Pulitzer Prizes
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Future Bulldogs at West Hills College Lemoore
Our College Of I’m so proud of our College of Arts and Humanities. Not only does it have the largest enrollment among Fresno State’s academic units, but its alumni and faculty have amassed achievement after achievement, many on the national and international stage. The most recent accomplishment was emeritus professor Philip Levine’s selection by the Library of Congress as the nation’s poet laureate. He adds that to numerous awards for his poetry, including the 1995 Pulitzer Prize. Through the years, the college has become a training ground for artists, actors and musicians who teach and perform; for communicators from journalists and advertising specialists to linguists, poets and novelists; and for philosophers and classicists. At the core of this training are dedicated faculty like Levine, who also enjoy substantial reputations in their fields. Their energy, enthusiasm and sheer ability inspire students to challenge themselves to excel. In this issue, you’ll read about two of those faculty members, hear from current and recent students just getting started in their careers and also from other alumni who have distinguished themselves since leaving campus. Arts and humanities programs have grown and changed from the very beginning of Fresno State’s first century and promise to continue doing so – with even greater distinction – for generations to come. John D. Welty, President fresnoState Magazine is published by the Office of University Communications at California State University, Fresno. Fall 2011 President John D. Welty Vice President -
The Pulitzer Prizes for International Reporting in the Third Phase of Their Development, 1963-1977
INTRODUCTION THE PULITZER PRIZES FOR INTERNATIONAL REPORTING IN THE THIRD PHASE OF THEIR DEVELOPMENT, 1963-1977 Heinz-Dietrich Fischer The rivalry between the U.S.A. and the U.S.S.R. having shifted, in part, to predomi- nance in the fields of space-travel and satellites in the upcoming space age, thus opening a new dimension in the Cold War,1 there were still existing other controversial issues in policy and journalism. "While the colorful space competition held the forefront of public atten- tion," Hohenberg remarks, "the trained diplomatic correspondents of the major newspa- pers and wire services in the West carried on almost alone the difficult and unpopular East- West negotiations to achieve atomic control and regulation and reduction of armaments. The public seemed to want to ignore the hard fact that rockets capable of boosting people into orbit for prolonged periods could also deliver atomic warheads to any part of the earth. It continued, therefore, to be the task of the responsible press to assign competent and highly trained correspondents to this forbidding subject. They did not have the glamor of TV or the excitement of a space shot to focus public attention on their work. Theirs was the responsibility of obliging editors to publish material that was complicated and not at all easy for an indifferent public to grasp. It had to be done by abandoning the familiar cliches of journalism in favor of the care and the art of the superior historian .. On such an assignment, no correspondent was a 'foreign' correspondent. The term was outdated. -
Journalism, Film & Media Arts
National Student Leadership Conference Journalism, Film & Media Arts Session 1: June 15, 2014 – June 25, 2014 Sunday, June 15, 2014 Monday, June 16, 2014 10:00am–3:00pm Registration Morning (AM) Group Afternoon (PM) Group 12:00pm Tours of American 7:30am‐8:15am 7:30am‐8:00am 2:00pm University Campus Breakfast Breakfast 8:30am 8:15am 12:00pm‐2:00pm Lunch Discover the World of Board Buses Communication 9:00am‐11:00am 1:00pm‐4:00pm AU Credit Class* Welcome Ceremony Neat Attire Casual Attire American Film Institute Power of Documentary Films 9:00am‐12:00pm Neat Attire 5:00pm‐6:00pm Dinner The Tavern Discover the World of Communication Classes 11:15am 6:15pm‐7:00pm NSLC Opening Ceremony Entertainment Comm Board Buses Music Entertainment Professional Attire *Lunch on the bus Script/Video Sports Writing/Broadcast 12:30pm 7:15pm‐8:00pm COMM Opening Ceremony 35mm Photography Media for Social Change Discover the World of Professional Attire Neat Attire Communication Welcome Ceremony 8:15pm‐8:40pm Reception 12:00‐1:00pm Forman Theater Casual Attire Lunch Neat Attire 8:45pm‐10:00pm TA Meeting 1:00pm 1:30pm‐4:00pm (See Chart) Board Buses Discover the World of Casual Attire 1:30pm‐3:30pm Communication Classes American Film Institute Acting for the Camera 10:05pm‐10:20pm RA Meeting Backpack Journalism Power of Documentary Films Broadcast Journalism Floor Lounges Neat Attire Directing for the Camera Investigative Journalism 10:30pm RA Check‐In 3:45pm Video Game Design Neat Attire Board Buses 4:15pm‐5:45pm Leadership Session: Myself as a Leader TA Group (See Chart) *AU Credit Meetings are for enrolled AU Credit students only. -
Book Group to Go Book Group Kit Collection Glendale Public Library
Book Group To Go Book Group Kit Collection Glendale Public Library Titles in the Collection — Spring 2016 Book Group Kits can be checked out for 8 weeks and cannot be placed on hold or renewed. To reserve a kit, please contact: [email protected] or call 818.548.2041 The Absolutely True Diary of a Part-Time Indian by Sherman Alexie In his first book for young adults, bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, the book chronicles the contemporary adolescence of one Native American boy. Poignant drawings by acclaimed artist Ellen Forney reflect Junior’s art. 2007 National Book Award winner. Fiction. Young Adult. 229 pages The Abstinence Teacher by Tom Perrotta A controversy on the soccer field pushes Ruth Ramsey, the human sexuality teacher at the local high school, and Tim Mason, a member of an evangelical Christian church that doesn't approve of Ruth's style of teaching, to actually talk to each other. Adversaries in a small-town culture war, they are forced to take each other at something other than face value. Fiction. 358 pages The Age of Miracles by Karen Thompson Walker On a seemingly ordinary Saturday in a California suburb, Julia and her family awake to discover, along with the rest of the world, that the rotation of the earth has suddenly begun to slow. -
Fiction Resume
GREG GARRETT Professor of English/ 2013 Baylor Centennial Professor Baylor University Waco, TX 76798-7404 (254) 710-6879 [email protected] SELECTED PUBLICATIONS Nonfiction A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation. New York: Oxford University Press, 2020. A lead trade title for Spring 2020. Featured in Publishers Weekly, LitHub, Read the Spirit. In Conversation: Rowan Williams and Greg Garrett. With Rowan Williams. New York: Church Publishing, 2019/London: SPCK, 2020. Featured in Publishers Weekly, Read the Spirit, BBC Radio. The Courage to See: Daily Inspiration from Great Literature. With Sabrina Fountain. Louisville: Westminster John Knox Press, 2019. Featured in Read the Spirit, BBC Radio. Living with the Living Dead: The Wisdom of the Zombie Apocalypse. New York: Oxford University Press, 2017. A lead trade title for Spring 2017. Featured in The Spectator, Vice, Christianity Today, Church News, The Baptist Standard, BBC Radio, The Daily Mirror, Christianity, and many other media sources. Featured book at the Edinburgh International Festival of Books, the Greenbelt Festival (UK), and the Texas Book Festival. My Church Is Not Dying: Episcopalians in the 21st Century. New York: Morehouse Publishing, 2015. Featured in Christian Century. Entertaining Judgment: The Afterlife in Popular Imagination. Oxford: Oxford University Press, 2015. A lead trade title for Spring 2015. Starred review in Library Journal. Lead reviews in The New Statesman and Christianity Today. Excerpted as lead article in Salon.com and featured in Christian Century. Faithful Citizenship: Christianity and Politics for the 21st Century. Englewood, CO: Patheos Press, 2012. Featured in Read the Spirit. The Other Jesus: Leaving a Religion of Fear for the God of Love. -
Directory 2016 - 2017
Toppel Advisory Board Member Directory 2016 - 2017 TOPPEL ADVISORY BOARD MEMBER DIRECTORY 2016 - 2017 Address: 5225 Ponce De Leon Blvd, Coral Gables, FL 33146 Phone: (305) 284-5451 5225 Ponce De Leon Blvd, Coral Gables, FL 33146 Toppel Advisory Board Member Directory 2016 - 2017 EMPLOYER MEMBERS Teri Anne Brennan Enterprise, Group Talent Acquisition Manager [email protected] 954-354-5118 Teri Anne has served as Group Talent Acquisition Manager with Enterprise since 2010. In this role, she directs and oversees the development of internal and external hiring strategies for Enterprise Holdings brands and divisions in South Florida. Teri Anne earned a Bachelor’s degree in marketing from Florida State University. Alexis Carpinteri FBI, Special Agent/Recruiter [email protected] 754-703-2000 Special Agent Alexis Carpinteri has worked for the FBI since 1998 and has worked mostly Crimes Against Children matters until being named FBI Recruiter for the Miami Division. SA Carpinteri earned a Bachelor of Arts in Criminal Justice & Criminology from the University of Maryland, a Juris Doctor from Georgetown University Law Center and a Master of Science in Forensic Psychology from Nova Southeastern University. Bill Fisse Citi, Managing Director, Senior Human Resources Officer [email protected] 212-816-6670 Bill Fisse, a 34-year Citi HR Executive, is a Managing Director in Citi’s Institutional Clients Group (ICG), leading the Global ICG Campus Recruiting and Program Management Strategy initiative. The initiative aims to define and implement a standardized global strategy across the ICG to enhance Citi’s ability to attract, develop and retain top university-sourced talent and establish Citi as the “employer of choice” amongst Millennials and young professionals. -
Woodrow Wilson Fellows-Pulitzer Prize Winners
Woodrow Wilson Fellows—Pulitzer Prize Winners last updated January 2014 Visit http://woodrow.org/about/fellows/ to learn more about our Fellows. David W. Del Tredici Recipient of the 1980 Pulitzer Prize for Music In Memory of a Summer Day Distinguished Professor of Music • The City College of New York 1959 Woodrow Wilson Fellow Caroline M. Elkins Recipient of the 2006 Pulitzer Prize for General Nonfiction Imperial Reckoning: The Untold Story of Britain's Gulag in Kenya (Henry Holt) Professor of History • Harvard University 1994 Mellon Fellow Joseph J. Ellis, III Recipient of the 2001Pulitzer Prize for History Founding Brothers: The Revolutionary Generation (Alfred A. Knopf) Professor Emeritus of History • Mount Holyoke College 1965 Woodrow Wilson Fellow Eric Foner Recipient of the 2011Pulitzer Prize for History The Fiery Trial: Abraham Lincoln and American Slavery (W.W. Norton) DeWitt Clinton Professor of History • Columbia University 1963 Woodrow Wilson Fellow (Hon.) Doris Kearns Goodwin Recipient of the 1995 Pulitzer Prize for History No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II (Simon & Schuster) Historian 1964 Woodrow Wilson Fellow Stephen Greenblatt Recipient of the 2012 Pulitzer Prize for General Nonfiction The Swerve: How the World Became Modern (W.W. Norton) Cogan University Professor of the Humanities • Harvard University 1964 Woodrow Wilson Fellow (Hon.) Robert Hass Recipient of one of two 2008 Pulitzer Prizes for Poetry Time and Materials (Ecco/HarperCollins) Distinguished Professor in Poetry and Poetics • The University of California at Berkeley 1963 Woodrow Wilson Fellow Michael Kammen (deceased) Recipient of the 1973 Pulitzer Prize for History People of Paradox: An Inquiry Concerning the Origins of American Civilization (Alfred A. -
Download Music for Free.] in Work, Even Though It Gains Access to It
Vol. 54 No. 3 NIEMAN REPORTS Fall 2000 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY 4 Narrative Journalism 5 Narrative Journalism Comes of Age BY MARK KRAMER 9 Exploring Relationships Across Racial Lines BY GERALD BOYD 11 The False Dichotomy and Narrative Journalism BY ROY PETER CLARK 13 The Verdict Is in the 112th Paragraph BY THOMAS FRENCH 16 ‘Just Write What Happened.’ BY WILLIAM F. WOO 18 The State of Narrative Nonfiction Writing ROBERT VARE 20 Talking About Narrative Journalism A PANEL OF JOURNALISTS 23 ‘Narrative Writing Looked Easy.’ BY RICHARD READ 25 Narrative Journalism Goes Multimedia BY MARK BOWDEN 29 Weaving Storytelling Into Breaking News BY RICK BRAGG 31 The Perils of Lunch With Sharon Stone BY ANTHONY DECURTIS 33 Lulling Viewers Into a State of Complicity BY TED KOPPEL 34 Sticky Storytelling BY ROBERT KRULWICH 35 Has the Camera’s Eye Replaced the Writer’s Descriptive Hand? MICHAEL KELLY 37 Narrative Storytelling in a Drive-By Medium BY CAROLYN MUNGO 39 Combining Narrative With Analysis BY LAURA SESSIONS STEPP 42 Literary Nonfiction Constructs a Narrative Foundation BY MADELEINE BLAIS 43 Me and the System: The Personal Essay and Health Policy BY FITZHUGH MULLAN 45 Photojournalism 46 Photographs BY JAMES NACHTWEY 48 The Unbearable Weight of Witness BY MICHELE MCDONALD 49 Photographers Can’t Hide Behind Their Cameras BY STEVE NORTHUP 51 Do Images of War Need Justification? BY PHILIP CAPUTO Cover photo: A Muslim man begs for his life as he is taken prisoner by Arkan’s Tigers during the first battle for Bosnia in March 1992. -
February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE
FOR RELEASE: February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE THE 2012–13 MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE First Season of Two-Year Term: WORLD PREMIERE, SEEING, PHANTASMATA Advisory Role on CONTACT!, with WORLD, U.S., AND NEW YORK PREMIERES, Led by JAYCE OGREN and ALAN GILBERT _____________________________________ “I just love the Philharmonic musicians: I love working with them, and they play my music with incredible commitment. As a kid in Baltimore I grew up with their recordings, and then, of course, I also heard them on the Young People’s Concerts on television. I’ve always had a special feeling for the Philharmonic because the musicians have always played like they really meant it, with such energy and commitment; and when I got older and wrote music that they played, they did it the same way. I’m thrilled to be able to work with them more closely.” — Christopher Rouse _______________________________________ Christopher Rouse has been named The Marie-Josée Kravis Composer-in-Residence at the Philharmonic, and will begin his two-year tenure in the 2012–13 season. He is the second composer to hold this title, following the tenure of Magnus Lindberg. The Pulitzer Prize- and Grammy Award-winning American composer will be represented by three works with the Philharmonic this season in concerts conducted by Alan Gilbert: Phantasmata, February 21 and 22, 2013; a World Premiere–New York Philharmonic Commission, April 17–20, 2013, which will also be taken on the EUROPE / SPRING 2013 tour; and the reprise of Seeing for Piano and Orchestra (commissioned by the Philharmonic and premiered in 1999), June 20–22, 2013, performed by Emanuel Ax, the 2012–13 Mary and James G. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Harrison Salisbury, the Vietnamese Enemy, and Wartime
From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Annessa C. Stagner June 2008 2 © 2008 Annessa C. Stagner All Rights Reserved 3 This thesis titled From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War by ANNESSA C. STAGNER has been approved for the Department of History and the College of Arts and Sciences by Chester J. Pach, Jr. Associate Professor of History Benjamin M. Ogles Dean, College of Arts and Sciences 4 ABSTRACT STAGNER, ANNESSA C., M.A., June 2008, History From Behind Enemy Lines: Harrison Salisbury, the Vietnamese Enemy, and Wartime Reporting During the Vietnam War (165 pp.) Director of Thesis: Chester J. Pach, Jr. On December 24, 1966, Harrison Salisbury became the first mainstream American journalist to report from North Vietnam during the Vietnam War. From his position behind enemy lines, the New York Times reporter revealed that America’s bombing campaign was causing many more civilian casualties than the Johnson administration had acknowledged. Additionally, he challenged how Americans perceived their enemy by portraying North Vietnam’s culture and political ideology as legitimate. Evaluation of governmental and public responses to his stories reveals the significance of these reports. They sparked controversy that undermined American and international confidence in the Johnson administration’s credibility, decreased support for U.S. policies towards North Vietnam, and put increased pressure on the Johnson administration to increase efforts towards peace. -
Special 75Th Anniversary Issue
NIEMAN REPORTS SUMMER/FALL 2013 VOL. 67 NO. 2-3 Nieman Reports The Nieman Foundation for Journalism Harvard University One Francis Avenue Cambridge, Massachusetts 02138 VOL. 67 NO. 2-3 SUMMER-FALL 2013 TO PROMOTE AND ELEVATE THE STANDARDS OF JOURNALISM 75 TH ANNIVERSARY ISSUE THE NIEMAN FOUNDATION AT HARVARD UNIVERSITY Special 75th Anniversary Issue Agnes Wahl Nieman The Faces of Agnes Wahl Nieman About the cover: British artist Jamie Poole (left) based his portrait of Agnes Wahl Nieman on one of only two known images of her—a small engraving from a collage published in The Milwaukee Journal in 1916—and on the physical description she provided in her 1891 passport application: light brown hair, bluish-gray eyes, and fair complexion. Using portraits of Mrs. Nieman’s mother and father as references, he worked with cut pages from Nieman Reports and from the Foundation’s archival material to create this likeness. About the portrait on page 6: Alexandra Garcia (left), NF ’13, an Emmy Award-winning multimedia journalist with The Washington Post, based her acrylic portrait with collage on the photograph of Agnes Wahl Nieman standing with her husband, Lucius Nieman, in the pressroom of The Milwaukee Journal. The photograph was likely taken in the mid-1920s when Mrs. Nieman would have been in her late 50s or 60s. Garcia took inspiration from her Fellowship and from the Foundation’s archives to present a younger depiction of Mrs. Nieman. Video and images of the portraits’ creation can be seen at http://nieman.harvard.edu/agnes. A Nieman lasts a year ~ a Nieman lasts a lifetime SUMMER/FALL 2013 VOL.