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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
AUC Undergraduate Journal of Liberal Arts & Sciences
AUC Undergraduate Journal of Liberal Arts & Sciences Capstone Issue Vol. 12 2019 Published by AUC Undergraduate Journal of Liberal Arts & Sciences Capstone Issue Vol. 12 2019, published by InPrint The AUC Undergraduate Journal of Liberal Arts and Sciences is a biannual, interdisciplinary publication showcasing outstanding undergraduate academic papers. The Journal aims to demonstrate the strength of undergraduate scholarship at AUC, to reflect the intellectual diversity of its academic programme, to encourage best research and writing practices, to facilitate collaboration between students and faculty across the curriculum, and to provide students with opportunities to gain experience in academic reviewing, editing and publishing. The Editorial of the Journal is constituted of members of the InPrint board, a registered AUCSA committee. Editorial board (InPrint) Aisha Erenstein | Editor-in-Chief & Chair Caoimhe Martin | Head Editor Sciences Linnea Sinharoy | Head Editor Social Sciences Merel Makkus | Head Editor Humanities & Treasurer Sarah Martin | Editor Sciences & Secretary Miles Henderson | Editor Sciences Parag Dass | Editor Social Sciences & Secretary Amal Salman | Editor Social Sciences & Head of PR Myriam Bellamine | Editor Humanities Jai Yoon Chung | Editor Humanities Capstone Team Dr. Maurits de Klepper | Capstone co-Coordinator Wade Geary, MA | Capstone co-Coordinator Bob Kardolus | Capstone Administrator Series Editing Prof. Dr. Murray Pratt Dr. Belinda Stratton i Copyright: All texts are published here with the full consent of their authors. Every effort has been made to contact the rightful owners of all content with regards to copyrights and permissions. We apologise for any inadvertent errors or omissions. If you wish to use any content please contact the copyright holder directly. For any queries regarding copyright please contact [email protected]. -
Assessorato Regionale, Dipartimento Dei Beni Culturali E Dell'identità
Assessorato Regionale, Dipartimento dei Beni Culturali Città di Acireale Lions Club Acireale e dell’Identità Siciliana Assessorato Regionale, Dipartimento dei Beni Culturali e dell’Identità Siciliana Città di Acireale Lions Club Acireale Collection of historical uniforms Ing. Aldo Scaccianoce Lions Club Acireale Anno Sociale 2012-2013 Presidente Rosario Musmeci Galatea Editrice - Acireale INTRODUCTION The collection of uniforms located in the Town Hall takes its name from the scholar Aldo Scaccianoce, who gathered each piece. The relics shown have a double significance: historical and artistic. Every piece has its own historical story to tell, as they have all been worn during events that have shaped European history over the course of the XIX century, while the nineteenth century has been pregnant with highly artistic cultural moments since the Napoleonic period. These relics, in fact, also give testimony of fashion, taste, make and aesthetic quality that make them real masterpieces of craftsmanship. The Assessorato ai Beni Culturali (Department of Cultural Heritage) of the Region of Sicily added the collection to its priceless patrimony in 1988, to avoid the dispersal of the important cultural collection. The exposition installation was done by the architect Giuseppe Anfuso. Within each single cabinet each relic preserves its historical, military and artistic relevance. PREFACE The work presented is born from the desire of the Lions Club Aci- reale to give service to the town of Acireale, favouring its tourism, and with it, its economy. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue. -
SLAP Supporting Local Arts & Performers
Issue 41 SLAP Supporting Local Arts & Performers Fuel presents Fiction Conceived by David Rosenberg and Glen Neath Written by Glen Neath Directed by David Rosenberg Music & Sound by Ben & Max Ringham 14 October, 7 & 9pm Fuel Ticket Offers Buy one ticket to a Fuel show Malvern Theatres & get the second half price! Quote the code FUELHALF. Grange Road, Malvern WR14 3HB Come to all three shows & get one Tickets: £16/14/£8 show free. Quote the code FUELFREE. 01684 892277 Offers can only be used when booking by telephone or in person, malvern-theatres.co.uk subject to availability. fueltheatre.com Fiction, commissioned by the Cambridge Festival of Ideas, Cambridge Junction and Bournemouth Arts by the Sea Festival. Funded by Arts Council England and a Wellcome Trust Arts Award. New Theatre In Your Neighbourhood is funded by Arts Council England and the Esmée Fairbairn Foundation. Welcome to the October issue of SLAP Magazine which marks the end of a glorious summer of festivals for us. In fact I write my editorial from the Forest of Dean, home to the wonderful Something else in the Dean festival - sadly the last of the season. We take a snapshot view of this years hugely successful Worcester Music Festival with Andy O’Hare, surely the busiest man of the whole weekend. Talking of snapshots, we bring you the judges top three from the WMF photo Oct 2014 competition. If you’re quick you can see all 25 finalists on display at the Arts Workshop until Saturday 5th October following the presentation which took place as we went to press. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum. -
General Notice 2021-Gn-022
GENERAL NOTICE 2021-GN-022 Effective Date: 1/1/2021 Expiration Date: 12/31/2021 Julie Kirschbaum Director of Transit OPERATOR UNIFORMS for 9163 TRANSIT OPERATORS We are proud of the integrity and professionalism of our operators and the Muni uniform is a symbol of your pride, purpose and performance. The uniform enhances the positive image of SFMTA employees and is required while on duty. 2.6 Personal Appearance NEW Rule: The proper wearing of the official SFMTA- Muni Transit Operator’s uniform is required while on duty for all 9163 Transit Operators. NEW Rule: The mandatory SFMTA-Muni Operator’s Uniform shall consist of the following minimum items: • Safety Vest or High Visibility Reversable Jacket- To be worn as required. • Uniform Shirt (buttoned) or Polo Shirt – Grey with ID# sewn on the right-hand sleeve • Uniform Trousers/Skirt/Shorts -- Grey • Safety Shoes/Boots – Must be leather closed toe, black, slip resistant with a sole puncture resistance that can withstand a minimum nail penetration force of 270 pounds. (Rail Operators may wear safety boots) • • Optional Uniform Items are the following: • Uniform Jacket/Foul Weather Jacket – (Weather Dependent) Black with ID# sewn on the right- hand sleeve • Uniform Beret/Baseball Cap - Black • Uniform Tie – Red or Black (If not worn, only the collar button of the shirt may be unbuttoned) • TWU 250A Jacket - TWU 250A elected representatives and Operators who have been awarded the jacket by TWU 250A as a “Systemwide Operator of the Month” Honoree may wear this jacket while on duty provided that their employee’s ID Badge is worn and displayed on exterior of the jacket. -
AFI 36-2903, Dress and Personal Appearance of Air Force Personnel Containing Change 2 (Dated 28 May 08), Is Void and Hereby Rescinded As of the Date of Its Issuance
AFI 36-2903, Dress and Personal Appearance of Air Force Personnel containing change 2 (dated 28 May 08), is void and hereby rescinded as of the date of its issuance. The publication was improperly routed and mistakenly failed to incorporate the provisions of AFI 36-2903, change 1, dated 6 August 2007, into its publication. If you downloaded or printed any copies of the erroneous document, please destroy those copies. Also, if you've posted local supplements to the AFI based on this void and rescinded document, rescind the publication as of the date of issuance. BY ORDER OF THE AIR FORCE INSTRUCTION 36-2903 SECRETARY OF THE AIR FORCE 2 AUGUST 2006 Incorporating Change 1, 6 August 2007 Certified Current 17 February 2009 Personnel DRESS AND PERSONAL APPEARANCE OF AIR FORCE PERSONNEL COMPLIANCE WITH THIS PUBLICATION IS MANDATORY ACCESSIBILITY: Publications and forms are available on the e-Publishing website at www.e-publishing.af.mil for downloading or ordering. RELEASABILITY: There are no releasability restrictions on this publication. OPR: HQ AFPC/DPSOOC Certified by: HQ AFPC/DPS (Col William D. Foote) Supersedes AFI 36-2903, 29 September 2002 and Pages: 161 AFI36-2923, 25 May 2004 This instruction implements Department of Defense Instruction (DoDI) 1334.1, Wearing of the Uniform, 26 October 2005, Department of Defense Directive (DoDD) 1300.17, Accommodation of Religious Prac- tices Within the Military Services, 3 February 1988; and Air Force Policy Directive 36-29, Military Stan- dards. It applies to all active duty Air Force members, members of the United States Air Force Reserve (USAFR), and members of the Air National Guard (ANG). -
The British Underground Press, 1965-1974: the London Provincial Relationship, and Representations of the Urban and the Rural
THE BRITISH UNDERGROUND PRESS, 1965-1974: THE LONDON PROVINCIAL RELATIONSHIP, AND REPRESENTATIONS OF THE URBAN AND THE RURAL. Rich�d Deakin r Presented as part of the requirement forthe award of the MA Degree in Cultural, Literary, andHistorical Studies within the Postgraduate Modular Scheme at Cheltenham and Gloucester College of Higher Education June 1999 11 DECLARATIONS This.Dissertation is the product of my own work and is. not the result of anything done in collaboration. I agreethat this. Dissertationmay be available forreference and photocopying,. at the discretion of the College. Richard Deakin 111 ABSTRACT Whateverperspective one takes, contradictions in the relationship between the capital and the provinces have always been evident to some extent, and the British undergroundpress of the late 1960s and early 1970s is no exception. The introductoryfirst chapter will definethe meaning of the term 'underground' in this context, and outline some of thesources used and the methodologies employed. Chapter Two will show how the British underground press developed froman alternative coterie of writers, poets, and artists - often sympathisers of the Campaign forNuclear Disarmament movement. It will also show how having developed from roots that were arguably provincial the undergroundadopted London as its base. The third chapter will take a more detailed look at the background of some London and provincial underground publications andwill attempt to see what extent the London undergroundpress portrayed the provinces, and vice-versa. In Chapter Four actual aspects of lifein urbanand rural settings, such as communes, squats, and pop festivals,will be examined in relation to the adoption of these lifestylesby the wider counterculture and how they were adapted to particular environments as part of an envisioned alternativesociety. -
Rock and Roll Music
Rock & Roll Michael Hardaker, HRDMIC006 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts specialising in Creative Writing Faculty of the Humanities University of Cape Town 2017 This work has not been previously submitted in whole, or in part, for the award of Universityany degree. It is my ownof work.CapeEach significant Town contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: 2017-08-21 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT Through unfolding, fragmentary memoirs, the disconnected odyssey of Nick Numbers, a rock music critic working in London and LA through the 1970s into the early 1980s, Rock & Roll explores the multiple realities that exist between documentary, documentable fact and supposedly pure fiction. Real people and verifiable occurrences are interwoven with invented characters and situations in a way that blurs any clear distinction between the two. The book also sees how the power of additions such as images and footnotes can add, or perhaps undermine, authority and credibility to a story. Meanwhile, stories connect the twin musical and lyrical strands, black rhythm and blues and the writings of the Beat generation, that somehow merged in the mid-1960s to produce rock music.