earl for giving me the right books to read and for time in the red chairs; Dan Moseley for his many suggestions, editing expertise, and ability to draw a good bath; Connie Frigo for constant laughter, advice, and panic maintenance; Deborah Bish for shared angst, solutions and inspiration; Jenny Dees for brilliant prose and David Dees for answering his phone. -
Clarinets - the Tools of Expression
May - June 1991 Volume 18 Number 3 qudinv, It. wiliteilli, 4440ita. Site tile 1991 conk. Buffet Clarinets - The Tools of Expression he tools of expression allow the artist to communicate the essence of the creative spirit. As an artist, you require the proper tools to fully express your creative spirit. The artists of Buffet Crampon have understood this since 1825 — which is why to this day their clarinets, hand crafted in the finest French tradition, continue to breathe life into the musical soul. Buffet Elite A and Bb clarinets are created to elevate the art of expression to new splendor. Their unique thin wall construc- tion and state of the art design permit a resonance and response that open new frontiers of creativity for the accomplished soloist. The perfect marriage of French tradition and 20th century technology, the Buffet Elites will enhance your creative spirit in ways you never thought possible. Boosey & Hawkes/Buffet Crampon Inc. 1925 Enterprise Court, Libertyville, Illinois 60048 708. 816. 2500 the claainet Volume 18, Number 3 May - June 1991 Features INDEX OF ADVERTISERS Albert Alphin 22 THE ELECTRONIC TUNER by Robert Listokin 18 Bay-Gale Woodwind Products 4 HOW TO CHOOSE AN ARTIST CLARINET Boosey and Hawkes/Buffet inside front cover by Jack Snavely 22 Clarinet and Saxophone Society of Great Britain 42 THE CLARINET SECTION OF THE UNITED STATES Clark Woodwinds 51 AIR FORCE ACADEMY BAND 24 Rich Corpolongo 33 THE LYONS C CLAR1NET—A REVIEW by Colin Lawson Crystal Records 23 26 Cygnet 34 FESTIVAL DIRECTOR'S MESSAGE by Charles Aurand 28 Dantalian, Inc 5 DEG Products, Inc. -
Clarinet Handbook 2008-2009
University of North Texas College of Music Clarinet Handbook 2008-2009 Table of Contents Table of Contents…………………………………………………………………….iii ADMINISTRATIVE Clarinet Faculty…………………………………………………………………………....2 Syllabus for Applied Clarinet: Criteria for Grading………………………………………4 Productive Practicing: Some Recommendations………………………………………….5 Categories of Practice Material…………………………………………………………....6 Technique Requirements………………………………………………………………….7 MUSIC (Warm-ups & Exercises) Register Slurs…………………………………………………………………………….10 Legato/Tuning Studies……………………………………………………………….......11 Schmidt Chromatic Studies……………………………………………………………....12 Diminished Seventh Arpeggios………………………………………………………….15 Diminished Seventh Arpeggios (combined) …………………………………………….18 Whole Tone Patterns on E and F#.....................................................................................23 Whole Tone Patterns on F and G………………………………………………………..26 Seventh Chord Exercises………………………………………………………………...29 Fourths…………………………………………………………………………………...33 Fourths (combined)…………………………………………………………………..….37 Tritones………………………………………………………………………………….39 ARTICLES Clarinet Articulation: Conceptions, Misconceptions & Solutions by James Gillespie and John Scott……………………………………………………………………….44 Clarinet Fingering: Luck or Logic? By James Gillespie & John Scott…………………48 An Outline of Clarinet Literature by Henry Gulick…………………………………….57 Major Orchestra Clarinet Audition List by Cecil Gold…………………………………60 Reed Information by Tom Ridenour…………………………………………………….62 Quality, Not Quantity by Tom Ridenour………………………………………………..64 -
COVID-19 Policy Adjustments (2020-2021)
August 18, 2020 1 3. Lessons and vocal coachings will be a minimum of COVID-19 Policy Adjustments 50 minutes per week. Consideration should be given to scheduling time for disinfection without reduction in (2020-2021) instructional time. All policies described here are based on information 4. Each student (major and concentration) enrolled in available as of July 2020 and are subject to change as performance or composition study in a private lesson circumstances evolve. The Jacobs School of Music will setting in a fall or spring semester will receive a minimum continue to follow all university, city, county, state, and of fourteen lessons per semester given by the faculty federal guidelines in its decision making specific to the member who is the teacher of record. work of the school. 5. Each student (major and concentration) enrolled in Residence performance or composition study in a private lesson Throughout the bulletin, the terms “residence” or setting in the summer will receive a minimum of eight “residency” shall be defined as being enrolled for credit at lessons given by the faculty member who is the teacher of the Bloomington campus of Indiana University. record. Absences 6. Students enrolled in chamber music will receive six To compare to usual policy, please see "Absences" coachings of at least 60 minutes each with the faculty and "Lesson Attendance" under Regulations and member(s) assigned and will complete an approved Procedures in this bulletin. project or public performance. The student responsibility form requires that students take 7. Students enrolled in vocal coaching in a fall or spring their temperature every morning and that they refrain from semester will meet with the teacher of record a minimum attending face-to-face classes if they have a temperature of seven times if enrolled for one credit hour or a minimum of 100.4 or higher or other symptoms of illness.