City Lights Books Records, 1953-1970
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The Quest Motif in Snyder's the Back Country
LUCI MARÍA COLLIN LA VALLÉ* ? . • THE QUEST MOTIF IN SNYDER'S THE BACK COUNTRY Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentração em Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federal ' do Paraná, para a obtenção do grau de Mestre em Letras. Orientador: Profa. Dra. Sigrid Rénaux CURITIBA 1994 f. ] there are some things we have lost, and we should try perhaps to regain them, because I am not sure that in the kind of world in which we are living and with the kind of scientific thinking we are bound to follow, we can regain these things exactly as if they had never been lost; but we can try to become aware of their existence and their importance. C. Lévi-Strauss ii ACKNOWLEDGMENTS First of all, I would like to acknowledge my American friends Eleanor and Karl Wettlaufer who encouraged my research sending me several books not available here. I am extremely grateful to my sister Mareia, who patiently arranged all the print-outs from the first version to the completion of this work. Thanks are also due to CAPES, for the scholarship which facilitated the development of my studies. Finally, acknowledgment is also given to Dr. Sigrid Rénaux, for her generous commentaries and hëlpful suggestions supervising my research. iii CONTENTS ABSTRACT vi RESUMO vi i OUTLINE OF SNYDER'S LIFE viii 1 INTRODUCTION 01 1.1 Critical Review 04 1.2 Cultural Influences on Snyder's Poetry 12 1.2.1 The Counter cultural Ethos 13 1.2.2 American Writers 20 1.2.3 The Amerindian Tradi tion 33 1.2.4 Oriental Cultures 38 1.3 Conclusion 45 2 INTO THE BACK COUNTRY 56 2.1 Far West 58 2.2 Far East 73 2 .3 Kail 84 2.4 Back 96 3 THE QUEST MOTIF IN THE BACK COUNTRY 110 3.1 The Mythical Approach 110 3.1.1 Literature and Myth 110 3 .1. -
Walt Whitman: a Current Bibliography
Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr Walt Whitman: A Current Bibliography Ed Folsom Volume 28, Number 1 ( 2010) pps. 79-86 DOUBLE ISSUE Stable URL: http://ir.uiowa.edu/wwqr/vol28/iss1/10 ISSN 0737-0679 Copyright c 2010 by The University of Iowa. Walt Whitman: a Current BiBliography Banion, Kimberly Winschel. “‘these terrible 30 or 40 hours’: Washington at the Battle of Brooklyn in Whitman’s ‘the Sleepers’ and ‘Brooklyniana’ manuscripts.” Walt Whitman Quarterly Review 27 (Spring 2010), 193-212. [examines Whitman’s portrayals of george Washington in the context of other antebellum portrayals of the general and first president and argues that “what stands apart” in Whitman’s writings is “his recurring focus on Washington’s defeat at the Battle of Brooklyn and other scenes of loss as the defining moments of the future president’s and the fledgling nation’s legacy”; examines Whitman’s unpublished “Brooklyniana” manuscripts as they relate to his developing conception of Washington and as they illuminate the well-known passage in “the Sleepers” of Washington saying farewell to his troops, a scene that captures “the national narrative of defeat and eventual victory that is always tinged with a sense of loss.”] Benfey, Christopher. “the real Critter.” New York Review of Books 57 (June 24, 2010). [review of C. K. Williams, On Whitman; William C. Spenge- mann, Three American Poets: Walt Whitman, Emily Dickinson, and Herman Melville; Walt Whitman, Song of Myself and Other Poems, ed. robert hass.] Bergman, David, ed. Gay American Autobiography: Writings from Whitman to Sedaris. madison: university of Wisconsin press, 2009. -
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (Guest Post)*
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (guest post)* Allen Ginsberg, c. 1959 The Poem That Changed America It is hard nowadays to imagine a poem having the sort of impact that Allen Ginsberg’s “Howl” had after its publication in 1956. It was a seismic event on the landscape of Western culture, shaping the counterculture and influencing artists for generations to come. Even now, more than 60 years later, its opening line is perhaps the most recognizable in American literature: “I saw the best minds of my generation destroyed by madness…” Certainly, in the 20h century, only T.S. Eliot’s “The Waste Land” can rival Ginsberg’s masterpiece in terms of literary significance, and even then, it is less frequently imitated. If imitation is the highest form of flattery, then Allen Ginsberg must be the most revered writer since Hemingway. He was certainly the most recognizable poet on the planet until his death in 1997. His bushy black beard and shining bald head were frequently seen at protests, on posters, in newspapers, and on television, as he told anyone who would listen his views on poetry and politics. Alongside Jack Kerouac’s 1957 novel, “On the Road,” “Howl” helped launch the Beat Generation into the public consciousness. It was the first major post-WWII cultural movement in the United States and it later spawned the hippies of the 1960s, and influenced everyone from Bob Dylan to John Lennon. Later, Ginsberg and his Beat friends remained an influence on the punk and grunge movements, along with most other musical genres. -
Kenneth Patchen Papers
http://oac.cdlib.org/findaid/ark:/13030/kt3r29q25b No online items Guide to the Kenneth Patchen Papers Processed by UCSC OAC Unit. The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2004 The Regents of the University of California. All rights reserved. Guide to the Kenneth Patchen MS 160 1 Papers Guide to the Kenneth Patchen Papers Collection number: MS 160 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: 2004 Encoded by: UCSC OAC Unit © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Kenneth Patchen papers, Date (bulk): 1929-1989, (bulk 1929-1972) Collection number: MS 160 Creator: Patchen, Kenneth Extent: 35 linear feet and 151 painted poems Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains biographical material, correspondence, manuscripts, bound first editions, rare silkscreen and painted book editions, painted poems, works of art including illustrations, paintings, papier-mâché sculptures and decorated furniture, scrapbooks, photographs, slides, recordings, musical scores, and clippings documenting the creative work and literary spirit of Kenneth Patchen, as well as personal triumphs and struggles shared with his wife Miriam Patchen. Physical location: Stored in Special Collections & Archives: Advance notice is required for access to the papers. Language: English. Access Collection is open for research. Access to Series 6: Painted Poems is restricted due to physical condition. -
Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies At
Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies at 101 An unapologetic proponent of “poetry as insurgent art,” he was also a publisher and the owner of the celebrated San Francisco bookstore City Lights. By Jesse McKinley Feb. 23, 2021 Lawrence Ferlinghetti, a poet, publisher and political iconoclast who inspired and nurtured generations of San Francisco artists and writers from City Lights, his famed bookstore, died on Monday at his home in San Francisco. He was 101. The cause was interstitial lung disease, his daughter, Julie Sasser, said. The spiritual godfather of the Beat movement, Mr. Ferlinghetti made his home base in the modest independent book haven now formally known as City Lights Booksellers & Publishers. A self-described “literary meeting place” founded in 1953 and located on the border of the city’s sometimes swank, sometimes seedy North Beach neighborhood, City Lights, on Columbus Avenue, soon became as much a part of the San Francisco scene as the Golden Gate Bridge or Fisherman’s Wharf. (The city’s board of supervisors designated it a historic landmark in 2001.) While older and not a practitioner of their freewheeling personal style, Mr. Ferlinghetti befriended, published and championed many of the major Beat poets, among them Allen Ginsberg, Gregory Corso and Michael McClure, who died in May. His connection to their work was exemplified — and cemented — in 1956 with his publication of Ginsberg’s most famous poem, the ribald and revolutionary “Howl,” an act that led to Mr. Ferlinghetti’s arrest on charges of “willfully and lewdly” printing “indecent writings.” In a significant First Amendment decision, he was acquitted, and “Howl” became one of the 20th century’s best-known poems. -
The Meditations of Marcus Aurelius Antoninus
The meditations of Marcus Aurelius Antoninus Originally translated by Meric Casaubon About this edition Marcus Aurelius Antoninus Augustus was Emperor of Rome from 161 to his death, the last of the “Five Good Emperors.” He was nephew, son-in-law, and adoptive son of Antonius Pius. Marcus Aurelius was one of the most important Stoic philosophers, cited by H.P. Blavatsky amongst famous classic sages and writers such as Plato, Eu- ripides, Socrates, Aristophanes, Pindar, Plutarch, Isocrates, Diodorus, Cicero, and Epictetus.1 This edition was originally translated out of the Greek by Meric Casaubon in 1634 as “The Golden Book of Marcus Aurelius,” with an Introduction by W.H.D. Rouse. It was subsequently edited by Ernest Rhys. London: J.M. Dent & Co; New York: E.P. Dutton & Co, 1906; Everyman’s Library. 1 Cf. Blavatsky Collected Writings, (THE ORIGIN OF THE MYSTERIES) XIV p. 257 Marcus Aurelius' Meditations - tr. Casaubon v. 8.16, uploaded to www.philaletheians.co.uk, 14 July 2013 Page 1 of 128 LIVING THE LIFE SERIES MEDITATIONS OF MARCUS AURELIUS Chief English translations of Marcus Aurelius Meric Casaubon, 1634; Jeremy Collier, 1701; James Thomson, 1747; R. Graves, 1792; H. McCormac, 1844; George Long, 1862; G.H. Rendall, 1898; and J. Jackson, 1906. Renan’s “Marc-Aurèle” — in his “History of the Origins of Christianity,” which ap- peared in 1882 — is the most vital and original book to be had relating to the time of Marcus Aurelius. Pater’s “Marius the Epicurean” forms another outside commentary, which is of service in the imaginative attempt to create again the period.2 Contents Introduction 3 THE FIRST BOOK 12 THE SECOND BOOK 19 THE THIRD BOOK 23 THE FOURTH BOOK 29 THE FIFTH BOOK 38 THE SIXTH BOOK 47 THE SEVENTH BOOK 57 THE EIGHTH BOOK 67 THE NINTH BOOK 77 THE TENTH BOOK 86 THE ELEVENTH BOOK 96 THE TWELFTH BOOK 104 Appendix 110 Notes 122 Glossary 123 A parting thought 128 2 [Brought forward from p. -
The 1957 Howl Obscenity Trial and Sexual Liberation
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: DECEMBER 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AGEE, James. The Morning Watch. 8vo, original printed wrappers. Roma: Botteghe Oscure VI, 1950. First (separate) edition of Agee’s autobiographical first novel, printed for private circulation in its entirety. One of an unrecorded number of offprints from Marguerite Caetani’s distinguished literary journal Botteghe Oscure. Presentation copy, inscribed on the front free endpaper: “to Bob Edwards / with warm good wishes / Jim Agee”. The novel was not published until 1951 when Houghton Mifflin brought it out in the United States. A story of adolescent crisis, based on Agee’s experience at the small Episcopal preparatory school in the mountains of Tennessee called St. Andrew’s, one of whose teachers, Father Flye, became Agee’s life-long friend. Wrappers dust-soiled, small area of discoloration on front free-endpaper, otherwise a very good copy, without the glassine dust jacket. Books inscribed by Agee are rare. $2,500.00 2. [ART] BUTLER, Eugenia, et al. The Book of Lies Project. Volumes I, II & III. Quartos, three original portfolios of 81 works of art, (created out of incised & collaged lead, oil paint on vellum, original pencil drawings, a photograph on platinum paper, polaroid photographs, cyanotypes, ashes of love letters, hand- embroidery, and holograph and mechanically reproduced images and texts), with interleaved translucent sheets noting the artist, loose as issued, inserted in a paper chemise and cardboard folder, or in an individual folder and laid into a clamshell box, accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press. -
Artaud in Performance: Dissident Surrealism and the Postwar American Avantgarde
Artaud in performance: dissident surrealism and the postwar American avant-garde Article (Published Version) Pawlik, Joanna (2010) Artaud in performance: dissident surrealism and the postwar American avant-garde. Papers of Surrealism (8). pp. 1-25. ISSN 1750-1954 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/56081/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk © Joanna Pawlik, 2010 Artaud in performance: dissident surrealism and the postwar American literary avant-garde Joanna Pawlik Abstract This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance. -
Poetry Planetariat No 5. PDF File
Poetry Planetariat IssueIssue 5, 2, Summer Fall 2019 2020 IstanbulIstanbul / / Medellin Medellin D. Payne PoetsPoets of ofthe the World World UniteUnite Against Against Injustice Injustice Copyright 2020 World Poetry Movement Publisher: World Poetry Movement www.wpm2011.org [email protected] Editor: Ataol Behramoğlu [email protected]/[email protected] Associate Editor: Pelin Batu [email protected] Editorial Board: Mohammed Al-Nabhan (Kuwait), Ayo Ayoola-Amalae (Nigeria), Francis Combes (France), Jack Hirschman (USA), Jidi Majia (China), Fernando Rendón (Colombia), Rati Saxena (India), Keshab Sigdel (Nepal) Paintings by Emmanuel Adekeye/Dorothy Payne Layout by Gülizar Ç. Çetinkaya [email protected] Adress: Tekin Publishing House Ankara Cad.Konak Han, No:15 Cağaloğlu-İstanbul/Turkey Tel:+(0212)527 69 69 Faks:+(0212)511 11 12 www.tekinyayinevi.com e-mail:[email protected] ISSN XXXXX Poetry Planetariat is published four times a year in Istanbul by the World Poetry Movement in cooperation with Ataol Behramoğlu-Pelin Batu and Tekin Publishing House CONTENTS WE NEED TO BREATHE/ATAOL BEHRAMOĞLU A LETTER TO MAYOR LONDON BREED AND SAN FRANCISCO BOARD OF SUPERVISORS(SARAH MENEFEE/ JACK HIRSCHMAN/ MARIA CRISTINA GUTIERREZ/ JESSICA G. AGUALLO-HURTADO) AN INTRODUCTION TO THE POETRY OF THE AFRICAN-AMERICAN POETS/JACK HIRSCHMAN I CAN’T BREATHE- MAKING HUMANITYDOOMED/ AYO AYOOLA-AMALE POETRY OPAL PALMER-ADISA/SAMAR ALİ/AYO AYOOLA-AMALE/ CHARLES BLACKWELL/ JAME CAG- NEY/ MAKETA SMITH –GROVES/ VİNCENT KOBELT/ DEVORAH MAJOR/ TONGO EISEN-MARTIN/ NGWATILO MAWIYOO/ ZOLANİ MKİVA/ NANCY MOREJON/ CHRİSTOPHER OKEMWA/ ODOH DİEGO OKONYONDO/GREG POND/ WOLE SOYİNKA/AXARO W THANİSEB/ MİCHAEL WARR/ ASHRAF ABAOUL YAZİD IN MEMORIAM LANGSTON HUGHES LEOPOLD SENGHOR JAMES BALDWIN MAYA ANGELOU AMIRI BARAKA WE NEED TO BREATHE/ATAOL BEHRAMOĞLU Choking is stay oxygen-free. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Introduction 1
Notes INTRODUCTION 1. C. P. Cavafy, “In a Town of Osroini,” 1917, in his Collected Poems, trans. Edmund Keeley and Philip Sherrard, ed. George Savidis (Princeton, NJ: Princeton University Press, 1975), p. 66. The Greek text appears in Cavafy’s Ta Poiemata, ed. G. P. Savidis, 2 vols. (Athens: Ikaros, 1963, repr. 1997), vol. 1, p. 80. 2. Plato, Charmides, trans. Rosamond Kent Sprague, in his Complete Works, ed. John M. Cooper (Indianapolis: Hackett, 1997), pp. 640–663, at p. 641, 154a. 3. Ibid., p. 641, 154d. Sophrosune is translated variously as “prudence,” “temper- ance,” “wisdom”; it suggests “a well-developed consciousness of oneself and one’s legitimate duties in relation to others (where it will involve self-restraint and showing due respect) and in relation to one’s own ambitions, social standing, and the relevant expectations as regards one’s own behavior”: John M. Cooper, headnote to Charmides, in Plato, Complete Works, p. 639. See also Matthias Vorwerk, “Plato on Virtue: Definitions of sophrosune in Plato’s Charmides and in Plotinus’ Enneads 1.2 (19),” American Journal of Philology 122 (2001): 29–47. 4. C. P. Cavafy, “In a Town of Osroene,” in Complete Poems, trans. Rae Dalven (New York: Harcourt Brace, 1976), p. 68; “In a Town of Osroini,” in Before Time Could Change Them: The Complete Poems of Constantine P. Cavafy, trans. Theoharis C. Theoharis (New York: Harcourt, 2001), p. 61. The Greek term is “to erotiko tou prosopo [το` @ερωτικó τou πρóσωπο].” 5. Plato, Charmides, p. 642, 155d. 6. See Savidis’ note on this poem in Cavafy, Collected Poems, p.