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2015 Vol. 69 · No. 2 · 175–186

SPATIAL MULTIDIMENSIONALITIES IN THE POLITICS OF REGIONS: CONSTITUTING THE ‘PHANTOM REGION’ OF CENTRAL

Roger Baars and Antje Schlottmann

With 4 figures Received 22 September 2014 · Accepted 13 April 2015

Summary: This paper provides a new perspective on the multi-dimensional character of regions as ‘spatial phantoms’ and contributes to the ongoing debate on interconnected relational and territorial approaches to regional space (cf. Elden, 2005, 2009, 2010; Jonas 2012a, 2012b, 2013; Jones 2009; Murphy 2013; Painter 2010). Using the example of the Central German Metropolitan Region, we show that regional spatialities co-constituted by relational and territorial concepts simultaneously, leading to a multitude of spatialities-in-becoming. We argue that, ontologically, regions are multidimensional polysemic spaces and can be realised as spatial phantoms with contextually changing and fluid spatialities. Due to discursive practices of ‘Geography Making’ in the context of culture and politics, however, these regions frequently, but not always, appear as bounded territorial containers.

Zusammenfassung: Der Artikel eröffnet einen neue Perspektive auf die Mehrdimensionalität von Regionen als „räumli- che Phantome“ und erweitert gegenwärtig geführte Debatten über die enge Verzahnung von relationalen und territorialen Konzepten in der Neuen Regionalgeographie (siehe Elden, 2005, 2009, 2010; Jonas 2012a, 2012b, 2013; Jones 2009; Murphy 2013; Painter 2010). Am Beispiel der Metropolregion Mitteldeutschland werden regionale Räume aufgezeigt, die diskursiv sowohl von relationalen als auch territorialen Elementen konstituiert werden. Die Region als mehrdimensionaler polysemischer Raum, so das Argument, kann somit ontologisch als räumliches Phantom mit fluiden, sich kontextuell stän- dig verändernden, räumlichen Erscheinungsformen und Inhalten angesehen werden. In der diskursiven Praxis alltäglichen „Geographie-Machens“ erscheinen sie aber nach wie vor regelmäßig, aber nicht ausnahmslos, als territoriale Container.

Keywords: Political geography, Eastern Germany, regions, multidimensionality, spatial containers

1 Introduction rative around the history of this particular region. In everyday communication, however, multiple vari- This paper illustrates the interplay of multiple, ants and meanings of the region were proven (still) coexistent, and becoming spatialities that constitute abundant (ibid.). An initial assumption of this re- what we call ‘phantom regions’. Consequently, we search was that irrespective of particular meanings, consider regional spaces as constructed of interrelat- the linguistic and social constitution of spatial con- ed material and symbolic processes and structures; structs is based on specific spatial concepts and per- as multidimensional spatialities in-becoming. As ceptions. This assumption could be evidenced em- an example, we refer to the everyday use of various pirically in the narrative construction of the broad- spatial concepts by political stakeholders in the con- casting council, media content and in common text of the ‘Cultural Region’ Central Germany. The perception. However, the focus of the argument paper follows up on research into processes of eve- here is founded on the everyday use of the container ryday linguistic regionalisation (see Schlottmann concept and its essentialisation in everyday language 2005, 2006, 2007a, 2007b, 2008, 2012, 2013) and use, while virtually ignoring contemporaneous geo- on earlier work on the construction of the Central graphical concepts. The overall objective here is to German region in public media and everyday-lan- reconstruct the spatial multidimensionality of re- guage use (Felgenhauer 2007, 2010; Felgenhauer gions (and their borders) in-becoming, based on the and Schlottmann 2007; Felgenhauer et al. 2005; assumption that particular sub-fields of the politics Schlottmann et al. 2007). One major finding of of regions are dominated by particular spatialities. this work was that the Central German Broadcast The entity of the Central German Metropolitan Company MDR succeeded in promoting its version Region comprises the three German federal states of the Central German entity by constructing a nar- of Saxony, Saxony-Anhalt, and and was

DOI: 10.3112/erdkunde.2015.02.07 ISSN 0014-0015 http://www.erdkunde.uni-bonn.de 176 Vol. 69· No. 2 established in 2008 as a political alliance between an important role in the conception and articula- the nine core cities , Dessau-Rosslau, tion of the Central German Metropolitan Region. , , , Jena, , , Elucidating the multiple spatialities of the region and Zwickau. Regional cooperation in business and in specific context (and their overlap), we suggest, science, culture and tourism, transport and mobility, opens up the possibility of revealing conflicts and and family friendliness weave the fabric of the area. frictions between related discourses and practices in The nine core cities are essential elements of the the field of regional politics. Such a perspective is metropolitan region concept to form the city-net- crucial to understand the, often contradictory, po- work (Fig. 1). Nevertheless, as will be demonstrated litical processes and motives that are simultaneously in this paper, besides the network concept the terri- translated into and, shaped by discourses of every- torial containers of the three federal states also play day region-making.

DENMARK B AL TI C SE SEA A TH OR Schleswig- N Holstein Mecklenburg- West Pommerania THE + NETHER- LANDS Saxony- North Rhine- Anhalt Westfalia Saxony

BE L Thuringia

GIUM Hesse

L Rhineland- BOU R U XEM- Palatinate G National borders Borders of Saar- federal states land Bavaria FRANCE Baden- Wuerttemberg AUSTRIA

100 km SWITZERLAND IHG 2015 Fig 1: Map Central German Metropolitan Region 2015 R. Baars and A. Schlottmann: Spatial multidimensionalities in the politics of regions: ... 177

The concept of discourse varies in different with the material-relational nexus of regional strands of scholarly inquiry. In our approach we re- spaces. Subsequently, we utilise the case-study of fer to a pragmatic concept of discourse which is re- the Central German Metropolitan Region to dem- lated to “Sociology of knowledge” (Keller 2005), onstrate how regions are constructed in different compatible with actor oriented micro-analysis cultural contexts through the interplay of multi- used in earlier work on the constitution of Central ple spatial dimensions (territory, place, scale, and Germany (Felgenhauer and Schlottmann 2007; network). This is followed by a critical discussion Schlottmann 2008). According to Hall (1997, 4) of spatial multidimensionalities and in the last we understand discourses as “ways of referring to section, we draw some conclusions to inform cur- or constructing knowledge about a particular topic rent debates on the conceptualisation of regions of practice: a cluster (or formation) of ideas, images as polysemic spaces. and practices, which provide ways of talking about forms of knowledge and conduct associated with a particular topic, social activity or institutional site 2 Multidimensionality of regions in society”. These types of pragmatic discourses involve signification rules and normative orien- In (political) geography current debates on tations around ways of saying things as well as theoretical conceptualisations of multidimensional resources for action, be they social (actors or ac- polysemic spaces illustrate the recent move beyond tors’ positions) and/or material (Keller 2005, 14). the long lasting opposition of relational and ter- There has been some debate as to whether such ritorial approaches to regional space (cf. Elden a perspective, which centres on the discursive 2005, 2009, 2010; Jonas 2012a, 2012b, 2013; Jones dimension of language use, is political (Hannah 2009; Murphy 2013; Painter 2010). In their in- 2006; Schlottmann 2006). However, we claim spiring paper on socio-spatial theory Jessop et al. the analysed discourse on Central Germany is po- (2008) identified four distinct spatial lexicons that litical. This is evidenced in the particular speech have been developed by social scientists over the that actors communicate with due to their political last thirty years to conceptualise space: territory, functions. The particular ways of region-making in place, scale, and network (TPSN) (see also Dicken the communication process we analyse, are a cru- et al. 2001; Leitner at al. 2008; Paasi 2004, 2012; cial part of the politics of regions. On the other Sheppard 2002). Within this TPSN framework, hand, the discourse we analyse is also a cultural the spatial lexicons are each associated with cer- discourse in the sense that, firstly, all language use tain forms of the so-called ‘spatial turn’, and is culturally informed, and, secondly, that it is ex- should be theoretically and empirically considered plicitly about a ‘cultural region’ that is constructed to be closely intertwined (Leitner et al. 2008), and implemented politically. though they problematize partially different top- Accordingly, this paper considers the dis- ics. Advocates of a given turn, however, are often course of Central Germany communicated by tempted to focus on one dimension of spatial rela- the institutional body of the Central German tions only, so neglecting the role of other forms Metropolitan Region. Publicly available docu- of socio-spatial organisation (Leitner et al. 2008). ments (e.g. brochures, maps, press releases) is- Such one-dimensionalism falls into the trap of sued by this registered association were the main conflating one part (territory, place, scale, or net- source of data. In addition, semi-structured ex- works) with the whole (the totality of socio-spa- pert interviews with political stakeholders of the tial organisation). In contrast, Jessop et al. (2008) Central German Metropolitan Region responsible argue that all four (or more) dimensions need to for culture and tourism and the official website be put into play, albeit not necessarily all at once. (www.region-mitteldeutschland.com1)) were used Although Jessop et al. (2008) do not discuss the as points of reference. In the subsequent section spatial concept of regions explicitly, their proposed we first give an overview of recent theoretical TPSN framework is a source of inspiration for this debates in human geography that are concerned paper, considering the idea of regions as the inter- play of multiple conceptual spatial dimensions (cf. Jones 2009). 1) End of 2014 the Central German Metropolitan Region and the Industrial Initiative Central Germany merged into the Terlouw and Weststrate (2013) argue for an new European Metropolitan Region Central Germany with overdue shift of attention from the historical evo- their old webpages no longer accessible. lution of regions to the circumstances in the pre- 178 Vol. 69· No. 2 sent in which regions are actually constructed. The 3 The ‘Cultural Region’ of Central Germany starting point, then, is not the social construction of one specific region, but how multiple dimen- In the discourse of Central Germany, shaped sions of regions are constituted by political stake- by the institutional body of the Central German holders in different contexts. We call these multidi- Metropolitan Region, the region is addressed as mensional spatial effects (Painter 2010) ‘phantom a space of long cultural traditions. The Central regions’ that take different forms of appearance in German Metropolitan Region is a polycentric city- varied contexts. In other words, when conceptu- network stretched across three federal states of alised as phantoms, regions are ontologically in- Eastern Germany. It is institutionalised as a political distinct spatial entities, without clear boundaries. association (cf. Paasi 2013) combining the four gov- They are spatialities that are constantly (re)emerg- ernmental hierarchies of city, state, nation, and EU ing in different forms and with different emphasis to bring together a wide range of energies, identities, and meaning. These regions can, however, appear potentials and interests in the region. The overriding as distinct and bordered entities due to essential- objective of its activities is the long-term strengthen- ising discursive practices of ‘Geography-Making’ ing of the overall region as a location for business (Schlottmann 2008) in particular spatio-tempo- and science, as well as a cultural landscape. The prin- ralities. Regions and socio-spatial relations, thus, ciples of voluntary commitment, decision-making on can be conceived of as temporarily stabilised spa- a consensual basis and a variable geometry apply at all tial phantoms of political action (Metzger 2013). levels of the Central German Metropolitan Region. We observe that Terlouw and Weststrate’s (2013) Although the mental map (Downs and Stea 1977) of analytic approach is limited to a one-dimensional Central Germany is most commonly associated with focus on scale and ignores other conceptual di- the three federal states of Thuringia, Saxony, and mensions of region-making practices. We perceive Saxony-Anhalt (Felgenhauer 2010) the discourse this as highly problematic as it means that other of the region draws on multiple spatial dimensions spatial dimensions are overshadowed by scale (e.g. territory, network, place) and creates numerous as primus inter pares – first among equals C( asey different and temporary spatial layers of the region 2008). This contrasts the claimed importance of (Jones 2009) in the context of Central Germany as a the interplay of different spatial dimensions when cultural region. Over the centuries Central Germany conceptualising regions (Jessop et al. 2008) and has had major influences on the development of cul- echoes Jones’ (2009) concept of ‘phase space’ as ture and thought in Europe. Again and again the re- theoretical middle ground that “insists on the gion has been the origin of major developments in compatibilities between, rather the mutual exclu- religion, architecture and art. From 1517 onwards, sivities of, flow-like (networks, etc.) and more fixed the began its worldwide course from (scales, territories, regions, etc.) takes on space” Central Germany with the writings and preaching (Jones 2009, 489). (Regional) space, then, is both of . Weimar Classicism, as represent- territorially anchored and fluid, and perhaps more ed in the works of Johann Wolfgang von Goethe, importantly, framed by the balance between dif- Friedrich Schiller, Johann Gottfried von Herder and ferent political forces, which “can be activated in Christoph Martin Wieland, influenced an entire cul- strategies, practices, and discourses, some of which tural epoch. The region also supposedly has a long are bounded and others unbounded (Jones 2009, musical tradition. With Johann Sebastian Bach, 499). Of interest for our work is, though drawing Georg-Friedrich Händel, Georg Philip Telemann, on an empirical case, not the social construction of Heinrich Schütz, Richard Wagner and Kurt Weill, a particular region and its implicit boundaries, but numerous major composers lived and created their both the linguistic and discursive actions and in- masterpieces in the region. The Dresden-Hellerau struments through which different regional ‘space Festival Theatre (Festspielhaus) was attracting layers’ (Jones 2009) are made possible in multiple the artistic avant-garde of Europe even before the contexts. First World War, including famous names such as In the subsequent section, we elucidate the Rilke, Kafka, Kokoschka and Le Corbusier. It was making of Central Germany as a ‘Cultural Region’. in Central Germany, where the Bauhaus movement We then illustrate how multiple, sometimes con- and its protagonists such as Walter Gropius, Wassily tradicting, spatial layers of the phantom region are Kandinsky, Paul Klee, Ludwig Mies van der Rohe discursively constituted, by drawing on three dif- and Lyonel Feininger revolutionised architecture, ferent strands of this discourse. design and art. 2015 R. Baars and A. Schlottmann: Spatial multidimensionalities in the politics of regions: ... 179

3.1 Cultural discourse of the Central German Gardens, the first landscape garden in continental Region Europe. In the form of the Wörlitz Castle Germany’s first neo-classicist edifice was built between 1769 and Arguably seven strands of the cultural discourse 1773. Only a few kilometres away in Oranienbaum, of Central Germany can be identified CENTRAL ( the only Dutch-inspired Baroque Park and castle GERMAN METROPOLITAN REGION 2013). The complex in Germany can be found. In the gallery of Cultural Heritage discourse strand draws on the the Rococo palace of Mosigkau Baroque paintings Garden Kingdom Dessau-Wörlitz with its historic by the Dutch and Flemish masters are displayed. The parks and buildings, the history of modern archi- Georgium, a castle set in an English-style park of the tecture and the Bauhaus movement in the region, same name, is home to another collection of paint- Central Germany’s unique medieval and its ings which forms the “Anhaltische Gemäldegalerie”. important milestones in German history. The sec- Not far from the site of the Dessau-Wörlitz ond discourse strand is that of Musical Traditions in Garden Kingdom lies the Bauhaus Building, which the region. Central Germany’s famous composers, its was constructed in 1925/26 based on the designs orchestras and festivals, and the importance of music of Walter Gropius (Fig. 2). Until 1932 it was the from classic to modern times are essential aspects of creative hub of the world famous “Hochschule für this discourse of Central Germany. Cultural Routes Gestaltung” (Academy of Design), whose works and is a discourse strand stressing the region’s pilgrims’ ideas influence concepts of modern architecture and ways, its Romanesque Road, and the Martin Luther design to the present day. Since 1994 the building Way, all of them being cultural routes through Central has been the headquarters of the Bauhaus Dessau Germany. Fine arts are the focus of the discourse Foundation and is a contemporary place of research, strand of Cultural Locations in Central Germany. teaching and experimental design. However, the The creative sites of painting, design, theatre, and lit- Bauhaus was founded in Weimar in 1919 (Fig. 2), erature in the region are communicated through this before it had to move to Dessau in 1925 on account discourse. Central Germany’s eventful past, its medi- of political pressures. Both Bauhaus locations in eval treasures, baroque jewels, and contemporary art, Dessau and Weimar are UNESCO World Heritage which are displayed in various collections and muse- Sites. Today, the building where the Bauhaus move- ums in Central Germany, are the focus of the dis- ment was founded is the main building of Bauhaus course strand Cultural Treasures. Central Germany’s University and part of its design faculty. castles, churches, and historic buildings are part of The origins of the Protestant Church lie in the Cultural Edifices discourse strand and repre- Central Germany, where the birthplace of the sent another facet of the region’s cultural discourse. Reformation can be viewed at the Luther memorial The last discourse strand identified in this study is sites in Eisleben and Wittenberg (Fig. 2). Since 1996 Cultural Landscapes, which draws on the region’s these have been part of UNESCO’s World Heritage historic gardens, forests, and parks. Due to space and include the entrance to the Castle Church in limitations in this article, we subsequently limit our Wittenberg, where Martin Luther attached his 95 analysis on the three discourse strands of Cultural theses on 31 October 1517, and the City Church Heritage, Cultural Routes, and Musical Traditions to in Wittenberg, where he preached his prominent illustrate Central Germany’s multidimensional facets ‘Invocative Sermons’. At the City Church he gave and emergences in a cultural context. lectures and wrote his most important works. Martin Luther was born in Eisleben in 1483, where a mu- seum was established as early as the end of the sev- 3.2 Cultural heritage enteenth century. The house in which Luther died is the site of another museum, which is an impor- The Cultural Heritage discourse strand draws tant memorial and place of remembrance to Luther’s on the region’s rich cultural heritage and its historic death. sites. The Dessau-Wörlitz Garden Kingdom (Fig. 2) The near in Thuringia was created in the spirit of the Enlightenment be- (Fig. 2) is a significant place of German history and tween 1764 and 1800. Six castles, seven historic parks an outstanding monument of the feudal period in and more than 100 smaller architectural edifices are Central Europe. At the Wartburg, well-known po- in the heart of the UNESCO Heritage Site. The his- ets such as Walther von der Vogelweide, Wolfram toric starting point of this cultural place and centre von Eschenbach and Albrecht von Halberstadt of the 142 km² sized Garden Kingdom is the Wörlitz fought their legendary ‘combat of the minstrels’. 180 Vol. 69· No. 2

Brandenburg POLAND

S a x o n y - Lower BERLIN Anhalt Saxony MAGDEBURG

Dessau Lutherstadt Wittenberg Bad Lutherstadt Muskau Eisleben

DRESDEN

sse

e

H Eisenach Weimar S a x o n y Thuringia CZECH REPUBLIC 50 km

National borders Borders of federal states IHG 2015 Bavaria Fig. 2: Map discourse cultural heritage

In the year 1521 Martin Luther found refuge in the German king, Heinrich I, and his wife Mathilde, Wartburg, where he translated the New Testament whose palatinate was established on Quedlinburg’s into German. Three hundred years after the start Castle Hill. In the east of Saxony, astride the Neisse of the Reformation, in 1817, ‘’ stu- River and the border between Poland and Germany, dent fraternities from all over Germany celebrated a gardening artwork of worldwide significance can the Wartburg Festival in an early demonstration be viewed. What looks like pristine nature is in fact a of German unity. In the nineteenth century the landscape cultivated by men. The creator of Muskau Wartburg was turned into a national monument and Park (Fig. 2), Prince Hermann of Pückler-Muskau, represents an architectural mixture of Romanesque, describes his concept of landscape design as ‘na- Gothic, Renaissance and Historicist influences. ture painting’. Laid out between 1815 and 1844, the Highlights include the Romanesque Palas, a roofed 700 hectare sized park is a joint Polish and German hall built in 1155, which is today regarded as the best- World Heritage Site and represents an important site preserved secular Romanesque edifice in Northern of cultural cross-border work in Europe. Europe. As a synopsis it can be said that the Cultural With no fewer than approximately 1200 timber- Heritage discourse strand communicates six his- framed houses from six centuries and an enclosed torically significant sites in Central Germany: Bad medieval centre, the historic old of Quedlinburg Muskau (Muskau Park), Dessau (Garden Kingdom), (Fig. 2) is one of Germany’s best-preserved herit- Eisenach (Wartburg), Quedlinburg (Medieval age sites of the . Quedlinburg is an Town), Weimar (Bauhaus), and Wittenberg (Martin outstanding example of a European medieval town Luther Memorial Site). All nine Core Cities of the and is under protection of the UNESCO World Central German Metropolitan Region, however, are Heritage programme. On the Castle Hill high above si lenced (w it h t he except ion of Dessau) i n t he cu lt u ra l Quedlinburg rests the Collegiate Church of St. discourse. Consequently, in the context of Cultural Servatius, a masterpiece of Romanesque and Gothic Heritage the phantom region of Central Germany architecture. Its crypt contains the graves of the first takes a different shape to the one seen above (Fig. 1). 2015 R. Baars and A. Schlottmann: Spatial multidimensionalities in the politics of regions: ... 181

The Cultural Heritage discourse strand places a and Mühlhausen (Fig. 3). By the five hundredth an- strong focus on the two federal states of Saxony- niversary of the Reformation in 2017 it is anticipat- Anhalt and Thuringia and seems somewhat bound- ed to combine all 30 of the most important historic ed by their territorial borders. Interesting, however, places in the federal state related to Martin Luther. is the heritage site of Bad Muskau, which is the only In the neighbouring state of Saxony the Luther Way site located within the federal state of Saxony. It also links the two cities of and Löbniz. A sub- crosses two discursively bounded spaces: the region sequent circular route integrating Leipzig, Zwickau of Central Germany and the national border be- and other towns and villages in which Luther and tween Germany and Poland. Thus, in the Cultural his wife Katharina von Bora have lived and worked Heritage discourse strand, the region of Central are still at the planning stage. In the future, the Germany stretches beyond its territorial contain- Saxon Luther Way will connect all major places of ers of Saxony, Saxony-Anhalt, and Thuringia, and the Reformation in the state of Saxony. The Luther illustrates the ‘phantomisation’ of both federal and Way in Saxony-Anhalt is one of the most exten- national borders in Central Germany. sive pilgrimage networks in Central Germany and leads from the towns of Wittenberg and Eisleben to Mansfeld. More than three dozen important sites of 3.3 Cultural routes Luther’s life are linked by the Saxon-Anhalt Luther Way, which consists of 421 km tracks today. The Cultural Routes discourse strand illustrates Interestingly so far all Luther Ways are confined a network of several walks, from cultural, over his- by the territorial borders of Germany’s federal states, toric to religious trails, as constituting the region of although to the 500th Luther Anniversary in 2017 one Central Germany. The Route of Kings, Merchants united Central German Luther Way is planned that and Pilgrims is one example of historic roads link- connects all local networks and crosses the borders ing together people and places and encouraging between the three federal states. Today, only two trade and cultural encounter. The Via Regia, the examples of border-crossing trails are implement- Ecumenical Pilgrims’ Way, and the Way of St. James ed in Central Germany: the Luther Way between of Saxony are also part of the regional discourse of Nordhausen in Thuringia and in Saxony- Central Germany. The Romanesque Road, which Anhalt and the Luther Way connecting Eisfled in connects over 80 cathedrals, fortresses, cloisters, Thuringia and the city of Coburg in Bavaria, with the and churches of Medieval Germany and the Trail latter not only crossing the boundaries of Thuringia, of Classic Writers, a track of major literary person- but even exceeding the discursively constructed con- alities of Central Germany (e.g. the Goethe Route tainer of Central Germany (Fig. 3). or the Schiller Trail) are other examples of spatial networks communicated in the discourse. Perhaps the most prominent aspect, however, is the Martin 3.4 Musical traditions Luther Ways, a network of numerous trails con- necting historic sites of the Reformation in Central The discourse strand Musical Traditions in Germany, thereby following the footsteps of Martin Central Germany focuses on prominent compos- Luther (Fig. 3). ers and musical accomplishments of the region. The In 1483 Martin Luther was born in Eisleben musical history of the region is closely linked to the (Saxony-Anhalt). The town of Stotternheim near two composers Bach and Wagner, who are the main Erfurt saw the beginnings of historic events, which protagonists communicated in the discourse strand were to change politics and culture in Europe Musical Traditions. The composer Johann Sebastian for ever, when Martin Luther commenced his Bach was the musical director at St. Thomas Church study at Erfurt University in 1505 and entered the in Leipzig (1723–1750) and significantly shaped the Augustinian monastery in Erfurt two years later. city’s musical history. The name of Johann Sebastian It is here, that all four routes of the Thuringian Bach is inseparably linked with the city of Leipzig, Luther Way converge. The Northern trail connects where he spent most of his life (Fig. 4). At the Bach Erfurt with Stotternheim, while the Eastern loop Museum Leipzig original Bach manuscripts and de- leads from Erfurt over Weimar, Jena and Gera to votional objects from his life are shown. Leipzig’s Altenburg. The Southern loop links Erfurt with the Bach Archive is another historical site devoted to historic sites of Arnstadt and Paulinzella, while the scientific research into the musical Thuringian- Western loop combines the cities of Gotha, Eisenach Saxon Bach family. As part of its work, system- 182 Vol. 69· No. 2

Brandenburg POLAND

Lower S a x o n y - BERLIN Saxony Anhalt MAGDEBURG

Zerbst

Bernburg Lutherstadt Dessau Wittenberg Köthen Bitterfeld- Wolfen Torgau Nordhausen Lutherstadt Eisleben Halle Leipzig Mühl- hausen Sömmerda Grimma DRESDEN Döbeln sse Eisenach Weimar Alten- e Mittweida Jena burg H ERFURT Gera S a x o n y Glauchau CZECH Schmalkalden Thuringia Saalfeld Zwickau REPUBLIC 50 km Sonne- berg National borders Borders of federal states IHG 2015 Coburg Bavaria Fig. 3: Map discourse cultural routes atic research has been carried out since 2002 into between Richard Wagner and the city of Weimar. documents relating to Bach in all the archives and Other examples of well-known composers born in libraries of Central Germany. Another historic site Central Germany are Georg Friedrich Händel (born related to Bach is the Bach House in Eisenach, the in Halle 1685), Georg Philipp Teleman (born in birthplace of Bach, which has been disseminating Magdeburg 1681), and Heinrich Schütz (born near in-depth knowledge about his work and maintain- Gera in 1585). The world-class symphonic orches- ing the composer’s musical legacy. Opened in 1907, tras and choirs in the region are another facet of it was the world’s first museum devoted to the musi- Central Germany’s Musical Traditions communi- cian and composer. cated in the discourse with the Dresden Cross Choir Richard Wagner was also born in Leipzig and (700yrs) and St. Thomas Boys’ Choir (800yrs) being was musical director at the Saxon court in Dresden just two examples. (until 1843) and composed some of his masterpiec- The region of Central Germany communicated es while visiting his friend Franz Liszt in Weimar in the Musical Traditions discourse strand com- (Fig. 4). Richard Wagner, the precursor of modern prises several historical sites in the states of Saxony music drama, was born in 1813 and a memorial was and Thuringia. The federal state of Saxony-Anhalt, created near his birthplace on the 200th anniver- however, is not integrated into this layer of the spa- sary of the composer’s birth. In 1814 the Wagner tial dimension of Central Germany. Although the family moved to Dresden, where Richard was ap- discourse strand illustrates the border-crossing pointed musical director to the Saxon court in 1843. between two federal container spaces, the Musical During a holiday in the year 1846 in the village of Traditions discourse strand seems to be somewhat Graupa (near Dresden) Wagner composed large confined by the two territorial containers of Saxony sections of his opera ‘Lohengrin’. Here the world’s and Thuringia (Fig. 4) and confirms the territorial oldest Wagner museum at the Richard Wagner characteristic as one important aspect of this spatial Stätten Graupa was established. The many visits layer of the phantom region Central Germany as ob- to his friend Franz Liszt also created a connection served before (see above). 2015 R. Baars and A. Schlottmann: Spatial multidimensionalities in the politics of regions: ... 183

Brandenburg POLAND

Lower BERLIN Saxony MAGDEBURG

S a x o n y - Bach Anhalt Wagner

Leipzig

DRESDEN

sse

e

H Eisenach ERFURT Weimar S a x o n y Thuringia CZECH REPUBLIC 50 km

National borders Borders of federal states IHG 2015 Bavaria Fig. 4: Map discourse musical tradition

4 Discussion therefore, can be seen as fundamental elements of the regional concept and form the city-network of The Central German Metropolitan Region the phantom region, which fluctuates in contour and network lies at the heart of Europe and brings structure according to multi-faceted cultural contexts together [nine core] cities from Saxony, Saxony- involved. Anhalt and Thuringia. (CENTRAL GERMAN The Cultural Heritage discourse strand, for exam- METROPOLITAN REGION 2014) ple, designates seven historic sites as important cul- This quote from the official webpage of the tural locations in the Central German Metropolitan Central German Metropolitan Region illustrates once Region. These historically significant places are Dessau more the coexisting multi-dimensionality of spatial- (Saxony-Anhalt) and Weimar (Thuringia), Eisleben ity that constitutes Central German Metropolitan and Wittenberg (both Saxony-Anhalt), Eisenach Region and makes it a phantom region as we propose (Thuringia), Quedlinburg (Saxony-Anhalt), and Bad the term in this paper. Different spatial dimensions Muskau (Saxony). They constitute the cultural region are drawn upon simultaneously to define a spatial of Central Germany with the ‘modern’ core cities men- subject, of which only the name is stable, but which tioned before being completely omitted. Interesting, turns out to be amorphous and ‘phantom-like’ in its however, is the heritage site of Bad Muskau, which not essence. The relational concept of networks is used only crosses the ‘border’ of Central Germany but also as well as the territorial containers of Europe and the the national border between Germany and Poland. In federal states Saxony, Saxony-Anhalt and Thuringia. the discourse strand of Cultural Heritage, thus, the re- In addition, specific places – core cities – are part of gion of Central Germany stretches beyond the territo- the regional conception of Central Germany. These rial container of the three federal states and crosses cities are geographically located in the three fed- the border between two nation states. eral states Saxony, Saxony-Anhalt, and Thuringia Another consideration is that all cultural loca- and discursively constitute the Metropolitan Region tions addressed in the cultural discourse of Central of Central Germany. The participating core cities, Germany are clustered into thematic groups disre- 184 Vol. 69· No. 2 garding their geographical position. In contrast to 5 Conclusion other debates aligned with economic and security issues the territories of the three Länder Saxony, This paper aims to contribute to current Saxony-Anhalt, and Thuringia seem to be less con- scholarly debates on processes of region building fined in a cultural context, where thematic bridges (e.g. Cox 2013; Crawshaw 2013; Goodwin 2013; cross administrative borders and lead to supra-state Harrison 2013) and to provide a new perspective (i.e. supra-Länder) city-networks. One such border- on the multi-dimensional character of what we call crossing network is the Martin Luther Way – a his- phantom regions. Using the example of the Central toric pilgrimage trail through the Central German German Metropolitan Region, we illustrate how Metropolitan Region and a cultural and tourism regional spatialities can be co-constituted by e.g. project uniting multiple sites of the Reformation network and container concepts at the same time, within the region. Although the Luther Way to- thereby leading to a multitude of spatialities-in-be- day consists of more or less three separate trails coming. Regions understood as products of discur- bound by the territories of the three Länder Saxony, sive practices must be conceptualised as constantly Saxony-Anhalt, and Thuringia, one continuous changing and always in-becoming due to the vari- city-network is planned to be completed by 2017 – ety of spatial concepts performed in discourse in the 500th Reformation anniversary. Other cultural order to serve political calculations. Hence, they trails in the region, however, are (and most likely can be seen as territorial phantoms with contex- continue to be) contained by the federal bounda- tually fluid spatialities, despite being frequently ries. The Musical Tradition discourse strand dem- criss-crossed by bounded territorial containers. As onstrates a similar example of border-crossing net- a future prospect for our work, it seems important works, although comprising only the two federal to delve deeper into the implications of possible, states of Saxony and Thuringia. Important events/ yet hitherto undiscovered, synergies and frictions sites in the life of the composer Johann Sebastian between the different phantom shapes of a region Bach are discursively utilised to constitute a over space and time. This would involve, for in- city-network of Leipzig (Saxony) and Eisenach stance, looking closer at to what extent practices (Thuringia), which encompasses cultural places of regulation and governance are affected by the such as the Bach Museum, the Bach Archives, or constant concurrence and conflict between spatiali- the Bach House. Similarly, the history of the com- ties that are involved in the perpetual becoming of poser Richard Wagner forms the backdrop for a a region. city-network comprising Dresden, Leipzig (both in Saxony) and Weimar (Thuringia). Hence, the spatial concept of network is a con- Acknowledgements stitutive part of the discourse of Central German Metropolitan region. However, all three feder- The authors would like to thank the two review- al states Saxony, Saxony-Anhalt, and Thuringia ers for their constructive criticism and suggestions thought of as territorial containers are likewise cru- that have helped to shape this paper. Additional cial elements of its constitution. Although the main thanks are due to Rhys Jones and Sami Moisio political stakeholders are located in the administra- for their helpful comments and Elke Alban for tive core cities of the region, the federal state system providing four high-quality figures. 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Authors

Dr. Roger Baars Prof. Dr. Antje Schlottmann Department of Human Geography Goethe-University Theodor-W.-Adorno Platz 6 – PEG Building 60629 Frankfurt/Main, Germany [email protected] [email protected]