DOCSLIB.ORG

Captain Flashback

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Captain Flashback CAPTAIN FLASHBACK A fanzine composed for the 403rd distribution of the Sleeping the Big Sleep: Turbo-Charged Party-Animal Amateur Press Raymond Chandler’s Hollywood Association, from the joint membership of Andy Hooper and Carrie Root, residing at 11032 30th Ave. Raymond Chandler’s 1939 novel The Big Sleep NE Seattle, WA 98125. E-mail Andy at is one of the most influential works of popular [email protected], and you may reach Carrie at crime fiction of the 20th Century, a status which [email protected]. This is a Drag Bunt Press is significantly enhanced by Howard Hawks’ Production, completed on 1/20/2020. 1946 film noir adaptation starring Humphrey Bogart and Lauren Bacall. Chandler infused the CAPTAIN FLASHBACK is devoted to old tough-guy narrative conventions of pulp crime fanzines, monster movies, garage bands and other fiction with a kind of moral hypoxia, leaving the fascinating phenomena of the 20th Century. All better impulses of private detective Philip written material by Andy Hooper unless indicated. Marlowe and the characters which he encounters Contents of Issue #14: suffocating under the weight of secrets, Page 1: Sleeping the Big Sleep: addictions and crime. Although Marlowe Raymond Chandler’s Hollywood shrewdly fathoms the twists of the case, he fails Page 2: Comments on Turbo-Apa #402 to save his clients from scandal, and no one is Page 5: A Key to Interlineations in Issue #13 Page 15: Fanmail from some Flounder: Letters to CF brought to justice through his efforts. He ends up Page 16: Northwest by Northwest: WESTWIND vaguely envious of the dead and sees his own Page 17: I Remember Entropy Department: role as nothing more than part of the “nastiness” Three Articles by Andi Shechter: of life. Although it was Chandler’s first novel, it “I’m Sorry, There IS No Bar” (1978) is a world-weary story, from a writer who had “Folk Art, Let’s Dance!” (1992) seen war and epidemic, and who only took up “Losing Isaac” (1993) fiction at the age of 44, in the wreckage of his previous career. Despite this popular and critical fame, The Big Sleep may be one of the least-understood books in history, at least as far as its convoluted storyline is concerned. Many critics openly admit that the plot baffles them, but this does little to diminish their admiration for both the novel and the film. The plot was rewritten for the screen so that the biggest “bad guy” dies in a hail of bullets, and Lauren Bacall’s character is no longer complicit in the murder of her former husband, so that she and Marlowe can end up together. The changes tend to obscure the details of the complicated blackmail scheme that brings Marlowe into the story, but emphasizing the attraction between Marlowe and Vivian Operator? Get me William Faulkner! [Continued on Page 6] --------------------------------------------------------------------------------------------------------------------------- Issue #14, January 2020 -------------------------------------------------------------------------------------------------------------------------- 1 --------------------------------------------------------------------------------------------------------------------------- I work in a volcano. What jobs do you think I’ve ever turned down? --------------------------------------------------------------------------------------------------------------------------- Mailing Comments on Turbo-Apa #402: work of mythic animated genius with songs and Cover (Hannes Bok and Carrie Root): I was a talking snowman. really impressed by how well these turned out – The photographs from your European travels of the intersection of the scanning and clarifying the past year were all quite lovely. The shot of technology, the very good quality lithography of the Mogul’s birthday celebration was my the original and the printing work by Lee and his favorite and excited the miniaturist’s eye. staff at UPS turned out something great. It is OCCAM’S WHISKERS, Georgie Schnobrich: always a little scary sending our files off to The research which you presented at Teslacon Madison, and just trusting that they will produce sounded quite wonderful, and the fact that you something that looks right. But they pretty much were not genetically connected with the subject always do – any deficiencies have definitely matter seems like a tenuous reason to deny originated at my end, people your capabilities as a researcher and AN WISCONZINE, Greg Rihn: We both had teacher, so I’m glad no one seems to have the experience of seeing Roland Emmerich’s minded. 800 people would once have been a film of Midway, and also made both of our pretty generous throng for a specialty-interest spouses go. I’m still working on making up for convention like Teslacon. If one were to do a it. It was a weird reversal of most modern World daily fanzine for the con, would one be War II films, in that the script was reasonably compelled to work with linotype? accurate, but the visual effects and design of the The life-size marzipan baby is very much of a movie was about as historical as Flash Gordon piece with the death-cake featuring a or The Muppet Movie. The transformation of representation of the deceased in crust or icing. I the berthing spaces on Battleship Row into the sort of admire the craftsmanship, but like you, I Death Star trench was a bit much, and as you am at a loss to explain it. know, it takes a lot of work to get more than one THINGS THAT BEGIN WTH C, Jim Hudson ship into your field of view in a real naval battle. and Diane Martin: All of the holiday activities Also, having seen this film, one might be you described seemed fun and energizing, so surprised to learn that American aircraft carriers much so that I wonder if we might contrive to be had fighter aircraft deployed on them, and they in Madison when you gather to bake this coming actually shot down more Japanese aircraft than December. Cookies are actually one thing I have SBD tail gunners. The failure of the fighters to successfully baked in my life, going back to rendezvous with the bomber squadrons was the holidays 40 years ago… And that leads me to real reason that so many American torpedo the reviews of the two holiday acapella shows planes and their crews were lost – and you attended, and the notion that people who got Emmerich’s film just does not mention them. together 35 years ago are “getting older.” After There have now been two major motion pictures all, Carrie and I were engaged by the winter of about the battle, and there is still room for a 1985 – and that was just yesterday, wasn’t it? good one. You wrote a comment to me about own mole However, Frozen II seemed to be a far more issues, and thereby opened the door for me to successful representation of whatever world is continue the mole saga into its sixth month. The the home of Hans Christian Anderson’s fairy ground just doesn’t freeze here the way it does tales. We did not take in the picture ourselves, in Wisconsin, so as far as I can see, Seattle’s but our grandchildren more or less frog-marched moles continue to work right through the winter. their parents into taking them during But that also means that the rain continues to Thanksgiving week. The parents were not melt and disperse their mounds, and stuff keeps especially complimentary, but our grandkids growing up through them, even in the middle of were asking whether it was possible that the December. But we also recently noticed the Academy would establish a new award for best 2 baseball field at the high school had a double Roswell incident a bona fide recovery of an line of 15 or 16 molehills running right along the alien craft, it would have taken time for that left field line, not something the field’s information to be evaluated and grudgingly caretakers had ever allowed to happen before. released to people at Forrestal’s level of So perhaps we really did have a particularly government. It seems like forming a committee large movement of moles in 2019. to contain such information would be the surest way of ensuring that it would NOT remain SEASONS GREETINGS, Marilyn Holt: This contained. James Forrestal was never an was a pretty positive summary of the events of acceptable security risk, and if someone wanted 2019 on the farm. You guys have dialed back on him dead, there were a hundred less problematic the farming, but it seems like you keep finding ways to kill him than public defenestration. I’m more creatures to adopt and care for, from bees afraid he is a particularly florid red herring. to a new generation of egg-producers. You’re still farming more than anyone else in Turbo- MADISON FOURSQUARE #38, Scott Custis Apa. I shudder in sympathy at the prospect of & Jeanne Gomoll: Jeanne, I’m really looking rewiring your entire house; we are probably forward to TAFFORENSIC REPORT, and your looking at doing something similar before we let recreation of the far-off year of 1987. Your go of this house, which we don’t plan to do until reprint projects in TURBO have also been a lot decrepitude forces us. By the way, I took a of fun. The report on the stop-motion animation number of the copies of this zine that you left at project is still remarkably vivid, and I can close our party and stuck them into copies of my eyes and see the set-up in Hope’s bedroom. CHUNGA that I sent to some people that know There were a number of elements that I found you; maybe that means some of them got two difficult to credit, such as the fact that my copies, but it seemed better than recycling them! stepson Harlan ever let someone call him “Harlie,” or that my stepdaughter Gwen ever SONOVA QUARK, Steven Vincent Johnson: spoke the phrase “I didn’t know grown-ups Reading about your prostate surgery and knew how to have fun,” or that Hope was concurrent removal of scar tissue was a bit considered a grown-up at the time.
Load more

Recommended publications
  • Colorado Springs
    U.S. Urged to Temper Foreign Aid With Love Member of Audit Bureau of Circulation Contents Copyright by the Catholic Press Society, Inc., 1961 — Permission co Reproduce, Except Dollars Alone On Articles Otherwise Marked, Given After 12 M. Friday Following Issue Won't Do the Job, DENVERCXmOUC Missionary Says By Ken P eters U.S. foreign aid—a “bad word” in some parts of the world—^is desperately needed in the Far East, and, REG ISTER if handled in the right way, will be a great treasure to yOL. LV. No. 24. THURSDAY, JANUARY 26, 1961 DENVER, COLORADO destitute peoples of these countries. This is a Catholic missioner’s view of a subject that touched which is administered through For New Auxiliary off a controversy in Washington, voluntary agencies as the as well as the ire of writers of NCWC Catholic Relief Serv­ best sellers, such as The Ugly American. ices. Father Sean Dunne, S.C., back In the latter program, for ex­ ample, U.S. sur^us corn, wheat, Official Document in the U.S. after three years in Korea, says that many of the powdered milk, etc., and used evils depicted in The Ugly clothes are distribute through The Papal bull, the letter from Pope John XXIII appointing Bishop David M. American can be verified in that parish organizations. This aid Maloney Auxiliary Bishop and Titular Bishop of Ruspae, has been translated from country and in other parts of gets to the people and is very the Latin and released by the Denver Archdiocesan Chancery Office. the Far Blast.
    [Show full text]
  • XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
    September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr.
    [Show full text]
  • Classical Gas Recordings and Releases Releases of “Classical Gas” by Mason Williams
    MasonMason WilliamsWilliams Full Biography with Awards, Discography, Books & Television Script Writing Releases of Classical Gas Updated February 2005 Page 1 Biography Mason Williams, Grammy Award-winning composer of the instrumental “Classical Gas” and Emmy Award-winning writer for “The Smothers Brothers Comedy Hour,” has been a dynamic force in music and television circle since the 1960s. Born in Abilene, Texas in 1938, Williams spent his youth divided between living with his 1938 father in Oklahoma and his mother in Oregon. His interest in music began when, as a teenager, he to 1956 became a fan of pop songs on the radio and sang along with them for his own enjoyment. In high Oklahoma school, he sang in the choir and formed his first group, an a capella quartet that did the 1950’s City style pop and rock & roll music of the era. They called themselves The Imperials and The to L.A. Lamplighters. The other group members were Diana Allen, Irving Faught and Larry War- ren. After Williams was graduated from Northwest Classen High School in Oklahoma City in 1956, he and his lifelong friend, artist Edward Ruscha, drove to Los Angeles. There, Williams attended Los Angeles City College as a math major, working toward a career as an insurance actuary. But he spent almost as much time attending musical events, especially jazz clubs and concerts, as he did studying. This cultural experience led him to drop math and seek a career in music. Williams moved back to Oklahoma City in 1957 to pursue his interest in music by taking a crash course in piano for the summer.
    [Show full text]
  • To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis Submitted to the Faculty Of
    To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History David P. Cline, Co-Chair Brett L. Shadle, Co-Chair Rachel B. Gross 4 May 2016 Blacksburg, Virginia Keywords: Identity, Klezmer, Jewish, 20th Century, Folk Revival Copyright 2016 by Claire M. Gogan To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Gogan ABSTRACT Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to “revive” this music? What did the music “do” for them and how did it contribute to their senses of both individual and collective identity? How did these musicians perceive the relationship between klezmer, Jewish culture, and Jewish religion? Finally, how was the genesis for the klezmer revival related to the social and cultural climate of its time? I argue that Jewish folk musicians revived klezmer music in the 1970s as a manifestation of both an existential search for authenticity, carrying over from the 1960s counterculture, and a manifestation of a 1970s trend toward ethnic cultural revival.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Missouri Folklore Society Journal
    Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text.
    [Show full text]
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
    [Show full text]
  • Raymond Chandler Papers, 1930-1959
    http://oac.cdlib.org/findaid/ark:/13030/tf3m3nb1x3 No online items Finding Aid for the Raymond Chandler Papers, 1930-1959 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library Special Collections UCLA Library Special Collections staff Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the Raymond 638 1 Chandler Papers, 1930-1959 Descriptive Summary Title: Raymond Chandler Papers, Date (inclusive): 1930-1959 Collection number: 638 Creator: Chandler, Raymond, 1888-1959 Extent: 13 boxes (6.5 linear ft.) 1 oversize box Abstract: Raymond Thornton Chandler (1888-1959) published his first novel, The Big Sleep, to great success in 1939 and began writing screenplays in 1944. The collection consists of correspondence, books, photographs, speeches, and literary manuscripts by Raymond Chandler. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Vdwxugd|/#Dsulo#57/#5337 Grxjodvv#Froohjh#Suhvhqwv
    Douglass College Presents Saturday, April 24, 2004 3 Page 4 NJFF From The Festival Manager’s desk.... Dear Friends, Welcome to the 30th annual New Jersey Folk Festival! I am privileged to welcome festival performers, vendors, and patrons to the 30th anniversary extravaganza. The festival’s rich history of folk music, original crafts, and fun family activities will continue this year and for many years to come. To help commemorate our 30th anniversary, all musicians performing this year are returning from previous festivals. The 2004 New Jersey Folk Festival will be a day full of reunions. The festivities will be kicked off by Frank Watson and his Scottish bagpipes. New Jersey’s own, Tony Trischka will be playing banjo on our Skylands stage, with longtime band, Skyline. Among the notable reunions will be the return of the Festival’s first music coordina- tor, Kathy DeAngelo, along with her band, The Lentil Soup Boys, whose members Peter Anick and Alan Pagliere performed at the first New Jersey Folk Festival in 1975. Along with great music, we have a wide variety of food, amazing crafts and for the little folks, a children’s area complete with pony rides and crazy crafts. A key focus this year is on the unique cultural diversity the New Jersey has to offer. Special events taking place in our heritage area include, a huge flag commemorating the World Trade Center disaster, basket weaving, duck decoy carving and festival favorites, the Briar Rose Farm wool spin- ners. Whether this is your first festival or your thirtieth, I hope that you enjoy the day and all it has to offer! Sincerely, Morgan Grass 2004 New Jersey Folk Festival Manager About Our Logo For many years, the New Jersey Folk Festival has used various representations of the Jersey Devil as its offical logo.
    [Show full text]
  • Catalog Sixty-Eight the CELLULOID PAPER TRAIL
    catalog Books Royal sixty-eight Ca talog Sixty-Eight talog Royal Books THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com/cpt or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
    [Show full text]
  • Guide to the William K
    Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]