A GEOMETRICAL DESCRIPTION of VISUAL SENSATION II Joseph
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Graphs in Nature
Graphs in Nature David Eppstein University of California, Irvine Algorithms and Data Structures Symposium (WADS) August 2019 Inspiration: Steinitz's theorem Purely combinatorial characterization of geometric objects: Graphs of convex polyhedra are exactly the 3-vertex-connected planar graphs Image: Kluka [2006] Overview Cracked surfaces, bubble foams, and crumpled paper also form natural graph-like structures What properties do these graphs have? How can we recognize and synthesize them? I. Cracks and Needles Motorcycle graphs: Canonical quad mesh partitioning Problem: partition irregular quad-mesh into regular submeshes [Eppstein et al. 2008] Inspiration: Light cycle game from TRON movies Mesh partitioning method Grow cut paths outwards from each irregular (non-degree-4) vertex Cut paths continue straight across regular (degree-4) vertices They stop when they run into another path Result: approximation to optimal partition (exact optimum is NP-complete) Mesh-free motorcycle graphs Earlier... Motorcycles move from initial points with given velocities When they hit trails of other motorcycles, they crash [Eppstein and Erickson 1999] Application of mesh-free motorcycle graphs Initially: A simplified model of the inward movement of reflex vertices in straight skeletons, a rectilinear variant of medial axes with applications including building roof construction, folding and cutting problems, surface interpolation, geographic analysis, and mesh construction Later: Subroutine for constructing straight skeletons of simple polygons [Cheng and Vigneron 2007; Huber and Held 2012] Image: Huber [2012] Construction of mesh-free motorcycle graphs Main ideas: Define asymmetric distance: Time when one motorcycle would crash into another's trail Repeatedly find closest pair and eliminate crashed motorcycle Image: Dancede [2011] O(n17=11+) [Eppstein and Erickson 1999] Improved to O(n4=3+) [Vigneron and Yan 2014] Additional log speedup using mutual nearest neighbors instead of closest pairs [Mamano et al. -
Research on Parametric Form Design Based on Natural Patterns
MATEC Web of Conferences 176, 01012 (2018) https://doi.org/10.1051/matecconf/201817601012 IFID 2018 Research on Parametric Form Design Based on Natural Patterns X Li1, JN Su2,a 1School of Mechanical & Electronical Engineering, Lanzhou University of Technology,730050 Lanzhou Gansu, China 2School of Design Art, Lanzhou University of Technology, 730050 Lanzhou Gansu, China Abstract. Parametric form design method based on natural patterns is proposed for the design schema of the traditional form bionics. Firstly, the concepts of natural patterns are analyzed, concluded and summarized. Secondly, the parametric design thinking is elaborated from three aspects: thinking mode, design flow, tools and scripts. It is also proposes a parametric logo design method. This paper takes logarithmic spiral pattern as an example to describe the process from the law of natural pattern to logo design, which includes nature pattern analysis, control rules of from and color, algorithm research and generating design. 1 Introduction The term pattern is not unfamiliar and covers a wide range of fields, such as biology, economics, computer The aesthetic laws of statistical aesthetics, most of which science and technology, physics. are based on the structure and growth of plants and We are in nature. Human exploration of natural animals in the natural world[1]. Learning in nature exists patterns began as early as ancient Greek philosophers. at every stage of design development. Different stages of Plato, Pythagoras, and Empedocles had tried to reveal development have different understandings. From the the order of the natural world, and established the initial appearance simulating to rational creation born philosophical foundation for the study of natural patterns. -
GODARD FILM AS THEORY Volker Pantenburg Farocki/Godard
FILM CULTURE IN TRANSITION FAROCKI/ GODARD FILM AS THEORY volker pantenburg Farocki/Godard Farocki/Godard Film as Theory Volker Pantenburg Amsterdam University Press The translation of this book is made possible by a grant from Volkswagen Foundation. Originally published as: Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard, transcript Verlag, 2006 [isbn 3-899420440-9] Translated by Michael Turnbull This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM BOOKS Volume 25 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Cover illustration (front): Jean-Luc Godard, Histoire(s) du cinéma, Chapter 4B (1988-1998) Cover illustration (back): Interface © Harun Farocki 1995 Cover design: Kok Korpershoek, Amsterdam Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 891 4 e-isbn 978 90 4852 755 7 doi 10.5117/9789089648914 nur 670 © V. Pantenburg / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. -
Download Report 2006-07
MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE RESEARCH REP ORT 2006—2007 Boltzmannstraße 22, 14195 Berlin, Phone (+4930) 22667– 0, www.mpiwg-berlin.mpg.de ORT 2006—2007 ORT P MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE SEARCH RE SEARCH RE Max Planck Institute for the History of Science Fontana di Giove Spugna Ovest CHTE Spugna Est I Gigante Fonte della Maschera Villa e Grotte Grotta di Cupido Voliera SSENSCHAFTSGESCH I Fonte del Giardino dei Frutti Viale delle Fontane TUT FÜR W FÜR TUT I Casino dei Marmotti Fonte della Lavandaia INST Monte Parnaso Fontana della Rovere MAX-PLANCK- Cover: Preparation for “Sonatas and Interludes” (1939) by John Cage (1912–1990), performed by Markus Hinterhäuser in the series “Physiologie des Klaviers” (see p. 129–130) on December 14, 2006 at the Curt-Sachs-Saal, Museum for Musical Instruments, SIMPK, Berlin Image: Michael Behr, Berlin Back cover: Sgrilli’s planimetry of the Pratolino Garden (1742) superimposed on a GoogleEarth satellite photo. A tool used to locate the original positions of the hydraulic devices in the Medici Garden. Project: The History of Science in a Garden, Matteo Valleriani, Jochen Büttner (see p. 39–40). <http://pratolino.mpiwg-berlin.mpg.de> Image: DigitalGlobe Most of the portrait photographs were done by Skúli Sigurdsson, Berlin/Reykjavík RESEARCH REP ORT 2006—2007 MAX-PLANCK-INSTI TUT FÜR WI SSENSCHAFTSGESCHI CHTE Max Planck Institute for the History of Science Introduction The Max Planck Institute for the History of Science (MPIWG) was founded in 1994 to promote “the development of a theoretically oriented history of science which studies scientific thinking and knowledge acquisition in their historical development and their interaction with the cultural, technical, and social contexts of science.” The MPIWG has since pursued this program in breadth and depth, embracing the natu- ral sciences and the humanities and spanning topics from the origins of counting systems in Mesopotamia to today’s postgenomics. -
SARTONIANA Sarton Chair of History of Science Ghent University
SARTONIANA Volume 28 2015 Sarton Chair of History of Science Ghent University sarton2014.book Page 3 Wednesday, October 15, 2014 3:24 PM SARTONIANA SARTONIANA Volume 27 Volume2014 28 2015 Editors: Robert Rubens and Maarten Van Dyck Editors : Robert Rubens and Maarten Van Dyck Sarton Chair of History of Sciences Sarton ChairGhent of UniversityHistory of Sciences Ghent University Sartoniana, Gent, Belgium Ghent University ISBN 978 90 382 2461 2 D/2015/4531/1 Layout en druk: www.nevellandgraphics.be Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt door middel van !"#$%&'()($(*+,%&-+."(/0-&('&(*&1,0$,&23!,",&1+45,&(($%&5(3!,"&6(("2'7223!,&8.9"+'),0+4$,& )(,8),--+37&623&!,&#+)7,6,"+4: ;(&*2")&('&)9+8&<(($&-2=&<,&",*"(!#.,!&+3&23=&'("-%&<=&*"+3)%&*9()(*"+3)%&-+."(/0-%&("&23=& ()9,"&-,238&1+)9(#)&*"+("&1"+)),3&*,"-+88+(3&'("-&)9,&*#<0+89,"8 Table of Contents Introduction . 5 Robert Rubens SARTON CHAIR LECTURE Laudatio Roy M. MacLeod . 9 Peter Van Nuffelen The Scientists go to war : Community and Conscience 1914-1919 . 13 Roy M. MacLeod SARTON MEDAL LECTURES Laudatio Jos Monballyu. 35 Dirk Heirbaut De rechtstaat en zijn verwerking van de Eerste Wereldoorlog in België. 39 Jos Monballyu Laudatio Danny Segers . 77 Dirk Ryckbosch Facetten van de geschiedenis van de fysica aan de hand van . 81 wetenschappelijke instrumenten. Verschillende verhalen achter één voorwerp Danny Segers Laudatio Marta C. Lourenço. 103 Danny Segers Scientific Collections, Museums and Heritage: . 107 Creating Connections and Engaging Society through History Marta C. Lourenço 1 2 Laudatio Paul Wylock . 127 Yves Van Nieuwenhove Guillaume Dupuytren (1777-1835), baanbrekend chirurg . 129 vóór de tijd van de anesthesie Paul Wylock Laudatio Helmut Staubmann. -
The Life and Work of Joseph Plateau: Father of Film and Discoverer of Surface Tension
Phys. Perspect. 14 (2012) 258–278 Ó 2012 Springer Basel AG 1422-6944/12/030258-21 DOI 10.1007/s00016-012-0087-8 Physics in Perspective The Life and Work of Joseph Plateau: Father of Film and Discoverer of Surface Tension Kristel Wautier, Alexander Jonckheere and Danny Segers* In 1835 Joseph Plateau (1801–1883) was appointed Professor of Physics and Applied Physics at Ghent University, Belgium. By then he was well known for his groundbreaking work on the aftereffect of light on the human retina, and he would go on to become the first person to produce moving images, for which he is considered to be the Father of Film. His greatest scientific achievement, however, was his discovery of surface tension. Key words: Joseph Plateau; Adolphe Quetelet; Gustave Van der Mensbrugghe; Simon Stampfer; Hubert Valerius; Brussels Athenaeum; Institut Gaggia; University of Lie`ge; Ghent University; human vision; moving images; phenakistiscope; film; surface tension; history of physics. Introduction Walking around Ghent, the city with one of the largest universities in Belgium, you quickly come across the name of Joseph Plateau (1801–1883). Not only is a street named after him; his name is attached to an international film prize that is awarded at the annual International Film Festival of Ghent.** Indeed, Plateau can be considered to be the Father of Film, since he was the first person to produce moving images. His scientific achievements, however, go much further: He played a crucial role in organizing physics teaching and research at Ghent University, and he is recognized as the discoverer of surface tension. -
On Growth and Form 100 13-15 October 2017 Programme: Friday
On Growth and Form 100 13-15 October 2017 Programme: Friday 13 October (D’Arcy Thompson Lecture Theatre, Tower Building, University of Dundee) 08.45-09.15 Registration 09.15-09.30 Welcome 09.30-11.10 Session 1 09.30-09.50 Matthew Jarron (University of Dundee) D’Arcy Thompson and the Mystery of Life – On Growth and Form in Context This introductory talk aims to set the scene for the conference. It will describe the origins of On Growth and Form - its wider scientific context, D’Arcy's specific influences and the support he got from colleagues at University College Dundee. D’Arcy's early work on mathematical biology will be discussed as well as the publication of and response to the book. 09.50-10.10 Sarah Bonnemaison (Dalhousie University, Halifax) D’Arcy Thompson and Organicism In On Growth and Form, D'Arcy Thompson freely navigates between organic and inorganic nature, using one to shed light on the behaviour of the other. The insight, that organic and inorganic share certain patterns of behaviour inspired architect Frei Otto and his research team at the IL to develop modern lightweight structures. Frei Otto studied, among other things, the behaviour of soap film as a modelling technique to find optimum minimal surfaces for tensile roofs and to discover the rules for efficient packing. In this paper, I show the influence of D'Arcy Thompson's approach to deformation as the result of forces and the influence it had on Otto's conception of lightweight structures. To put these issues in their proper intellectual context, I reach into the philosophy of aesthetics of Organicism and focus on the dynamics of invention and interpretation. -
Abstracts for the MAA Undergraduate Poster Session Baltimore, MD January 18, 2019
Abstracts for the MAA Undergraduate Poster Session Baltimore, MD January 18, 2019 MATHEMATICAL ASSOCIATION OF AMERICA Abstracts for the MAA Undergraduate Poster Session Baltimore, MD January 18, 2019 Organized by Eric Ruggieri College of the Holy Cross and Chasen Smith Georgia Southern University Dear Students, Advisors, Judges and Colleagues, If you look around today you will see approximately 350 posters and more than 550 student presenters, representing a wide array of mathematical topics and ideas. These posters showcase the vibrant research being conducted as part of summer programs and during the academic year at colleges and universities from across the United States and beyond. It is so rewarding to see this session, which offers such a great opportunity for interaction between students and professional mathematicians, continue to grow. The judges you see here today are professional mathematicians from institutions around the world. They are advisors, colleagues, new PhDs, and administrators. Many of the judges signed up when they registered for the conference, but there are also a number of judges here today who volunteered on site. Their support is vital to the success of the session and we thank them. We are supported financially by Tudor Investments and Two Sigma. We are also helped by the members of the MAA Committee on Undergraduate Students (CUS) in some way or other. They are: Emily Cilli- Turner, James Collins, Janine Janoski, Darci Kracht; Emille Davie Lawrence; Aihua Li; Sara Louise Malec; Rhonda McKee; Stacy Ann Muir; Andy Niedermaier; Pam Richardson; Peri Shereen; Hortensia Soto; and Violeta Vasilevska. There are many details of the poster session that begin with putting out the advertisement in FOCUS, making sure the online submission system works properly, and organizing poster boards and tables in the room we are in today that are attributed to Hortensia Soto (MAA Associate Secretary), Kenyatta Malloy (MAA), and Donna Salter (AMS). -
Adolphe Quetelet As Statistician [452
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/adolphequeteletaOOhankuoft \ I. ^J?i/ sr^y^ <- ADOLPHE QUETELET AS STATISTICIAN FRANK H?1SaNKINS, A. B. >o ^fcj- SUBMnTED IN PARTUL rULrUMENT OF THS RZQUIRDfXlfTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN TUB Faculty of Political Scif n* ^ CoLUMBu UmvnsiTY ^1 J" 1908 EUaitONtC VERSION AVAIlAMi ^ *9 t^ lf\ ^ 6 PREFATORY NOTE It is not presumed that the dissertation here presented will add much to the knowledge of Quetelet possessed by those who have read rather extensively in statistical literature. But it is hoped that the increasing number of those who are becoming interested in Quetelet and his work may find these pages useful. The first two chapters give brief sketches of the man, his work and his place in the history of statistics. The last three chapters present what are believed to be the most im- portant of Quetelet's statistical principles. These in- clude the conception of the Average Man as a type, the significance for social science of the regularities found in the moral actions of man, and the theoretical basis of the distribution of group phenomena about their type. Grateful acknowledgment should here be made to Professor Henry L. Moore for directing me to this stimulating subject, and for continued helpfulness in its pursuit. 447] S V —; 1 CONTENTS CHAPTER I BlOGKAPBICAL SkETCM 9A4S Ptrentage—Youthful litenry ictivity- At the University <A Ghent; the influence o( Garnier—Called to the Athenaeum at Brutacls Contributiont to mathematicf—Edocstioiial activity at Bnutelt hit elementary treatises and charaeterittkt as a teacher— Found- ing of the Brussels Observatory; sojourn in Paris—Travels in Germany. -
August 28Th, 2009
G G . .until now all we have done is to accumulate treasures and carefully arrange them on the shelves of our libraries. In the egotism of our conservatism, we seem to have forgotten that this immense capital, little used today, could bear abundant fruit. Let us hasten, therefore, if it is possible – of course continuing to take effective measures against abuse – to make it completely available to scholars by publishing a universal catalogue. FERDINAND VANDER HAEGHEN , CHIEF LIBRARIAN GHENT UNIVERSITY , IN 1867 Ghent University Library Rozier 9, 9000 Gent Belgium Tel. +32 (0)9 264 38 51 Fax. +32 (0)9 264 38 52 www.lib.ugent.be www.boekentoren.be Contents Ghent University, a solid tradition in a dynamic region .................................................... 3 Ghent University Library ........................................................................................................ 4 The very beginning ....................................................................................................... 4 The Building .................................................................................................................. 5 The Baudeloo abbey ................................................................................................ 5 The tower of Henry van de Velde.......................................................................... 5 Library organisation ..................................................................................................... 9 Central Library, Faculty Libraries, Departmental -
Foams and Honeycombs
A reprint from American Scientist the magazine of Sigma Xi, The Scientific Research Society This reprint is provided for personal and noncommercial use. For any other use, please send a request to Permissions, American Scientist, P.O. Box 13975, Research Triangle Park, NC, 27709, U.S.A., or by electronic mail to [email protected]. ©Sigma Xi, The Scientific Research Society and other rightsholders Foams and Honeycombs For centuries, the precise architecture of soap foams has been a source of wonder to children and a challenge to mathematicians Erica G. Klarreich early all of us have been enchanted ble foam, one in which all the bubbles in the sciences that aesthetically pleas- Nat some time in our lives by the have the same volume. Kelvin realized ing solutions seem to have a higher fragile symmetry of soap bubbles and that this question could be boiled down chance of being correct than more com- soap films. But few have had the privi- to the following purely mathematical plicated, less symmetric ones (a topic lege of being introduced to them by a problem: What is the best way to divide elaborated in these pages by James W. great scientist, as Agnes Gardner King three-dimensional space into cells of McAllister in March–April 1998). As did. In the fall of 1887, the fledgling equal volume, if one wants to minimize Oxford University mathematician and painter paid a visit to her uncle, Lord the surface area of the cell walls? physicist Roger Penrose put it, Kelvin (then Sir William Thomson), a Over the course of two months, I have noticed on many occasions in physicist who was already renowned Kelvin searched for the shape that my own work where there might, for his work in thermodynamics. -
Minimal Surfaces and Architecture: New Forms
Michele Emmer Research Dipartimento di Matematica Minimal Surfaces and Architecture: “G. Castelnuovo” Università di Roma “La Sapienza” New Forms P.le A. Moro Presented at Nexus 2012: Relationships Between 00185 Rome, ITALY Architecture and Mathematics, Milan, 11-14 June 2012 [email protected] Abstract. Michele Emmer discusses the relations between Keywords: Soap bubbles, soap films soap films, arts, mathematics, visual arts, architecture with very recent examples. It’s because I don’t do anything, I chatter a lot, you see, it’s already a month that I’ve got into the habit of talking a lot, sitting for days on end in a corner with my brain chasing after fancies. It is perhaps something serious? No, it’s nothing serious. They are soap bubbles, pure chimeras that attract my imagination. Fedor Dostoevsky, Crime and Punishment Introduction The connections between architecture and mathematics have always been very deep and rich. Minimal surfaces, including those expressed by soap film and their use as models for geometry and architecture, constitute a specific aspect of the relations between architecture and mathematics, one that started to be developed in the twentieth century and has continued into the twenty-first. It started only in the twentieth because the geometry of soap films was developed only in the second half of the previous century by the Belgian physicist Joseph Plateau. In reality the theory of minimal surfaces actually began in the seventeenth century and some properties like the isoperimetric one were even known to the Greek mathematicians thousands of years ago. However, only with Plateau’s experimental works did the theory of the minimal surfaces develop, allowing the application of its results in different areas of knowledge, not only in mathematics, but also in architecture.