DOCSLIB.ORG

EURO EXCHANGE the Newsletter of the Institute for European Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EURO EXCHANGE the Newsletter of the Institute for European Studies EURO EXCHANGE The Newsletter of the Institute for European Studies DIRECTOR’S NOTE FALL 2019 The past six months at the -Director’s Note 1-2 Institute for European Studies -Lunch Lectures 4-5 have seen a lot of changes, beginning with me. In May, the -’(En)countering EURO Advisory Board nominated Dictatorships’ film me to become the next director, series 6 and I accepted, beginning my -Upcoming Events 7 tenure on July 1. I would like to formally thank the Advisory CONTACT: Board for entrusting me with Institute for this position. I would also like European Studies to thank the previous directors, GA 4004 Brett Bowles and Tim Helwig, for 355 N. Jordan Ave. leaving the house in good order, Indiana University having secured Title VI and Jean Bloomington, IN 47405 Monnet grants to help support our the Assistant Director of both mission. I look forward to working Tel: 812.855.3280 entities, and I look forward to Fax: 812.855.7695 with the EURO community in the future possibilities of this the coming months and years to collaboration. further the Institute’s mission! [email protected] EURO also hired a new Recapping the Fall Semester Assistant Director, Heather Indeed, our collaboration FIND US ON: Duemling, who had been occupying with the PSC has already borne the position on an interim basis fruit. One of the highlights of the since our former Assistant Director, Fall semester was “Writings on Liese Hilgemann, accepted her new the Wall: The End of the Eastern position as Director of Graduate Bloc in Popular Memory (1989- Administrative Services. Heather 2019)” which took place November brings tremendous organizational 11 at the University Club. A skills and industry to the position, collaborative venture between as well as a set of fresh perspectives the PSC, EURO, and the Russian and ideas. I look forward to and Eastern European Institute, collaborating with her for the “Writings on the Wall” explored remainder of my term. the reverberations of 1989 in https://euro.indiana.edu/ The beginning of my tenure popular memory. Many thanks to also coincides with a new change Halina Goldberg, Johannes Türk, in the administrative structure of Lázsló Borhi, Maria Bucur, Craig the Hamilton Lugar School. EURO Cravens, and Łukasz Sicinski and has merged administratively with many others for taking part in this the Polish Studies Center (PSC), event and sharing their reflections which is directed by Joanna on one of the most momentous Niżyńska. Heather, who serves as transitions of the 20th century. Fall 2019 Page 2 Another highlight was our film series, How English Choral Music and European “(En)countering Dictatorships through Politics Intertwined.” Film in Post-WWII Europe,” which explores the way that film has been used to (en) Upcoming Events counter dictatorship by diagnosing its We tend to think of Europe as a causes, resisting its rule, and healing the bastion of calm and stability. It is not. The wounds that authoritarianism inflicts on past decade has been a tumultuous one for society and culture. This past semester Europe that has seen economic crisis and we screened Costa-Gavras’s Z (France/ the rise of populism, the growth of secession Greece, 1969), Milos Forman, Firemen's Ball movements, an immigration crisis fueled by (Czechoslovakia, 1967), and Nikos Perakis’s, war and climate change, the weakening of Loafing and Camouflage (Greece, 1984). transatlantic relations, and the emergence This coming semester, we are planning on of a host of new foreign policy challenges. screening Andrzej Wajda’s Man of Marble Europe’s precariousness means that we need (Poland, 1977), Péter Bacsó’s The Witness cutting-edge scholarship on it now more than (Hungary, 1969), Carlos Saura’s La Caza ever. It also means that we need to train new (Spain, 1966), and Susana de Sousa Dias’ generations of citizens and scholars that 48 (Portugal, 2010). The juxtaposition of the possess linguistic skills and deep knowledge experiences of Eastern and Western Europe in about European culture, politics, and history. these films has been very thought-provoking In the coming semesters I hope that EURO as have the parallels with the contemporary can continue to grow as a clearing house for political moment. ideas and new scholarship and as a vehicle for Our Friday lunchtime lecture series, generating students interested in European which typically features a presentation by cultures, societies, and politics. an IU faculty member or graduate student, Our outreach program is the tip of the was also an active presence in the intellectual spear in this effort, and we have a vigorous life of the HLS this past semester. One program scheduled for next semester as of the highlights was Timothy Water’s well. We are very excited to be screening, in talk on Catalonia’s secession movement, conjunction with REEI and the Tocqueville "Subsidarity, Secession, and Constitutional Center, Victoria Baltag’s recent film The Order: The Catalan Crisis in European and Hidden Story of the Piteşti Experiment, International Perspective," which proposed which documents a little-known Romanian an innovative approach for dealing with reeducation campaign from 1949-1951 that secession movements. Other highlights were targeted students who refused to join the Kate Hunt’s examination of the effects of the Communist Party. The director of the film 2018 Irish abortion referendum on pro- and will be present and will join us for Q & A after anti-abortion groups, “The Next Steps: Social the film. Our lunchtime lecture series has Movement Evolution After Major Success a robust lineup again and will feature talks or Failure,” and William Kindred Winecoff’s by Carl Ipsen on the Italian olive oil industry examination of the changing geopolitical (February 7), Paul Craig on Brexit (date t.b.d.), and economic power of Europe, “Structural and Neovi Karakatsanis (IUSB) and Jonathan Change in World Politics: Is Europe Declining Swarts (IUN) on their recent book, American as Others Rise?” Two graduate students Foreign Policy Toward the Colonels’ Greece also presented part of their dissertation (March 27). research. Our GA Miguel Cruz-Díaz spoke on The two big events on our Spring schedule, “Transnational Antifascism: The Anarchist however, are the Midwest Model European Black Cross and Francoist Spain” and Union (MMEU) and a new mini-conference, Stewart Duncan, from the Department of “The Future of Europe,” which we hope Musicology in the Jacobs School, gave a talk to make into an annual event. Last year’s titled “Political Culture and Cultural Politics: MMEU brought together over 140 students Fall 2019 Page 3 fo make into an annual event. Last year’s MMEU brought together over 140 students from 17 different universities to take part in a role-playing competition that recreates the European Union’s legislative process. We are hoping for similar turnouts this year. Our mini-conference on “The Future of Europe,” will feature IU faculty and European experts and politicians organized into three panels: “Populism, Democracy, and Europe: The Future of Jean Monnet’s Vision of Integration,” “The Future of Euro-American Relations,” and “European Foreign Policy in a Changing World: Challenges and Possibilities.” Stay tuned for more details! Notes on Staff I’d like to finish by welcoming new staff members: Our GAs for this year are Miguel Cruz-Diaz and Michael Stiles. Miguel is a doctoral student in the History Department, and Michael is a doctoral student in French horn performance in the Jacobs School of Music. I’d also like to welcome Jonathan Van Hecke, Annie Mangus, and Panagiota Doukas to our team. Jonathan is serving as our Less Commonly Taught Languages Coordinator, and Annie is our EURO Content Coordinator. Panagiota is working with me to develop content for online Greek courses. Please stop by and say hi if you are on the fourth floor. Heather (GA 4015) and I (GA 4022) both have open doors. Franklin L. Hess Director, Modern Greek Program Director, Institute for European Studies Fall 2019 Page 4 EURO’s Lunch Lecture Series: A window into what EURO is all about By Miguel A. Cruz Díaz production in the field of European research. In other words, this series serves as a sampler During this past fall semester, the of sorts. And as any good sampler Institute for European Studies organized a should, our lunch lectures offer a variety of number of lectures at the Hamilton Lugar options. School of Global and International Studies known as the Lunch Lecture Series. As The lecture series the name implies, these lectures are held kicked off with Fridays at noon, with lunch being served, Professor Timothy and are pitched to a varied audience of Waters from the undergraduate and graduate students as Maurer School of well as diverse groups of faculty members. Law on September The aim of these lectures is to showcase the 20. Professor recent research and scholarly production of Waters’ lecture, EURO-associated faculty as well as graduate ‘Subsidiarity, students, piquing the curiosity of members Secession, and Constitutional Order: The of Indiana University’s student community Catalan Crisis in European and International who might be interested in pursuing Perspective’, centered on new approaches to research and educational opportunities in understanding the contemporary Catalonian Europe. The lectures in this series provide independence movement. a window into EURO’s efforts to incentivize scholarly interest in Europe, and generate Spain continued to interest in the opportunities made possible be examined by our by EURO. As such, they complement other second lecturer on lectures presented by the institute, and September 27, with often serve as an introduction to scholarly the presentation by lectures for students who are not overly doctoral candidate familiar with them. Miguel A. Cruz-Díaz, from the Department This lecture series benefits greatly of History.
Load more

Recommended publications
  • Michalis Peristerakis’S Life, Which Began in Naxos 73 Peristerakis Years Ago, Came to an End Prematurely
    Bruce Kent 8/10/06 11:05 PM Page 46 Bruce Kent, president of the International Peace Bureau, presents Mikis Peristerakis with a special award for his services to the peace movement, Athens, 2003. Bruce Kent 8/10/06 11:05 PM Page 47 47 Michalis The Marathon race of Michalis Peristerakis’s life, which began in Naxos 73 Peristerakis years ago, came to an end prematurely. An A last farewell emblematic figure in the Greek peace movement, with significant international activity, for which he was officially honoured by the International Peace Bureau, Mikis – as his international friends called Panos Trigazis him – passed away suddenly on 4 May Bruce Kent 2011, in his law office, from a heart attack. Colin Archer Those of us who walked with him many times from Marathon for a world without wars, hunger and enviromental degradation, or who protested against the ‘Euromissiles’ with Mikis in various European capitals, or who travelled with him to the opposite shore of the Aegean in support of ‘citizens’ diplomacy’ and friendship between the Greek and Turkish peoples, or who co- organised events with him in solidarity with Cyprus and Palestine, or who collaborated in demonstrations against the wars in Yugoslavia, Afghanistan, Iraq and elsewhere – we all feel we have lost part of ourselves. ‘Uncompromising fighter and simul- taneously a deeply sensitive soul, a true fellow man,’ were the characteristic words of Professor G A Mangakis, a prominent anti- junta fighter and former justice minister, describing Peristerakis during an event at the Athens Bar Association in 2006, which his Panos Trigazis is friends and fellow peace activists had President of the Greek organised in his honour.
    [Show full text]
  • Greece and NATO Master's Thesis Presented
    The “Menace from the North” and the Suppression of the Left: Greece and NATO Master’s Thesis Presented in partial fulfillment of the requirements for the Master of Arts in the Graduate School of the Ohio State University Ioannis Pavlou, B.A. Graduate Program in Slavic and East European Studies The Ohio State University 2015 Thesis Committee: Georgios Anagnostou, advisor Anthony Kaldellis Copyright by Ioannis Nikos Pavlou 2015 Abstract In the aftermath of the Greek Civil War, the right-wing elements of Greece’s government felt that they needed to join NATO to protect Greek interests from the perceived threat posed by Communism and their Balkan neighbors. Throughout this period of time, the Greek state implemented several drastic and often undemocratic motions that led to measures against minority groups, suppressing left-wing politicians, and applying old nationalistic rhetoric such as the “Menace from the North” to the situation with the Communist regimes in their neighboring countries. During this time, Greek interests often were pushed aside in order to appease the United States and other members of NATO while at other points, Greece nearly went to war with their NATO ally Turkey over the future of Cyprus. Meanwhile, Greece’s new-found alliance with NATO led to an improvement of their military capabilities to the point where the highly nationalistic, anti-Communist army would seize control of the government in 1967 and form a Military Junta. During the seven years of military control, NATO continued to work with the Military Junta which in turn would have drastic consequences when Greece nearly went to war with Turkey over Cyprus.
    [Show full text]
  • Canada's Greek Moment: Transnational Politics, Activists, and Spies During
    CANADA’S GREEK MOMENT: TRANSNATIONAL POLITICS, ACTIVISTS, AND SPIES DURING THE LONG SIXTIES CHRISTOPHER GRAFOS A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2016 © CHRISTOPHER GRAFOS, 2016 ABSTRACT This dissertation examines Greek immigrant homeland politics during the period of Greece’s military dictatorship, 1967 to 1974, in Toronto and Montreal. It carefully considers the internal dynamics of anti-junta activism in Canada’s Greek populations, but it also contemplates the meanings of external perceptions, particularly from the Canadian state and Canadian public discourse. The study acknowledges the dominant paradigm of Greek immigrants as unskilled workers, however, it demonstrates that this archetype is not monolithic. In many ways, it is challenged by a small number of Greeks who possessed skills to write letters to politicians, create petitions, organize public rallies, and politically mobilize others. At the same time, this dissertation carefully considers Canada’s social and political environment and shows how uniquely Canadian politics ran parallel to and informed Greek homeland politics. Transnationalism is used as an analytical tool, which challenges the meaning of local/national borders and the perception that they are sealed containers. The main argument expressed here is that environments shape movements and migrant political culture does not develop in a vacuum. Each chapter deals with specific nuances of anti-junta activism in Toronto and Montreal. Chapter One examines the organized voices of the Greek community’s anti-dictatorship movement. The chapter’s latter section looks at how the Panhellenic Liberation Movement (PAK), led by Andreas Papandreou, consolidated itself as the main mouthpiece against Greece’s authoritarian regime.
    [Show full text]
  • The Greek Peace Movement and the Vietnam War, 1964–1967 Alexandros Makris
    The Greek Peace Movement and the Vietnam War, 1964–1967 Alexandros Makris Abstract During the late 1950s and early 1960s, a peace and disarmament movement, which resembled similar movements at the time on both sides of the Iron Curtain, proliferated in Greece. In 1964, this movement set aside its anti-nu- clear agenda and focused on protesting the US intervention in Vietnam. The political context of Greece at the time made Vietnam relatable to the experience of the Greek protestors. Two main themes facilitated this process: the problem of Cyprus and the call for democracy. The Greek experience is comparable to other antiwar and protest movements at the time, and the trans- national links and encounters between them are noteworthy. Examination of the anti-war activity of this peace movement with communist affiliations enables a new perspective on the history of the 1960s. Introduction This article explores the way in which the Vietnam War was perceived and protested by the Greek peace movement from 1964 to 1967. It thus seeks to merge two historical topics by drawing from the literature of both peace movements and the Vietnam conflict. The war represents a pivotal moment in the history of the Cold War, since it developed as a proxy war between the two superpowers and in that sense represented the “climax of a period of confrontation” (Fink, Gassert and Junker 1998, 17), while at the same time the global movement that developed against it challenged the established consensus of Cold War bipolarity and the mentality of bloc confrontation. This antiwar movement is also inextri- cably connected with ideas of a global protest movement that developed during the ’60s and the revolutionary moment of 1968, particularly in the US (Gallant 2009, 58).1 From draft resistance in the US to the violent riots of the French May and mobilization in the Soviet bloc, Vietnam is ever-present and “has long Journal of Modern Greek Studies 38 (2020) 159–184 © 2020 by The Modern Greek Studies Association 159 160 Alexandros Makris overshadowed the history of the 1960s” (Suri 2003, 163).
    [Show full text]
  • Grigoris Lambrakis (1912-1963) – a Greek Obstetrician and World Renowned Activist
    Pregledni rad Acta Med Hist Adriat 2016; 14(1);177-184 Review article GRIGORIS LAMBRAKIS (1912-1963) – A GREEK OBSTETRICIAN AND WORLD RENOWNED ACTIVIST GRIGORIS LAMBRAKIS (1912.–1963.) – GRČKI OPSTETRITIČAR I SVJETSKI POZNATI AKTIVIST Ioannis D. Gkegkes*, Marianna Karamanou**, Paraskevi-Evangelia Iavazzo***, Xanthi-Ekaterini D. Gkegke****, George Androutsos,** Christos Iavazzo***** Summary Grigoris Lambrakis was a Greek politician, doctor, athlete, and faculty member of the Medical School of Athens University. As an athlete, Lambrakis held the Greek record for long jump for twenty-three years and he also won several gold medals in the Balkan Athletic Games. Lambrakis received an excellent medical education. As lecturer at the University of Athens, Lambrakis became a pioneer of Gynecological Endocrinology. His philanthropy was always evident during his medical career, but he also consistently attended internation- al pacifist meetings and demonstrations. His medical work, and his performance as lecturer of Obstetrics and Gynaecology, have been neglected, if not overshadowed, by his political * First Department of Surgery, General Hospital of Attica “KAT”, Athens, Greece. ** History of Medicine Department, Medical School, University of Athens, Greece. *** Rural Practice, Molos, Fthiotida, Greece. **** IASO, Maternity Hospital, Athens, Greece. ***** Gynaecological Oncology Department, Christie Hospital, Manchester, United Kingdom. Corresponding author: Christos Iavazzo, MD, MSc, PhD. 38, Seizani Str., Nea Ionia, Athens, Greece, 14231. Tel: +306948054119. Electronic address: christosiavazzo@ hotmail.com. 177 career. Lambrakis is recognized worldwide as a martyr for peace. The aim in this essay is to present his life, and especially to elucidate his medical achievements. Key words: Lambrakis; gynecologic endocrinology; peace activist; assassination; athlete. Introduction Grigoris Lambrakis was a Greek politician, doctor, athlete, and faculty member of the Medical School of Athens University.
    [Show full text]
  • Uni International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology lias been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the fdm is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin film ing at the upper left hand corner o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
    [Show full text]
  • Chalkou, Maria (2008) Towards the Creation of 'Quality' Greek National Cinema in the 1960S
    Chalkou, Maria (2008) Towards the creation of 'quality' Greek national cinema in the 1960s. PhD thesis. http://theses.gla.ac.uk/1882/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] TOWARDS THE CREATION OF ‘QUALITY’ GREEK NATIONAL CINEMA IN THE 1960S by Maria Chalkou Submitted in fulfillment of the requirements for the Degree of PhD Department of Theatre, Film & Television Studies Faculty of Arts University of Glasgow Supported by the State Scholarship Foundation of Greece (I.K.Y.) 6 December 2008 CONTENTS ABSTRACT (1) INTRODUCTION (2-11) 1. THE ORIGINS OF NEK: SOCIOPOLITICAL, CULTURAL, LEGISLATIVE AND CINEMATIC FRAMEWORK, AND THE NATIONAL CINEMA DEBATE (12-62) 1.1 The 1960s: the sociopolitical and cultural framework (13-20) 1.2 The commercial film industry and the development of two coexisting and intersecting film cultures (20-27) 1.3 The state’s institutional and financial involvement in cinema: the beginning of a new direction (27-33) 1.4 The public debate over a ‘valued’ Greek national cinema (34-63) a.
    [Show full text]
  • On Chesil Beach the Irish Director’S Film Institute Note
    MAY 2018 ON CHESIL BEACH THE IRISH DIRECTOR’S FILM INSTITUTE NOTE The Irish Film Institute is Ireland’s A look at the cultural legacy of EXHIBIT national cultural institution for film. Lady Augusta Gregory, a season of iconic It aims to exhibit the finest in independent, thrillers, and a fantastic selection of new Irish and international cinema, preserve releases from across the globe headline a PRESERVE Ireland’s moving image heritage at packed May at the IFI. the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. MAY AT THE IFI on Pete Lean May at the IFI sees a wide range of events throughout May also sees the IFI join forces with the International the month, with something for old and young alike. Literary Festival Dublin for two very special events, including MYSTERY MATINEE IFI FILM CLUB Those with a taste for nostalgia can immerse themselves a screening of Jan Švankmeyer’s Alice, presented by in Trust No One, our season of international thrillers bestselling author Neil Gaiman. Regular IFI collaborator from the 1960s and 1970s. Student uprisings in France, Matthew Nolan (of post-rock band 3epkano) returns to This month’s secret screening, for which tickets Join us for an open discussion with members of the IFI team domestic terrorism in Italy and Germany, and the Watergate the IFI with a special event with musician Chris Brokaw, cost just €5, will take place at 13.00 on Sunday following the 18.15 screening of Tully on Wednesday 9th. scandal on the other side of the Atlantic contributed to an former guitarist with iconic band Codeine.
    [Show full text]
  • March 2, 2010 (XX:8) Costa-Gavras, Z (1969, 127 Min)
    March 2, 2010 (XX:8) Costa-Gavras, Z (1969, 127 min) Directed by Costa-Gavras Based on the novel by Vasilis Vasilikos Written by Jorge Semprún and Costa-Gavras Produced by Jacques Perrin, Ahmed Rachedi Original Music by Mikis Theodorakis Cinematography by Raoul Coutard Film Editing by Françoise Bonnot Yves Montand...The Deputy Irene Papas...Helene, the Deputy's wife Jean-Louis Trintignant...The Examining Magistrate Jacques Perrin...Photojournalist Charles Denner...Manuel François Périer...Public Prosecutor Pierre Dux...The General Georges Géret...Nick Bernard Fresson...Matt Marcel Bozzuffi...Vago (as Marcel Bozzufi) Julien Guiomar...The Colonel RAOUL COUTARD (16 September 1924, Paris, France-) did the cinematography for 81 films and tv series, some of which were COSTA-GAVRAS (12 February 1933, Loutra-Iraias, Greece-) Sauvage innocence/ Wild Innocence (2001), Le coeur fantôme/ The directed 21 films, some of which were Eden à l'Ouest /Eden Is West Phantom Heart (1996), La femme fardée (1990), Brennende Betten/ (2009), Mad City (1997), Lumière et compagnie /Lumière and Burning Beds (1988), Parachute (1986), La diagonale du fou/ Company (2009), Music Box (1989), Betrayed (1988), Conseil de Dangerous Moves (1984), L'emmerdeur/ A Pain in the A… (1973), famille/ Family Business (1986), Hanna K. (1983), Missing (1982), Embassy/ Target: Embassy (1972), The Southern Star/ L'étoile du Section special/ Special Section (1975), État de siège/ State of Siege sud (1969), Z (1969), La mariée était en noir/ The Bride Wore (1972), L'Aveu/ The Confession (1970), Z (1969), Un homme de Black (1968), Rocky Road to Dublin (1968), Week End (1967), La trop/ Shock Troops (1967), Compartiment tueurs/ The Sleeping Car chinoise (1967), 2 ou 3 choses que je sais d'elle/ Two or Three Murders (1965), and Les rates (1958).
    [Show full text]
  • New York's Miss Greek Independence Lina Paxou Gen
    :: APR 2007 $2.95 New York's Miss Greek Independence Lina Paxou Gen. Makriyannis brought to life by Yannis Simonides Cyprus Trade Commissioner brings high-tech Celebrating the centenary of Konstantinos Karamalis: building to America The European leader JFK called "the most emiment of all" 6 From The Editor - Freedom through the ages 08 Breakthrough building materials now available in US 12 Celebrating the centenary of the birth of Konstantinos G. Karamanlis 17 Man for the Ages 18 Makriyannis the Man 20 A born-again Greek 22 Cyprus aiming high in the US 28 Annual Greek Independence Parade Dedicated to Religious Freedom 30 Miss Greek Independence 2007 32 Educators honor Greek Independence 33 Phoenix Reigns with Destination Unknown 35 Byzantine Chant in English 38 Cypriot theater in New York CONTENTS 4 NEO magazine :: March 2007 :: magazine Editor in Chief: Dimitri C. Michalakis [email protected] :: Publishing Committee Chairman: Demetrios Rhompotis [email protected] :: Marketing and Advertising Director Kyprianos Bazenikas [email protected] :: Photo/Fashion Director Alexandros Giannakis Photographers: Christos Kavvadas Freedom through the ages ETA Press :: The great Greek actor Yannis Simonides read to me some passages of Makriyannis’ Legal Advisor Memoirs in the original Greek, and even over the phone - anatrihiasa. Not just because Esq. Jimmy Solomos :: Simonides made Makriyannis come alive—the wheeze of the old man, the burr of his Graphic Design country accent, the fire in his voice confronting a lifetime of challenges—but because the NEOGraphics Inc. old general typifies so much of the history of modern Greece and modern Greeks :: everywhere. NEO Magazine is published monthly by Makriyannis came from nowhere, he made himself a rich man, he gave it all to the Neocorp Media Inc.
    [Show full text]
  • Marxist Reading of Political Cinema: a Case Study on Costa- Gavras' Films
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 7, Ver. V (July 2015), PP 01-07 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Marxist Reading of Political Cinema: A Case Study on Costa- Gavras’ Films Mohammad Aminur Rahman I. Introduction It may seem to be problematic to draw the relationship between cinema and politics, but in fact, both cinema and politics are components of a society's culture. A society is made up of its current and historical events with other social conditions and when these are portrayed in a cinema in order to inform or to agitate the spectator that then the cinema becomes political where ideology and politics are often deliberately interconnected. Thus we stand with the cinema before an exposition of the world. Cinema is a form of arts and science. It is a means of communication. It is a part and parcel of a society's culture which amalgamates its ideas and ways of behaving, language and literature, music, ideas about what is bad and good, and ways of working. It is considered to be a visual medium that tells us stories and most often is used to expose reality. It lets us think remarking itself as a complex instrument of representation as Jean-Luc Godard remarks at the end of his Histoire(s) du Cinéma, a “form that things”. I must say that the background to Costa-Gavras’ debate was the worldwide social and political upheavals of the 1960s that of simultaneously influenced by Latin American film movement that started in the 1960s-70s, termed as Third Cinema which denounces neocolonialism and the capitalist system.
    [Show full text]
  • On Chesil Beach the Irish Film Institute
    MAY 2018 ON CHESIL BEACH THE IRISH FILM INSTITUTE The Irish Film Institute is Ireland’s EXHIBIT national cultural institution for film. It aims to exhibit the finest in independent, Irish and international cinema, preserve PRESERVE Ireland’s moving image heritage at the IFI Irish Film Archive, and encourage EDUCATE engagement with film through its various educational programmes. MYSTERY MATINEE IFI FILM CLUB This month’s secret screening, for which tickets cost just Join us for an open discussion with members of the IFI team €5, will take place at 13.00 on Sunday 20th. Sometimes following the 18.15 screening of Tully on Wednesday 9th. it will be a preview, but not always; sometimes it will be Directed by Jason Reitman and written by Oscar winner a title one might expect to see at the IFI, but not always. Diablo Cody (Juno), the film features Charlize Theron as Previous titles have included Greta Gerwig’s Lady Bird, Marlo, a woman overwhelmed by the arrival of an unplanned John Carpenter’s Star Man, and John Huston’s Beat the third child. Devil. Join us for this month’s screening, and expect the unexpected! FRENCH FILM CLUB FEAST YOUR EYES This month’s French Film Club screening, which takes Our monthly Feast Your Eyes strand of a film and main course place on Friday 11th at 18.30 and where IFI and Alliance for €20 will be Nora Twomey’s Oscar nominated animation Française members pay just €7.50 per ticket, is Michel The Breadwinner. This month’s screening will take place Hazanavicius’s Redoubtable.
    [Show full text]