DOCSLIB.ORG

A Guide to Collecting Planet of the Apes Comics Compiled by Rich Handley (Richhandley.Com)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Guide to Collecting Planet of the Apes Comics Compiled by Rich Handley (Richhandley.Com) A Guide to Collecting Planet of the Apes Comics Compiled by Rich Handley (richhandley.com) Last updated Sept. 3, 2021: Updated entry about Mexico's "Spider-Man vs. Urko" crossover comic. To send corrections, e-mail [email protected]. Download the latest version at hassleinbooks.com/pdfs/POTAComics.pdf. For more information about individual comics or series, consult the following resources: • The Sacred Scrolls: Comics on the Planet of the Apes, edited by Rich Handley and Joseph F. Berenato: sequart.org/books/41/the-sacred-scrolls-comics-on-the-planet-of-the-apes/ • Bright Eyes, Ape City: Examining the Planet of the Apes Mythos, edited by Rich Handley and Joseph F. Berenato: http://sequart.org/books/48/bright-eyes-ape-city-examining-the-planet-of-the-apes-mythos/ • The Sacred Scrolls: The Planet of the Apes Wikia, by Neil Moxham: planetoftheapes.wikia.com • Hunter Goatley's Planet of the Apes Archive: pota.goatley.com/menu-comics.html • Kassidy Rae's Planet of the Apes Television Series website: http://potatv.kassidyrae.com • Timeline of the Planet of the Apes, by Rich Handley: hassleinbooks.com/pages/book_potaTimeline.php • Lexicon of the Planet of the Apes, by Rich Handley: hassleinbooks.com/pages/book_potaLexicon.php • BOOM Studios' website: boom-studios.com AKITA SHOTEN (3 Japanese-language issues) Manga One-Shots Bessatsu Bôken'Ô (adapts Planet of the Apes) (w: Jôji Enami, a: Jôji Enami) Tengoku Zôkan (adapts Planet of the Apes) (w: Minoru Kuroda, a: Minoru Kuroda) Weekly Shonen Champion (adapts Battle for the Planet of the Apes) (w: Mitsuru Sugaya, a: Mitsuru Sugaya) NOTES: • These film adaptations, published only in Japan (in 1968, 1971 and 1973, respectively), are extremely difficult to find in today's market. It is unknown whether others exist. The Bessatsu Bôken'Ô adaptation also appeared in a Saru no Wakusei (Adventure King) quarterly collection. GOLD KEY COMICS (1 issue) Film Adaptation Beneath the Planet of the Apes (w: unknown, a: Alberto Giolitti) NOTES: • This 1970 adaptation was published with a fold-out poster. COLORFORMS (1 comic strip) Instruction Booklet Planet of the Apes Colorforms Adventure Set (w: unknown, a: unknown) NOTES: • Produced in 1974 as part of the TV show's merchandising efforts, this set contained a 1967 copyright date, which is in error and would have been before the first film's release. Its instruction booklet featured a comic strip in which the movie's characters explained how to use the vinyl adhesive toy. MARVEL COMICS (29 U.S. issues, 8 U.K.-only issues) U.S. Monthly Magazine 1 a) Terror on the Planet of the Apes: (w: Doug Moench & Gerry Conway, a: Mike Ploog The Lawgiver / Fugitives on the Planet of the Apes & Frank Chiaramonte) b) Planet of the Apes—Chapter 1: Untitled (w: Doug Moench, a: George Tuska & Mike Esposito) 2 a) Terror on the Planet of the Apes: (w: Doug Moench, a: Mike Ploog) The Forbidden Zone of Forgotten Horrors / Lick the Sky Crimson b) Planet of the Apes—Chapter 2: World of Captive Humans (w: Doug Moench, a: George Tuska & Mike Esposito) 3 a) Terror on the Planet of the Apes: (w: Doug Moench, a: Mike Ploog & Frank Chiaramonte) Spawn of the Mutant Pits / The Abomination Arena b) Planet of the Apes—Chapter 3: Manhunt (w: Doug Moench, a: George Tuska & Mike Esposito) 4 a) Terror on the Planet of the Apes: (w: Doug Moench, a: Mike Ploog & Frank Chiaramonte) A Riverboat Named Simian / Gunpowder Julius b) Planet of the Apes—Chapter 4: Trial (w: Doug Moench, a: George Tuska & Mike Esposito) 5 a) Evolution's Nightmare (w: Doug Moench, a: Ed Hannigan & Jim Mooney) b) Planet of the Apes—Chapter 5: Into the Forbidden Zone (w: Doug Moench, a: George Tuska & Mike Esposito) 6 a) Terror on the Planet of the Apes: Malagueña Beyond a Zone Forbidden (w: Doug Moench, a: Mike Ploog) b) Planet of the Apes—Chapter 6: The Secret (w: Doug Moench, a: George Tuska & Mike Esposito) 7 a) Beneath the Planet of the Apes—Chapter 1: Untitled (w: Doug Moench, a: Alfredo Alcala) b) Beneath the Planet of the Apes—Chapter 2: Enslaved (w: Doug Moench, a: Alfredo Alcala) 8 a) Terror on the Planet of the Apes: The Planet Inheritors (w: Doug Moench, a: Mike Ploog) b) Beneath the Planet of the Apes—Chapter 3: The Warhead Messiah (w: Doug Moench, a: Alfredo Alcala) 9 a) Kingdom on an Island of Apes: The Trip / Arrival (w: Doug Moench, a: Rico Rival) b) Beneath the Planet of the Apes—Chapter 4: The Horror Inquisition (w: Doug Moench, a: Alfredo Alcala) 10 a) Kingdom on an Island of Apes: The City / The Island Out of Time / Battle (w: Doug Moench, a: Rico Rival) b) Beneath the Planet of the Apes—Chapter 5: The Children of the Bomb (w: Doug Moench, a: Alfredo Alcala) 11 a) Terror on the Planet of the Apes: When the Lawgiver Returns (w: Doug Moench, a: Mike Ploog) b) Beneath the Planet of the Apes—Chapter 6: The Hell of Holocaust (w: Doug Moench, a: Alfredo Alcala) 12 a) Future History Chronicles I: City of Nomads (w: Doug Moench, a: Tom Sutton) b) Escape from the Planet of the Apes—Chapter 1: Upward to the Earth (w: Doug Moench, a: Rico Rival) 13 a) Terror on the Planet of the Apes, Phase 2: (w: Doug Moench, a: Mike Ploog) The Magick-Man's Last Gasp Purple Light Show b) Escape from the Planet of the Apes—Chapter 2: Strangers in a Stranger Land (w: Doug Moench, a: Rico Rival) 14 a) Terror on the Planet of the Apes, Phase 2: Up the Nose-Tube to Monkey-Trash (w: Doug Moench, a: Mike Ploog) b) Escape from the Planet of the Apes—Chapter 3: Trouble in Paradise Lost (w: Doug Moench, a: Rico Rival) 15 a) Future History Chronicles II: Dreamer in Emerald Silence (w: Doug Moench, a: Tom Sutton) b) Escape from the Planet of the Apes—Chapter 4: In the Cradle of a Father's Sins (w: Doug Moench, a: Rico Rival) 16 a) Escape from the Planet of the Apes—Chapter 5: When the Calliope Cries Death (w: Doug Moench, a: Rico Rival) b) Escape from the Planet of the Apes—Chapter 5: But Who Shall Inherit the Meek? (w: Doug Moench, a: Rico Rival) 17 a) Future History Chronicles III: Graveyard of Lost Cities (w: Doug Moench, a: Tom Sutton) b) Conquest of the Planet of the Apes—Chapter 1: Slaves (w: Doug Moench, a: Alfredo Alcala) 18 a) Conquest of the Planet of the Apes—Chapter 2: Rites of Bondage (w: Doug Moench, a: Alfredo Alcala) b) Conquest of the Planet of the Apes—Chapter 3: To Serve the Slayer (w: Doug Moench, a: Alfredo Alcala) 19 a) Terror on the Planet of the Apes, Phase 2: Demons of the Psychedrome (w: Doug Moench, a: Mike Ploog & Tom Sutton) b) Conquest of the Planet of the Apes—Chapter 4: The Savage is King (w: Doug Moench, a: Alfredo Alcala) 20 a) Terror on the Planet of the Apes, Phase 2: Society of the Psychedrome (w: Doug Moench, a: Tom Sutton) b) Conquest of the Planet of the Apes—Chapter 5: Army of Slaves (w: Doug Moench, a: Alfredo Alcala) 21 a) Beast on the Planet of the Apes (w: Doug Moench, a: Herb Trimpe, Dan Adkins & Sal Trapani) b) Conquest of the Planet of the Apes—Chapter 6: Hail Caesar! Hail the King! (w: Doug Moench, a: Alfredo Alcala) 22 Quest for the Planet of the Apes: (w: Doug Moench, a: Rico Rival & Alfredo Alcala) Seeds of Future Deaths / The Keeper of Future Death 23 a) Terror on the Planet of the Apes, Phase 2: Messiah of Monkey Demons (w: Doug Moench, a: Tom Sutton) b) Battle for the Planet of the Apes—Chapter 1: The Weapons Shop of Paradise (w: Doug Moench, a: Vicente Alcazar & Sonny Trinidad) 24 a) Future History Chronicles IV: The Shadows of Haunted Cathedraulus (w: Doug Moench, a: Tom Sutton) b) Battle for the Planet of the Apes—Chapter 2: The Doomsday Spawn (w: Doug Moench, a: Alfredo Alcala) 25 a) Battle for the Planet of the Apes—Chapter 3: A Tale of Mutant Hate (w: Doug Moench, a: Sonny Trinidad, Yong Montano, & Dino Castrillo) b) Battle for the Planet of the Apes—Chapter 4: The War Machines (w: Doug Moench, a: Vicente Alcazar & Sonny Trinidad) 26 a) Terror on the Planet of the Apes, Phase 2: North Lands (w: Doug Moench, a: Herb Trimpe, Virgilio Redondo, & Rudy Mesina) b) Battle for the Planet of the Apes—Chapter 5: Assault on Paradise (w: Doug Moench, a: Dino Castrillo & Michele Brand) 27 a) Terror on the Planet of the Apes, Phase 2: Apes of Iron (w: Doug Moench, a: Virgilio Redondo) b) Battle for the Planet of the Apes—Chapter 6: Conquest of Blood (w: Doug Moench, a: Vicente Alcazar & Sonny Trinidad) 28 a) Terror on the Planet of the Apes, Phase 2: Revolt of the Gorilliods (w: Doug Moench, a: Herb Trimpe & Virgilio Redondo) b) Battle for the Planet of the Apes—Chapter 7: Tremor of Doom (w: Doug Moench, a: Virgilio Redondo) 29 Future History Chronicles V: To Race the Death-Winds (w: Doug Moench, a: Tom Sutton) U.K. Weekly Magazine: Apeslayer Storyline 23 Prologue: Future Imperfect (w: Gerry Conway & Roy Thomas, a: Neal Adams & Frank Chiaramonte) 24 The Birth of Apeslayer (w: Gerry Conway & Roy Thomas, a: Howard Chaykin & Frank Chiaramonte) 25 The Sirens of 7th Avenue (w: Gerry Conway, a: Howard Chaykin & Frank McLaughlin) 26 Death in the Ape-Pit (w: Gerry Conway, a: Howard Chaykin & Frank McLaughlin) 27 The Museum of Terror (w: Marv Wolfman, a: Herb Trimpe & Frank Giacoia) 28 Airport of Death (w: Marv Wolfman, a: Herb Trimpe & Frank Giacoia) 29 The Mutant Slayers (w: Don McGregor, a: Herb Trimpe & Yolande Pijcke) 30 Apeslayer Dies at Dawn (w: unknown, a: unknown) Unpublished Storylines Future History Chronicles VI: The Captive of the Canals (w: Doug Moench, a: Tom Sutton [assigned]) Terror on the Planet of the Apes: To Meet the Makers (w: Doug Moench, a: Herb Trimpe [assigned]) Journey to the Planet of the Apes (early title: Return to the Planet of the Apes) (w: Doug Moench, a: Val Mayerik [assigned]) Beyond the Planet of the Apes (w: Doug Moench, a: none assigned) Forbidden Zone Prime (w: Doug Moench, a: unknown) Australian comic strip (title unknown) (w: Philip Bentley, a: Colin Paraskevas & Greg Gates [assigned]) Reprints Adventures on the Planet of the Apes #1-11 (Marvel, reprints Planet and Beneath film adaptations in color) Planet of the Apes #1-87 (Marvel UK, reprints U.S.
Load more

Recommended publications
  • Eerie Archives: Volume 16 Free
    FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format.
    [Show full text]
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • The Charismatic Leadership and Cultural Legacy of Stan Lee
    REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary.
    [Show full text]
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
    [Show full text]
  • Captain America
    The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume.
    [Show full text]
  • Englehart Steve
    AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade
    [Show full text]
  • Alter Ego #78 Trial Cover
    Roy Thomas ’Merry Mar vel Comics Fan zine No. 50 July 2005 $ In5th.e9U5SA Sub-Mariner, Thing, Thor, & Vision TM & ©2005 Marvel Characters, Inc.; Conan TM & ©2005 Conan Properties, Inc.; Red Sonja TM & ©2005 Red Sonja Properties, Inc.; Caricature ©2005 Estate of Alfredo Alcala Vol. 3, No. 50 / July 2005 ™ Editor Roy Thomas Roy Thomas Associate Editors Shamelessly Celebrates Bill Schelly 50 Issues of A/E , Vol. 3— Jim Amash & 40 Years Since Design & Layout Christopher Day Modeling With Millie #44! Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Ronn Foss, Biljo White, Contents Mike Friedrich Production Assistant Writer/Editorial: Make Mine Marvel! . 2 Eric Nolen-Weathington “Roy The Boy” In The Marvel Age Of Comics . 4 Cover Artists Jim Amash interviews Roy Thomas about being Stan Lee’s “left-hand man” Alfredo Alcala, John Buscema, in the 1960s & early ’70s. & Jack Kirby Jerry Ordway DC Comics 196 5––And The Rest Of Roy’s Cover Colorist Color-Splashed Career . Flip Us! Alfredo Alcala (portrait), Tom Ziuko About Our Cover: A kaleidoscopically collaborative combination of And Special Thanks to: three great comic artists Roy worked with and admired in the 1960s and Alfredo Alcala, Jr. Allen Logan ’70s: Alfredo Alcala , John Buscema , and Jack Kirby . The painted Christian Voltan Linda Long caricature by Alfredo was given to him as a birthday gift in 1981 and Alcala Don Mangus showed Rascally Roy as Conan, the Marvel-licensed hero on which the Estelita Alcala Sam Maronie Heidi Amash Mike Mikulovsky two had labored together until 1980, when R.T.
    [Show full text]
  • Fantastic Four Volume 4: the End Is Fourever Free
    FREE FANTASTIC FOUR VOLUME 4: THE END IS FOUREVER PDF Leonard Kirk,James Robinson | 144 pages | 09 Jul 2015 | Marvel Comics | 9780785197447 | English | New York, United States Fantastic Four, Volume 4: The End is Fourever by James Robinson Account Options Sign in. Top charts. New arrivals. Fantastic Four Vol. The internet-wrecking end of the Fantastic Four is here! Meanwhile, the mastermind behind everything unveils his ultimate plan With the villain's plans revealed, the invasion of Earth begins -using Fantastic Four Volume 4: The End is Fourever creatures from the "Franklinverse" as well as corrupted versions of the heroes from Heroes Reborn! Will the Fantastic Four have enough power to fight them on the streets of New York? Meanwhile, Sue, Namor and Jim Hammond travel to the Franklinverse to combat this threat at its source -but find something more terrifying than they expected! And how does all of this add up to Guest-starring the all-new Captain America, the Hulk, and Sleepwalker! Collecting: Fantastic Four Reviews Review Policy. Published on. Original pages. Best for. Web, Tablet. Content protection. Learn more. Learn More. Flag as inappropriate. It syncs automatically with your account and allows you to read online or offline wherever you are. Please follow the detailed Help center instructions to transfer the files to supported eReaders. Fantastic Four: The End Is Fourever #1 - Volume 4 (Issue) Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Fantastic Four Volume 4: The End is Fourever rating book.
    [Show full text]
  • Club Add 2 Page Designoct07.Pub
    H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V.
    [Show full text]
  • Convergence Culture Reconsidered
    Reconsidering Transmedia(l) Worlds Nicole Gabriel, Bogna Kazur, and Kai Matuszkiewicz 1. Introduction “Any thoughtful study of contemporary transmedia must start with the vital caveat that transmedia is not a new phenomenon, born of the digital age.” (Jason Mittell 2014, 253; emphasis in the original) To begin with, we would like to agree with the general sentiment of Mittell’s statement: ‘transmedia,’ which Mittell seems to use as an abbreviation of the term ‘transmediality,’ is not a new phenomenon. But can it really be a mere coincidence that these two terms and other related concepts such as ‘transmedial worlds’ have been introduced and extensively discussed in academic discourses since the early 2000s, less than ten years after the introduction of home computers and the inter- net to numerous private households, and at about the same time as the Web 2.0 came into existence? We do not think so. Rather, we believe that the increasing research interest of media studies in these phenomena and the various concepts used in this research field are indicators of a fundamental change in (trans)media culture that is a result of the emergence of digital technologies as well as their mas- sive influence on our everyday lives. The aims of this paper are to take a closer look at the terminology used to de- scribe different phenomena in the field of transmedia studies, to differentiate be- tween these terms and concepts and render them more precise, and to put trans- media(l) worlds into a historical context through the analysis of three case studies: the transmedial universe of Sherlock Holmes, the Alien saga, and the transmedial world of The Legend of Zelda.
    [Show full text]
  • Read Book Sherlock Holmes Vs Dracula
    SHERLOCK HOLMES VS DRACULA PDF, EPUB, EBOOK Loren D. Estleman | 208 pages | 09 Nov 2012 | Titan Books Ltd | 9781781161425 | English | London, United Kingdom Sherlock Holmes vs Dracula PDF Book Your use of the site and services is subject to these policies and terms. Was the bought-for-mega bucks Medieval anywhere near faultless? Gallery Books. I sincerely hope that DC Comics moves forward with this series. The supremely rational Holmes also proves remarkably quick to accept the reality of vampire s on the basis of very little evidence. Adapted for radio by Glyn Dearman from Loren D. Rather than crafting a whole new narrative that would cast aside everything in the original Dracula and face criticism for changing a lot of things, this book works as a companion piece, an add-on to the classic. With Simon Davis he recently worked on a survival horror series, Stone Island, and he has also produced a comic version of the computer game Hellgate: London with Steve Pugh. I am also able to admit when I'm wrong. Victorian Undead 2 books. Edited by ImportBot. Add to the confounded confusion - Van Helsing, Dracula and the lot! Professor Stark once again will take the Wayback Machine down to the lowermost levels of development hell, armed only with a crucifix, a feather duster and his trusted fireplace bellows to brush off an old spec script that deservedly— and with due market diligence — should rise again. Hyde and the Invisible Man in one fell swoop. My Top How do you write a period piece that will both appeal to purists, fanboys, tweens and civilians alike? Log in or register to write something here or to contact authors.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]