Felix Issue 1103, 1998
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Album Story | You Mix Me All Up! XDD Summer Love 2011 | TIGER M 2
Album Available ((Free)) On: http://www.tigerm.net Album Story | You Mix Me All Up! XDD Summer Love 2011 | TIGER M 2 An Introduction (( You Mix Me All Up! XDD Summer Love 2011 )) This album honestly began because of a “mistake” that I made while looking for a song on the hard drive of Rushuna-Haruhi: The Success Machine. (My Hewlett-Packard m7170n Media Center Desktop PC ^_^) Between 2002 when I first began Darton College and 2005 when I departed Darton College and began creating the original music album “It’s Go Time Baby, Your Place Is The Dance Floor!” (prior to “DJ Edition”) I had begun accumulating and ordering music on the family computer. (prior to departing my birth home.) There was a folder that I had named “Dealing With Music” which is where I placed all new music that I put onto the family computer. (Rushuna-Haruhi: The Success Machine is not the home family computer. Keep reading. ^_^) Even music that existed initially only on physical CDs that I had purchased (this was before YouTube or Google if you can imagine it…) – when the music was ripped from CDs and placed onto the computer hard drive – the songs went into this folder inside of their own sub-folder which usually contained the name of the album. thanks to the invention of USB external Hard drives, any computer that I have ever had the pleasure of owning or utilizing has had the ability to have this folder. Rushuna-Haruhi: The Success Machine (my very first computer ever purchased in my name) – was the first of my computers to take on and “inherent” this file folder full of music. -
Jehane Markham Born 1949 Central School of Art, Fine Art 1969-1971 University of North London, Dip HE Irish Studies & Film S
Jehane Markham Born 1949 Central School of Art, Fine Art 1969-1971 University of North London, Dip HE Irish Studies & Film Studies 2002 Poetry performances 2020 Guest Poet on Maritime Radio Arts programme from January to April 5 poems on Write Where We Are Now online site at The Writing School Manchester University Above and Below the Water Line audio poem as part of the Electric Medway online festival. 2 Poems in The Camden New Journal 2019 Highgate Library – Jehane Markham, Linda Black and Martina Evans 2018 The Star Pub, Dartmouth Park Karamel Café for Collage Arts Master Class: Is Paradise Lost? The Writing Room, Collage Arts 2017 Readings at Karamel Café for Collage Arts Pentameters Theatre, Hampstead, Jehane Markham, Martina Evans and Donald Gardner Torriano Meeting House, Jehane Markham and Cheryl Moskowitz 2016 Poet in Residence at The Camden New Journal from 2016-2020 Osborne and After – Words and Plays Festival Clun, Shropshire Talk at the BF! Nina + Alan Clarke’s Women April 2016, Jehane Markham, Eleanor Bron, Lesley Manville and Lesley Sharp discuss Alan Clarke’s handling of feminine and feminist subjects chaired by Lizzie Francke Launch of Sixteen Sunsets Map Café, London The Pump House, Suffolk Burgh House, Hampstead York Rise Street Festival 2015 The Star, London Denville Hall, London The Room, Tottenham, London Torriano Meeting House, London 2014 Highgate Branch Library, London 2013 COAST – Passionate about Peace Highgate Branch Library, London No Glory, St James Church, Piccadilly, London Karamel Club, London Torriano -
Submission Draft Hampstead Neighbourhood Plan 2018-2033
SUBMISSION DRAFT HAMPSTEAD NEIGHBOURHOOD PLAN 2018-2033 Published in October 2017 by: Hampstead Neighbourhood Forum under the Neighbourhood Planning (General) Regulations 2012 0 1 Foreword This document represents the culmination of more than three years of work by many volunteers and is based on the input of hundreds of local people. Our aim with this Neighbourhood Plan is to promote Hampstead’s future as a lively and contemporary neighbourhood with exceptional heritage and unique open spaces. Over the course of 2014, the Forum consulted extensively with residents, businesses and other stakeholders in Hampstead. We appeared at festivals, met with groups and individuals, got out the word through our website and the local media and managed to increase our membership from about 150 to more than 1000. Several hundred people attended our three consultation events. We listened to your feedback and worked hard to incorporate your views into a “Vision” document. The excellent response helped us establish a clear set of aims and objectives for how the local community would like to shape future development. During 2015 and 2016, we sought to put some policy flesh on these visionary bones, or rather, some teeth. We also spent many months gathering the evidence to back up these policies. We presented our draft Neighourhood Plan for consultation in the spring of 2017 and received overwhelming support for the policies it contained. We are grateful for the support we have received from Locality and would like to thank everyone who has helped produce this document, to the Forum Committee, to all of our local Councillors, to our consultants at Fortismere Associates, to Deborah McCann for conducting our Health Check and to Andrew Triggs and Brian O’Donnell at Camden Council for their guidance and support. -
Change Short Documentary Film Production Class
REEL CHANGE SHORT DOCUMENTARY FILM PRODUCTION CLASS LEARN FROM PROFESSIONAL FILM MAKERS WORKING IN THE FIELD. DATES AND TIMES EDUCATIONAL OBJECTIVES – Students will: MAY 12,19,26 | JUNE 2,9,16,23,30 • Understand how visual and aural information communicate a point of view JULY 7,14,21,28 • Utilize creative and structural thinking skills to write a story outline (9:30AM - 12:30PM) • Collaborate in teams and develop effective observation, listening, and interviewing skills • Use video and audio equipment technically and creatively TUITION & REGISTRATION • Create a compelling visual story using non-linear editing tools while applying organizational, technical, and creative skills to various elements of the film TUITION: $475 | SIBLING DISCOUNT: $445 (interviews, “b-roll”, music, sound effects, voice over, graphics) The class is suitable for adults and kids 14+ Lifelong Learning: In this extensive production course, students will have the Research shows that out-of-school programs enhance and complement students’ in-school opportunity to make a short film that expresses a point of experience, support healthy social and emotional development, foster cultural diversity, teach crucial 21st century skills, and promote academic success. view about local issues that resonate worldwide. Films can be personal or political, serious or funny. Documentary filmmaking is an art form that allows the filmmakers to work collaboratively and cultivate a unique voice that can be used in both academic settings and the real world, while making projects that positively impact the community. This hands-on course supports students’ engagement in their local community by teaching them the principles of merging Students will complete the course with a refined proficiency in the areas of critical thinking, problem solving, and communication, while also engaging in a creative outlet and telling everyday events and journalism with the art and skill of stories that they are passionate about. -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
PRESS RELEASE 23 July 2019
PRESS RELEASE 23 July 2019 Theatres Trust awards over £50,000 to eleven theatres across London as grant scheme changes allow more small theatres to apply Eleven more small London theatres receive up to £5,000 each from the Theatres Trust London Small Theatres Grants Scheme for projects that improve operation, access and environment for all theatre users. Five theatres were able to apply for the first time thanks to changes made to the tenure and charitable structure criteria to widen eligibility: Coronet Theatre, King’s Head Theatre, Matchstick Piehouse, Pentameters and 2Northdown. Hampstead’s pub theatre, Pentameters, will undertake urgent electrical works which will protect this well-loved local theatre – this grant is the first the venue has ever received. The Coronet Theatre will be able to provide induction loop facilities for the hearing impaired as it upgrades its sound system; and the King’s Head Theatre, will be able to fund an accessible lift in its brand new basement theatre home. Matchstick Piehouse, a new 60-seat railway arch theatre, will improve the flexibility of its auditorium with extra sound proofing and rigging positions. A benefit to all users, this work will also reduce the risk of noise complaints from neighbours. Also newly eligible 2Northdown, a small comedy venue in King’s Cross, the testing ground for comedians expanding from stand-up, will install a permanent stage allowing artists the facilities to present this art form more theatrically. Six other theatres receive Theatres Trust funding to ensure better facilities for audience and artist. The Bernie Grant Arts Centre, in Tottenham, will ensure the safety of its visitors by installing improved security systems, and those attending the Pleasance Theatre Islington and Studio 3 Arts will benefit from upgraded heating and cooling systems. -
The Performance of Gender with Particular Reference to the Plays of Shakespeare
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Dixon, Luke (1998) The performance of gender with particular reference to the plays of Shakespeare. PhD thesis, Middlesex University. [Thesis] This version is available at: https://eprints.mdx.ac.uk/6384/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Drama and Theatre
Drama and Theatre You need to do three things to be a top quality dramatist – watch theatre, read plays and create. The more you do these three things, the more you will fall in love with theatre, deepen your appreciation and understanding of the art form and develop your ability to produce sophisticated pieces of theatre. Doing any of these will develop your knowledge and ability, but the top drama students find the balance between all three: Watching theatre is the best way a drama practitioner gets inspired and generates initial ideas. You will see things on stage which will make you think or feel a certain way; it may prompt a cathartic response, shock you or make you consider a topic in a completely new light. As practitioners, we are constantly stealing and adapting each other’s ideas to create great theatre. Reading plays gives you a deeper appreciation of the history and tradition of theatre. It also allows you to consider a story and imagine your own directorial, design and performance interpretations. The more you read, the more you exercise your imagination. Creating is crucial to actually applying and practising the skills and ideas you get from watching and reading theatre. You cannot be a top quality dramatist if you do not practise the craft. And the process works both ways. Watching theatre and reading plays will make you a more inspired and informed creator. But creating will also give you a deeper and richer appreciation of the plays you watch and read. Below, I have outlined 16 of my favourite plays, all of which have made an incredibly important cultural contribution to theatre history. -
David Kennedy
David Kennedy Theatre Title Role Director Producer Pressure Drop Tony Chris Haydon On Theatre/Mick Gordon Days Of Significance Lenny Maria Aberg RSC Lucky Seven Alan Anthony Clarke Hampstead Theatre Reality Chokes Plod Chris Jury Pentameters Theatre The Indian Boy Bricks Rebecca Gatward RSC Richard II Bushy/Scoop/Fitzwater Steven Berkoff East Productions Edmond Pimp/Policeman Edward Hall Royal National Theatre Henry V Bardolph/Williams Nicholas Hytner Royal National Theatre Original Sin Buller Peter Gill Sheffield crucible No Sweat Devlin Angus Jackson Birmingham Rep. Tender Al Anthony Clark Hampstead Theatre Meat Peter Gemma Bodinetz Plymouth Theatre Royal Messiah Disciple Steven Berkoff Edinburgh Assembly Rooms Hushabye Mountain Lee Paul Miller Hampstead Theatre/ETT Richard III Tyrrel/Rivers Paul Kerryson Leicester Haymarket A View From The Bridge Marco Linda Marlowe Leicester Haymarket Coriolanus Ensemble Steven Berkoff Tokyo Globe Death Of A Salesman Stanley David Thacker Royal National Theatre The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Dealer's Choice Frankie/Sweeney Patrick Marber Vaudeville Theatre Blue Remembered Hills Peter Martin Houghton Cheltenham/Everyman The Hairy Ape Stoker Andrew Hay Bristol Old Vic Film Title Role Director Producer Peterman Charlie Graves Mark Abraham Control Films Demons Never Die Amber's Father Arjun Rose EMG London Boulevard Policeman William Monahan GK Films Clash Of The Titans Kapheus' General Louis Leterrier Warner Brothers Mr Nobody Thug 2 Jaco Van Dormael -
Tom Middleton
Artists – Tom Middleton According to Star Wars folklore, Jedi knights are benign individuals able to harness the fundamental energy of the universe, The Force, and make it do their bidding. Not just anyone can do this: only a select few are blessed with the necessary levels of cosmic talent. And even still, the road to Jedi knighthood is long and arduous, requiring years of training, practice and total focus. However those that stay the course are able to wield super-powers far beyond the capabilities of mere mortals. For 30-year-old earthling Tom Middleton - sonic evanchillist, disco catalyst, gastronaught par excellence, beardy bloke from Cornwall - The Force translates as The Funk. And, as Yoda might say, The Funk is strong with this one. Best known for his solo productions as Cosmos, as well as being one half of Global Communication and The Jedi Knights, alongside long-term cohort Mark Pritchard, Middleton's route to mastering The Funk has resulted in a decade-long stream of lightsabre-sharp productions and remixes which have, repeatedly, boldly gone where no-one in the dance music universe has gone before. Along the way, he has kickstarted the late-Nineties chillout explosion (Global Communication's 'ambient house' LP '76:14' inspired the promoters of The Big Chill to start the now-infamous festival in order to give downtempo music greater exposure); he helped shape the Nu School Breaks movement (the Jedi Knights' fusion of house, electro and breakbeats on their 'New School Science' LP is cited by scene leader Adam Freeland as a major -
320+ Halloween Songs and Albums
320+ Halloween Songs and Albums Over 320 Songs for Halloween Theme Rides in Your Indoor Cycling Classes Compiled by Jennifer Sage, updated October 2014 Halloween presents a unique opportunity for some really fun musically themed classes—the variety is only limited by your imagination. Songs can include spooky, dark, or classic-but-cheesy Halloween tunes (such as Monster Mash). Or you can imagine the wide variety of costumes and use those themes. I’ve included a few common themes such as Sci-Fi and Spy Thriller in my list. Over the years I’ve gotten many of these song suggestions from various online forums, other instructors, and by simply searching online music sources for “Halloween”, “James Bond”, “Witch”, “Ghost” and other key words. This is my most comprehensive list to date. If you have more song ideas, please email them to me so I can continually update this list for future versions. [email protected]. This year’s playlist contains 50 new specific song suggestions and numerous new album suggestions. I’ve included a lot more from the “darkwave” and “gothic” genres. I’ve added “Sugar/Candy” as its own theme. Sources: It’s impossible to list multiple sources for every song but to speed the process up for you, we list at least one source so you don’t spend hours searching for these songs. As with music itself, you have your own preference for downloading sources, so you may want to check there first. Also, some countries may not have the same music available due to music rights.