Channel (With Converter), and Switched CATV Systems Are Reviewed 1 Language Aimed at Informed Laymen
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Development of Digital TV in Europe 2000 Report
Development of Digital TV in Europe 2000 Report Spain Prepared by IDATE Final version – December 2000 Development of digital TV in Spain Contents 1DIGITAL TV MARKET OVERVIEW ......................................... 3 1.1 Roll-out of digital services................................................... 3 1.2 Details of the services ....................................................... 8 1.3 Operators and market structure............................................ 13 1.4 Technical issues............................................................ 15 1.5 Conclusion................................................................. 18 2KEY FIGURES FOR THE SPANISH MARKET ................................19 2.1 Country fundamentals ..................................................... 19 2.2 Equipment................................................................. 19 2.3 Television market estimates ................................................ 20 2.4 Details of the subscription-TV market ...................................... 20 IDATE 2 Development of digital TV in Spain 1 Digital TV market overview 1.1 Roll-out of digital services 1.1.1 Satellite digital services Two satellite-based digital TV platforms were operating in the Spanish market in 2000: Canal Satélite Digital (launched February 1997; via Astra) and Distribuidora de Televisión Digital - Vía Digital (launched September 1997; via Hispasat). They continue to experience strong growth with a combined 1.500.000 subscribers by mid 2000. The satellite digital market has been boosted by -
LED TV in Some Locations) Turns the TV on and Off
Getting Started Plug & Play Connections Remote Control When you turn the TV on for the first time, a sequence of on-screen prompts will assist in configuring basic settings. Press thePOWER ✎ This remote control has Braille points on the Power, Channel, and Volume buttons and can be used by visually impaired persons. y For better picture and audio quality, connect to a digital device using an HDMI cable. y PC(D-Sub) and PC/DVI AUDIO IN input are not supported. Accessories button. Plug & Play is available only when the Input source is set to y The picture may not display normally (if at all) or the audio may not work if an external y For HDMI/DVI cable connection, you must use the HDMI IN 1(DVI) port. TV. device that uses an older version of HDMI mode is connected to the TV. If such a problem • Remote Control & Batteries (AAA x 2) • Holder-Wire stand occurs, ask the manufacturer of the external device about the HDMI version and, if out of y Connecting through the HDMI cable may not be supported depending on the PC. • Owner’s Instructions • Power Cord ✎ Connecting the power cord and antenna. (refer to date, request an upgrade. y If an HDMI to DVI cable is connected to the HDMI IN 1(DVI) port, the audio does not work. • Warranty Card / Safety Guide (Not available ‘Connections’) y Be sure to purchase a certified HDMI cable. Otherwise, the picture may not display or a y Service: Connector for service only. Displays and selects the available video connection error may occur. -
Experience DTV Using LCD TV
Experiencing DTV on the LCD TV What is DTV? DTV stands for Digital Television, the latest standard and the future of television broadcasting. Unlike analog TV, DTV is broadcast digitally to transmit an audio and video signal for movie-like picture quality and surround sound. HDTV, your ticket to movie theater experiences on your home TV set, is a Digital TV (DTV) format. There are many benefits to DTV, as we will explain below. In addition, on February 1st, 2006, Congress passed a law mandating that all analog TV broadcasts must cease on February 17, 2009. At present, many television stations have begun broadcasting programs digitally. Benefits of Digital Television Improved image and sound quality Digital signals are not prone to interference during transmission, resulting in high fidelity signals all the way to the TV set for immaculate colors, incredible image sharpness and great sound. With DTV we can say goodbye to “ghosting” and “snow” on the TV screen and noise from the speakers. In addition, DTV supports high quality picture formats such as HDTV, meaning you will be able to enjoy movie-like programming right in the comfort of your own living room! Interactive programming With analog TV, we could do very little else with our TV programs other than change the channel. DTV provides us with an interactive viewing experience, a good example of which is the ability to order whichever program we please directly through the TV. That was impossible in the analog TV age. DTV Picture Quality Levels There is more than one DTV picture quality level or format. -
Stories for a Global Audience
T:225 mm C A N A D A T:290 mm + Y O U STORIES Talent and stories that are far reaching. = Canada has a wealth of talent, stunning FOR A locations and many funding options to help create stories that appeal to audiences GLOBAL around the world. Work with Canada and leverage business opportunities that can AUDIENCE take your next project to a new place. Discover more at CMF-FMC.CA Brought to you by the Government of Canada and Canada’s cable, satellite and IPTV distributors. WWW.PRENSARIO.TV WWW.PRENSARIO.TV CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd 1 2019-09-11 4:34 PM Job # CMF_20128 File Name CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd Modified 9-11-2019 4:34 PM Created 9-11-2019 4:34 PM Station SOS Daniel iMac Client Contact Emmanuelle Publication Prensario CMYK Helvetica Neue LT Std Designer Shravan Insertion Date September 13, 2019 Production Sarah Ad Due Date September 13, 2019 INKS Account Manager Sarah Bleed 235 mm x 300 mm FONTS PERSONNEL Production Artist Daniel SPECIFICATIONS Trim 225 mm x 290 mm Comments None Safety 205 mm x 270 mm 64x60 WWW.PRENSARIO.TV WWW.PRENSARIO.TV Live: 205 Trim: 225 Bleed: 235 //// COMMENTARY NICOLÁS SMIRNOFF Mipcom: Truth or Dare Prensario International ©2018 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF EDITORIAL PRENSARIO SRL OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO DE AUTOR Nº 10878 Mipcom 2018 is again the main content event Also through this print issue, you will see ‘the Argentina: Lavalle 1569, Of. 405 of the year, with about 13,000 participants, newest of the newest’ about trends: strategies, C1048 AAK 4,000 buyers and almost 2000 digital buyers. -
Identifying and Locating Cable TV Interference Application Note
Application Note Identifying and Locating Cable TV Interference A Primer for Public Safety Engineers and Cellular Operators Introduction In the early days of cable TV systems, the signals being sent over the cables were the same signals that were transmitted over the air. This minimized the extent of interference problems. Problems in those days would often manifest as ghosting and would look like a multipath reflection. However as cable TV systems offered more and more TV channels and other services, signals transmitted over the cables covered virtually the entire spectrum from 7 MHz to over 1 GHz. See table 1. There are many different services that operate over the air in that frequency range. All those services can be subject to interfering signals radiating from cable TV systems and in turn over the air signals can leak into the cable TV plant and cause interference. As cable TV systems began to expand the frequency range in the cable, interference started to be experienced by aeronautical users in the 100 to 140 MHz range and amateur radio operators in the 50 MHz to 54 MHz, 144 to 148 MHz, 220 to 225 MHz, and the 440 to 450 MHz bands. First responders could also experience interference when operating near a leaky cable plant. Problems in the 700 and 850 MHz cellular bands emerged as the frequencies in the cables were pushed higher and higher to provide more channels for cable TV customers. As the 600 MHz frequency range begins to be used by cellular operators, problems are likely to be seen there as well. -
Colour Television 25A6 29A5/29A6/29A7 29K3/29K5//29K10 29M6/29U2/29Z4 34A7/34Z4
ELECT COLOUR TELEVISION 25A6 29A5/29A6/29A7 29K3/29K5//29K10 29M6/29U2/29Z4 34A7/34Z4 Owner’s Instructions Before operating the unit, please read this manual thoroughly, and retain it for future reference. REMOTE CONTROL ON-SCREEN MENUS PICTURE IN PICTURE FUNCTION TELETEXT FUNCTION ENG Safety Instructions ENG The following illustrations represent the precautions to be taken when using and moving your television. 10% 75% 35° H H 5° Do NOT expose the television to Do NOT expose the television to Do NOT expose the television to extreme temperature conditions or direct sunlight. any liquids. to extreme humidity conditions. If the television is broken, do not During a storm conditions If the remote control is not used for try to repair it yourself. Contact (especially when there is lightning) a long period of time, remove the qualified service personnel. unplug the television from the batteries and store it in a cool, dry mains socket and aerial. place. THIS DEVICE IS NOT FOR USE IN INDUSTRIAL ENVIRONMENTS ➣ Please use a soft and dry cloth (not containing volatile matter) when you clean the TV. Caution The lightning flash and arrow head CAUTION within the triangle is a warning sign alerting you of “dangerous voltage” RISK OF ELECTRIC SHOCK DO NOT OPEN ! inside the product. The exclamation point within the CAUTION: TO PREVENT ELECTRICAL SHOCK, DO triangle is a warning sign alerting NOT REMOVE REAR COVER, NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED you of important instructions SERVICE PERSONNEL. accompanying the product. ! WARNING: TO PREVENT DAMAGE WHICH MAY Mode System RESULT IN FIRE OR SHOCK HAZARD. -
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COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 28.7.2004 SEC(2004) 1016 COMMISSION STAFF WORKING PAPER Annex to the Sixth Communication from the Commission to the Council and the European Parliament on the application of Articles 4 and 5 of Directive 89/552/EEC "Television without Frontiers", as amended by Directive 97/36/EC, for the period 2001-2002 {COM(2004)524 final} EN EN TABLE OF ANNEXES ANNEX 1 - Performance indicators ........................................................................................ 4 ANNEX 2 - Tables on the application of Articles 4 and 5 ...................................................... 6 ANNEX 3 - Application of Articles 4 and 5 in each Member State........................................ 8 ANNEX 4 - Summary of the reports from the Member States.............................................. 39 ANNEX 5 - Summary of the reports from the Member States of the European Free Trade Association participating in the European Economic Area ................... 114 ANNEX 6 - List of television channels in the European Union Member States which failed to achieve the majority proportion according to Article 4 ..................... 118 ANNEX 7 – Average transmission time of European works according to Article 4 taking audience shares of channels into account (“de-minimis-criterion”) .... 128 ANNEX 8 – List of television channels in the European Union Member States which failed to achieve the minimum proportion according to article 5 ................... 132 EN 2 EN This document complements the Sixth Communication from the Commission to the Council and the European Parliament on the application of Articles 4 and 5 of Directive 89/552/EEC 1 of 3 October 1989, as amended by Directive 97/36/EC 2 - hereinafter referred to as the “Television without frontiers” Directive - for the period 2001-2002. -
AÑO 2006:2006: Análisisanálisis Cualitativocualitativo Dede Audienciaaudiencia Deldel Mercadomercado Televisivotelevisivo
AÑOAÑO 2006:2006: AnálisisAnálisis cualitativocualitativo dede audienciaaudiencia deldel mercadomercado televisivotelevisivo Madrid, 2 enero 2007 AÑO 2006: Análisis cualitativo de audiencia del mercado televisivo 1 El presente documento toma como objeto de estudio al periodo 1 enero 2006 – 31 diciembre 2006. Con los datos actualizados ya al cierre del año 2006, enumeramos ahora las principales conclusiones en lo que se refiere al comportamiento de los espectadores frente al televisión, en un año plagado de cambios en el sector televisivo nacional. En las siguientes páginas llevaremos a cabo un didáctico repaso cuantitativo y cualitativo de lo acontecido en el año recién finalizado, con el fin de aportar una visión general que fomente el descubrimiento de las actuales tendencias de programación y de las preferencias televisivas de los espectadores. AÑO 2006: Análisis cualitativo de audiencia del mercado televisivo 2 RESUMEN DE CONTENIDOS 1 CONSUMO TELEVISIVO 2 RESULTADOS ANUALES 3 EVOLUCIÓN MENSUAL DE CADENAS 4 COMPARATIVO CUALITATIVO 5 ANÁLISIS DE FRANJAS Y DÍAS 6 CADENAS AUTONÓMICAS 7 TEMÁTICAS Y LOCALES 8 NUEVOS SISTEMAS: EL CABLE Y LA TDT 9 EMISIONES MÁS VISTAS 10 GÉNEROS TELEVISIVOS AÑO 2006: Análisis cualitativo de audiencia del mercado televisivo 3 1.- CONSUMO TELEVISIVO Los índices de consumo televisivo se mantienen estables en 2006: 217 minutos por habitante y día, una cifra idéntica a la registrada en 2005. Nuevamente vuelven a ser las mujeres (236 minutos), los mayores de 64 años (306) y las clases medias/bajas (239) , los segmentos de población con mayor afinidad al instrumento catódico. El estudio por Comunidades Autónomas revela que en 2006 las más adictas al medio fueron Aragón, Baleares, Comunidad Valenciana y Andalucía, mientras que en el lado de las menos consumidoras se situaron Canarias, Murcia, Galicia y Madrid. -
MEDIASET Resposabilidad 201
ÍNDICE PRESENTACION Carta del Presidente 6 Carta de los Consejeros Delegados 8 MODELO DE GOBIERNO Estructura de la Propiedad 11 Sistema de Gobierno Corporativo 20 Sistema de Gestión de Riesgos 26 Protección de Datos 32 Gestión de la Cadena de Proveedores 34 Gestión de los Contenidos Modelo de Gestión de los Contenidos 38 Accesibilidad de los Contenidos 41 Gestión de la Publicidad 43 Relación con los Grupos de Interés 46 Participación en el desarrollo de Políticas Públicas 48 Participación en iniciativas de Responsabilidad Corporativa 50 MODELO DE NEGOCIO Estrategia y Modelo de Negocio 53 Factores Clave de Éxito 58 Desempeño Principales indicadores de desempeño 60 Negocio Audivisual 61 Negocio Publicitario 99 Equipo Humano 108 Valor para los accionistas 136 Impacto ambiental 145 Otros indicadores de desempeño 152 ACERCA DE ESTE INFORME Alcance 155 Estándares 155 Elaboración 156 Verificación Externa 157 Cuadro de indcadores GRI 160 Glosario 172 Directorio 176 PresentaciÓN PRESENTACIÓN carta DEL PRESIDENTE “Quien se para a llorar, quien se lamenta contra la piedra hostil del a todo el público, con ocho canales de televisión diversificados desaliento, quien se pone a otra cosa que no sea el combate, no para todas las edades que nos dan el liderazgo de audien- será un vencedor, será un vencido lento”. cias y además con un récord histórico del 29% de share en el conjunto de cadenas, contenidos digitales en páginas web Miguel Hernández y redes sociales que son líderes en su sector y películas que vuelven a colocarnos como uno de los grandes productores de la cinematografía española. Toda una oferta audiovisual que He querido comenzar mi carta dirigida a todos ustedes, con ayuda a conectar a la perfección con los mensajes de los anun- una cita del poeta Miguel Hernández que ejemplifica la actitud ciantes, los cuales vuelven a elegirnos como primera opción de todos los que hacemos día a día Mediaset España, un equipo para la inversión publicitaria. -
Canales Tematicos Television
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Periodismo II LA TELEVISIÓN DE PAGO EN EL MERCADO AUDIOVISUAL ESPAÑOL. MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Ángel García Castillejo Bajo la dirección del doctor Luis Miguel Martínez Fernández Madrid, 2011 ISBN: 978-84-694-3361-4 © Ángel García Castillejo, 2010 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Periodismo II LA TELEVISIÓN DE PAGO EN EL MERCADO AUDIOVISUAL ESPAÑOL TESIS DOCTORAL Ángel García Castillejo Bajo la dirección del doctor: Luis Miguel Martínez Fernández Madrid, 2010 Angel García Castillejo Julio de 2010 2 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN Departamento de Periodismo II LA TELEVISIÓN DE PAGO EN EL MERCADO AUDIOVISUAL ESPAÑOL MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Ángel García Castillejo Bajo la dirección del Doctor: D. Luis Miguel Martínez Fernández Madrid, 2010 Angel García Castillejo Julio de 2010 4 TRABAJO DE INVESTIGACIÓN PARA OPTAR AL TÍTULO DE DOCTOR POR LA UNIVERSIDAD COMPLUTENSE DE MADRID Angel García Castillejo Julio de 2010 6 AGRADECIMIENTOS La vida va conduciendo nuestros pasos y en numerosas ocasiones nos sorprende y gratifica con buenos amigos y compañeros a los que además se les valora cuando surgen dificultades. Esta tesis es un buen ejemplo de la amistad, el trabajo, el esfuerzo e incluso la pasión. Mi agradecimiento a los amigos que han coincidido profesionalmente conmigo y de los que tanto he aprendido, a Luis Muñoz López, a Alfonso Morales, a Miguel Angel García Román, a Jesús Casado, a Josep Ventosa, a Eladio Gutierrez, a mis amigos de FIDECA, a “los amigos de la TDT”, de aquí y de América Latina. -
Ibero4american Television Fiction Observatory Obitel 2013 Social
IBERO-AMERICAN TELEVISION FICTION OBSERVATORY OBITEL 2013 SOCIAL MEMORY AND TELEVISION FICTION IN IBERO-AMERICAN COUNTRIES IBERO-AMERICAN TELEVISION FICTION OBSERVATORY OBITEL 2013 SOCIAL MEMORY AND TELEVISION FICTION IN IBERO-AMERICAN COUNTRIES Maria Immacolata Vassallo de Lopes Guillermo Orozco Gómez General Coordinators Morella Alvarado, Gustavo Aprea, Fernando Aranguren, Alexandra Ayala, Borys Bustamante, Giuliana Cassano, James A. Dettleff, Cata- rina Duff Burnay, Isabel Ferin Cunha, Valerio Fuenzalida, Francisco Hernández, César Herrera, Pablo Julio Pohlhammer, Mónica Kirch- heimer, Charo Lacalle, Juan Piñón, Guillermo Orozco Gómez, Rosario Sánchez Vilela e Maria Immacolata Vassallo de Lopes National Coordinators © Globo Comunicação e Participações S.A., 2013 Capa: Letícia Lampert Projeto gráfico e editoração: Niura Fernanda Souza Produção, assessoria editorial e jurídica: Bettina Maciel e Niura Fernanda Souza Revisão: Felícia Xavier Volkweis Revisão gráfica: Miriam Gress Editor: Luis Gomes Librarian: Denise Mari de Andrade Souza CRB 10/960 M533 Social memory and television fiction in ibero-american coutries: 2013 Obitel yearbook / coordinators Maria Immacolata Vassalo de Lopes and Guillermo Orozco Gómez. — Porto Alegre: Sulina, 2013. 513 p.; il. ISBN: 978-85-205-0700-X 1. Television – Programs. 2. Fiction – Television. 3. Programs Television – Ibero-American. 4. Media. I. Lopes, Maria Immacolata Vassalo de. II. Gómez, Guillermo Orozco. CDU: 654.19 659.3 CDD: 301.161 791.445 Direitos desta edição adquiridos por Globo Comunicação e Participações S.A. Editora Meridional Ltda. Av. Osvaldo Aranha, 440 cj. 101 – Bom Fim Cep: 90035-190 – Porto Alegre/RS Fone: (0xx51) 3311.4082 Fax: (0xx51) 2364.4194 www.editorasulina.com.br e-mail: [email protected] Agosto/2013 This work is a result of a partnership between Globo Univer- sidade and Ibero-American Television Fiction Observatory (OBI- TEL). -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ...................................................................