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December 2016 Calendar
December Calendar Exhibits In the Karen and Ed Adler Gallery 7 Wednesday 13 Tuesday 19 Monday 27 Tuesday TIMNA TARR. Contemporary quilting. A BOB DYLAN SOUNDSWAP. An eve- HYPERTENSION SCREENING: Free AFTERNOON ON BROADWAY. Guys and “THE MAN WHO KNEW INFINITY” (2015- December 1 through January 2. ning of clips of Nobel laureate Bob blood pressure screening conducted Dolls (1950) remains one of the great- 108 min.). Writer/director Matt Brown Dylan. 7:30 p.m. by St. Francis Hospital. 11 a.m. to 2 p.m. est musical comedies. Frank Loesser’s adapted Robert Kanigel’s book about music and lyrics find a perfect match pioneering Indian mathematician Registrations “THE DRIFTLESS AREA” (2015-96 min.). in Damon Runyon-esque characters Srinivasa Ramanujan (Dev Patel) and Bartender Pierre (Anton Yelchin) re- and a New York City that only exists in his friendship with his mentor, Profes- In progress turns to his hometown after his parents fantasy. Professor James Kolb discusses sor G.H. Hardy (Jeremy Irons). Stephen 8 Thursday die, and finds himself in a dangerous the show and plays such unforgettable Fry co-stars as Sir Francis Spring, and Resume Workshop................December 3 situation involving mysterious Stella songs as “A Bushel and a Peck,” “Luck Be Jeremy Northam portrays Bertrand DIRECTOR’S CUT. Film expert John Bos- Entrepreneurs Workshop...December 3 (Zoe Deschanel) and violent crimi- a Lady” and “Sit Down, You’re Rockin’ Russell. 7:30 p.m. co will screen and discuss Woody Al- Financial Checklist.............December 12 nal Shane (John Hawkes). Directed by the Boat.” 3 p.m. -
Nas Gets Mainland Show Sunday
VOLUME IV SATURDAY, JULY 17, 1943 NUMBER 26 NAS GETS MAINLAND SHOW.. SUNDAY EARLY WING TALLY SHOWS CURTAIN IS SET FOR 1330 SUCCESS IN BOND DRIVE IN STATION THEATER The ·War Bond Allotment drive for "The Mainland Follies", a troupe of Fleet Air Detachment started Monday big-time Broadway entertainers now with a burst of enthusiasm. Prelimin playing at military posts on Hawaii, ary reports indicate many hands are will be at the Kaneohe Auditorium joining ranks with those having al tomorrow with a gala show for service ready alloted thereby accepting the men. There will be just one show at advice of Admiral Price "to prepare 1330. today to win your financial wings of The celebrated show-people in the tomorrow." USO Camp Show troupe include Early reports place the divisions in "Little Jackie Heller", the famous "61 the following order: inches of song" who was a starred Flag Office Lt. (jg) T. Roosevelt III singer in Ben Bernie's band, Jack Po V. B. 140 Lt. H. C. Hayden V. P. 52 Ens. L. A. West well, the "Rajah of Rhythm" featured Communications Ens. R. I. Godber V. P. 14 . Ens. J. B. Nourse in Ed Wynn's Broadway musical V. B. 104 .. ... Lt. R. E. Ming "Laugh Parade", and George .Finkel Aerology E. Ford, CAerM V. P. 13 .... Lt. G. R. McDermott berg, whose "hot piano" won him a Hedron Ens. E. O. Heise Wing Medical Lt. Comdr. L. S. Seebach berth in Henry King's orchestra. At the two thirds mark, the Fleet Lew Parker, comedian featured in Air Detachment showed an overall Olsen and Johnson's "Hellzapoppin", percentage of 56 per cent. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Tab Hunter in . ..-.- J Tl,L,.:Sa
ttre" Illinois Guy S. Uttfe, Jr. Pr- $..a . Tab Hunter in . ..-.-J tl,l,.:sa JUNE 29 - JULY 4, 1965 Guy S. Little, Jr. PRESENTS TAB HUNTER "MISTER ROBERTS" By THOMAS EGGEN and JOSHUA LOGAN With VINCE DE DARlO Ralph Foody, Hal Frank, Arlene Drake, I. W. Klein Richard ~tadelmann, Hugh Kennedy Tirrdl, Lowell Christy DIRECTED BY JOHN KELSO SCENERY AN.D LIGHTING DESIGNED BY PAUL HOFFMAN I ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE I CAST Lieutenant (JG) Roberts .......................................... TAB HUNTER Doc ........................................................... HAL FRANK Dowdy ..............................................HUGH KENNEDY TIRRELL The Captain .................................................... RALPH FOODY lnsigna .......................................................... PETER ROSS Mannion ......................................................DARRELL RUHL Lindstrom ..................................................... BILL FECHT Stefanowski ............................................RICHARD STADELMANN Wiley .........................................................BILL HADDAD Sehlemmer ...................................................... FRED HAHN Reber ........................................................ROBERT BURTON Ensign Pulver ................................................ VIMCE DE DARlO Dolan .......................................................... I. W. KLElN Gerhart ..................................................... LOWELL CHRISTY Lieutenant Ann Girard ........................................ -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
XV:4) Preston Sturges the MIRACLE of MORGAN's CREEK (1944
September 18, 2007 (XV:4) Preston Sturges THE MIRACLE OF MORGAN’S CREEK (1944) 99 minutes Eddie Bracken...Norval Jones Betty Hutton...Trudy Kockenlocker Diana Lynn...Emmy Kockenlocker William Demarest...Const. Kockenlocker Porter Hall...Justice of the Peace Emory Parnell...Mr. Tuerck Al Bridge...Mr. Johnson Julius Tannen...Mr. Rafferty Victor Potel...Newspaper editor Brian Donlevy...Gov. McGinty Akim Tamiroff...The Boss Directed and written by Preston Sturges Written by Preston Sturges Produced by Buddy G. DeSylva and Preston Sturges Cinematography by John F. Seitz Costume Design by Edith Head Makeup Department Wally Westmore Selected for the National Film Registry by the National Film Preservation Board, 2001 Preston Sturges (29 August 1898, Chicago—6 August 1959, New York, heart attack) is the first Hollywood director to get the double credit, “written and directed by.” His only Oscar, in fact, was for the screenplay of The Great McGinty 1941. (He received best screenplay nominations for Hail the Conquering Hero and The Miracle of Morgan’s Creek, both in 1944. He split the vote with himself and the award went to Lamar Trotti for Wilson, a film no one has heard of since). He wrote 45 screenplays and directed 15, among which were The French they Are a Funny Race (1955), The Beautiful Blonde from Bashful Bend (1949), Unfaithfully Yours (1948), The Sin of Harold Diddlebock (1947), The Great Moment (1944), Hail the Conquering Hero (1944), The Palm Beach Story (1942), Sullivan’s Travel’s (1941), The Lady Eve (1941), Christmas in July (1940), and The Great McGinty (1940). He won a best screenplay Oscar for The Great McGinty and was nominated for The Miracle of Morgan’s Creek and Hail the Conquering Hero. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
1934 Unitarian Movement.Pdf
fi * " >, -,$a a ri 7 'I * as- h1in-g & t!estP; ton BrLLnch," LONDON t,. GEORGE ALLEN &' UNWIN- LID v- ' MUSEUM STREET FIRST PUBLISHED IN 1934 ACE * i& ITwas by invitation of The Hibbert Trustees, to whom all interested in "Christianity in its most simple and intel- indebted, that what follows lieibleV form" have long been was written. For the opinions expressed the writer alone is responsible. His aim has been to give some account of the work during two centuries of a small group of religious thinkers, who, for the most part, have been overlooked in the records of English religious life, and so rescue from obscurity a few names that deserve to be remembered amongst pioneers and pathfinders in more fields than one. Obligations are gratefully acknowledged to the Rev. V. D. Davis. B.A., and the Rev. W. H. Burgess, M.A., for a few fruitful suggestions, and to the Rev. W. Whitaker, I M.A., for his labours in correcting proofs. MANCHESTER October 14, 1933 At1 yigifs ~ese~vcd 1L' PRENTED IN GREAT BRITAIN BY UNWIN BROTHERS LTD., WOKING CON TENTS A 7.. I. BIBLICAL SCHOLARSHIP' PAGE BIBLICAL SCHOLARSHIP 1 3 iI. EDUCATION CONFORMIST ACADEMIES 111. THE MODERN UNIVERSITIES 111. JOURNALS AND WRIODICAL LITERATURE . THE UNITARIAN CONTRIBUTI:ON TO PERIODICAL . LITERATURE ?aEz . AND BIOGR AND BELLES-LETTRES 11. PHILOSOPHY 111. HISTORY AND BIOGRAPHY I IV. LITERATURE ....:'. INDEX OF PERIODICALS "INDEX OF PERSONS p - INDEX OF PLACES :>$ ';: GENERAL INDEX C. A* - CHAPTER l BIBLICAL SCHOLARSHIP 9L * KING of the origin of Unitarian Christianity in this country, -
LONGACRE THEATER, 220-228 West 48Th Street , Manhattan
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1348 LONGACRE THEATER, 220-228 West 48th Street , Manhattan. Landmark Site: Borough of Manhattan Tax Map Block 1019, Lot 50. Built 1912-13; architect, Henry B. Herts. On June 14 and 15, 1982 , the Landmarks Preservation Commission held a pub 1 ic hearing on the proposed designation as a Landmark of the Longacre Theater and the proposed designation of the related Landmark Site (Item No.44). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Longacre Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Constructed in 1912-13, the Longacre was built to house the productions of Broadway producer and baseball magnate Harry H. Frazee . Designed for Frazee by Henry Herts, prominent theater architect, the Longacre is among the earliest surviving Broadway theaters, and has an exceptionally handsome facade. Like most Broadway playhouses built before World War I, the Longacre was designed by a leading theater architect to house the offices and theatrical productions of its owner. Though known as a baseball magnate, and at one time the owner of the Boston Red Sox, Frazee was also an influential Broadway producer who, besides building the Longacre theater, at one time also owned two other Broadway houses (the Harris and the Lyric).