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Biography John Suckling A popular label for many poets in seventeenth-century Britain has been "Cavalier," and the person who usually comes first to mind is Sir John Suckling. The classification implies an allegiance to Charles I in his political and military battles against various Parliamentarian or religious groups during the later 1620s through his execution on 30 January 1649. Included thus are the poets Thomas Carew, Richard Lovelace, Suckling, and Edmund Waller. "Cavalier" also implies that these poets were of a gentlemanly social class, that they bore arms and indeed rode horses in battle when the civil wars raged from 1641 to 1648 (cavalier derives from the French word for horse, cheval), and that they were carefree gallants. Suckling, at least, was of the aristocratic class and often a part of the courtly world of the précieuse life ushered in by Charles's queen, Henrietta Maria, and her French retinue; he was a soldier and was involved in political intrigue; and he was notorious as a gambler and for his conquests of women. A poem like "A Soldier" reflects these matters and at the same time employs the punning wit associated with the poetic group: I am a man of war and might, And know thus much, that I can fight, Whether I am i'th' wrong or right, devoutly. No woman under heaven I fear, New Oaths I can exactly swear, And forty Healths my brain will bear most stoutly. I cannot speak, but I can doe As much as any of our crew; And if you doubt it, some of you may prove me. I dare be bold thus much to say, If that my bullets do but play, You would be hurt so night and day, Yet love me. Perhaps it should be pointed out that the "New Oaths" in this context are the protestations of true love in order to seduce the woman sexually, that the "forty Healths" are not only toasts of ale ("stout") but imply a lifetime ("forty") of such activity as well as bodily trials ("Healths") when combined with "bear," that "doe" means to have sexual intercourse and "bullets" also means ejaculation. The age-old motif of Venus and Mars, love and war, was a staple of the Cavalier poets. In former critical views, "Cavalier" also denoted influence from Ben Jonson, not so much as a Son of Ben (like Thomas Randolph) or sealed of the Tribe of Ben (like Robert Herrick), but one not in the mold of John Donne, not a Metaphysical, and not devotional. Yet among the early poems (seldom reprinted and little known) are such epigrams as "Upon Christ his birth," "Upon Stephen stoned," "Upon the Epiphanie Or Starr that appear'd to the wisemen," and others. "Out upon it," with its employment of Donne and Donne's manner, gives the lie to another part of the critical cliché. Suckling's editor Thomas Clayton compares that poem with lines from Donne's "Farewell to Love," and one should note "The Undertaking" (which has the same metric form) and "Womans constancy" (where "Now thou hast lov'd me one whole day" becomes "I have lov'd / Three whole days together") and their mutual themes. Or another example is the third of Suckling's grouped sonnets beginning "Oh for some honest Lovers ghost," which borrows from Donne's line in "Loves Deitie," "I long to talke with some old lovers ghost." The Jonsonian elements that appear in Suckling's poems are plain style, a frequent use of iambic pentameter or tetrameter, classical influences (though not Jonson's exacting classical rhythms), and occasion as impetus. An encomium such as "To his much honoured, the Lord Lepington, upon his Translation of Malvezzi His Romulus and Tarquin" (that is, Henry Carey) exemplifies those elements: 'Tis he that doth the Roman dame restore, Makes Lucrece chaster for her being whore; Gives her a kind Revenge for Tarquins sinne, For ravish't first, she ravisheth againe. (The immediately preceding line, "But like to Worlds in little Maps contriv'd," seems to owe, however, something to Donne's "Let Maps to others, worlds on worlds have showne" from "The good-morrow.") A different kind of case in point is the well-known lyric "Song: Why so pale and wan fond Lover?" from the play Aglaura (1638), spoken by the "antiplatonique" Orsames to the Ladies in answer to Orithie's "This modestie becomes you as ill, my Lord, as wooing would us women; pray, put's not to't." The satiric tone in its plain style is not far from the lyrics of Jonson's "A Celebration of Charis" or his "Another In Defence of Their Inconstancie," though the speaker's gender is different. The namesake of his father and the elder son and second of six children, Suckling was a member of a prominent Norwich family whose last name, changed from Esthawe by his great grandfather, equates "Socling," a person holding an estate through tenant farming. Sir John Suckling, the father, held positions under various notable governmental officials, was a member of Parliament at different times from 1601 through 1626, was knighted by James I in January 1616, and served as a member of the Privy Council in 1622. He died on 27 March 1627. The poet's mother was Martha Cranfield, daughter of a prosperous merchant in London; she died on 28 October 1613. Born in Twickenham, Middlesex, Suckling was baptized on 10 February 1609. He seems to have been privately tutored and matriculated as a fellow-commoner from Trinity College, Cambridge, in Easter term, 1623. A short period at Gray's Inn in 1627 ended apparently because of his father's death and his inheriting almost all his father's extensive holdings. Later that year, the Thirty Years' War then being waged, he may have been a member of the expedition of George Villiers, first Duke of Buckingham, to the Ile de Ré, and in 1629 he went to the Low Countries as a member of the regiment of Sir Edward Cecil, Lord Wimbledon. Suckling attended the University of Leyden briefly but had returned before 19 September 1630 when he was knighted at Theobald's Inn. From October 1631 through the spring of 1632 he was in Germany, being a member of the entourage of Sir Henry Vane, ambassador to Gustavus Adolphus, Sweden then controlling the Germanies. Prior to this time he was linked romantically with various women, primarily his cousin Mary Cranfield. By the end of 1632 and for many years after, Suckling led a rather dissolute life with much gambling at bowling and cards, so much so that his inheritances were being sold off to cover debts. He engaged in a courtship of Anne Willoughby for possible monetary gain, and, in John Aubrey's words, "he was the greatest gallant of his time, and the greatest gamester." The Willoughby affair became complicated, with other suitors involved, opposition from her father, legal injunctions, duels, and a brief imprisonment in November 1634. The identity of the woman whose pseudonym titles his first play, Aglaura, has frequently been speculated on; many candidates have been offered, among them Mary Cranfield; her sister Frances Cranfield Sackville, Lady Buckhurst and Countess of Dorset (who invalidly was rumored to have born her son, the earl of Dorset, by Suckling); and Mary Bulkeley of Baron Hill, Beaumaris, Anglesey, who today is generally accepted as Aglaura. The play was written in 1637; produced in February 1638 by the King's Company at Blackfriars; given at court on 3 April with new prologues, fifth act, and epilogue; and published in 1638 with both versions included. The revision turns a tragedy into a tragicomedy. Suckling wrote An Account of Religion by Reason, a Socinian tract, which he dedicated to Edward Sackville, fourth Earl of Dorset, in late 1637 (published in 1646 withFragmenta Aurea) and may have revised the works of others around this time. On 20 November 1638 he became a Gentleman of the Privy Chamber Extraordinary, and with the outbreak of hostilities between the Scots Covenanters and Charles's forces in the North Country in January 1639 (the First Bishops' War), he became active in the army, allegedly outfitting his men lavishly, for which he was lampooned. A further threat from the Scots in 1640 saw Suckling commissioned as captain of a troop of carabineers. Soon after this Suckling lost in his first bid to become a member of Parliament and then on 30 April was elected member from Bramber, but this Short Parliament was soon dissolved. The ensuing short-lived Second Bishops' War seems to have engaged him but exactly how is not clear. His letter "To Mr. Henry German, in the beginning of Parliament, 1640 [old style]" (first published as A Coppy of a Letter Found in the Privy Lodgeings at Whitehall, 1641; republished in Fragmenta Aurea, 1646) offered advice to the king and brought Suckling into the political arena. His political involvement continued with his complicity in the Army Plot in 1641 (an attempt to free Sir Thomas Wentworth, first Earl of Strafford, adviser to the king and opponent of Parliament and the Scots), his subsequent flight to France, and apparently his death in 1641. Strafford, who had been condemned and imprisoned in the Tower, abortive schemes to free him having failed, was executed on 12 May 1641. On 6 May a writ for Suckling's arrest as well as that of Lord Henry Percy, Lord Henry Jermyn, Sir William Davenant, and Henry Billingsley was issued, but they had sailed to France from Portsmouth with Col. George Goring that same day.
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