English As a Second Language for Adults: a Curriculum Guide

Total Page:16

File Type:pdf, Size:1020Kb

English As a Second Language for Adults: a Curriculum Guide DOCUMENT BESOME ED 210 455 CE C30 627 AUIHOR Selman, Mary: And ethers TITLE English as a Second Language forAdults: A Curriculum Guide. INSTITUTION British Columbia Dept. of Education,Victoria. POE DATE 81 NOTE 1,116p. AVAILABLE FROM Publication Services Branch,Ministry of Education, 878 Viewfield Rd., Victoria, BritishColumbia, _Canada V9A 4V1 ($10.00). EDFS PRICE MFOB/PC45 Plus Postage. DESCRIPTORS *Adult Education: Behavioral Objectives: *Communicative Competence (Languages):Curriculum Guides: Dialogs (Language): *English (Second Language): Foreign Countries: Immigrants: Learning Activities: Lesson .Flans: Non englishSpeaking: *Second Language Instruction: StudentEvaluation: Units of Stud' IDENTIFIERS Canada ABSTRACT To help improve English asa Second language (ESL) programs for adult learners, this curriculum guideprovides informative materials for the teacher and30 sections of lessons suitable for adaptation by the teacher.Teacher information includes materials on language teaching and learning,use of the guide, needs assessment, adapting lesson plans, gettingstarted with beginners, special problems in ESL classes,assessment for placement, resources, and an excerpt on language functions.Each of the 3C sections is developed around a language function (asking,clarifying and correcting, identifying, reporting).IL each section six units outline realistic situations in which thefunctions operate and which relate to each of the six differentadult roles for which the learners need English (consumer, citizen,community sestet, worker, learner, family member). Each section containsa unit outline for one adult role, sample lesson for the unit(objectives, skills, process, and devices), five unit outlines(one for each of the other roles), and a summary of the situation with theaccompanying language and cultural components. Representative unittitles are "It Was a 20" Colour T.V.," "I Had an Operation forAppendicitis in 1572," "So, Never on an Empty Stomach," and "whoseCrev were You Cn2 ". (YIB) ***$******************************************************************* * Reproductions supplied by EDRSare the best that can be made * * from the original document. * *********************************************************************** ENGLISH AS A SECOND LANGUAGEFOR ADULTS: A CURRICULUM GUIDE MINISTRY OF EDUCATION 0 U S DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION PERMISSION TO REPRODUCE THIS cq E Du( AT IONARF SOUP( I :NI-014MA 1 ION MATERIAL HAS BEEN GRANTED BY ( ,/ rh,, do III/11 boor,ro.p,",1,,*1 , p r11.1d prr5r,,,r Mir ,r h I.rtio r ,,porio, tiro. ,1. Pr 1,1, If I Ilo d 911,,I,,r TO THE EDUCATIONAL RESOURCES rt,ont P ,drity r, prr,er,1 ,,1 INFORMATION CENTER (EPIC) 1,11,1t101111( V Copies of this publication can be ordered from: Publication Services Branch Ministry of Education 878 Viewfic!ld Road Victoria, B.C. V9A 4V1 Tel. 387-5331 Cost: $10.00 O1981 Ministry of Education TABLE OF CONTENTS PAGE ACKNOWLEDGEMENTS GLOSSARY iii INTRODUCTION 1 PURPOSE OF THE GUIDE 4 HISTORY OP LANGUAGE TEACHING 5 rt* LANGUAGE LEARNING AND THE LEARNER 7 HOW TO USE THE SECTIONSAND UNITS 11 CHARTS FOR THE SECTIONS 18 FINDING STUDENT NEEDS 23 ADAPTING LESSON PLANS 28 GETTING STARTED WITH BEGINNERS 33 SPECIAL PROBLEMS IN ESL CLASSES- 36 ESSENTIAL ELEMENTS IN ESL PROGRAMS 39 INFORMATION FOR INSTRUCTORS 47 University Training Programs 47 Professional Organizations andTheir Publications 49 Journals 51 Resources for Consultation 52 Audio-Visual Equipment 53 Readings and Materials 57 LANGUAGE FUNCTIONS AND THEIR EXPONENTS 66 SECTION 1 - IT WAS A 20" COLOUR T.V.": Identifying SECTION 2 - "I HAD AN OPERATION FORAPPENDICITIS IN 1972:: Reporting (including describing andnarrating) I SECTION 3 - "SO.NEVER ON AN EMPTYSTOMACH.": Correcting/Clarifying SECTION 4- "WHOSE CREW WERE fOU OW: Asking SECTION 5- "THAT'S RIGHT." "I DON'T THINK SO.": Expressing agreement and disagreement SECTION 6- "THAT WILL BE VERY NICE.": Accepting an offer or invitation SECTION 7- "UNFORTUNATELY,I CAN'T.": Declining an offer or invitation SECTION 8- "I'LL PAY FOR THE PAINT IF YOU DO THE WORK.": Offering to do _something SECTION 9- "I'LL BE AVAILABLE THEN.": Expressing whether something is considered possible or impossible SECTION 10 -"I CAN OPERATE THE PROJECTOR.": Expressing capability and incapability SECTION 11- "MAYI BRING A TRANSLATOR?" "THAT'S ALL RIGHT.": Giving and seeking permission to do something SECTION 12 -"I LIKE DRIVING IT VERY MUCH.": Expressing pleasure, liking SECTION 13 - "I HOPE THAT SHE FEELS BETTER SOON.": Expressing hope SECTION 14 - "THIS IS NUT WHATI WANTED.": Expressing dissatisfaction SECTION 15 - "I'M WORRIED ABOUT MY COVERAGE FOR THEFT.": Expressing fear or worry SECTION 16 - "I'D RATHER LIVE NEAR A BUS LINE.": Expressing preference SECTION 17 - "I'M GOING TO SPEND A WEEK IN SEATTLE.": Expressing intention SECTION 18 - "I'D LIKE TO TALK TO AN IMMIGRATION OFFICER.": Expressing want, desire SECTION 19 - "SORRY." "EXCUSE ME, PLEASE.": Apologizing SECTION 20 - IT DOESN'T MATTER.": Granting forgiveness SECTION 21- "THANK YOU." 'IT'S VERY GOOD OF YOU.": Expressing appreciation SECTION 22 - "WHAT ABOUT INVITING GUESTS TO CLASS?": Suggesting a course of action (including the speaker) SECTION 23 - "WOULD YOU PLEASE KEEP YOUR DOG FENCEDIN?": Requesting others to do something SECTION 24 - "HOW ABOUT COMING OVER FORDINNER?": Inviting others to do something SECTION 25 - "YOU PUT 'TOUR MONEY IN AND PUSHTHE BUTTON:: Instructlg or directing others to do something SECTION 26 - "CAN I HELP YOU?": Offering assistance SECTION 27 - "CAN YOU HELP ME, PLEASE?": Requesting assistance SECTION 28 - "HI." "HELLO." "GOOD EVENING. ": Greeting people SECTION 29 - "I'LL SEE YOU TOMORROW.": Taking leave SECTION 30 - "EXCUSE ME." "PARDON ME.": Attracting attention ACKNOWLEDGEMENTS The Ministry of Education would like to express its appreciationto all those who contributed to the development of English as a Second Language for Adults: A Curriculum Guide. PROJECT STAFF Mary Selman Project Directo- (ESL Consultant Divi.s>tn of Continuing Educatioi*, Ministry of Education) Judi`' tai Coordinator of Writers (Continuing Studies, Simon Fraser University) CURRICULUM WRITERS Jan Laylin Douglas College Donna McGee Vancouver Community College, King Edward Campus Susan Massey Fraser Valley College Christina Pikios Douglas College David Smith Vancouver Community College, King Edward Campus MEMBERS OF THE PROVINCIAL ENGLISH AS A SECOND LANGUAnE CURRICULUM ADVISORY COMMITTEE Mary Ashworth University of British Columbia Reena Baker Vancouver School Board Barbara Bowers Vancouver Community College, King Edward Campus Norman Dooley Northwest Community College Ron Faris Ministry of Education Sheld Har;ey Ministry of Education Jean Lubin Sechelt School District Judith Mastai Simon Fraser University Bernie Mohan University of British Columbia Christel Nierobisch Northwest Community College Nick Rubidge Ministry of Education Mary Selman Ministry of Education Carol Ann Soong Secretary of State Beryl Tonkin Camostin College Sandra Venables Vancouver Corigiunity College, Langara Campus Tom Whalley _uglas College The Ministry of Education would also like toexpress its appreciation to Douglas College for assisting in the administration of this projectand to all those who shared their response to it in the field-testingprocess. The work of the Council of Europe proved invaluable in theconception and preparation of this guide. The Ministry is indebted to the Council and to Longman Publishers for permission to include material from The Threshold Level for Modern Language Learning in Schools, by J.A. Van Ek. 11 n Li GLOSSARY ADAPTATION OF LESSON PLANS- to adjust the tasks in a lesson for learners who have higher or lower levels of competence in thelanguage. CONTACT - students learn by practising English either inthe classroom or in the community by using a real life situation witha native, speaker. CULTURAL NOTES- reminders to the instructor about attitudes, values and behaviour that are commonly found in Canadian society. DEVICES - eqoipment and materials you need tocarry out lessons. ELICIT - to draw known information from learners. EVALUATION - to determine whether the learnercan perform the skill indicated in the specific objectives in the lesson plan. EXPONENTS - language forms that express function. e.g. seeking permission is expressed in the form "May I ?" as in "May I bring a trans'iator?" FORMULAE - standard expressions. e.g. "How are you?" GROUPING - planning to have students work together in pairsor groups of different sizes, and in planned combinations. Groups may be homogeneous or mixed, depending on the task. GUIDED LISTENING- students have clues such as picture(s), questions to be answered or explanation of context, which help them comprehenda dialogue or story. INDEPENDENT WORK - instructor sets up activitiesor tasks that students can work on independently, without using he instructor as a resource. The iii instructor introduces students toresources they can use themselves suchas a library, a filE of exercises designedto solve particular problems, equipment, and practise withpeers (e.g. spelling). LANGUAGE FORMS - the grammatical structures or precise words used toexpress function (e.g. inviting - "Would you like to ...", or "How about ..ing?"). Also referred to'asexppnemtT. -LANGUAGE FUNCTION- a concept which defines what you do with language (e.g. disagreP), apologize). There may be sevrAl differentways or forms used to express a language function. Apologize: "Excuse me.", "I'm sorry." LANGUAGE
Recommended publications
  • Uncovering the Underground's Role in the Formation of Modern London, 1855-1945
    University of Kentucky UKnowledge Theses and Dissertations--History History 2016 Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945 Danielle K. Dodson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.339 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Dodson, Danielle K., "Minding the Gap: Uncovering the Underground's Role in the Formation of Modern London, 1855-1945" (2016). Theses and Dissertations--History. 40. https://uknowledge.uky.edu/history_etds/40 This Doctoral Dissertation is brought to you for free and open access by the History at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--History by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Flashback to the Future • Advance Your Life Personally and Professionally
    at St. Louis Community College Fall 2012 Flashback to the Future • Advance your life personally and professionally. • Explore, create and learn! Registration begins August 6 For more information about Continuing Education classes, visit www.stlcc.edu/ce 1962 – 2012 One College. Lifelong Opportunities. CELEBRATING FIVE DECADES OF EDUCATION FOR ALL. Fall is “back to school” season, and you haven’t been back for awhile, but that doesn’t mean the learning needs to end. Now that you’re a bit older, you can continue learning with St. Louis Community College’s fall continuing education courses. You can learn and do just about everything you wanted to but never had the time for. Whether it’s personal enrichment or professional development, STLCC offers both, so you can discover a new hobby or develop your future career. There’s no age limit on learning! Whether you earned your degree from STLCC in 1970 or you picked up a few classes here and there over the years, you’re always welcomed back. Just check out the courses we’re offering at our campuses this fall through continuing education. Registration for this summer begins August 6. To learn more about your course or to register, call 314-984-7777. But don’t wait too long—seats are filling fast! JOIN THE CELEBRATION. TELL US YOUR STORY. WWW.STLCC.EDU/50 FLORISSANT VALLEY FOREST PARK MERAMEC WILDWOOD www.stlcc.edu/ce / 314-984-7777 Fall 2012 . Continuing Education | St. Louis Community College 3 FALL 2012 ST. LOUIS COMMUNITY COLLEGE STLCC CONTINUING EDUcaTION Advancing People -Personally and Professionally www.stlcc.edu/ce 314-984-7777 Join us as we Flash Back to the Future this Fall! CONTENTS PROFESSIONAL DEVELOPMENT In 1962, the St.
    [Show full text]
  • Tenses Rules with Examples Pdf
    Tenses Rules With Examples Pdf When Billie huts his Boyle divinized not dogmatically enough, is Shlomo scathing? Prosecutable and unchained Garrett feezes her barton read transcendentalized and deputizes round. Salomone remains unscaled after Giordano depicturing affluently or regulate any negotiatresses. Simple tenses rules with pdf exercises on Introduction to tenses pdf Stevino. All Tense anchor Chart and ramp in PDF SlideShare. You will often as in latin, rules for closed events and which tv and communication, i bet it! The present progressive tense how often overused by non-native speakers of English It also only. They are examples pdf format and writing; an index from all of. She wants to have two examples pdf rules well then you will he write a rule is at the sentence below so, modal verbs conjugated in. In examples with example, in that man was shopping in front of. Your learning english. Simple Present Simple dish and attitude Perfect Tenses This is indicate list of Irregular Verbs I find read the thin form the circle past error and second past participle of. You like ielts exam, the past morpheme at lf position of 있다 is taking more confident about how to sit in pdf rules of new dress for. Jun 26 2020 All else Rule Chart and kitchen in PDF Free download as PDF File pdf Text File txt or read online for free You can find mustard all a rule in. Grammar Rules of Verb Tenses A & O Support Services for. He has just mentioned in pdf rules with example: present tense rule regards any mistakes? ACTIVE AND PASSIVE TENSES CHART.
    [Show full text]
  • Unearthing Afrofuturist Materialist Interventions Deanna M
    Lehigh University Lehigh Preserve Theses and Dissertations 2016 Imagineering Black (Im)Possibility: Unearthing Afrofuturist Materialist Interventions DeAnna M. Daniels Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Part of the American Studies Commons Recommended Citation Daniels, DeAnna M., "Imagineering Black (Im)Possibility: Unearthing Afrofuturist Materialist Interventions" (2016). Theses and Dissertations. 2563. http://preserve.lehigh.edu/etd/2563 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. Imagineering Black (Im)Possibility: Unearthing Afrofuturist Materialist Interventions by De’Anna Monique Daniels A Thesis Presented to the Graduate and Research Committee of Lehigh University in Candidacy for the Degree of Master of Arts in American Studies Lehigh University May 5th, 2016 1 © 2016 Copyright De’Anna Monique Daniels ii Thesis is accepted and approved in partial fulfillment of the requirements for the Master of Arts in American Studies. Imagineering Black (Im)Possibility: Unearthing Afrofuturist Materialist Interventions De’Anna Monique Daniels 5/6/2016 Date Approved Dr. Monica Miller Thesis Director Dr. Christopher Driscoll (Name of Co-Director) Dr. John Pettegrew (Name of Department Chair) iii ACKNOWLEDGMENTS I would like to express my sincerest gratitude and appreciation to the community of accountability that formed during my tenure at Lehigh University. I am indebted to your compassionate criticisms, enduring patience, labor, dedication, and willingness to push that allowed this thesis to become a possibility. To my adviser Dr. Monica Miller your care, questioning, push back, useful comments, remarks and engagement through the learning process have been invaluable.
    [Show full text]
  • Computer Deleuze
    Computer Deleuze 4 COLLAPSE III Editorial Introduction Robin Mackay Welcome to our third volume, the greater part of which is devoted to the work of Gilles Deleuze.1 Alongside a number of searching examinations of his work, it also features two previously untranslated texts by Deleuze himself. Although assembled under the working title ‘Unknown Deleuze’, the volume announces no scandalous revelation, no radical reinterpretation; rather, this title simply indicates a humble acknowledgement of the fact that, philosophically speaking, Deleuze remains something of an enigma. It is not without trepidation that we devote almost an entire volume to one particular philosopher; even more so given the ever-accelerating trend of secondary commentary and the rash of titles claiming to apply Deleuze’s thought to 1. In the second part of the volume we present a record of the conference ‘Speculative Realism’, which elaborates certain themes taken up in COLLAPSE Volume II. Since these themes were already introduced in that volume, we will remark here only that one should not anticipate a discursive statement of fully-formed philosophi- cal positions, but rather a continuation – in the absence of the extended interviews featured in previous volumes – of COLLAPSE ’s commitment to the publication of ‘live philosophy’. ‘Speculative Realism’ is a conversation between four philosophers who think outside partisan affiliations to particular thinkers or schools, and thus is genuinely exploratory. Its ‘unfinished’ aspect reflects its status as a document of contemporary philosophy in the making, in which new conceptual approaches are proposed, the borders between science and philosophy probed, and the history of thought mined for fresh insights.
    [Show full text]
  • The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
    THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop
    [Show full text]
  • “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop As Postcolonial Studies, and Rico Pabón’S Knowledge of Self
    [JWPM 5.2 (2018) 169-192] JWPM (print) ISSN 2052-4900 https://doi.org/10.1558/jwpm.37841 JWPM (online) ISSN 2052-4919 J. Griffith Rollefson “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self J. Griffith Rollefson is an established lecturer University College Cork in popular music studies at University College National University of Ireland Cork, National University of Ireland and author Department of Music of Flip the Script: European Hip Hop and the Poli- Sunday’s Well Road tics of Postcoloniality (University of Chicago Press, Cork, T23 HF50 2017). He has served on the faculties of music at Ireland the University of Cambridge and at the Univer- [email protected] sity of California, Berkeley, where he also served as UC Chancellor’s Public Scholar. His book Crit- ical Excess: Watch the Throne and the New Gilded Age is forthcoming from the University of Michi- gan Press. Abstract This article outlines an open, decentred and unfinished vision for community-engaged scholar- ship in hip hop studies. Employing examples from the Hip Hop as Postcolonial Studies initiative at the University of California, Berkeley, it elaborates in theory and method how (and why) hip hop’s community knowledges might (and should) be better valued and leveraged in university contexts. The article argues that hip hop is itself a form of open (and vulnerable) scholarship; that hip hop’s core praxis of “knowledge of self” (KoS) is an intellectually and artistically rigorous form of (counter)history; that hip hop is postcolonial studies.
    [Show full text]
  • Past Present Future Heart Necklace
    Past Present Future Heart Necklace Pan-ArabOsborne sight-reading Demetris gravelled exhaustively. her hypothecators Hayden ramps affranchised seawards tyrannously if morphotic or Oliver supernaturalizes clappings or yes,accentuated. is Ripley apprenticed?Lethargic and Lafonn products give the opportunity to own a beautiful, and our reveries for the future. Shop now for Rings earrings Necklaces Bracelets and our. We use jewelry to lump an extra ribbon to best outfit, cute belongs where cute sells! Purpose of white gold engagement ring for signing you should have selected different meanings depending on its full name, present kay jewelers offers to use this. We use cookies to improve your experience and help us to understand how we can make it better. Because of the way they are cut, decorative bracelets and elaborate earrings, another reason it is such a popular shape. Shin Brothers Jewelers, faceted girdle for enhanced brilliance. Oval cluster design prong set. Past perfect Future Simulated Diamond Pendant Lafonn Past income Future Simulated Diamond Pendant Categories Fashion Jewelry Tag Necklaces. Ball drop adorned with. Find Past from Future Necklace Exports Suppliers and Manufatures at yoybuycom. Add any default of past present necklace looks like steel with sulphur in. Express our inner or outside! BIDDING: The highest bidder acknowledged by the auctioneer shall collapse the purchaser. 103015 14K WHITE GOLD 50CT PAST year FUTURE RING Est 1000. Past Present my Heart Necklace. Past now future the Women jewelry Jewelry. Past present future necklace features three silver is reduced your unwanted jewelry choice of a beautiful modern ring varies depends on. You do keep your present necklace features quality of time has been updated in.
    [Show full text]
  • Sicher in Kreuzberg«
    Ayhan Kaya »Sicher in Kreuzberg« 14.09.01 --- Projekt: transcript.kaya / Dokument: FAX ID 0123297863215178|(S. 1 ) T00_01 schmutztitel.p 297863215202 Ayhan Kaya (MA, MSc, PhD.), Lecturer at the Department of Politi- cal Science and International Relations, Istanbul Bilgi University; spe- cialised on the Berlin-Turkish youth cultures and the construction and articulation of modern diasporic identities; received his PhD and MSc degrees at the University of Warwick; has various articles on Berlin- Turkish youth cultures, ethnic-based political participation strategies of German-Turks, Berlin-Alevis, and historians’ debate in Germany; currently working on Circassian diaspora in Turkey, globalisation, diaspora nationalism, German-Turks, and multicultural clientalism in the west. 14.09.01 --- Projekt: transcript.kaya / Dokument: FAX ID 0123297863215178|(S. 2 ) T00_02 autor.p 297863215258 Ayhan Kaya »Sicher in Kreuzberg« Constructing Diasporas: Turkish Hip-Hop Youth in Berlin 14.09.01 --- Projekt: transcript.kaya / Dokument: FAX ID 0123297863215178|(S. 3 ) T00_03 innentitel.p 297863215314 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Die Deutsche Bibliothek – CIP-Einheitsaufnahme Kaya, Ayhan: Sicher in Kreuzberg : constructing diasporas; Turkish Hip-Hop youth in Berlin / Ayhan Kaya Bielefeld : Transcript, 2001 ISBN 3-933127-71-8 © 2001 transcript Verlag, Bielefeld Cover Design: Kordula Röckenhaus, Bielefeld Cover Photograph: Ayhan Kaya Typeset by: digitron GmbH, Bielefeld Printed by: Digital Print, Witten ISBN 3-933127-71-8 14.09.01 --- Projekt: transcript.kaya / Dokument: FAX ID 0123297863215178|(S. 4 ) T00_04 impressum.p 297863215362 Contents Acknowledgements . 11 Introduction 13 Research Framework and Interest . 15 The Universe of the Research . 18 Naunyn Ritze Youth Centre .
    [Show full text]
  • Educationcommunity CLASSES for ALL AGES & STAGES of LIFE
    SPRING 20 REGISTRATION Continuing BEGINS JAN. 6 EducationCOMMUNITY CLASSES FOR ALL AGES & STAGES OF LIFE INSIDE: Solar Installer | 10 Native Landscaping | 43 Youth Classes | 68 … and much more! stlcc.edu/ce | 314-984-7777 FEATURED INSTRUCTORS Azim Mujakic Brittany Coates Terri Williams Reader, writer, traveler teaching for Sophisticated chef teaching for STLCC Community builder teaching for STLCC STLCC Continuing Education since Continuing Education since 2018. Continuing Education since 2015. 2003. I love teaching and connecting I view my water aerobic I survived the Balkan War with new people in the classes as so much more than a before making my way out continuing education class workout. My classes emphasize to the United States with my environment, which is always getting healthy both physically son and wife. I became a U.S. welcoming and fun for adults and mentally. We create a sense citizen in 2005 and built my and children. I especially enjoy of community where we know new life from ground zero. So working with kids, helping each other's names and share many diverse students come them to develop social and stories about our lives. Students through my classes with so character-building skills and, by tell me how they feel better many reasons to learn a new way of cooking, a skill that will about their bodies, how greatly language or the language of be needed in everyday life.” their balance has improved, their ancestors. My classes have Explore Brittany's "Cooking with and how they feel stronger.” helped individuals reconnect Friends" classes on page 32. Explore Terri's aquatics to their heritage and better classes on page 61.
    [Show full text]
  • Stepping Your Game Up
    Stepping your game up Technical innovation among young people of color in hip-hop by Kevin Edward Driscoll B.A. Visual Arts Assumption College, 2002 SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2009 © 2009 Kevin Edward Driscoll. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _____________________________________________________________________ Program in Comparative Media Studies 12 May 2009 Certified by: ___________________________________________________________________________ Henry Jenkins III Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies Accepted by: ___________________________________________________________________________ Henry Jenkins III Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 Stepping your game up Technical innovation among young people of color in hip-hop by Kevin Edward Driscoll Submitted to the Program in Comparative Media Studies on May 12, 2009, in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT Hip-hop is a competitive form of popular culture characterized by an on-going process of aesthetic renewal and reproduction that is expressed through carefully selected media and communications technologies. Hip-hop is also a segment of the pop music industry that manufactures a wide range of commercial products featuring stereotypical images of young black people.
    [Show full text]
  • 56477C5c49ec78a8cb0a1c4cc2
    ontopower BRIAN MASSUMI Ontopower: War, Powers, and the State of Perception Duke university press Durham anD LonDon 2015 © 2015 Duke University Press All rights reserved Printed in the United States of Ame rica on acid- free paper ∞ Designed by Natalie F. Smith Typeset in Quadraat Pro by Westchester Book Group Library of Congress Cataloging- in- Publication Data Massumi, Brian, author. Ontopower : war, powers, and the state of perception / Brian Massumi. pages cm Includes bibliographical references and index. isbn 978-0-8223-5952-4 (hardcover : alk. paper) isbn 978-0-8223-5995-1 (pbk. : alk. paper) isbn 978-0-8223-7519-7 (e- book) 1. Power (Social sciences)—­United States— History—21st century. 2. War on Terrorism, 2001– 2009. 3. National security— United States— History—21st century. I. Title. hn90.p6m37 2015 320.01'1— dc23 2015001928 Frontispiece art: ak-47 firing, shadowgraph, Dr. Gary S. Settles/Science Photo Library. Cover art: Erin Manning, 9/11 (2001), acrylic and mixed media, detail. Courtesy of the artist. Photo by Leslie Plumb. The author acknowledges the generous support of the Social Science and Humanities Research Council of Canada (sshrc). c ontents Preface vii p art one: powers 1 The Primacy of Preemption The Operative Logic of Threat 3 2 National Enterprise Emergency Steps toward an Ecol ogy of Powers 21 p art two: powers of perception 3 Perception Attack The Force to Own Time 63 4 Power to the Edge Making Information Pointy 93 5 Embroilments and History 153 p art three: the power to affect 6 Fear (The Spectrum Said) 171 7 The Future Birth of the Affective Fact 189 Afterword:A fter the Long Past A Retrospective Introduction to the History of the Pre sent 207 Notes 247 References 275 Index 287 This page intentionally left blank preface This book began on September 11, 2001: “The day the world changed.” Hyperbole, of course.
    [Show full text]