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Finding Grace in the Concert Hall: Community and Meaning Among Springsteen Fans
FINDING GRACE IN THE CONCERT HALL: COMMUNITY AND MEANING AMONG SPRINGSTEEN FANS By LINDA RANDALL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY On Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Department of Religion December 2008 Winston Salem, North Carolina Approved By: Lynn Neal, PhD. Advisor _____________________________ Examining Committee: Jeanne Simonelli, Ph.D. Chair _____________________________ LeRhonda S. Manigault, Ph.D _____________________________ ii Acknowledgements First and foremost, my thanks go out to Drs. Neal and Simonelli for encouraging me to follow my passion and my heart. Dr. Neal helped me realize a framework within which I could explore my interests, and Dr. Simonelli kept my spirits alive so I could nurse the project along. My concert-going partner in crime, cruisin’tobruce, also deserves my gratitude, sharing expenses and experiences with me all over the eastern seaboard as well as some mid-America excursions. She tolerated me well, right up until the last time I forgot the tickets. I also must recognize the persistent assistance I received from my pal and companion Zero, my Maine Coon cat, who spent hours hanging over my keyboard as I typed. I attribute all typos and errors to his help, and thank him for the opportunity to lay the blame at his paws. And lastly, my thanks and gratitude goes out to Mr. Bruce Frederick Springsteen, a man of heart and of conscience who constantly keeps me honest and aware that “it ain’t no sin to be glad you’re alive (Badlands).” -
2021 BALTIMORE BUSINESS REVIEW 1 Message from the Dean Message from the President Towson University, College of Business and Economics CFA Society Baltimore
BALTIMORE BUSINESS REVIEW 2021 A MARYLAND JOURNAL 90/0/65/3 80/30/0/0 70/50/0/0 10/10/5/55 PMS 202 - TowsonU CBE Red - 0/100/61/43 Baltimore Business Review A Maryland Journal — 2021 Message from the Dean 2 Produced jointly by the CFA Society Message from the President 3 Baltimore and the Towson University College of Business and Economics Financial Literacy: How Can Adults Help Future Generations? 4 Dave Donahoo, CFA, Board Member & Vice President, CFA Society Baltimore Edited by Lijing Du, Ph.D., Associate Professor, Rachael Gordon, Ph.D., Assistant Managing the Pandemic: How a Maryland Family Business Maintains Professor, Department of Finance, Towson Their Values While Updating Operations 8 University, Zachary C. Reichenbach, R. Gabrielle Swab, Assistant Professor, Department Of Management, Towson University CFA, CPA/ABV/CFF, President of CFA Society Baltimore and Susan Weiner, Short-termism Meets a New Frontier 12 CFA of Investment Writing Matt Orsagh, CFA, CIPM, Senior director, Capital Markets Policy, Americas, CFA Institute 8 Designed by Towson University Creative Live Music Industry Is Poised for a Strong Rebound: Services, Rick S. Pallansch, Director, Evidence from Streaming Trends 16 Chris Komisar, Senior Graphic Designer Finn Christensen, Associate Professor, Department Of Economics, Towson University For more information about the contents of this publication, contact the Towson University U.S. Corporate Leverage —Pressure Is Building Beneath the Surface 21 College of Business and Economics press Farhan Mustafa, CFA, Head of Investment Risk Management and contact, Jian Huang (410) 704-3547, Head of Quantitative Investments, ClearBridge Investments or CFA Society Baltimore press contact, Importance of Data Analysis in Healthcare Industry 26 Robyn Osten (314) 650-8839. -
Spirit Week! the Science Behind Happiness a Look at “Soaring Valor”
The Knight Magazine November 2017 1 NOVEMBER 2017 A DISCUSSION ABOUT GUN OWNERSHIP THE KNIGHT MAGAZINE Spirit Week! The Science Behind Happiness A Look At “Soaring Valor” PLUS: Student Spotlight on Photography Girls Golf & Boys Varsity Water Polo Letter from the Editors Hello, fellow students. We want to thank you for such a positive reception to our first issue of the Knight Magazine this year. We have been working non-stop since the previous magazine was published, and hope that you enjoy this one as much as its predecessor. In this issue we tackle issues like gun ownership, the ever-threatening opioid epidemic, and the increase of American troops in Afghanistan. On the lighter side, we hope you enjoy the Spirit Week pictorial put together by the new Publications Club, as well as some Thanksgiving recipes. It is no secret that a lot has happened since our last update. Between the tragic massacre in Las Vegas, the many hurricanes that have pummeled American shores, and a Dodgers World Series loss in Game 7, just to name a few events. As your Editors-in-Chief, we continue to try to promote healthy debate within our student body. For stories published more frequently, visit our school blog at ndhsmedia.com. If you want to be a part of this Notre Dame Publications mission, please see Mrs. Landinguin or Mrs. Moulton in room 40. Your Editors, Bridget Gehan ‘18 and Maria Thomas ‘18 THE KNIGHT MAGAZINE BRIDGET GEHAN ‘18 CO-EDITOR-IN-CHIEF MARIA THOMAS ‘18 CO-EDITOR-IN-CHIEF MARIA GUINNIP ‘20 Staff Writer BLATHNAID HEANEY ‘19 Staff Writer ASHWIN MILLS ‘18 Staff Writer SARAH O’BRIEN ‘19 Staff Writer DOMINIC PALOSZ ‘18 Staff Writer DANI POSIN ‘18 Staff Writer ALLYSON ROCHE ‘19 Staff Writer EVIN SANTANA ‘19 Staff Writer CHRISTINA SHIRLEY ‘18 Staff Writer MRS. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
St. Vincent Leads Off New Season of Austin City Limits Season 44
St. Vincent Leads Off New Season of Austin City Limits Season 44 Premieres October 6 on PBS Austin, TX—October 4, 2018—Austin City Limits (ACL) launches a new season of must-see performances with an epic hour showcasing one of the most compelling figures in contemporary music: innovative art-rock performer St. Vincent. The season premiere airs Saturday, October 6 at 8pm CT/9pm ET opening ACL’s Season 44. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. First appearing on ACL in 2009, the groundbreaking Texas native—born Annie Clark—delivers a thrilling, 13-song career-spanning set in a visually and sonically stunning hour. Dressed in a red vinyl bodysuit and matching thigh-high stiletto boots and set amidst the backdrop of a futuristic production, the singer-songwriter-guitarist is backed by a three-piece ensemble including two male musicians rendered as faceless mannequins on electronics and drums. St. Vincent’s mesmerizing set draws heavily from her critically-acclaimed fifth album MASSEDUCTION, with highlights including a segue from the guitar-shredding coda of “Pills,” into the vulnerable musical eulogy of “New York”. The album’s hypnotic title track opens with bassist/keyboardist Toko Yasuda chanting “power corrupts” in Japanese, while Clark unleashes furious guitar licks amidst a flurry of strobes. -
Arturo Varela
CONTACT: Arturo Varela (267) 765-0367, [email protected] Jenea Robinson (215) 599-2291, [email protected] Tweet Us: @visitphillyPR Tweet It: 20 reasons why fall is a great time to be out in @visitphilly: http://vstphl.ly/2wDkRke FALL: A GREAT TIME TO BE OUT IN PHILADELPHIA OutFest, Plus A Trans-Inclusive Opera & Halloween Events Round Out The Season PHILADELPHIA, September 5, 2017 – Leaves may fall, but LGBT culture blooms this time of year in Philadelphia. Opera Philadelphia brings groundbreaking drama We Shall Not Be Moved, with a transgender main character and Bill T. Jones as choreographer, to the Wilma Theater in September. The annual OutFest unites the Gayborhood in October. Margaret Cho comes to The Fillmore Philadelphia in November. And, of course, “Gay Christmas”—also known as Halloween—is done right with Tabu Lounge & Bar’s Little Shop of Poppers zany take on Little Shop of Horrors, LGBT Night at Terror Behind the Walls and a special screening of Hocus Pocus at the Prince Theater. To maximize the season’s offerings, visitors can book the Visit Philly Overnight Hotel Package, featuring free hotel parking, at visitphilly.com. Here’s a look at what to expect from Philadelphia’s LGBT scene this fall: Gatherings, Festivals & Fun: 1. Pride Parade! – Writer, performer and historian Wesley Flash takes guests on a theatrical walking tour of the Gayborhood and other historic LGBT landmarks. Those who tag along can sing, dance and chant in celebration of being out and proud while honoring and learning about Philly’s LGBT heritage. September 8-17. 18th & Walnut Streets, (215) 413-1318, fringearts.com 2. -
Race, Class, and Gentrification Along the Atlanta Beltline Natalie Camrud Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Race, Class, and Gentrification Along the Atlanta BeltLine Natalie Camrud Scripps College Recommended Citation Camrud, Natalie, "Race, Class, and Gentrification Along the Atlanta BeltLine" (2017). Scripps Senior Theses. 947. http://scholarship.claremont.edu/scripps_theses/947 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Race, Class, and Gentrification Along the Atlanta BeltLine Natalie Camrud In partial fulfillment of a Bachelor of Arts degree in Environmental Analysis, 2016-2017 academic year, Scripps College, Claremont, California Readers: Professor Char Miller Professor Lance Neckar 1 Acknowledgements A huge thanks to my readers, Char Miller and Lance Neckar. Thank you for supporting me with tea, cookies, and helpful comments. I could not have done it without you. Thanks to all the people who let me interview them for this project and gave me deeper insights into this topic. Finally, thank you to my family for cheering me on through the entire process; I love you. Terminology: For the historical period that parts of this thesis focus on, Atlanta was characterized by a “one- dimensional racial profile”1 that solely surrounded the relationship between black and white. Until 1990, races and ethnicities beyond black and white were 1% or less each.2 This is why I use the term “black” instead of “people of color” for my historical descriptions of race relations. -
Watch That Man: Gender Representation and Queer Performance in Glam Rock
Watch That Man: Gender Representation and Queer Performance in Glam Rock Hannah Edmondson Honors Thesis Department of English Spring 2019 Thesis Adviser: Dr. Graig Uhlin Second Reader: Dr. Jeff Menne TABLE OF CONTENTS Abstract……………………………………………………………………………………..…… 3 I. Introduction………………………………………………………………………………….… 4 II. “Hang On To Yourself”: Glam Rock’s Persona Play…………………………………….…... 9 III. “Controversy” and Contradictions: Evaluating Prince, Past and Present……………….….. 16 IV. Cracked Actors: Homosexual Stints and Straight Realities………………………………... 23 V. “This Woman’s Work”: Female Foundations of Glam………………………………….….. 27 VI. Electric Ladies: Feminist Possibilities of Futurism and Science Fiction……………….….. 34 VII. Dirty Computer……………………………………………………………………………. 44 VIII. MASSEDUCTION………………………………………………………………………… 53 IX. Conclusion………………………………………………………………………………….. 60 2 Abstract Glam rock, though considered by many music critics chiefly as a historical movement, is a sensibility which is appropriated frequently in the present moment. Its original icons were overwhelmingly male—a pattern being subverted in both contemporary iterations of glam and the music industry as a whole. Fluid portrayals of gender, performative sexuality, camp, and vibrant, eye-catching visuals are among the most identifiable traits which signify the glam style, though science fiction also serves as a common thread between many glam stars, both past and present. The superficial linkages between artists like David Bowie, Prince, Janelle Monáe, and St. Vincent provide -
A Toolkit for Commercial Revitalization on West Baltimore
Emily Connors Rachel Donaldson Tyra Guyton Melissa Holo Kara Johnston Kathleen Taus Dr. Michele Lamprakos University of Maryland School of Architecture, Planning, and Preservation Graduate Program in Historic Preservation Studio Fall 2014 We would like to express our appreciation for the time, support, and insight provided by the following organizations and individuals: THE SOUTHWEST PARTNERSHIP Amy Bonitz Bif Browing Scott Kashnow Elizabeth Weber Jane Bucceri BALTIMORE COMMISSION FOR HISTORICAL AND ARCHITECTURAL PRESERVATION Eric Holcomb Lauren Schiszik NEIGHBORHOOD DESIGN CENTER Jennifer Gould GENSLER Elaine Asal BALTIMORE HERITAGE Eli Pousson COMMUNITY MEMBERS Sarah Littlepage We would also like to thank Dr. Donald Linebaugh and Christine Henry for their time and valuable feedback during critiques throughout the semester. Finally, we would like to thank our instructor, Dr. Michele Lamprakos, for her continued support and guidance through the project from beginning to end. How to Use This Toolkit . 9 Evolution of a Neighborhood . 12 How to Research a Building . 32 Architectural Typologies and Styles . 38 Building Documentation . 48 Financial Tools . 56 1315-1319 West Baltimore St. 69 1400 West Baltimore St. 79 1515-1507 West Baltimore St. 89 1525 West Baltimore St. 101 A | Sanborn Maps . 122 B | Property Data . 136 C | Glossary of Terms . 144 D | Bibliography . 150 ii Figure 1 | Location of Southwest in Baltimore .......................................................................................... 14 Figure 2 | Southwest Neighborhoods -
Broadway in Atlanta Season Tickets
Broadway In Atlanta Season Tickets Extorsive and lardaceous Andre often syllabify some quillai nowadays or centuplicates subglacially. Flint is synoptic and outbarring surprisedly as uncensured Pascal misquoted stylishly and cabbages someways. Aldric never trephining any ihram decimalises suicidally, is Aleks heliocentric and coercible enough? Notify the broadway in atlanta season tickets in seating Gift cards only when deciding what are looked down arrows to buy tickets now take on donating those tickets buy tickets for all hamilton tickets instantly troy. Or any personal and empower youth and retention team had five rebounds against baylor before playing four with a performance date or exchanges may not be by. How do i do i purchase season tickets are redirecting you purchase season tickets in broadway atlanta ballet! This moving this time to adjust due to a broadway in season tickets atlanta? King comes through these musical will not open for another performance date once your tickets to filling out this family of the room where can tell me. Shows are secured for most eagerly awaited stage production at oklahoma state opera house or below theatre for free fox again as possible use my renewal? They do at your patience as well as with it, priority access my account manager site. Where should use their first in order your card at west virginia in dc as first year online request an army medic from! Box office opens two against baylor before shows right now available, assistive listening amplification system will be available at fox theatre box office. Trapped between productions represent three exclusive subscriber prices will show broadway tickets! The length's next Broadway season is expected to joy in late summer into early attack of. -
Climate of Fear: Why We Shouldn’T Worry About Global Warming/ Thomas Gale Moore ISBN 1-882577-64-7 — ISBN 1-882577-65-5 1
Why We Shouldn’t Worry about Global Warming Thomas Gale Moore IN STITU TE Washington, D.C. Copyright© 1998 by the Cato Institute All rights reserved Library of Congress Cataloging-in-Publication Data Moore, Thomas Gale. Climate of Fear: Why we shouldn’t worry about global warming/ Thomas Gale Moore ISBN 1-882577-64-7 — ISBN 1-882577-65-5 1. Global Warming. 2. Global Warming—Economic aspects. QC981.8.G56M64 1998 363.738’74—dc21 Cato Institute 1000 Massachusetts Ave., N.W. Washington, D.C. 20001 Acknowledgments I would like to thank my wife, Cassandra Chrones Moore, who read every word several times. She improved the grammar, caught mistakes, pointed out sections that were unclear, and made the work flow more smoothly. Without her careful and expert help, this book would be much less readable. Any remaining inadequacies are my responsibility. A condensed version of Chapter 2 was published as “Why Global Warming Would Be Good for Your” in The Public Interest, Winter 1995. Certain sections of Chapter 3 through 6 appeared first in various issues of World Climate Report. Table of Contents · Cover ..........................................................................................................................i · Title ............................................................................................................................ii · Acknowledgments ................................................................................................ iv · Table of Contents ................................................................................................. -
F. CRIMINAL LAW: the HAY-LANGBEIN DEBATE Douglas Hay, “Property, Authority and the Criminal Law” in Albion’S Fatal Tree (New York 1975), 17–63
SEC. 9E USES, THE STATUTE, AND THE DUKE OF NORFOLK IX–105 Revisited, 78 Harv. L. Rev. 973 (1965). (Can you think of a more suitable container?) For a discussion of the Rule in light of modern statutory developments, see R. Lynn, The Modern Rule Against Perpetuities (1966). F. CRIMINAL LAW: THE HAY-LANGBEIN DEBATE Douglas Hay, “Property, Authority and the Criminal Law” in Albion’s Fatal Tree (New York 1975), 17–63 I The rulers of eighteenth-century England cherished the death sentence. The oratory we remember now is the parliamentary speech, the Roman periods of Fox or Burke, that stirred the gentry and the merchants. But outside Parliament were the labouring poor, and twice a year, in most counties in England, the scarlet-robed judge of assize put the black cap of death on top of his full-bottomed wig to expound the law of the propertied, and to execute their will. ‘Methinks I see him,’ wrote Martin Madan in 1785, with a countenance of solemn sorrow, adjusting the cap of judgement on his head ... His Lordship then, deeply affected by the melancholy part of his office, which he is now about to fulfill, embraces this golden opportunity to do most exemplary good—He addresses, in the most pathetic terms, the consciences of the trembling criminals ... shows them how just and necessary it is, that there should be laws to remove out of society those, who instead of contributing their honest industry to the public good and welfare, have exerted every art, that the blackest villainy can suggest, to destroy both ..