Institute of Cost and Management Accountants of Bangladesh

Total Page:16

File Type:pdf, Size:1020Kb

Institute of Cost and Management Accountants of Bangladesh ISSN 1817-5090 92/80(;/9,,, 180%(5 129(0%(5'(&(0%(5 &29,' Institute of Cost and Management Accountants of Bangladesh (A statutory body under the Ministry of Commerce, GoB) Bi-monthly Journal of the ICMAB Contents ISSN 1817-5090 VOLUME XLVIII NUMBER-06, NOVEMBER-DECEMBER 2020 01 Editorial Editor Mr. Ruhul Ameen FCMA 02 Associate Editors Mr. G M Omar Faruque Chowdhury FCMA w From the President’s Desk w Dr. Md. Saiful Alam FCMA Journal Committee 04 Chairman Mr. Md. Touhidul Alam Khan FCMA Forensic Accounting and Fraud Investigation: Mr. Safiul Azam FCMA Vice-Chairman A Conceptual Summary Members Mr. Abu Bakar Siddique FCMA Mr. Md. Munirul Islam FCMA Mr. Md. Ali Haider Chowdhury FCMA 12 Mr. Abu Sayed Md. Shaykhul Islam FCMA External Auditors’ Judgment towards Short-Term Mr. A. K. M. Delwer Hussain FCMA Earnings Management Practices: Evidence from Mr. Arif Khan FCMA Bangladesh Mr. Md. Kausar Alam FCMA Mr. A.K.M. Kamruzzaman FCMA Mr. Md. Yusuf FCMA 24 Mr. Hamid Monirul Azam FCMA The Effect of Credit Risk Management on the Syed Sarwar Hussain FCMA Financial Performance of Banks: A Study on Selected Mr. Md. Shaifur Rahman Mazumdar FCMA Private Commercial Banks in Bangladesh Mr. Md. Halimur Rashid Khan FCMA Mr. S.M. Elias Amin FCMA Mr. Mohammad Khurshid Alam FCMA 36 Mr. Biswanath Paul FCMA Socio-economic Factors of Tax Compliance: An Mr. Md. Ejajur Rahman Chowdhury FCMA Empirical Study of Individual Taxpayers in the Dhaka Mr. Jahangir Hossain FCMA Zones, Bangladesh Mr. Md. Siddiqur Rahman FCMA Mr. Mohammed Nazmul Hoque FCMA Mr. Md. Nurul Amin FCMA 48 Mr. Md. Shafiqul Islam FCMA Income Visibility and Tax Compliance: Bangladesh Mr. Muhammad Shahid Ullah FCMA Perspective SK. A.H. Md. Imtiaz Hossain FCMA Mr. Mohammad Nazrul Islam FCMA Mr. Md. Jahidul Islam FCMA 58 Mr. J. H. Kazal FCMA Alternative Investments Kazi Md. Siddikul Azam FCMA Mr. Tawfiqur Rahman ACMA Mr. Md. Saifullah ACMA 59 Mr. Md. Qamruzzaman ACMA IFRS Update Mr. Shah Aziz ACMA Mr. Wahid Ullah ACMA 62 Mr. Nur-Alam ACMA Update on Financial Market Mr. Mohammad Ruhul Amin ACMA Mr. Mohammed Nurul Alam ACMA Mr. Md. Firoz Hossain ACMA 65 CMA Students’ World Publisher Mr. Md. Mahbub-Ul-Alam FCMA Executive Director, ICMAB 67 All supervision Mr. Md. Abdul Maleque ICMAB News Photography Mr. Sami Al Mehedi Design & Graphics Md. Amirul Islam Print Modina Printers & Publishers, 278/3, Elephant Road, Katabon, Dhaka-1205 Ph.: +88 02 9635081, Email: [email protected] Editorial Office The Institute of Cost and Management Accountants of Bangladesh ICMA Bhaban, Nilkhet, Dhaka-1205, GPO Box No. 2629, Tel.: 9615460 & 9611799 E-mail: [email protected], [email protected] The Cost & Management is a peer-reviewed journal published bi-monthly by the Institute. It is committed to publish original studies in accounting and other business disciplines. Manuscripts submitted here should not be under review elsewhere. All rights reserved. No part of this publication may be reproduced, duplicated or copied by any means without the prior consent of the holder of the copyright, requests for which should be addressed to the publisher. Bi-monthly Journal of the ICMAB ISSN 1817-5090 VOLUME XLVIII NUMBER-06, November-December 2020 EDITORIAL As human being, we all come to this planet for a from existing level. Productivity is a hot topic limited time period with some specific assignment in an organization. It is of course a sure path to from Allah. So, we have to be cautious in spending organizational survival and sustainable growth. our time meaningfully. We can save our money for Higher productivity is achieved only by taking future use but can't save our time for future use. continued remedial action in several areas of the So we have to use our time more meticulously, budgetary plan using an integrated approach. more effectively in a more productive way to get optimum result by following rational behavior First of all it is necessary to identify what are the process. This productivity may be in your personal corporate vision, Mission, goals and values, what development or it may be in organizational would it like to achieve, how closely integrated are development. If you develop yourself as an active the goals of its members. To increase productivity, and reliable person the organization you and your executives must concentrate their efforts on culture, team members will also reap the benefit of it. goals and values, rites and rituals and environmental elements of culture. Productivity is the key factor in achieving not only in personal excellence but also in organizational Increasing productivity in the technical work area excellence which leads to quality life of people's, always need innovation. Through constant evaluation customers' satisfaction and sustainable growth and redesign of the key work activities, the of the organization and yourself. Strategic organization will be capable to produce quality goods management in productivity improvement is an and services which will be effectively distributed to ongoing process but not a start-stop event. New the customers. There is an ongoing need to adopt innovation, new development requires response the fit between organization and customer through a to changes. It needs to adopt new strategies continual improvement and research process. according to new challenges and challenges to There are certain characteristics of organization be faced in future. Every manager is a strategy structure. These characteristic may need to be member and is responsible for its implementation. changed to increase productivity. Very often Productivity improvement is one of the key factors organization structures and hierarchy become the for the success of an organization. barrier to productivity improvement. Productivity is a measure of application of Productivity improvement is highly correlated with production knowledge. Better application of people and their relationship. An organization is mainly knowledge and its application is very important. It composed of people, organizational characteristic is, therefore, a measure of performance of how and their inter relationships. Hence, individual and efficiently knowledge is applied. A single productivity group relationship should be harmonious for attaining number for a day, week or month is meaningless. higher productivity. However, managers become more interested when a string of productivity numbers are plotted to Lastly effective planning, organizing, developing and show trends of productivity ups and down. controlling are the main management function to achieve the target objectives. The main aim and objective of productivity study and analysis is ultimately its improvement Ruhul Ameen FCMA THE COST AND MANAGEMENT 1 ISSN 1817-5090, VOLUME-48, NUMBER-06, NOVEMBER-DECEMBER 2020 From the President’s Desk Bismillahir Rahmanir Rahim ear Members, education system. We have divided the course DAssalamualaikum. curriculum into seven interrelated pillars. We have given special emphasize on cost and management Firstly, I would like to convey my heartiest greetings accounting, financial accounting and corporate and congratulations to my countryman on the reporting, information technology and business occasion of 50th Victory Day of Bangladesh. analytics, economics and finance, management Bangladesh was born as an independent country and business strategy, audit and assurance, on December 16, 1971 under the leadership governance, laws and taxation issues. We have of Father of the Nation Bangabandhu Sheikh incorporated the articleship as a milestone in Mujibur Rahman at the cost of supreme sacrifice the course curriculum instead of internship. We of three million people and the honour of nearly have included case study as a separate course half a million women. for the first time in course curriculum of ICMAB. We developed a strategic plan to improve our Moreover, we have included contemporary institute in a new height and reformation of courses, topics and timely driven emerging issues existing education and examination system based in our course curriculum. We interacted and on the market demand is the part of our strategic discussed with our members and students about plan. We have the plan to design a unique course new course curriculum. We expect that the curriculum of ICMAB for branding our CMA new course curriculum of ICMAB will enhance profession at home and abroad. As per our the essential and practical knowledge, IT skill, commitment, we have updated a unique course technical skill, ethical judgment, solving the real curriculum in order to cope up with global world problem, critical decision marking, and THE COST AND MANAGEMENT 2 ISSN 1817-5090, VOLUME-48, NUMBER-06, NOVEMBER-DECEMBER 2020 professionalism of our students and develop interest. We will provide training around 4,500 the future business leaders to compete in the officials of DCCI under the MoU agreement. national as well international market. We are going to brand our CMA profession extensively by providing training to the VAT We have also taken the initiative to develop officials of National Board of Revenue (NBR). the Learning Management System (LMS) to facilitate the various activities for the students We are consistently organizing series of and members of the institute. This learning Continuous Professional Development (CPD) management system will change the learning and webinar programs using the online and management environment and all the students physical platforms to enhance the knowledge and members will be benefited using the new of our members and students. In the meantime, system. We are using asset-management we successfully organized several programs such effectively for the development of the institute. as ‘How Artificial Intelligence (AI) and Block We have taken the initiative of vertical extension Chain will Transform Accounting and Auditing’, of Dhaka, and Khulna ICMA office building as well ‘Treatment of various items of cost in light of as extension and renovation of Chittagong ICMA the COVID-19. We emphasized particularly on office building. We are going to launch study ensuring Cost Audit Certification for all listed center in the central areas of different cities.
Recommended publications
  • Mogul Studios | White Paper V0.9 Mogul Studios | White Paper V0.9
    mogul Mogul Studios | White Paper V0.9 Mogul Studios | White Paper V0.9 MOGUL STUDIOS Liquid Film Financing White Paper v0.9 [email protected] mogul mogulstudios.com | 2 Mogul Studios | White Paper V0.9 Disclaimer The introduction and description of the basic condition of the project in this document is an invitation to the general public. It is not and cannot be regarded as an investment or declaration of commitment to any specific or unspecified subject. It is neither nor can it be considered as a specific team’s project. It’s not a commitment nor a guarantee. The Mogul team reserves all rights to modify, delete, add, abrogate, and interpret related behaviors of this document. Those who have the intention to participate, invest, and cooperate in this project must clearly understand the full risks of this project. Participants shall enter into a written cooperation agreement for participation in this project. The cooperation agreement shall clearly and completely indicate the cooperation, participation or investment. Participants should indicate in written or verbal form that they have fully understood and accepted all the risks that the project has generated or may have, and take corresponding responsibility. mogul mogulstudios.com | 3 Mogul Studios | White Paper V0.9 Mogul will also help optimize the film funding and production process Executive by enhancing financial transparency at every level. No longer will it be possible for filmmakers to hide exorbitant expenses behind the black Summary box of “Hollywood accounting.” Now, investors can ensure things are The movie business has always been done right, with their interests as about making dreams come true -- investors and film fans are always not just the dreams of viewers in considered first.
    [Show full text]
  • Honorsthesis-Wiecedeborahlynn
    ACCOUNTING FOR MOTION PICTURES: AN EXAMINATION OF THE QUALITY OF TWO ACCOUNTING STANDARDS An Undergraduate Distinction Project Presented in Partial Fulfillment of the Requirements for Graduation with Distinction in the College of Business at The Ohio State University By Deborah Lynn Wiece * * * * * The Ohio State University 2000 Distinction Examination Committee: Dr. Richard Murdock, Adviser Approved by Dr. Daniel Jensen Dr. Raymond Krasniewski ~~Department of Accounting and MIS ABSTRACT FAS 53, Financial Reporting by Producers and Distributors of Motion Picture Films, was issued in 1981 and set the requirements for external financial reporting in the motion picture industry. However, due primarily to changes in the industry since then, there have been many criticisms regarding the statement. In an attempt to address these criticisms, a proposed Statement of Position (PSOP) was written. This PSOP addresses some of the more controversial accounting methods allowed under FAS 53, and it requires more conservative income recognition policies. The goal of this distinction project was to determine which of these two accounting standards—FAS 53 or the PSOP—is of higher quality, with my hypothesis being that the PSOP was a higher-quality standard. To determine the quality of a standard, one can look at the characteristics, primarily the relevance and reliability, of the information it provides. In order to assess the quality of the information, I asked users of financial statements for their opinions through the use of a survey. 150 surveys were sent out to entertainment industry professionals, public accountants, and university accounting professors, and a response rate of 11.33% was achieved. Despite the low response rate, respondents indicated a preference for the PSOP in most areas.
    [Show full text]
  • Leveraged Buyouts, and Mergers & Acquisitions
    Chepakovich valuation model 1 Chepakovich valuation model The Chepakovich valuation model uses the discounted cash flow valuation approach. It was first developed by Alexander Chepakovich in 2000 and perfected in subsequent years. The model was originally designed for valuation of “growth stocks” (ordinary/common shares of companies experiencing high revenue growth rates) and is successfully applied to valuation of high-tech companies, even those that do not generate profit yet. At the same time, it is a general valuation model and can also be applied to no-growth or negative growth companies. In a limiting case, when there is no growth in revenues, the model yields similar (but not the same) valuation result as a regular discounted cash flow to equity model. The key distinguishing feature of the Chepakovich valuation model is separate forecasting of fixed (or quasi-fixed) and variable expenses for the valuated company. The model assumes that fixed expenses will only change at the rate of inflation or other predetermined rate of escalation, while variable expenses are set to be a fixed percentage of revenues (subject to efficiency improvement/degradation in the future – when this can be foreseen). This feature makes possible valuation of start-ups and other high-growth companies on a Example of future financial performance of a currently loss-making but fast-growing fundamental basis, i.e. with company determination of their intrinsic values. Such companies initially have high fixed costs (relative to revenues) and small or negative net income. However, high rate of revenue growth insures that gross profit (defined here as revenues minus variable expenses) will grow rapidly in proportion to fixed expenses.
    [Show full text]
  • Fight for Net-Profits Payments from Blockbuster Hollywood Productions
    JOURNAL OF LAW, TECHNOLOGY& THE INTERNET· VOL. 4 ·No. 2 · 2013 JouRNALOFLAw, TECHNOLOGY&THElNTERNET · VoL.4 · No.2 · 2013 Personal Health Information Shared Via Social Networking HIT LOSERS: THE GOOD (FAITH) the problem until information is inappropriately disclosed results in little opportunity for a meaningful remedy. FIGHT FOR NET-PROFITS PAYMENTS Federal regulations would protect the value placed on control of PHI by attaching protection to the information itself. It is more FROM BLOCKBUSTER HOLLYWOOD realistic to place restrictions on what can be done with acquired PRODUCTIONS information than to attempt detailed regulation of this rapidly evolving industry.209 While users should also participate in the protection of their personal information through use of the privacy Max Bialystock: You were saying that, under the right settings afforded, deceptive privacy advertisement and obtuse privacy circumstances, a producer could make more money with a flop policies should not render this participation meaningless. than he could with a hit. Preemptively establishing a set of federal regulations as a benchmark Leo Bloom: Yes. It's quite possible. for addressing these kinds of issues before they arise will help mitigate Max Bialystock: You keep saying that, but you don't say how! 1 the harms that are otherwise sure to follow. Federal regulations Leo Bloom: Well, it's simply a matter of creative accounting. requiring meaningful privacy disclosures and truthful advertising, Gould: I think conservatively, you and me, we build ourselves establishing guidelines for use of PHI, and providing causes of action in to split, ten percent. (Pause.) with precedential value would keep pace with reality of the evolution Fox: Of the net.
    [Show full text]
  • Creative Accounting Practices Pdf
    Creative accounting practices pdf Continue Euphemism, referring to unethical accounting practice Of Book Preparation, redirects here. For an episode of Black Books, see Cooking Books (Black Books episode). For the New York-tv cooking programme, watch the Cook Books Program (TV program). Part of the series onAccounting Historical Expenses Permanent Purchasing Power Office Tax Main Types Audit Budget Expenditures Forensic Fund State Office Social Tax Key Concepts Period Accrual Permanent Purchasing Power Economic Essence Fair Value Going Historical Concerns Historical Costs Compliance Principle Materiality Income Recognition Unit Account Selected Cash Account Cash Expenses Goods, Sold Amortization/Amortization of Equity Expenses Goodwill Passion principles Financial Reporting Annual Report Balance Sheet Cash Flow Income Office Discussion Notes to Financial Reporting Accountant Bank Reconciliation Of Debits and Loans Double Entry System FIFO and LIFO Journal Ledger / General Registry T Accounts Forensic Balance Audit Of Financial Firms Report by People and Organization Accountants Accounting Organizations but deviate from the spirit of these rules with questionable accounting ethics, in particular misrepresenting the results in favor of training, or the firm that hired the accountant. They are characterized by excessive complications and the use of new ways of characterizing income, assets or liabilities and the intention to influence readers with respect to interpretations desired by the authors. Sometimes the terms are also innovative or aggressive. Another common synonym is the preparation of books. Creative accounting is often used in tandem with outright financial fraud (including securities fraud), and the boundaries between them are blurred. Creative accounting techniques have been known since ancient times and appear all over the world in various forms.
    [Show full text]
  • IP & Antitrust
    September 2018 This newsletter contains an overview of recent publications concerning intellectual property issues. The abstracts included below are as written by the author(s) and are unedited. IP & Antitrust Antitrust and intellectual property in the United States and the European Union Douglas H. Ginsburg (U.S. Court of Appeals for the District of Columbia Circuit; George Mason University - Antonin Scalia Law School, Faculty) Damien Geradin (Tilburg Law & Economics Center (TILEC); University College London - Faculty of Laws) Keith Klovers (FTC) The Interplay Between Competition Law and Intellectual Property - An International Perspective, Gabriella Muscolo and Marina Tavassi eds., Kluwer Law International, Forthcoming https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3237788 The United States and the European Union each have a strong legal regime designed both to protect competition and to foster innovation. Because the competition and intellectual property (IP) laws are occasionally in some tension, each jurisdiction has developed detailed legal rules that govern when and how competition law restrictions apply to IP rights. Recognizing that innovation benefits consumers, each regime presumes a patentee may lawfully use, license, and sell its IP rights freely unless that activity would impair competition on the merits by (i) coordinating with other entities to restrain trade unreasonably; (ii) unilaterally acquiring (in the U.S.) or exercising (in the EU) market power; or (iii) transferring IP through an anticompetitive merger or acquisition. This chapter summarizes and briefly compares the applicable law in the U.S. and the EU, and then identifies the most prominent differences between the two regimes. Note that, because most of the applications discussed herein concern patents, the term patents is used throughout to refer to all kinds of IP unless the difference matters.
    [Show full text]
  • The Net Profits Puzzle
    Columbia Law School Scholarship Archive Faculty Scholarship Faculty Publications 1997 The Net Profits Puzzle Victor P. Goldberg Columbia Law School, [email protected] Follow this and additional works at: https://scholarship.law.columbia.edu/faculty_scholarship Part of the Business Organizations Law Commons Recommended Citation Victor P. Goldberg, The Net Profits Puzzle, 97 COLUM. L. REV. 524 (1997). Available at: https://scholarship.law.columbia.edu/faculty_scholarship/681 This Essay is brought to you for free and open access by the Faculty Publications at Scholarship Archive. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Scholarship Archive. For more information, please contact [email protected]. ESSAY THE NET PROFITS PUZZLE Victor P. Goldberg* The use of "net profits" clauses in the movie business poses a problem. The standardperception is that Hollywood accountingresults in successful films showing no net profits. If that is indeed so, then why have they survivedfor over four decades? This Essay argues that a successful movie will fail to yield net profits only if a "grossparticipant" (a major star whose compensa- tion is in part afunction of the film's gross receipts) becomes associated with the film. Since the net profits participants typically are associated with a project first, the question becomes: Why would they be willing to sacrifice some (or all) of their contingent compensation when a gross participant is added to the project? The answer is that the net participantsare made better off, ex ante, both directly by increasing their expected earnings, and indi- rectly because the studio is willing to payfor the increasedflexibility.
    [Show full text]
  • Vision 2020 Strategic Plan Vision 2020 and the Budget
    City of West Hollywood Operating Budget ◆ Two Fiscal Years 2010 - 2011 & 2011 - 2012 Capital WOrk plan ◆ Five Fiscal Years 2010 - 2015 West Hollywood, California West “What Do You Like Most About WEHO?” Read the responses to this question by West Hollywood's residents on the back of each divider. PHOTOGRAPHY | Cover: Sierra Bonita Housing Project by Art Gray, Cover: Hancock Housing Project by Eric Staudenmaier, Legislative Executive Tab: City Hall at Night by Ryan Gierach Contributing City of West Hollywood Photographers: Joshua Barash, Jonathan Moore, Richard Settle ,and Brett White. West Hollywood City CounCil John Heilman John J. Duran Lindsey Horvath Abbe Land Jeffrey Prang Mayor Mayor Pro Tempore Council Member Council Member Council Member 2010-2011 2010-2011 City ManageMent teaM City Manager Director of Human Services Paul Arevalo Sam C. Baxter City Attorney Director of Housing and Rent Stabilization Mike Jenkins Allyne Winderman Assistant City Manager Director of Public Information and Joan English Prosecution Services Helen J. Goss, Esq. Deputy City Manager/ Director of Community Development Director of Public Works Anne McIntosh Oscar Delgado Director of Administrative Services Sheriff’s Department Vivian Love Captain Kelley Fraser Director of Finance and Technology Services Anil H. Gandhy Citywide Organizational Chart West Hollywood Residents City Council Commissions Advisory Boards City City Attorney (Contract) ¾ Arts and Cultural Affairs ¾ Disabilities Manager ¾ Business License ¾ Lesbian and Gay ¾ Historic Preservation ¾
    [Show full text]
  • The Studio System and Conglomerate Hollywood
    TCHC01 6/22/07 02:16 PM Page 11 PART I THE STRUCTURE OF THE INDUSTRY TCHC01 6/22/07 02:16 PM Page 12 TCHC01 6/22/07 02:16 PM Page 13 CHAPTER 1 THE STUDIO SYSTEM AND CONGLOMERATE HOLLYWOOD TOM SCHATZ Introduction In August 1995 Neal Gabler, an astute Hollywood observer, wrote an op-ed piece for The New York Times entitled “Revenge of the Studio System” in response to recent events that, in his view, signaled an industry-wide transformation (Gabler 1995). The previous year had seen the Seagram buyout of MCA-Universal, Time Warner’s purchase of the massive Turner Broadcasting System, and the launch of Dream- Works, the first new movie studio since the classical era. Then on August 1 came the bombshell that provoked Gabler’s editorial. Disney announced the acquisition of ABC and its parent conglomerate, Cap Cities, in a $19 billion deal – the second- largest merger in US history, which created the world’s largest media company. Disney CEO Michael Eisner also disclosed a quarter-billion-dollar deal with Mike Ovitz of Hollywood’s top talent agency, Creative Artists, to leave CAA and run the Disney empire. For Gabler, the Disney deals confirmed “a fundamental shift in the balance of power in Hollywood – really the third revolution in the relationship between industry forces.” Revolution I occurred nearly a century before with the formation of the Hollywood studios and the creation of a “system” that enabled them to con- trol the movie industry from the 1920s through the 1940s. Revolution II came with the postwar rise of television and the dismantling of the studio system by the courts, which allowed a new breed of talent brokers, “most notably Lew Wasserman of the Music Corporation of America [MCA],” to usurp control of the film industry.
    [Show full text]
  • Border Lords
    B ORDER L ORDS AN INDEPENDENT MOTION PICTURE B USINESS P LAN VANGUARD PRODUCTIONS 12111 Beatrice St., Culver City, CA 90230 Tel 310-306-4910 Fax 310-306-491 [email protected] This document and the information contained herein is provided solely for the purpose of acquainting the reader with Vanguard Productions and the proposed film Border Lords. It is proprietary information to the Company. By accepting this document, the recipient agrees to keep the contents in strictest confidence and not to reproduce or further distribute it without the express consent of Vanguard Productions. This document is solely a business plan covering aspects of the motion picture industry and the proposed film Border Lords and is not to be construed as an offering of securities. Table of Contents CATEGORY PAGE STATEMENT OF RISK 2 EXECUTIVE SUMMARY 3 THE COMPANY 4 THE PROJECT 5 THE INDUSTRY 9 THE MARKETPLACE 10 MARKETING STRATEGY 11 THE DISTRIBUTION PROCESS 13 DISTRIBUTION STRATEGIES 15 INVESTMENT OPPORTUNITY 16 FINANCIAL PROJECTIONS 17 FOREIGN SALES PROJECTIONS 20 APPENDIX “A” LETTER OF INTEREST: KRIS KRISTOFFERSON 21 APPENDIX “B” LETTER OF INTEREST: RICHARD TYSON 22 APPENDIX “C” LETTER OF INTEREST: LIONS GATE FILMS 23 APPENDIX “D” LETTER OF INTEREST: MAIN LINE RELEASING 24 APPENDIX “E” BOND LETTER: FILM FINANCE 25 APPENDIX “F” CHAIN OF TITLE 26 APPENDIX “G” BUDGET TOP SHEET 27 APPENDIX “H” CASH FLOW CHART 28 APPENDIX “I” PICTURES OF ATTACHED CAST 29 APPENDIX “J” PICTURES OF PROPOSED CAST 34 APPENDIX “K” PICTURES OF LOCATIONS 38 Border Lords Business Plan 1 Statement of Risk Investment in the film industry is highly speculative and inherently risky.
    [Show full text]
  • What Backend?
    WEDNESDAY, JULY 29, 2020 5:00p - 5:45p PDT BACKEND? WHAT BACKEND? ARE PROFIT PARTICIPATIONS AN OUTDATED CONCEPT IN THE NEW TELEVISION ERA? moderator: Craig Wagner Head of Business Affairs and General Counsel, Paradigm Talent Agency panelists: John V. Berlinski Partner, Kasowitz Benson Torres LLP Craig A. Emanuel Partner, Paul Hastings LLP Karen Tatevosian Executive Vice President and Head of U.S. Business Affairs, Sony Pictures Television Studios JOHN V. BERLINSKI PARTNER, KASOWITZ BENSON TORRES LLP OHN V. BERLINSKI IS A PARTNER IN KASOWITZ’S BEFORE JOINING NBCUNIVERSAL, JOHN WORKED FOR JCENTURY CITY OFFICE AND CHAIR OF THE FIRM’S APPROXIMATELY SEVEN YEARS AS A GENERAL LITIGATOR ENTERTAINMENT PRACTICE GROUP. HIS PRACTICE AT A GLOBAL LAW FIRM. FOCUSES ON REPRESENTING TOP ACTORS, DIRECTORS, PRODUCERS, TALENT AGENCIES, EXECUTIVES, STUDIOS, WORK HIGHLIGHTS NETWORKS, CASINOS, AND RESORTS, AMONG OTHERS, • GENTING MALAYSIA BERHAD, A LEADING IN THEIR MOST SIGNIFICANT DISPUTES, INCLUDING INTERNATIONAL GAMING AND RESORT COMPANY, IN A LITIGATING LICENSING, INTELLECTUAL PROPERTY, AND BILLION-PLUS DOLLAR LAWSUIT AGAINST FOX "BACKEND" PROFIT PARTICIPATION CLAIMS. ENTERTAINMENT GROUP AND THE WALT DISNEY COMPANY. THE LAWSUIT, FILED IN THE CENTRAL PRIOR TO JOINING THE FIRM, JOHN SPENT SEVEN YEARS DISTRICT OF CALIFORNIA, STEMS FROM FOX’S AT NBCUNIVERSAL, WHERE HE WAS THE SENIOR VICE TERMINATION OF A 2013 AGREEMENT IN WHICH IT PRESIDENT & HEAD OF WEST COAST TELEVISION LICENSED TO GENTING CERTAIN FOX INTELLECTUAL LITIGATION. AT NBCUNIVERSAL, HE ACTIVELY PROPERTY FOR USE IN DEVELOPING WHAT WAS TO BE THE PARTICIPATED IN AND MANAGED THE COMPANY’S WORLD’S FIRST FOX-BRANDED THEME PARK. ENTERTAINMENT LITIGATION DOCKET, WHICH INCLUDED DISPUTES INVOLVING PROFIT PARTICIPATION, • EMILY DESCHANEL AND DAVID BOREANAZ, THE STARS COPYRIGHT, IDEA THEFT, RIGHT TO PRIVACY, BREACH OF OF THE LONG-RUNNING HIT TV SHOW “BONES,” AND CONTRACT, LABOR AND EMPLOYMENT, AND OTHER ONE OF ITS PRODUCERS KATHLEEN REICHS, IN MATTERS.
    [Show full text]
  • Hollywood Accounting: Profit Participation and the Use of Mediation As a Mode of Resolving These Disputes
    \\jciprod01\productn\C\CAC\18-2\CAC207.txt unknown Seq: 1 14-DEC-16 9:59 HOLLYWOOD ACCOUNTING: PROFIT PARTICIPATION AND THE USE OF MEDIATION AS A MODE OF RESOLVING THESE DISPUTES Eric Strum* I. INTRODUCTION Every actor hopes to star in a great movie that makes substan- tial profits. But if you’re hoping to earn profits based on the success of your film and you want to be paid on a timely basis, then one company you certainly do not want to do business with is Defendant Morgan Creek Productions.1 In 2012, actor Kevin Costner accused the film company, Mor- gan Creek Productions, of diverting money by assigning the foreign distribution rights on Robin Hood from Morgan Creek to a com- pany owned by Morgan Creek CEO James Robinson.2 Costner claimed that he did not accrue his profit participation statements in 2010 and 2011 and late financial statements from 2004 to 2009, to which he was owed from his initial agreements to act in the movie.3 This is just one of many examples of profit participation claims that end up in litigation. Profit participation agreements, otherwise known as contin- gent compensation agreements, have engendered much debate * Notes Editor, Cardozo Journal of Conflict Resolution; B.A., 2012, University of Southern California; J.D. Candidate, 2017, Benjamin N. Cardozo School of Law. The author would like to thank his family for their support, love, and encouragement. 1 Eriq Gardner, Kevin Costner Settles Lawsuit Over ‘Robin Hood’ Profits, HOLLYWOOD REP. (Aug. 11, 2014, 11:28 AM), http://www.hollywoodreporter.com/thr-esq/kevin-costner-set tles-lawsuit-robin-724616 (quoting a statement from Costner’s complaint).
    [Show full text]