Foreign Correspondence in the Soviet Union As a Model for Reporting In
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The American Experience with Diplomacy and Military Restraint I
PART I: THE AmERICAN EXPERIENCE WITH DIPLOMACY AND MILITARY RESTRAINT i. Orphaned Diplomats: The American Struggle to Match Diplomacy with Power Jeremi Suri E. Gordon Fox Professor of History and Director, European Union Center of Excellence, University of Wisconsin, Madison Benjamin Franklin spent the American Revolution in Paris. He had helped to draft the Declaration of Independence in the summer of 1776, one of the most radical documents of the eighteenth century—sparking rebellion on both sides of the Atlantic Ocean. Serving as a representative for the Continental Congress in France during the next decade, Franklin became a celebrity. He was the enlightened idealist from the frontier, the man of principled action who enthralled onlookers in the rigid European class societies of the 1770s and ’80s. Franklin embodied the American critique of Old World society, economy, and diplomacy. He was one of many American revolutionaries to take aim at the degenerate world of powdered wigs, fancy uniforms, and silver-service dinners where the great men of Europe decided the fate of distant societies. Franklin was a representative of the enduring American urge to replace the diplomacy of aristocrats with the openness and freedom of democrats.1 Despite his radical criticisms of aristocracy, Franklin was also a prominent participant in Parisian salons. To the consternation of John Adams and John Jay, he dined most evenings with the most conservative elements of French high society. Unlike Adams, he did not refuse to dress the part. For all his frontiers- man claims, Franklin relished high-society silver-service meals, especially if generous portions of wine were available for the guests. -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Self-Censorship and the First Amendment Robert A
Notre Dame Journal of Law, Ethics & Public Policy Volume 25 Article 2 Issue 1 Symposium on Censorship & the Media 1-1-2012 Self-Censorship and the First Amendment Robert A. Sedler Follow this and additional works at: http://scholarship.law.nd.edu/ndjlepp Recommended Citation Robert A. Sedler, Self-Censorship and the First Amendment, 25 Notre Dame J.L. Ethics & Pub. Pol'y 13 (2012). Available at: http://scholarship.law.nd.edu/ndjlepp/vol25/iss1/2 This Article is brought to you for free and open access by the Notre Dame Journal of Law, Ethics & Public Policy at NDLScholarship. It has been accepted for inclusion in Notre Dame Journal of Law, Ethics & Public Policy by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. ARTICLES SELF-CENSORSHIP AND THE FIRST AMENDMENT ROBERT A. SEDLER* I. INTRODUCTION Self-censorship refers to the decision by an individual or group to refrain from speaking and to the decision by a media organization to refrain from publishing information. Whenever an individual or group or the media engages in self-censorship, the values of the First Amendment are compromised, because the public is denied information or ideas.' It should not be sur- prising, therefore, that the principles, doctrines, and precedents of what I refer to as "the law of the First Amendment"' are designed to prevent self-censorship premised on fear of govern- mental sanctions against expression. This fear-induced self-cen- sorship will here be called "self-censorship bad." At the same time, the First Amendment also values and pro- tects a right to silence. -
Albany Avenges Prior Scalping; Saaersman Top Siena in Overtime
*m* ALIAUr STUDINT PRIU Tuesday, February 28, 1967* Albany Avenges Prior Scalping; Saaersman Top Siena In Overtime With the SRO orowd sounding their pleasure, the Albany State oagers eked out an overtime victory, 76-75, over arch-rival Siena College, last Saturday nightat the Washington Avenue Armory. Standing out from a solid team effort by .coach Richard DO YOU KNOW "Doc" Sauers charges was Junior Scott Price. Price, State's 6-3 center and^top WHERE TO GO? rebounder, scored 24 points and pulled down 16 rebounds while sitting out much of the second half. tlon, the lead again seesawed before Opening the five minute overtime The balanced attack fea the sure ball handling of Lonnie session, Siena scored to make It Alb Press tured strong performances Morrison and the boardwork of sub 73-11. Marty O'Dknnell then hit on Tim Jursak thrust the Danes into one of his patented long jump shots' ALBANY, NEW YORK by seniors Marty O'Donnell the lead until the last two minutes to tie the score with 2:16 remaining FRIDAY, MARCH 3, 1967 VOL. Llll, NO. 7 •and Mike Bloom with 10 of the contest. Siena then managed in the game. Scott Price then put the points each, Lonnie Mor to tie the score despite the loss of Danes ahead on a field goal, but SO Theatre Tryoits four starters: Mark Palinski, Tom Siena came back with the equalizer. Cooperation Of Ml rison with 9 points and Jim Sheridan, Tom Amello, and Harry After a made exchange of posses Constantino with 7 points. -
Land Reform from Post-Apartheid South Africa Catherine M
Boston College Environmental Affairs Law Review Volume 20 | Issue 4 Article 4 8-1-1993 Land Reform from Post-Apartheid South Africa Catherine M. Coles Follow this and additional works at: http://lawdigitalcommons.bc.edu/ealr Part of the Land Use Law Commons Recommended Citation Catherine M. Coles, Land Reform from Post-Apartheid South Africa, 20 B.C. Envtl. Aff. L. Rev. 699 (1993), http://lawdigitalcommons.bc.edu/ealr/vol20/iss4/4 This Comments is brought to you for free and open access by the Law Journals at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Boston College Environmental Affairs Law Review by an authorized editor of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. LAND REFORM FOR POST-APARTHEID SOUTH AFRICA Catherine M. Coles* I. INTRODUCTION...................................................... 700 II. LAND SYSTEMS IN COLLISION: PRECOLONIAL AND COLONIAL LAND SYSTEMS IN SOUTH AFRICA. 703 A. An Overview of Precolonial Land Systems. 703 B. Changing Rights to Landfor Indigenous South African Peoples Under European Rule. 706 III. THE INSTITUTIONALIZATION OF RACIAL INEQUALITY AND APART- HEID THROUGH A LAND PROGRAM. 711 A. Legislative Development of the Apartheid Land Program. 712 B. The Apartheid System of Racial Zoning in Practice: Limiting the Land Rights of Black South Africans. 716 1. Homelands and National States: Limiting Black Access to Land by Restricting Citizenship. 716 2. Restricting Black Land Rights in Rural Areas Outside the Homelands through State Control. 720 3. Restricting Black Access to Urban Land..................... 721 IV. DISMANTLING APARTHEID: THE NATIONAL PARTY'S PLAN FOR LAND REFORM............................................................ -
Download the Paper (PDF)
Joan Shorenstein Center on the Press, Politics and Public Policy Discussion Paper Series Leading the Way to Better News: The Role of Leadership in a World Where Most of the “Powers That Be” Became the “Powers That Were” By Geoffrey Cowan Shorenstein Center Fellow, Fall 2007 University Professor and Annenberg Family Chair in Communication Leadership, University of Southern California February 15, 2008 #D-44 © 2008 President and Fellows of Harvard College. All rights reserved. Abstract During the past several years, as traditional news operations have faced sharp declines in circulation, advertising, viewership, and audiences, and as they have begun to make a seemingly unrelenting series of cuts in the newsroom budgets, scholars and professionals have been seeking formulas or models designed to reverse the trend. During those same years, many of the major news organizations that dominated the landscape a generation ago, those that David Halberstam called “The Powers That Be,” have lost their leadership role and been absorbed by other companies. This paper argues that while there is good reason to worry about the decline in what might be called “boots-on-the-ground” journalism, there are reasons to be hopeful. While most of those concerned with the topic have urged structural changes in ownership, this paper argues that the key is leadership. To understand the demands on leaders, it is essential to understand which of three motives is most important to the publication’s owners: profits, influence, or personal prestige. Each motive presents distinct challenges and opportunities. Looking at the fate of a number of large media organizations over the past decade, the paper argues that the most important model for success is outstanding leadership that combines a talent for business, entrepreneurship and innovation with a profound commitment to great journalism. -
(WALL NEWSPAPER PROJECT – Michelle) Examples of Investigative Journalism + Film
ANNEX II (WALL NEWSPAPER PROJECT – michelle) Examples of investigative journalism + film Best American Journalism of the 20th Century http://www.infoplease.com/ipea/A0777379.html The following works were chosen as the 20th century's best American journalism by a panel of experts assembled by the New York University school of journalism. 1. John Hersey: “Hiroshima,” The New Yorker, 1946 2. Rachel Carson: Silent Spring, book, 1962 3. Bob Woodward and Carl Bernstein: Investigation of the Watergate break-in, The Washington Post, 1972 4. Edward R. Murrow: Battle of Britain, CBS radio, 1940 5. Ida Tarbell: “The History of the Standard Oil Company,” McClure's, 1902–1904 6. Lincoln Steffens: “The Shame of the Cities,” McClure's, 1902–1904 7. John Reed: Ten Days That Shook the World, book, 1919 8. H. L. Mencken: Scopes “Monkey” trial, The Sun of Baltimore, 1925 9. Ernie Pyle: Reports from Europe and the Pacific during WWII, Scripps-Howard newspapers, 1940–45 10. Edward R. Murrow and Fred Friendly: Investigation of Sen. Joseph McCarthy, CBS, 1954 11. Edward R. Murrow, David Lowe, and Fred Friendly: documentary “Harvest of Shame,” CBS television, 1960 12. Seymour Hersh: Investigation of massacre by US soldiers at My Lai (Vietnam), Dispatch News Service, 1969 13. The New York Times: Publication of the Pentagon Papers, 1971 14. James Agee and Walker Evans: Let Us Now Praise Famous Men, book, 1941 15. W. E. B. Du Bois: The Souls of Black Folk, collected articles, 1903 16. I. F. Stone: I. F. Stone's Weekly, 1953–67 17. Henry Hampton: “Eyes on the Prize,” documentary, 1987 18. -
Awards Dinner to Honor Reporting in a Year of Crisis
THE MONTHLY NEWSLETTER OF THE OVERSEAS PRESS CLUB OF AMERICA, NEW YORK, NY • March-April 2016 Awards Dinner to Honor Reporting in a Year of Crisis EVENT PREVIEW: April 28 By Chad Bouchard Europe’s refugee crisis and deadly terrorist attacks are in focus in this year’s Dateline magazine, which will be shared at the OPC’s Annual Awards Dinner on April 28. The issue – and the gala event – honors the work of international journalists covering up- Christopher Michel Jonas Fredwall Karlsson Chip Somodevilla/Getty Images heaval in the face of growing threats, Left to right: Kai Ryssdal of Marketplace, David Fanning of PBS FRONTLINE which OPC President Marcus Mabry and Jason Rezaian of The Washington Post. said makes the work of correspon- President’s Award. In a message to press freedom candle in memory of dents harder and ever more essential. Fanning offering the award, Mabry journalists who have died in the line Kai Ryssdal, host and senior edi- praised FRONTLINE and Fanning’s of duty in the past year and in honor of tor of American Public Media’s Mar- “extraordinary, defining” work since those injured, missing and abducted. ketplace, will be our presenter. Rys- the show’s first season in 1983. Fan- The dinner will be held at the Man- sdal joined Marketplace in 2005, and ning retired as executive producer last darin Oriental Hotel on Columbus has hosted the show from China, the year after 33 seasons, and still serves Circle, and begins with a reception at Middle East and across the United States. This year’s 22 award winners at the series’ executive producer at 6:00 p.m., sponsored by multinational were selected from more than 480 large. -
Chasing Success
AIR UNIVERSITY AIR FORCE RESEARCH INSTITUTE Chasing Success Air Force Efforts to Reduce Civilian Harm Sarah B. Sewall Air University Press Air Force Research Institute Maxwell Air Force Base, Alabama Project Editor Library of Congress Cataloging-in-Publication Data Dr. Ernest Allan Rockwell Sewall, Sarah B. Copy Editor Carolyn Burns Chasing success : Air Force efforts to reduce civilian harm / Sarah B. Sewall. Cover Art, Book Design and Illustrations pages cm L. Susan Fair ISBN 978-1-58566-256-2 Composition and Prepress Production 1. Air power—United States—Government policy. Nedra O. Looney 2. United States. Air Force—Rules and practice. 3. Civilian war casualties—Prevention. 4. Civilian Print Preparation and Distribution Diane Clark war casualties—Government policy—United States. 5. Combatants and noncombatants (International law)—History. 6. War victims—Moral and ethical aspects. 7. Harm reduction—Government policy— United States. 8. United States—Military policy— Moral and ethical aspects. I. Title. II. Title: Air Force efforts to reduce civilian harm. UG633.S38 2015 358.4’03—dc23 2015026952 AIR FORCE RESEARCH INSTITUTE AIR UNIVERSITY PRESS Director and Publisher Allen G. Peck Published by Air University Press in March 2016 Editor in Chief Oreste M. Johnson Managing Editor Demorah Hayes Design and Production Manager Cheryl King Air University Press 155 N. Twining St., Bldg. 693 Maxwell AFB, AL 36112-6026 [email protected] http://aupress.au.af.mil/ http://afri.au.af.mil/ Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the authors and do not necessarily represent the official policy or position of the organizations with which they are associated or the views of the Air Force Research Institute, Air University, United States Air Force, Department of Defense, or any AFRI other US government agency. -
Making Democracy Work by Hedrick Smith
This Guide was made possible by a grant from THE CHARLES STEWART M OTT FOUNDATION Printing and distribution of instructors’ and citizen’s guides were also supported by THE ROBERT WOOD JOHNSON FOUNDATION Funding for the public television series was provided by THE CORPORATION FOR PUBLIC BROADCASTING PBS THE JOHN D. AND CATHERINE T. MACARTHUR FOUNDATION THE CARNEGIE CORPORATION OF NEW YORK THE CHARLES STEWART MOTT FOUNDATION THE DILLON FUND THE CHARLES H. REVSON FOUNDATION THE NORTH STAR FOUNDATION THE JEROME KOHLBERG FUND The People and the Power Game This guide was produced was produced by in cooperation with HEDRICK SMITH PRODUCTIONS HEDRICK SMITH PRODUCTIONS by the in association with OUTREACH DEPARTMENT SOUTH CAROLINA ETV AT SC ETV HEDRICK SMITH, Correspondent and PATRICIA P. DRESSLER, Director Senior Executive Producer MICHELE M. REAP, Editor PATRICK M. RODDY, Executive Producer and Program Producer MARGARET B. WALDEN, Writer BARAK GOODMAN, Program Producer FOSTER WILEY, Principal Camera Design by PAUL GALLAGHER, STEVE JOHNSON and BLJ PUBLISHING RESOURCES, INC. MARK SHAFFER, Field Producers HEDRICK SMITH, PATRICK M. RODDY, Photos by WALTER CALAHAN, CAMERON DAVIDSON BARAK GOODMAN and MARK SHAFFER, Writers and HEDRICK SMITH PRODUCTIONS SANDRA L.UDY, Coordinating Producer and Production Manager Teachers and public television stations JENNIFER CHRISTIANO, RACHEL ENGLEHART, have the right to download and copy Production Associates this guide for educational use JANINA RONCEVIC, Executive Assistant from The People and the Power Game AMY MALL, Researcher World Wide Web site. http://www.pbs.org/powergame Making Democracy Work By Hedrick Smith The history and institutions of American democracy The Constitution provides a system of separated are a source of national pride to Americans. -
Signature Redacted Sign Ature Redacted
VIET NAM'S STRATEGIC HAMLET: DEVELOPMENT AND DENOUEMENT By Leland E. Prentice Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY August 1969 Signature Redacted Signature of Author D&partment of Political Science Certified by Signature Redacted Tht1is S ulepervJsor Sign ature Redacted Accepted by Chairman, Departmental Commi ttee on Graduate Students Archives iAss. INST. rtEC. OCT 2 9 1969 rA RI S 77 Massachusetts Avenue Cambridge, MA 02139 MIT Libraries http://libraries.mit.edu/ask DISCLAIMER NOTICE Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. Thank you. Some pages in the original document contain text that runs off the edge of the page. I ACKNOWLEDGEMENTS As in most research, there are certain individuals who contribute to a study but do not appear on the title page. I am personally indebted to many individuals for their contributions throughout my period of study at The Massachusetts Institute of Technology. There are certain individuals to whom I wish to extend my personal appreciation for their efforts to aid me not only in the writing of this thesis, but also in the completion of my academic program. Professors William W. Kaufmann and Donald Blackmer greatly assisted me in my development as a student of political science. Colonel Marshall 0. Becker has relieved me of numerous responsibilities, to the burden of my fellow staff members, in order that I might complete this study. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.