Maurice Girodias Collection MS 4054
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Olympia Competitors
Patrick J. Kearney A Checklist of the Paris Competitors of the Olympia Press Scissors & Paste Bibliographies Santa Rosa, CA 2019 Introductory Note The genesis of these notes was a fragmentary 8-page hand- written checklist put together by G. Legman, who gave it to me at some point in the mid-1980s. Legman’s checklist was appar- ently an early draft of an attempted listing of Paris-published English-language erotica produced in the 1950s and ‘60s. It in- cluded many of the titles published by Maurice Girodias, to- gether with one of the six novels he published at Denmark as part of the short-lived Odyssey Library series, and some half dozen erotic novels put out by “Colombia Books – London” which seem to have actually been published at New York by Jake Brussel about 1965. The balance of Legman’s checklist comprises a partial at- tempt to catalogue in short-title form the output of Girodias’ Parisian competitors. Little information is provided concerning paginations, dates or authorship, but addresses are occasionally given together with a few tidbits about imprints and series names. I have attempted to flesh this material out by browsing the on-line catalogues of the British Library (BL) and the Li- brary of Congress (LC), and where possible supplied the press- marks of repository copies. Much further information has been supplied by Jan Moret, a Dutch collector, whose generosity has been overwhelming, and by Steve Gertz, now of McMinnville, Oregon, who has been most helpful with his knowledge of the US paperbacks reprints of many of these novels. -
The Case of Kate O'brien's Mary Lavelle
ariel: a review of international english literature ISSN 0004-1327 Vol. 41 No. 2 Pages 47–74 Copyright © 2011 Literary Criticism and the Recovery of Banned Books: The Case of Kate O’Brien’s Mary Lavelle Brad Kent In discussing a given work and writer, one of the critic’s implicit ob- jectives is to make a case for or against their inclusion in the literary canon. The political nature of this objective is heightened in the case of previously censored books that have remained relatively marginal and is especially emphatic in situations wherein a novel is banned almost im- mediately after its publication. Because of the rapidity of the ban, often the book does not receive an initial readership. As a result, the book in question becomes cloaked in a form of silence, its contents known to a select few who are connected in high cultural circles while the mass public remains largely ignorant of its existence.1 Kate O’Brien’s Mary Lavelle is one such novel. Published in 1936 and banned in Ireland on 29 December of that same year, its Prohibition Order under the Censorship of Publications Act of 1929 was not revoked until 1967, when the passage of amending legislation released all titles that had been banned for a time of twelve years or more.2 It is therefore not surprising to find that much of the critical work undertaken on the novel has been in the post-1970 period, although the establishment of Irish Literature as a serious field of study, the ever-increasing academic publishing industry, and the institutional acceptance of more women and women writers were further contributing factors. -
Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En Ligne], Mis En Ligne Le 18 Septembre 2017, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Édition électronique URL : http://journals.openedition.org/miranda/10470 DOI : 10.4000/miranda.10470 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En ligne], mis en ligne le 18 septembre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10470 ; DOI : https:// doi.org/10.4000/miranda.10470 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Les 60 ans de Lolita Introduction Marie Bouchet, Yannicke Chupin, Agnès Edel-Roy et Julie Loison-Charles Nabokov et la censure Julie Loison-Charles Lolita, le livre « impossible » ? L'histoire de sa publication française (1956-1959) dans les archives Gallimard Agnès Edel-Roy Fallait-il annoter Lolita? Suzanne Fraysse The patterning of obsessive love in Lolita and Possessed Wilson Orozco Publicités, magazines, et autres textes non littéraires dans Lolita : pour une autre poétique intertextuelle Marie Bouchet Solipsizing Martine in Le Roi des Aulnes by Michel Tournier: thematic, stylistic and intertextual similarities with Nabokov's Lolita Marjolein Corjanus Les « Variations Dolores » - 2010-2016 Nouvelles lectures-réécritures de Lolita Yannicke Chupin Staging American Bodies Staging American Bodies – Introduction Nathalie Massip Spectacle Lynching and Textual Responses Wendy Harding Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States Thibaud Danel Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality Hélène Gaillard “It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour Sarah A. -
Maurice Girodias, a French Publisher and an Author, 71 - the New York Times
11/2/2018 Maurice Girodias, A French Publisher And an Author, 71 - The New York Times https://nyti.ms/29jUFlR ARCHIVES | 1990 Maurice Girodias, A French Publisher And an Author, 71 Special to The New York Times JULY 5, 1990 About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems. Please send reports of such problems to [email protected]. Maurice Girodias, a French publisher whose early editions of such books as Vladimir Nabokov's ''Lolita'' and Henry Miller's ''Tropic of Capricorn'' led him into long battles with French censors, died here today at the age of 71, apparently of a heart attack. Mr. Girodias, who was being interviewed on the Jewish Community Radio when he fell ill, also published works by Samuel Beckett, Jean Genet, Lawrence Durrell, J. P. Donleavy, William Burroughs and Georges Bataille, although he was best known for first bringing ''Lolita'' into print. He began his publishing career in the 1930's as a teen-age assistant to his father, Jack Kahane, who first published Henry Miller's ''Tropic of Cancer'' and who formed part of the literary circle flourishing in Paris at the time. After World War II, he founded Olympia Press, but it foundered under the pressure of censors who banned some of its editions as pornographic. In the early 1960's he opened a night club, but this was closed by the police after he presented a show inspired by the Marquis de Sade's ''Philosophy in the Bedroom.'' In 1964, after being banned from publishing for 90 years, Mr. -
The Britsh Library: American Literature in Europe, 1850-1950 [
The Britsh Library: American Literature in Europe, 1850-1950 [https://www.bl.uk/american-literature-in-europe/] Although the British Library is principally the national library of the UK, its collections are also home to a vast collection of works by celebrated American authors. Many of these writers travelled, worked, and published extensively in Europe. One of the most striking currents in transatlantic cultural history during the twentieth century was the migration of several generations of American writers and artists to Europe, their creative odysseys mirroring the parallel deployment of multilateral armies during two world wars. While their nineteenth-century predecessors like Nathaniel Hawthorne, Herman Melville, Mark Twain, and Henry James, retreated to the “Old World” to search for the European roots of the “New”, a second wave of creative talent left the United States to join the vanguard of international Modernism. It was this dynamic group of Americans who became known as the “Lost Generation”, many of whose careers were launched in the inspiring turmoil of inter-war Paris. The following pages trace the careers of some of these influential “transatlantic” authors through the Library’s rich and fascinating holdings of unique literary treasures. From handwritten manuscripts of celebrated works in their early stages, through letters sent across the Atlantic between author and publisher, to rare editions of the final printed books, these pages point towards an ongoing process of transatlantic cultural exchange and controversy. The documents discussed represent only the tip of iceberg: further exploration of the Library's printed books, manuscripts, and Sound Archive, will continue to reveal the rich results of this intercultural exchange as it continues through the second half of the twentieth century to the present day. -
C L O U D S H I L L B O O
C L O U D S H I L L B O O K S 27 BANK STREET • NEW YORK, NY 10014 212-414-4432 • 212-414-4257 FAX • [email protected] HENRY MILLER COLLECTION “I DETEST THE ILLUSTRATIONS” 1. TROPIQUE DU CANCER. Paris: Deux-Rives, 1947. Limited Edition. Unbound signatures in wrappers and a slipcase. One of 750 copies. Translated into French by Paul Rivert, with a Preface by Henri Fluchère. Illustrated with original lithographs by Timar. This edition contains a thirteen-page essay on Miller‟s writing, “Le Lyrisme de Henry Miller” by Henri Fluchère, which does not appear in any American or British edition. While striking and unusual due to colorful illustrations and being issued in an unbound state, Miller‟s reaction to this edition was not favorable. Writing to J. Rives Childs on June 24, 1950, Miller says, “Incidentally, there‟s a deluxe illustrated edition of Cancer I never mention… because I detest the illustrations – by Timar…” Miller appears in a number of them and a line drawing which appears on the title page has his nose drawn as a penis. Wrappers lightly creased at the spine, else a fine copy. 2. TROPIC OF CANCER. New York: Grove Press, 1961. First Grove Press Trade Edition in dust jacket. With an Introduction by Karl Shapiro and a Preface by Anaïs Nin. Ownership signature on the front free endpaper, else a very good copy in a very good jacket. Henry Miller was a leading example of a special kind of writer who is essentially seer and prophet, whose immediate ancestor was Rimbaud, and whose leading exponent was D.H. -
City Lights Books Records, 1953-1970
http://oac.cdlib.org/findaid/ark:/13030/kt5489q50w Online items available Finding Aid to City Lights Books Records, 1953-1970 Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid to City Lights Books BANC MSS 72/107 c 1 Records, 1953-1970 Finding Aid to City Lights Books Records, 1953-1970 Collection number: BANC MSS 72/107 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: City Lights Books records Date (inclusive): 1953-1970 Collection Number: BANC MSS 72/107 c Creator: City Lights Books Extent: 15 boxes, 4 cartons, 1 oversize box, 1 portfolio, and 4 oversize folders(circa 13 linear feet)7 digital objects (9 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Consists of correspondence, editorial and administrative files. Correspondents include Allen Ginsberg, Gregory Corso, William S. -
Beach Beneath the Street
THE BEACH BENEATH THE STREET THE BEACH BENEATH THE STREET THE EVERDAY LIFE AND GLORIOUS TIMES OF THE SITUATIONIST INTERNATIONAL MCKENZIE WARK London • New York This edition fi rst published by Verso 2011 © McKenzie Wark 2011 All rights reserved The moral rights of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG US: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-720-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Cochin by MJ Gavan, Truro, Cornwall Printed in the US by Maple Vail Contents Acknowledgments vii Introduction: Leaving the Twenty-First Century 1 1 Street Ethnography 7 2 No More Temples of the Sun 19 3 The Torrent of History 33 4 Extreme Aesthetics 45 5 A Provisional Micro-Society 61 6 Permanent Play 75 7 Tin Can Philosophy 83 8 The Thing of Things 93 9 Divided We Stand 109 10 An Athlete of Duration 125 11 New Babylon 135 12 The Beach Beneath the Street 147 Notes 161 Index 191 “Monsters of all lands unite!” Michèle Bernstein In memory of: Helen Mu Sung Andrew Charker Stephen Cummins John Deeble Colin Hood Shelly Cox in girum imus nocte et consumimur igni Acknowledgements My only qualifi cation for writing this book is some time spent in a certain militant organization, then in a bohemian periphery, and sub- sequently in avant-garde formations that met at the nexus of media, theory and action. -
Henry Miller: an Informal Biography 1924-1960 Esta Lou Riley Fort Hays State University
Fort Hays State University FHSU Scholars Repository Fort Hays Studies Series 1961 Henry Miller: An Informal Biography 1924-1960 Esta Lou Riley Fort Hays State University Follow this and additional works at: https://scholars.fhsu.edu/fort_hays_studies_series Recommended Citation Riley, Esta Lou, "Henry Miller: An Informal Biography 1924-1960" (1961). Fort Hays Studies Series. 32. https://scholars.fhsu.edu/fort_hays_studies_series/32 This Book is brought to you for free and open access by FHSU Scholars Repository. It has been accepted for inclusion in Fort Hays Studies Series by an authorized administrator of FHSU Scholars Repository. The Fort Hays Studies-New Series· is published quarterly by Fort Hays Kansas State College, Hays, Kansas. Application for entry as second-class matter has been made. Esta Lou Riley Henry Miller: An Informal Bibliography 1924-1960 fort hays studies-new series bibliography series no. 1' june 1961 Fort Hays Kansas State College Hays, Kansas Fort Hays Studies Committee WELTY, RAYMOND L. PAULK. FRIESNER, chairman STOUT,ROBERTA MARPLE, ROBERT SPANGLER, ROBERT J. WALKER, M. V. Copyright 1961 by Fort Haya Kama, State College Library of Congreu Card Catalog no. 61-62651 ii RILEY, ESTELLA LOU ELSIE (Esta Lou Riley) Biographical Sketch of the Author Miss Riley was born June 19, 1927 in Dodge City, Kansas. She graduated from Dodge City Senior High School in 1945 and from Dodge City College in 1947. She received her A. B. degree, with a major in history, from Fort Hays Kansas State College in May, 1960. Miss Riley is now attending the School of Librarianship at the Uni- versity of Denver, and in September, 1961, will join the staff of Forsyth Library, Fort Hays Kansas State College. -
Forbidden Book Pdf
Forbidden book pdf Continue Wikipedia article list It was suggested that lists of banned books be merged into this article. (Discuss) Proposed from June 2020. Main article: Book of Censorship This article is about books banned by governments. For books prohibited by other groups, see the display of previously prohibited books in the American Library prohibited books or other printed works, such as essays or plays that are prohibited by law or to which free access is not permitted by other means. The practice of banning books is a form of censorship, from political, legal, religious, moral or (less often) commercial motives. This article lists notable banned books and works, giving a brief context because each book has been banned. Prohibited books include fictional works such as novels, poems and plays and non-fiction works such as biographies and dictionaries. Since there are many banned books, some publishers seek to publish these books. The most famous examples are the Paris Obelisk Press, which published Henry Miller's sexually explicit novel Tropic of Cancer, and Olympia Press, which published William Burroughs's Naked Lunch. Both men, father Jack Kahane and son Maurice Girodias, who specialised in English-language books, were banned at the time in the Uk and the United States. Ruedo Iberico, also based in Paris, specialized in books banned in Spain during the dictatorship of Francisco Franco. Russian literature, banned in Soviet times, was published outside Russia. In many territories, distribution, promotion or some translations of the Bible have historically been prohibited or prohibited. See the Censorship of the Bible. -
Earl Kemp: E*I* Vol. 4 No. 5
Me and Maurice A homage to Maurice Girodias Edited by Earl Kemp This is an eBook Edited and published by Earl Kemp P.O. Box 6642 Kingman, AZ 86402-6642 [email protected] Produced and distributed by Bill Burns FTL Design/eFanzines.com This is for the two women who did more to make of Maurice Girodias much more than he could ever have made of himself Muffie Wainhouse (Paris) Uta West (New York) I showed Maurice [Girodias] a book I had brought with me. For those who remember, [President Johnson]… had appointed a four-star commission to investigate pornography. Finding it not difficult to find fact to support the obvious, they concluded…that sexually explicit material was at best—like all art—a divine intrusion into human affairs and at worst innocuous clichés and kitsch, solitary masturbation being its predominant effect. Nixon, of curse, denounced…[Johnson’s] commission. But since, by law, the text of U.S. government printed mater is uncopyrightable, an enterprising soul had made a lavish full-color Illustrated Presidential Report of the Commission on Obscenity andPornography (1970). It was published by Greenleaf Classics, Inc. of San Diego, Maurice’s sworn enemy. Photos of sperm squirting on faces? Yes. Sucking? Yes. Fucking? Yes. Hetero and homo? Yes. Groups? Yes. S&M, B&D? Yes. Whips and chains? Yes. Animals? Yes. Children? Yes. Etc.? Yes. Yes. Yes. Yes. Even underground cartoon strips salaciously ridiculing authority. The mind boggled. All the juice that-is-the-case was there ornamenting a dry summary written by civil servants, academics, clergymen, and judges. -
Read Chapter 1 of the CANDY Men Here
Part I BEYOND THE BEAT She dreamed that she and her father were together in a great wide field of wild flowers on a beautiful summery day. He was reciting poems of Mallarmé, but it was as if he himself had written them; and Candy was much younger, and she ran about the fields picking flowers, and though she would some- times be at quite a distance from her father, she could hear every line he spoke. He spoke the lines perfectly, with exactly the right intonation and feel- ing for each word. Sometimes when he finished a poem, he would say: “That wasn’t a bad poem. Now here’s another — this is one I wrote for you, sweet- heart; it came to me in a flash — in a terrible, beauti- ful flash just as I was releasing the sweet powerful seed from my testis that made you!” — Candy Chapter 1 Paris: 1947–1953 erry Southern and Mason Hoffenberg met in Paris in 1948. TBoth had come on the GI Bill and were — ostensibly — studying at the Sorbonne. Exchanging glances at the Café Royal on St. Germain, they must have immediately recognized each other as kindred spirits. They were an odd pair. Mason’s Peter Lorre–like, hunched, bug-eyed demeanor (very New York) was in sharp con- trast to Terry’s Presbyterian, Texas-bred, hawklike features and reserved manner. At times they were like a comedy team — enter- taining each other and those around them. They shared a similar extreme distaste for the clichéd or hack- neyed — the two of them could be very dismissive — and very funny.