PROGRAM 35. FEST-A
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Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
Program 1..161
The 93rd Annual Meeting of CSJ Program Chair: Ishitani, Osamu（15：30～16：20） Room S1 2S1- 06 Special Lecture Photocatalytic hydrogen evolution from water （Tokyo University of Science, Faculty of Science）Kudo, Akihiko（15:30～ 15:55） CO-LEARNING HOUSE I C102 2S1- 07 Special Lecture Development of visible light responsive semi- conductor photocatalysts（School of Engineering, The University of Tokyo） Domen, Kazunari（15:55～16:20） Frontiers of Artificial Photosynthesis JST- Chair: Inoue, Haruo（16：20～17：30） PRESTO Project "Chemical Conversion of 2S1- 08 Special Lecture How to make good use of near infrared light Light Energy" energy?（RIES, Hokkaido Univ.）Misawa, Hiroaki（16:20～16:45） 2S1- 09 Friday, March 22, AM Special Lecture Road Map of artificial photosynthesis to Future Industry（Mitsubishi Chemical Science and Technology Research Center （9：40 ～12：10） Inc.）Setoyama, Tohru（16:45～17:10） 1S1- 02# Watching Chemical Conversion of Light Energy with Picosecond 2S1- 10 Special Lecture Artificial Photosynthesis: Perspective from Time-resolved X-ray Structural Analysis（KEK）ADACHI, Shin-ichi（09:40 Science and Technology Policy and Scientists（School of Engineering, ～10:10） University of Tokyo）Hashimoto, Kazuhito（17:10～17:30） 1S1- 03# Development of Large Photofunctional Porphyrin Arrays（NAIST） ARATANI,Naoki（10:10～10:40） 1S1- 04# Development of energy conversion materials with hierarchical struc- ture using two-dimensional nanocrystals （Kyushu Univ.）IDA, Shintaro Room S2 （10:40～11:10） 1S1- 05# Development of highly-active oxygen evolving catalysts toward CO-LEARNING -
Groundwater Arsenic Contamination and Land Subsidence in Hanoi
2017 IEEE International Geoscience and Remote Sensing Symposium (IGARSS 2017) Fort Worth, Texas, USA 23-28 July 2017 Pages 5602-6296 IEEE Catalog Number: CFP17IGA-POD ISBN: 978-1-5090-4952-3 9/9 Copyright © 2017 by the Institute of Electrical and Electronics Engineers, Inc. All Rights Reserved Copyright and Reprint Permissions: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume that carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. For other copying, reprint or republication permission, write to IEEE Copyrights Manager, IEEE Service Center, 445 Hoes Lane, Piscataway, NJ 08854. All rights reserved. *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP17IGA-POD ISBN (Print-On-Demand): 978-1-5090-4952-3 ISBN (Online): 978-1-5090-4951-6 ISSN: 2153-6996 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com TABLE OF CONTENTS MO3-L1: BAND SELECTION MO3-L1.1: HYPERSPECTRAL IMAGE BAND SELECTION VIA GLOBAL OPTIMAL .................................................... 1 CLUSTERING Fahong Zhang, Qi Wang, Northwestern Polytechnical University; Xuelong Li, Xi’an Institute of Optics and Precision Mechanics of Chinese Academy of Sciences MO3-L1.2: RANDOMIZED NONLINEAR COMPONENT ANALYSIS FOR DIMENSIONALITY ................................... -
Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura Part
PRESS RELEASE: May 2012 12/26 Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura at BFI Southbank in June and July 2012 April 2012 marks the 100th birthday of Kaneto Shindo, one of the leading talents in post-war Japanese film. Throughout June and July BFI Southbank will host a two-part retrospective which pays tribute both to Shindo himself and to his friend, colleague and contemporary Kozaburo Yoshimura (1911- 2000), one of the neglected masters of classical Japanese film. June’s programme focuses primarily on the 1950s, the period when their collaboration was closest. Yoshimura and Shindo’s work together constitute a revealing social history and include some of Japanese cinema’s most powerful and moving films. Beginning with a Season Introduction on Wed 6 June by the season’s curator Alexander Jacoby (Lecturer in Japanese Studies at Oxford Brookes University), Jacoby will explore the collaboration between Shindo and Yoshimura situating their work in the social, political and cinematic context of a rapidly changing post-war Japan. Shindo is a versatile director, skilled screenwriter and pioneer of independent production who has astonishingly remained active into very recent years, releasing his latest film, Postcard, at the age of 98. Under contract to Shochiku studios as respectively director and screenwriter, Yoshimura and Shindo initiated a fruitful collaboration with The Ball at the Anjo House (1947), a Chekhovian study of the decline of the pre-war aristocracy, which scooped the top prize in the critics’ poll conducted that year by the leading Japanese film magazine, Kinema Junpo. But both men found their creativity inhibited at Shochiku, and by the early 1950s had established their own independent production company, Kindai Eiga Kyokai. -
70. Internationale Filmfestspiele Berlin Berlinale-Pressekonferenz Am 29
70. Internationale Filmfestspiele Berlin Berlinale-Pressekonferenz am 29. Januar 2020 70. Internationale Filmfestspiele Berlin Presseinformationen Grußwort ....................................................................................................... 3 Wettbewerb ................................................................................................... 4 Encounters .................................................................................................... 7 Berlinale Special und Berlinale Series ........................................................... 9 Berlinale Shorts ........................................................................................... 14 Panorama .................................................................................................... 15 Forum .......................................................................................................... 21 Forum Expanded ......................................................................................... 29 Generation ................................................................................................... 33 Perspektive Deutsches Kino ........................................................................ 42 Retrospektive und Berlinale Classics ........................................................... 44 Berlinale Goes Kiez ..................................................................................... 48 Jurypräsident .............................................................................................. -
December 1988 National Gallery of Art
National Gallery of Art CALENDAR OF EVENTS December 1988 National Gallery of Art Special Course: The Arts of Family Programs Japan under Daimyo Rule Enjoy a film on "The Christmas Story," then East Building Auditorium discover Christmas symbols in paintings showing Jesus' The four-part lecture course introducing birth. Families with children ages 6 to 12 are asked Japanese art in the age of the daimyo con to meet Saturdays in the West Building Lecture Hall at 10:00 tinues in December. The lectures will be a.m. on December 3, n, and 18. given by Mark H. Sandier, Assistant This free program lasts an hour and Professor, Department of Art History, a half; children must be accompanied by an adult. Please University of Maryland, College Park. call (202) 842-6249 for reservations. Symbols and Settings: The Roles of Painting in Daimyo Culture Wednesday, November 30, 12:30 Glorious Trappings: Arms, Armor, and Gallery Talks Dress of Feudal Japan West Building, Rotunda Monday, December 12, 12:30 Sally Shelburne, Graduate Lecturing Fellow Serious Play: The Aesthetics of in the Education Department, will discuss Leisure Pursuits "Van Dyck's English Portraits" on Saturday, Wednesday, December^, 12:30 December 3 and Wednesday, December 21 at 2:00 p.m. She will discuss "New Themes and New Feelings: The Late Paintings of Film Programs Veronese" on Wednesday, December 14 at / 2:00 P.M. East Building Auditorium Gregor Kalas, Graduate Lecturing Fellow in the Education Department, will discuss "Jidai-geki: Images of the Daimyo Age in "Some Michelangelo Drawings Used as In Japanese Cinema" continues during struction on the Poetic Ideal" on Wednesday, December with Tadashi Imai's Night Drum December 7 at2:00 p.m. -
2018 IEEE International Geoscience and Remote Sensing Symposium · Valencia, Spain IEEE Geoscience and Remote Sensing Society ·
2018 IEEE International Geoscience and Remote Sensing Symposium · Valencia, Spain IEEE Geoscience and Remote Sensing Society · http://grss-ieee.org/ Contents Welcome from General Chair ..................................................................................................2 Welcome from the IEEE Geoscience and Remote Sensing Society President .......................3 Welcome from Technical Program Committee .........................................................................4 IGARSS 2018 at a Glance.......................................................................................................5 Tutorials & Welcome Reception ................................................................................... 5 Opening, Plenary, and Oral Sessions ......................................................................... 5 Technical and Social Events ......................................................................................... 5 Feria Valencia Convention & Exhibition Centre — Overview ...............................................15 Feria Valencia Convention & Exhibition Centre — 1st Floor ..................................................16 Feria Valencia Convention & Exhibition Centre — 2nd Floor .................................................17 Feria Valencia Convention & Exhibition Centre — 3rd Floor .................................................18 Feria Valencia Convention & Exhibition Centre — 4th Floor..................................................19 Feria Valencia Convention & Exhibition Centre -
Volume 14, Number 2: Spring 2017 Volume 14, Number 2 • Spring 2017
Volume 14, Number 2: Spring 2017 Volume 14, Number 2 • Spring 2017 CENTER FOR ASIA PACIFIC STUDIES EDITORIAL BOARD: Melissa S. Dale Ezra Vogel, Professor Emeritus, Harvard University Editor, Executive Director Thomas Gold, Professor, UC Berkeley Leslie A. Woodhouse Margaret Kuo, Assistant Professor, CSU Long Beach Assistant Managing Editor Rachel Rinaldo, Assistant Professor, University of Virginia John Nelson, Professor, University of San Francisco CONTENTS EDITOR’S INTRODUCTION Melissa S. Dale ....................................................................... 2 ARTICLES Eurasians and Racial Capital in a “Race War” W. Puck Brecher ......................................................................4 Erasure, Solidarity, Duplicity: Interracial Experience across Colonial Hong Kong and Foreign Enclaves in China from the Late 1800s to the 1980s Vicky Lee ..........................................................................20 The Language of “Racial Mixture” in Japan: How Ainoko became Haafu, and the Haafu-gao Makeup Fad Okamura Hyoue ..................................................................... 41 THOUGHT PIECES The Asian Turn in Mixed Race Studies: Retrospects and Prospects Emma Teng ........................................................................ 80 Political and Social Contexts of Multiethnic Relations and Individuals in Japan and South Korea Keiko Yamanaka .....................................................................86 The “Human Duty” to Deracialize Nationality Okamura Hyoue .................................................................... -
The Golden Era of Japanesa Cinema
THE GOLDEN ERA OF JAPANESE CINEMA The 1950s are widely considered the Golden Age of Japanese cinema. Three Japanese films from this decade made the Sight & Sound's 2002 Critics and Directors Poll for the best films of all time. Rashomon Seven Samurai Tokyo Story The period after the American Occupation led to a rise in diversity in movie distribution thanks to the increased output and popularity of the film studios: Toho Daiei Shochiku Nikkatsu Toei This period gave rise to the four great directors of Japanese cinema: Masaki Kobayashi Akira Kurosawa Kenji Mizoguchi Yasujirō Ozu. Two types of dramas Gendai–Geki : Contemporary Drama/Social Issues Jidai-Geki: Costume or Period Drama (Samurai Films) TIME LINE: 1946 - The Civil Censorship Department was created within the Civil Intelligence Section of the Supreme Commander for the Allied Powers. It exercised considerable influence over the operation and administration of the American Occupation of Japan after World War II. Bans 31 Separate topics from films – including imperial propaganda (i.e. Samurai Films) 1948 – US vs Paramount. The beginning the end for the studio system. 1949 November- The Civil Censorship Department becomes less heavy handed. 1950 - The decade started with Akira Kurosawa's Rashomon (1950), which won the Golden Lion at the Venice Film Festival in 1951 and the Academy Award for Best Foreign Language Film in 1952, and marked the entrance of Japanese cinema onto the world stage. It was also the breakout role for legendary star Toshiro Mifune. 1950 - The Blue Ribbon Awards were established in 1950. The first winner for Best Film was Until We Meet Again by Tadashi Imai. -
Japanese Transnational Cinema • Marcos P
Japanese Transnational Cinema Transnational Japanese • Marcos P. Centeno-Martín and P. • Marcos Morita Norimasa Japanese Transnational Cinema Edited by Marcos P. Centeno-Martín and Norimasa Morita Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Transnational Cinema Japanese Transnational Cinema Special Issue Editors Marcos P. Centeno-Mart´ın Norimasa Morita MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Special Issue Editors Marcos P. Centeno-Mart´ın Norimasa Morita University of London Waseda University UK Japan Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) (available at: https://www.mdpi.com/journal/arts/special issues/Japanese Transnational Cinema). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03936-156-4 (Hbk) ISBN 978-3-03936-157-1 (PDF) Cover image courtesy of Nikkatsu and Almudena Garc´ıa Navarro. c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
East-West Film Journal, Volume 1, No. 1
EAST-WEST FILM JOURNAL VOLUME 1- NUMBER 1 Foreword 3 Editors' Note 5 Film and Society: Public Rituals and Private Space 7 DUDLEY ANDREW Viewing Japanese Film: Some Considerations 23 DONALD RICHIE Hollywood Reconsidered: Reflections on the Classical American Film 36 WILLIAM ROTHMAN The Destiny of Samurai Films MICHITARO TADA Chinese Film Amidst the Tide of Reform 59 SHAO MUJUN Art, Vision, and Culture: Satyajit Ray's Apu Trilogy Revisited WIMAL DISSANAYAKE From Ape-Man to Space-Baby: 2001, An Interpretation JOHN CHARLOT Responsible Soap: Discourses of Australian TV Drama JOHN TULLOCH DECEMBER 1986 The East-West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Foreword I TAKE great pleasure in introducing the first issue of the East-West Film Journal, a new project of the Institute of Culture and Communication. Established in I984 at the East-West Center, the Institute is dedicated to implementing the Center's mission of fostering better understanding and relations among peoples of the East and West through programs and research activities related to culture and communication.