The Oxford Democrat: Th· Tiird Tuesday of Au*

Total Page:16

File Type:pdf, Size:1020Kb

The Oxford Democrat: Th· Tiird Tuesday of Au* CONSOLATION OF ONE WHO DISBE- house-work at the same time. You car when I have no of it one in the end of I Pantaloons were worn In prwpect paying ; morning October, juet 1 longer July THE GREAT GERMAN LIEVES. than In Jonc—on»· day longer. do the dusting and make the beds juet eeems like begging, but I shall try and as True's father was getting ready to go Drmocrat " REMEDY " tThfiOvforî» Wkî.ijî' Κοιτοιι on Corns WASHINGTON Gt.ADDKN. the «ame a9 ever, and me once in a think it for th· bent." to tke came, not in her help «hop, May pha·- Ask for WflU' ·· on Corns." l"»c. *· Hough while about the darning and baking, but Yea, Hugh, it must be ao, for I ton, but with John, the coachman, in the Quick, complete, permanent care. Corns, TUKSDA Y. FOR PAIN. In the bitter waves of wi*, KVKKV HWIvvn uid rum warts, bunion#. HI.ISUKL) Beat eu and U>»sed about not an a rule.' And it was just the same know you have done all you could, and large carriage to take them all for the HT the sullen wind· that blow KIIKIMATISM, liy way in vacation, mother would eay I are yfc not of more value than many to her home. What letter in ttie alphabet is the best Froin the desolate shores of doubt, day 1 I;κ«>. II. WATKIN9, Neuralgia, initial for cucumber? Double you. Wheie the anchor* that ftilth ha* cant must store up all the health and strength sparrows?" It wu such a day as sometimes comes nml Sciatica, Lumbago, h.ituor lT,>|.rl<-t.>r. Are to the HAI'KAt'HK, dragging Kale, 1 could, because she wanted me to hi At that moment Mary Ann came into in the autumn, when it seems aim «t Mr. O. A. Miller, Clerk or Circuit Conrt, I am holding la*I M<1 : in tnu in., tooth u π». quietly Westminster, says "I use<l Brown's 'J.< H » i>i»r Yfnr. what name said 1 was—a true the room with the tea, and that the Summer Queen is not but 1 .· " Τ·· the things that cannot fall. just my sitting Bobby dead, Iron Hitters and found it a tonic and SORE good ■ >Mudi<Ni ot «ι· THROAT. 1 know that Is ? ι«^κ·<<·. right tight. she said 1 couldn t be now, with her robes of «i« '««•Uu, A darling—and really called, "Come, supper, right off, sleeping royal appetizer." If «ithia VjDIXHY, SWKU.IMIS, not only m -r iril». |>M That it I» good to lie; i-rau will l.e was a t 41 c: .m of l-«r»etv •PRAIK*. that unless I strong Isn cnz 1 do it, mother. Î made the haze about her. «*.· end of 'fee That love Ν better than darling. helped wrapped This Is the last, hut not the least of η t .1 ti" spite purple B1 It Sor#n*««, Cut· Brunei. «f« «Itl Au.I a than a that an my labors,rem irked a as he I» neighbor opy; odd idea, Ma) ? toast, an' I'm 'most starved. I^ct me Nearly the whole day they spent shoemtk-r, r«M··. KKUKTHITBi. began the construction of a belle's «!··()· «'<»»>'»· ·*· 1 know Ibat passion need* ·· Chicago Ill H**, M ALItM. Rut I should not wonder if it were roll mother's chair out." the hills and trees, shoe. The leash of a sober mind ; help among gathering up " Ami mII Olh»T Nxtlly arfcv* a .»r IVIII··! <·-.··<■< I know that deeds so. True, and 1 am sure mamma must In moment, said Mr. ferns, mosses and leaves and il···· ■Ulll («OllN generous Bobby," nuts, bright X. C. Perry, es«| residing at II mo- Some sure reward shall ·· ■.>'·«■ M.ITICM. FIFTY CENTS λ BOTTLE. linU; have thought so when 1 was sick, be- Darling, and he turned to the window memories for the winter time. ver St.. Boston, Mat*'., says: Kills'» »wfc. 91 Oil That the rulers must brighter b·! *—.M tijr aM I>nimci«t« nivl obey. Spavin ('ore h is curt* two of the worst «r ir»l <· »i. .'S l'MII». Is-»Vr> llmllmu lu II cause I used tu l»e so cross to clear from his face all traces of emo- learned which t That the givers shall increase; sometimes, Moreover, something cased of I ever met." ·«■ >. I l<(iOuatl. they iijiwl-'jall* V ■· -·ί ι**» lailguac**. ,J That duly lights the way that I am sure she never would have ami there sat True as still as a took a load of from their minds. % The Charles A Co. tion, ··» ttk «<>l 11 ► Vogeler anxiety » M For the ttcautinil feet of peace; "lam burning to stand at the heal of «· « % <ùtl (ft A CD > to call me a true or statue. were to start Ι <β In the darkest nlgbtof the year, thought darling, any The mills and factories up as the remarked when he ·· .>» H'·*1 β·!»'·, II» If I Murr, *·«·.. I .ft. A. my class," boy 1 ..ni \ » * When stars have all gone threw his schoolmate'β the « ·. the out. Wind of a for that matter, and True! I did not know in a week ; to Mr. meant exercise» iuto [·*" Γ. ·«. l w darling, "Why, you that, Darling, ι··.·" * -t ····, I 4 Thai courage is belter than fear. Are. ,- *V vnif»·, most 1 was cross were η; .9-1 K**cut time I think here—or have you been sailing of work, and comforts in the , Έ t.uu That fatlh Is letter than doubt. every just plenty «· '·r" Hood'a Is made \ Ami tierce ιΐιοιικίι the fiends may tlKbt, because 1 h as so weak and sick ; and *wav to or the Indies on mag- of which had come to Samparilla of root·, η- iulffllll,·"··1 K/ypt jujr family they sadly »nt <· >0»i>lrr«hlr thonirli the herb·, and barks. It t«ne to th· .. il.· Γ<·ηΙι·'ΐ««ίί And long angel* hide, givu· ut now mamma un- ic ?" feel the need. m «m· wupvlK tlMl I think of it, 1 believe carpel .ι.·, * «o. »·»' I know that truth and right •tomach and make· the weak " «trong. bwid ·· *· Have ttie universe on their derstood about it, because she never tried she and To True it meant that she mr "t lh·- HrVA'at side; No, father," said, looking might again «iv ri«in{ <n by Druggiit·. ·*ΙΙ And that somewhere beyond the stars Ill·' »t Ih* lollow'"* to talk or reason with me about things down into her frank eyes he knew what go to her beloved books when school be- Is a that Is letter than tate. love A boy says in his composition that "on- β(!Ι λ « β ,l»Hpnil*St.,S«· Tori; When the unlocks her bars ! is she did when I was well. 1 I •he knew. K»n. For now cru!d affjrd to have ι. >or». J. H' night suppôt* they ions are the that mike I I Kuitoi. vegetables you the S. M. I shall tee llltn,- at'd I will wait. ·. \·· » > «rl. l'rllcnill couldn't see the true That True with a sickest when do not eat them ·»· Κ things way, night for hours Ann for few weeks until her you your- H Vuk, T. C Κτ«η·. really lay Mary Γ»>» K'*, self." |u Sl«lr s|. a ■> ·'«>.. so of course not be wide out at stars a .. M »Vt rnflll.% ϋ TRUE DARLING S DKBTS. and 1 could good, oj>en eyes, looking the mother grew little stronger. IVi-l I, * Mkit(tn| $1 Otters M» e THE GREAT From Mr. William A On, t'hil*iel|>h», ttue and and with- Toward the close of the Blddefbrd, Maine, ... \ W Wrr person." thinking, thinking, saying afternoon, '· ,, ν S. U. Silr», Brackett writes as follows 1 111.; Ellis's k « O-, Cfcl<'*«CO. True sat in the window ·· means M»··. deep ledge, that is what it in her heart of hearts, "Father in heaven while Mrs. Darling rested in the S[> ivin Cure has cured horse of ft »ne ■ ■». Biitfea, Perhaps, May, carriage my «I H» ΚΙΗΚΚβ with her cheek in her hand and her It is all claim it to be." eyes about the temple of the Holy Ubost. teach me. I do not know the way." among the robes, True came to her with Sprnt*. you .fc« ι·.«Ι«ι·ι1 ·ΙΙ|* ttlarh· 4 That's true. • \»m '· u» [German Remedy. ·»■* * >tue, ·»η·Ι (hu<« «h>d- down the of her is the and that ii she and she dreamed her filled with nuts. .·. ,(iî tu->iiot following eagerly page The body. part temple, By-and-by slept, apron «« ..f Ih·· |>*\ment·. TRUTHS FOR THE SICK. she had turned a When little Edith cried because the su- t lu th« m irt-li^rnl book. when mother thinks that 1 take that as she there in the she her mother are m »r h tu Presently why ought lay starlight "True," said, "you ·· 1* kittens ha»l been her un- MM t" r *|.rr |>tid Ko tbo«« La.liea perfluous drowned, deathly ία delicate a a leaf, with little eager rustle, faint care of so that it will be a fit saw to a river to wan u. jus Spell*, who aro a'.! it, temple. Bobby walking away happy today. feeling papa jocosely remarked that (K ul>l .0 jhca.l.'i, « xftr HtHIHl I on m nirid(BTiniiown.
Recommended publications
  • Auf Wiedersehen Pet: Past and Present
    H-Film Auf Wiedersehen Pet: Past and Present Discussion published by Elif Sendur on Wednesday, November 13, 2019 We are inviting abstracts for a publication on the British television series Auf Wiedersehen Pet to mark the 35th anniversary of its first screening. We are interested in a range of contributions including; academic articles, fan responses, reminiscences, revisiting locations, interviews, etc. Auf Wiedersehen Pet first appeared on the television screens in 1983. Initially conceived as a single six part series it went on to run for 40 episodes over 5 series. The first series followed the plight of British workers forced to look for work overseas as recession hit Britain. The series, in 1986 showed a brighter, affluent Britain, but one which was ultimately corrupt. Voted in a recent Radio Times poll the number one favourite ITV drama over its 50 year history,Auf Wiedersehen, Pet continues to capture the imagination of the viewing public since its first airing in 1983. Over four series and a special, it portrayed the highs and lows of a disparate band of labourers. AufPet, as it became known to the writers, had a prestigious lineage. The series was the brainchild of a northern film-maker, Franc Roddam. It arrived after a long line of impressive cinema films and TV dramas which represented gritty working class life in all its glory and horrors. Such hard-hitting ‘social problem’ dramas as Cathy Come Home, Peter Terson’s The Fishing Party (BBC Play for Today, 1972), Boys From the Black Stuff and Roddam’s own The Family, had already begun to pinpoint the central dramatic component parts of working class representation; jobs (getting them, losing them, suffering over them), damaged relationships, drink, sex and music.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • The Future: the Fall and Rise of the British Film Industry in the 1980S
    THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.
    [Show full text]
  • Nicholas Farrell
    VAT No. 993 055 789 NICHOLAS FARRELL Film Includes: Iron Lady Airey Neave Phyllida Lloyd Pinewood Studios Late Bloomers Francis Julie Gavras The Bureau Amazing Grace Henry Thornton Michael Apted Fourboys Films Driving Lessons Robert Jeremy Brook Driving Lessons Dirty Bomb Minister Roy Battersby Inspired Movies The Third Wave Devlin Anders Nilsson Sonet Film Vast Bait Alfred Nick Renton Monogram Charlotte Grey Mr Jackson Gillian Armstrong Ecosse Films Bloody Sunday Bgdr. P Maclellan Paul Greengrass January Films Pearl Harbour Squadron Leader Michael Bay Big Ship Prods Beautiful People Dr Mouldy Jasmin Dixdar Beautiful People Legionnaires Mackintosh Peter Macdonald Longroad Prods Plunkett & Macleane Pm's Secretary Jake Scott Working Title Hamlet Horatio Kenneth Branagh Fishmonger Twelfth Night Antonio Trevor Nunn 12th Night Prods Othello Montano Oliver Parker Imminent Films In The Bleak Midwinter Tom Newman Kenneth Branagh Midwinter Films Bailey Harry Laurence Moody Union Pictures Playing Away Derek Horace Ove Insight Prods. Berlin Tunnel 21 George Heptner Richard Michaels Cbs/filmways Chariots Of Fire Aubrey Montague Hugh Hudson Enigma Prods Matador Wing Com Franks Eric Balling Nordisk Film Greystoke Belcher Hugh Hudson Hudson Films The Rocking Horse Winner Solicitor Bob Bierman Bierman/randall Lthe Eternal Sea Lieytenant John H Auer Walt Disney Television Includes: Coup General Anson Ed Fraiman Death In Paradise Nicholas Dunham Charlie Palmer Red Planet New Tricks James Winslow Phil John Wall To Wall Tv Bouquet Of Barbed Wire Giles Ashley
    [Show full text]
  • Listeréalisateurs
    A Crossing the bridge : the sound of Istanbul (id.) 7-12 De lʼautre côté (Auf der anderen Seite) 14-14 DANIEL VON AARBURG voir sous VON New York, I love you (id.) 10-14 DOUGLAS AARNIOKOSKI Sibel, mon amour - head-on (Gegen die Wand) 16-16 Highlander : endgame (id.) 14-14 Soul kitchen (id.) 12-14 PAUL AARON MOUSTAPHA AKKAD Maxie 14 Le lion du désert (Lion of the desert) 16 DODO ABASHIDZE FEO ALADAG La légende de la forteresse de Souram Lʼétrangère (Die Fremde) 12-14 (Ambavi Suramis tsikhitsa - Legenda o Suramskoi kreposti) 12 MIGUEL ALBALADEJO SAMIR ABDALLAH Cachorro 16-16 Écrivains des frontières - Un voyage en Palestine(s) 16-16 ALAN ALDA MOSHEN ABDOLVAHAB Les quatre saisons (The four seasons) 16 Mainline (Khoon Bazi) 16-16 Sweet liberty (id.) 10 ERNEST ABDYJAPOROV PHIL ALDEN ROBINSON voir sous ROBINSON Pure coolness - Pure froideur (Boz salkyn) 16-16 ROBERT ALDRICH Saratan (id.) 10-14 Deux filles au tapis (The California Dolls - ... All the marbles) 14 DOMINIQUE ABEL TOMÁS GUTIÉRREZ ALEA voir sous GUTIÉRREZ La fée 7-10 Rumba 7-14 PATRICK ALESSANDRIN 15 août 12-16 TONY ABOYANTZ Banlieue 13 - Ultimatum 14-14 Le gendarme et les gendarmettes 10 Mauvais esprit 12-14 JIM ABRAHAMS DANIEL ALFREDSON Hot shots ! (id.) 10 Millenium 2 - La fille qui rêvait dʼun bidon dʼessence Hot shots ! 2 (Hot shots ! Part deux) 12 et dʼune allumette (Flickan som lekte med elden) 16-16 Le prince de Sicile (Jane Austenʼs mafia ! - Mafia) 12-16 Millenium 3 - La reine dans le palais des courants dʼair (Luftslottet som sprangdes) 16-16 Top secret ! (id.) 12 Y a-t-il quelquʼun pour tuer ma femme ? (Ruthless people) 14 TOMAS ALFREDSON Y a-t-il un pilote dans lʼavion ? (Airplane ! - Flying high) 12 La taupe (Tinker tailor soldier spy) 14-14 FABIENNE ABRAMOVICH JAMES ALGAR Liens de sang 7-14 Fantasia 2000 (id.
    [Show full text]
  • Films in the AMC A
    Films in the AMC "O" (Tim Blake Nelson, 2001, USA, 90 min) “O” (Othello) (2001,J.Hartnett/J. Stiles/M. Phifer; 90 min.) 11'09"01 - September 11 (Ken Loach et al., USA, 2002, 123 min.) 12 Angry Men (Sidney Lumet, 1957, USA, 92 min.) 12 Years a Slave (Steve McQueen, 2013, USA, UK, 134 min.) 2001: A Space Oddisey (Stanley Kubrick, 1968, USA, 141min.) 2012 (Roland Emmerich, 2009, USA, 158 min) 21 Grams (Alejandro González Iñárritu, 2003, USA, 120 min.) 25th hour (Spike Lee, 2002, USA, 129 min. - German Title: 25 Stunden) 32A (Marian Quinn, 2007, IRL, 89 min.) 500 years later (Owen Alik Shahadah, 2005, UK/USA, 106min.) 7 Zwerge Part 1 + 2 (Sven Unterwaldt) 8 Mile (Curtis Hanson, 2002, USA, 106 min.) A brief history of time (Errol Morris, 1991, UK/Japan; USA, 80min.) German Title: Eine A kurze Geschichte der Zeit. Based on the book by Stephen Hawking A Cat in Paris (Felicioli; Gagnol, 62 min.) A Collection of 2005 Academy Award Nominated Short Films (5 Live Action Short Films and 3 Animated Short Films) A Day Without A Mexican (Sergio Arau, 2004, USA, 100min.) A Midsummernight's Dream (Michael Hoffman, 1999, Italy/UK/USA, 115 min.) A Street Cat Named Bob (Spottiswoode, 2016, 99 min.) A Streetcar Named Desire (Elia Kazan, 1951, USA, 120 min.) A Thousand Acres (Jocelyn Moonhouse, 1997, USA, 101min.) (Loosely based on King Lear) A United Kingdom (Asante, 106 min.) A Way of Life (Amma Asante, 2004, UK, 87 min.) About a Boy (Chris Weitz, 2002, GB, 97 min.) About Schmidt (Alexander Payne, 2002, USA, 120 min.) Acadie Liberté (Tim Radford, 1993, Canada/USA,
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1967-10-11
    ail owan Senate Defe ts Serville the University of Iou:a and the People of Iowa City Move To Rescind Eltablisbed in 1868 10 cents a cop v Associated Press Leased Wire and Wirephoto Iowa City, Iowa 5220-Wednesday, October 11, 1967 News Blackout HSP Amendment See Related Stories Pages 3 and' . student·faculty coalition, or community By BETSY BECKER senate, to be chaired by the administra· Jail Matro n Testifies Shrouds Talks The Student Senate Tuesday nigbt de· tion. The SRA coalltion would be similar feated an attempt by backers of tbe "in· to - but stronger than - tbe present dependence" amendment to re clnd the Committee on Student Life. In Auto Strike amendment. Sen. Ken Wessel (HSPl questioned the Conspiracy Trial And it appears that students voting in revelance of the resolution to the refer· DETROIT Lfl.-The United Auto Workers the referendum later this month will be endum. lInion and the strikebound Ford Motor able to choo e between the independence Co. Tuesday night declared a 24·hour amendment, a plan for a faculty·student Student Body Vice Pres. Eric Morris In Mississippi news blackout on their contract talks, a committee proposed by the Students for ruled that the resolution was revelan!. move that trarlitionally heralJs a break Responsible Action (SRA), or neither. The ruling was immediately challenged in deadlocked bargaining. The attempt by some of the supporters and lhe question was opened to debate. Enters 2nd Day The blackout, announced In a joint of the amendment to have the senate's Third Choice Requested stalement on the 34th dav of the slrike vote last week approving it rescinded came Sen.
    [Show full text]
  • Year in Film 2007 by Jim Mcmanus
    The Year in Film 2007 By Jim McManus An abusive customer… he wants his steak really rare… and there's chef Catherine Zeta Jones with a raw piece of meat on a butcher's fork. "YOU WANT IT RARE?!" (she emphasizes by slamming fork and meat on the table.) Cut to therapy… hey look, it's Bob Balaban talking to CZJ about anger issues… cut to the car accident. Niece Abigail Breslin says "bye-bye" (crash)… now unmarried, kidless CZJ has a kid and babysitting issues. The babysitter is a goth freak; boy that's both funny and likely – good thing sitting agencies never screen anybody. CZJ is a world-class chef, but serves Miss Breslin a big fish head on a plate (oh, yeah, that's both funny and likely, too)… cut to Bob: "have you tried 'fish sticks'?". CZJ: "I can't believe I'm paying for this." Right with you, sister. Oh, and somewhere in there, Bob eats CZJ's marvelous cooking (guessing she didn't prepare him a big fish head)… cut to new rival chef Aaron Eckhart… cat-fight hint, and then they work together. CZJ cuts a menu 60/40: "you make those dishes". Eckhart: "your half is bigger". Ah, menu envy (funny and likely!)… cheesy music, some voice-over about relationships… raining outside, Abigail Breslin says "Men!" disgustedly (funny and likely!) It's soooooo cute when precocious preteens are relationship- savvy… final cut to Aaron and CZJ alone with wine and a fireplace – uh oh, they're going to KISS – but as CZJ sleepily leans in, Eckhart points out she's on his sweater.
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit History Recycling Postmoderne Theorien und das Motiv der Zeitreise im US-amerikanischen Film der 1980er Jahre Verfasserin Jill Amanda Meißner Angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, September 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Mag. Thomas Ballhausen Eidesstattliche Erklärung Ich versichere, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Ausführungen sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 01.09.2011 .................................... Jill Meißner Danksagung Danke all jenen, die zum Gelingen dieser Arbeit beigetragen und mit mir geduldig über Zeitreisefilme diskutiert haben! Besonderer Dank gilt an dieser Stelle meinem Betreuer Mag. Thomas Ballhausen, der mir geholfen hat, aus einer vagen Idee eine Diplomarbeit zu formen und mir stets mit Rat und Tat zur Seite stand. Ohne mich zeitlich unter Druck zu setzen, hat er mich darin unterstützt, eine Arbeit zu schreiben, auf die ich stolz sein kann. Danke an Tanja Wittrien und Margrita Hägele, die mir ihre Arbeiten zur Verfügung gestellt haben! Besonders möchte ich mich auch bei meinen Freundinnen Eva, Julia und Jana für das geduldige Korrekturlesen dieser Arbeit bedanken. Danke an meine Kollegen und Freunde Katharina L., Dominik, Elias, Desiree und Katharina Z., die das gleiche durchgemacht und mich stets motiviert haben! Danke an Hanna und Veronika, die sich geduldig meine Probleme angehört haben! Danke an meine Mutter und meine Schwester Janis, die mir immer wieder Mut gemacht und an mich geglaubt haben! Janis hat außerdem eine wunderbare Zeichnung zum Thema dieser Diplomarbeit angefertigt, welche sich vor dem Anhang befindet.
    [Show full text]
  • •Œwriters on Writingâ•Š Collection
    http://oac.cdlib.org/findaid/ark:/13030/c85x2h61 Online items available “Writers on Writing” Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 “Writers on Writing” Collection WGF—IA—003 1 Descriptive Summary Title: “Writers on Writing” Collection Dates: 2001-ongoing Collection Number: WGF—IA—003 Creator/Collector: Writers Guild Foundation Extent: 80 interviews (31 DVDs; 42 CDs; 6 cassettes; 1 digital recording, totaling approximately 110 hours); 7 PDF files Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV5MjL1XL0EHBNLO0RmwJ7et Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: The “Writers on Writing” Collection consists of audiovisual recordings of the “Writers on Writing” symposiums, an interview series the Writers Guild Foundation has hosted since 2001. The series features prominent screenwriters speaking about their careers, writing processes, and topics related to craft and collaboration. Guests have included Judd Apatow, Paul Thomas Anderson, Diablo Cody, Nora Ephron, Lawrence Kasdan, Charlie Kaufman, David Mamet, Nancy Meyers, Christopher Nolan, Alexander Payne, Aaron Sorkin, Steve Zaillian, and others. Select interviews are available to view on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation “Writers on Writing” Collection . Writers Guild Foundation Archive Acquisition Information The series has been produced by the Writers Guild Foundation since 2001 and is part of the institutional archive.
    [Show full text]