Qatar Calls for Pushing Israel to Halt Settlements
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UC Santa Barbara Dissertation Template
UNIVERSITY OF CALIFORNIA Santa Barbara Iron Mothers and Warrior Lovers: Intimacy, Power, and the State in the Nyiginya Kingdom, 1796-1913 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Sarah Elizabeth Watkins Committee in charge: Professor Stephan F. Miescher, Chair Professor Mhoze Chikowero Professor Erika Rappaport Professor Leila Rupp June 2014 The dissertation of Sarah E. Watkins is approved. _____________________________________________ Mhoze Chikowero _____________________________________________ Erika Rappaport ____________________________________________ Leila Rupp ____________________________________________ Stephan F. Miescher, Committee Chair May 2014 Iron Mothers and Warrior Lovers: Intimacy, Power, and the State in the Nyiginya Kingdom, 1796-1913 Copyright © 2014 by Sarah Elizabeth Watkins iii ACKNOWLEDGEMENTS While responsibility for the end result of this work rests with me, its creation would not have been possible without the support and dedication of many others. For their intellectual and moral support through the preparation and writing of this dissertation, I want to thank Stephan Miescher, my advisor, and Mhoze Chikowero, Erika Rappaport, and Leila Rupp, for agreeing to shepherd me through this process. Writing a dissertation can be excruciating, but having such a supportive and engaged committee makes all the difference. For their mentorship during my research and writing in Rwanda, I want to thank David Newbury, Catharine Newbury, Rose-Marie Mukarutabana, Bernard Rutikanga, and Jennie Burnet, as well as the Faculty of History at the National University of Rwanda. Their insights have sharpened my analysis, and consistently challenged me to engage more deeply with the sources, as well as to consider the broader context of the stories with which I am so fascinated. -
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 264
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 264 Utgivna av Historiska institutionen vid Uppsala universitet genom Margaret Hunt och Maria Ågren Cover Photo: Nyamata Church, Rwanda Photographer: Ben Curtis, Associated Press Cover Layout: Kerri Sandell Olov Simonsson God Rests in Rwanda The Role of Religion in the 1994 Genocide in Rwanda Dissertation presented at Uppsala University to be publicly examined in Geijersalen, Thunbergsvägen 3P, Uppsala, Friday, 14 June 2019 at 09:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Professor R. Scott Appleby. Abstract Simonsson, O. 2019. God Rests in Rwanda. The Role of Religion in the 1994 Genocide in Rwanda. Studia Historica Upsaliensia 264. 312 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-0655-1. This study analyses the role of religion in the Rwandan genocide, providing new explanations to the complex dynamics of devaluation and victimisation processes in genocidal violence. The thesis explains how religion was used in different contexts prior to, during, and after the 1994 genocide. The following questions guide this study: What kinds of religious concepts and arguments were used in the context of the Rwandan genocide, and how? Why were they used and what did these concepts and arguments mean? Finally, did the meanings of the religious arguments change over time and between different contexts, and if so why? Texts from three sources were analysed: the Hutu extremist propaganda in Kangura magazine and in RTLM broadcasts, and testimonies from the ICTR trials. The analysis was guided by Roger Dale Petersen’s theory on Fear, Hatred, and Resentment, as well as theories on devaluation, social identity, self-victimisation, and competitive victimhood. -
Dev.D 1 Dev.D Is an Indian Romantic Drama Film Released on 6 February
Dev.D 1 Dev.D Dev D Theatrical release poster Directed by Anurag Kashyap Produced by Ronnie Screwvala Written by Anurag Kashyap Vikramaditya Motwane Based on Devdas by Sharat Chandra Chattopadhyay Starring Abhay Deol Mahie Gill Kalki Koechlin Music by Amit Trivedi Cinematography Rajeev Ravi Edited by Aarti Bajaj Release date(s) •• 6 February 2009 Running time 144 min Budget 60 million (US$1.0 million) Box office 215.0 million (US$3.6 million) (domestic gross) Dev.D is an Indian romantic drama film released on 6 February 2009. Written and directed by Anurag Kashyap, it is a modern-day take on Sarat Chandra Chattopadhyay's classic Bengali novel Devdas,[1] previously adapted for the screen by P.C. Barua and Bimal Roy and more recently by Sanjay Leela Bhansali.[2] Dev.D was embraced by the media, critics and public. The film is set in contemporary Punjab and Delhi, where familial ties are negotiated by the traditions of patriarchy and marriages are reduced to a game of power and "honour". Plot Dev (Abhay Deol) is the son of a rich businessman. He and Paro (Mahi Gill) are childhood sweethearts. But Dev, being an insecure narcissist, instead of acknowledging her affection and care, nudges Paro over frivolous things. Dev is sent to London for higher studies when his father senses how spoilt his son is. While separated by distance, Paro and Dev's youthful love only blossoms more. Dev arrives in Chandigarh to meet Paro. Their endeavor to make love makes for some dark comic moments. The seeds of suspicion are sown here, which the couple will never be able to weed out for a lifetime. -
Rwanda Journal, Series A: Arts and Humanities, Volume 1 (1), 2016
Rwanda Journal ISSN 2305-2678 (Print); ISSN 2305-5944 (Online) DOI: http://dx.doi.org/10.4314/rj.v1i1.3A Ndorwá Famous Women J. NYIRAHABIMANA, Institute of Agriculture, Technology and Education of Kibungo & J. C. NKEJABAHIZI, University of Rwanda Abstract This article focuses on famous women of Ndorwá region in North-East of Rwanda. It aims at drawing portraits of extraordinary heroines who marked the collective memory of Ndorwa region. Lives of women portrayed in this article are unique. It is this uniqueness that we highlight. Moreover, their portraits convey important information on social, cultural, political and economic organization of Ndorwa region. Key words: Rwanda, women, heroines, Ndorwá Introduction The Kingdom of Ndorwá was located to the North of the Kingdom of Rwanda, currently the southern area of the Republic of Uganda. It was governed by the dynasty of the Abashaambo clan, from which derived the phrase Ndorwá y‘Ábashaambo. It was conquered and occupied by King Kigeli III Ndabárasa (1706- 1741). The monarch‘s long stay in this region gave rise to famous poetical battle of wits: - Mbwiiré umwaámi ukó abaándi baámi baantumyé (Let me convey to the king the message from other kings) by poet Musaáre, son of Nyakayoonga. - Baateewe n’íikí uburaké (What made them furious) by poet Kibáraké son of Bagorozi. He composed this poem on the king‘s order. - Nóone kó wamazé ubuhiínge (Now, you have completed farm work) by poet Musaáre. In 1884, during the Berlin conference when the Western colonial powers shared out Africa and set new borders for African countries, the Kingdom of Rwanda lost a big part of Ndorwá territory. -
A523c1b1461d5ab5dffa2853244
After being abandoned for eight straight years in boarding school, Rohan returns to the small industrial town of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn’t even know existed. Forced to work in his father’s steel factory and study engineering against his wishes, he tries to forge his own life out of his given circumstances and pursue his dream of being a writer. featuring RAJAT BARMECHA RONIT ROY AAYAN BORADIA RAM KAPOOR with MANJOT SINGH ANAND TIWARI SUMAN MASTKAR and RAJA HUDDA VARUN KHETTRY SHAUNAK SENGUPTA AKSHAY SACHDEV Directed by VIKRAMADITYA MOTWANE Produced by SANJAY SINGH, ANURAG KASHYAP & RONNIE SCREWVALA Written by VIKRAMADITYA MOTWANE & ANURAG KASHYAP Co-Producers AARTI BAJAJ, ZARINA MEHTA, DEVEN KHOTE & SIDDHARTH ROY KAPUR Executive Producer DIPA DE MOTWANE Associate Producer VIKAS BAHL Cinematography MAHENDRA J. SHETTY Production Designer ADITYA KANWAR Music AMIT TRIVEDI Lyrics AMITABH BHATTACHARYA Editing DIPIKA KALRA Sound KUNAL SHARMA In late 2003, I gave my out-of-work director friend Anurag Kashyap the first draft of my new screenplay to read. He read it in an hour, gave it back to me, went back to what he was doing and told me that one day he will produce this film, that nobody else will. I wanted to smack him then. But it turned out that he was right. In March 2009, after years of trying to get a producer on board, Anurag and his friend Sanjay Singh raised enough money for me to turn that same script into a film. They packed me off to shoot and backed me all the way to make the film I always wanted to. -
Signatory ID Name CIN Company Name 01600009 GHOSH JAYA
Signatory ID Name CIN Company Name 01600009 GHOSH JAYA U72200WB2005PTC104166 ANI INFOGEN PRIVATE LIMITED 01600031 KISHORE RAJ YADAV U24230BR1991PTC004567 RENHART HEALTH PRODUCTS 01600031 KISHORE RAJ YADAV U00800BR1996PTC007074 ZINNA CAPITAL & SAVING PRIVATE 01600031 KISHORE RAJ YADAV U00365BR1996PTC007166 RAWATI COMMUNICATIONS 01600058 ARORA KEWAL KUMAR RITESH U80301MH2008PTC188483 YUKTI TUTORIALS PRIVATE 01600063 KARAMSHI NATVARLAL PATEL U24299GJ1966PTC001427 GUJARAT PHENOLIC SYNTHETICS 01600094 BUTY PRAFULLA SHREEKRISHNA U91110MH1951NPL010250 MAHARAJ BAG CLUB LIMITED 01600095 MANJU MEHTA PRAKASH U72900MH2000PTC129585 POLYESTER INDIA.COM PRIVATE 01600118 CHANDRASHEKAR SOMASHEKAR U55100KA2007PTC044687 COORG HOSPITALITIES PRIVATE 01600119 JAIN NIRMALKUMAR RIKHRAJ U00269PN2006PTC022256 MAHALAXMI TEX-CLOTHING 01600119 JAIN NIRMALKUMAR RIKHRAJ U29299PN2007PTC130995 INNOVATIVE PRECITECH PRIVATE 01600126 DEEPCHAND MEHTA VALCHAND U52393MH2007PTC169677 DEEPSONS JEWELLERS PRIVATE 01600133 KESARA MANILAL PATEL U24299GJ1966PTC001427 GUJARAT PHENOLIC SYNTHETICS 01600141 JAIN REKHRAJ SHIVRAJ U00269PN2006PTC022256 MAHALAXMI TEX-CLOTHING 01600144 SUNITA TULI U65993DL1991PLC042580 TULI INVESTMENT LIMITED 01600152 KHANNA KUMAR SHYAM U65993DL1991PLC042580 TULI INVESTMENT LIMITED 01600158 MOHAMED AFZAL FAYAZ U51494TN2005PTC056219 FIDA FILAMENTS PRIVATE LIMITED 01600160 CHANDER RAMESH TULI U65993DL1991PLC042580 TULI INVESTMENT LIMITED 01600169 JUNEJA KAMIA U32109DL1999PTC099997 JUNEJA SALES PRIVATE LIMITED 01600182 NARAYANLAL SARDA SHARAD U00269PN2006PTC022256 -
Iifa Awards 2011 Popular Awards Nominations
IIFA AWARDS 2011 POPULAR AWARDS NOMINATIONS BEST FILM MUSIC DIRECTION ❑ Band Baaja Baaraat ❑ Salim - Sulaiman — Band Baaja Baaraat ❑ Dabangg ❑ Sajid - Wajid & Lalit Pandit — Dabangg ❑ My Name Is Khan ❑ Vishal - Shekhar — I Hate Luv Storys ❑ Once Upon A Time In Mumbaai ❑ Vishal Bhardwaj — Ishqiya ❑ Raajneeti ❑ Shankar Ehsaan Loy — My Name Is Khan ❑ Pritam — Once Upon A Time In Mumbaai BEST DIRECTION ❑ Maneesh Sharma — Band Baaja Baaraat BEST STORY ❑ Abhinav Kashyap — Dabangg ❑ Maneesh Sharma — Band Baajaa Baaraat ❑ Sanjay Leela Bhansali — Guzaarish ❑ Abhishek Chaubey — Ishqiya ❑ Karan Johar — My Name Is Khan ❑ Shibani Bhatija — My Name Is Khan ❑ Milan Luthria — Once Upon A Time In Mumbaai ❑ Rajat Aroraa — Once Upon A Time In Mumbaai ❑ Vikramaditya Motwane — Udaan ❑ Anurag Kashyap, Vikramaditya Motwane — Udaan PERFORMANCE IN A LEADING ROLE: MALE LYRICS ❑ Salman Khan — Dabangg ❑ Amitabh Bhattacharya — Ainvayi Ainvayi, Band Baajaa Baraat ❑ Hrithik Roshan — Guzaarish ❑ Faaiz Anwar — Tere Mast Mast, Dabangg ❑ Shah Rukh Khan — My Name Is Khan ❑ Gulzar — Dil Toh Bachcha, Ishqiya ❑ Ajay Devgn — Once Upon A Time In Mumbaai ❑ Niranjan Iyengar — Sajdaa, My Name Is Khan ❑ Ranbir Kapoor — Raajneeti ❑ Irshad Kamil — Pee Loon, Once Upon A Time In Mumbaai PERFORMANCE IN A LEADING ROLE: FEMALE PLAYBACK SINGER: MALE ❑ Anushka Sharma — Band Baaja Baaraat ❑ Vishal Dadlani — Adhoore, Break Ke Baad ❑ Kareena Kapoor — Golmaal 3 ❑ Rahat Fateh Ali Khan — Tere Mast Mast Do Nain, Dabangg ❑ Aishwarya Rai Bachchan — Guzaarish ❑ Shafqat Amanat Ali — Bin Tere, I Hate -
1 the Facts Consist of Boniface Benzinge and Joseph Sebarenzi's
Case 6:09-cr-10005-MLB -DWB Document 157 Filed 05/04/10 Page 1 of 9 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS UNITED STATES OF AMERICA, ) ) Plaintiff, ) CRIMINAL ACTION ) v. ) No. 09-10005-MLB ) LAZARE KOBAGAYA, ) ) Defendant. ) ) MEMORANDUM AND ORDER This case comes before the court on defendant’s motion to suppress items seized pursuant to a search warrant. (Doc. 110) The motion has been fully briefed and is ripe for decision. (Docs. 116, 126). The court conducted an evidentiary hearing on April 28, 2010. The motion to suppress is denied for the reasons herein. I. FACTS1 Defendant Lazare Kobagaya is charged with making several material false statements in his Application for Naturalization and alien registration card in which he allegedly concealed his whereabouts and culpability in connection with the Rwandan Genocide. (Doc. 1). On April 22, 2009, United States Magistrate Judge Donald W. Bostwick issued a search warrant permitting a search of defendant’s home located at 3232 SW Oakley Avenue, Topeka, Kansas. The warrant permitted a search for the following: 1. Documents in the name of or bearing the name of KOBAGAYA/KABAYA LAZARE/LAZARO, related to and including, but not limited to: the fraudulently obtained alien 1 The facts consist of Boniface Benzinge and Joseph Sebarenzi’s testimony heard at the hearing and exhibits admitted by the court. Case 6:09-cr-10005-MLB -DWB Document 157 Filed 05/04/10 Page 2 of 9 registration receipt card, United States Passports, other passports, Certificate of United States Citizenship, identity documentation and documentation of alien status in the United States which authorized KOBAGAYA'S entrance into and continued presence in the United States. -
Udaan Wins Accolades at the Giffoni Film Festival ~The Film Wins the Best Music Score and the Best Audience Award at One of World’S Largest Children Film Festival~
Udaan wins accolades at the Giffoni Film Festival ~The film wins the Best Music Score and the Best Audience Award at one of world’s largest children film festival~ Mumbai, Tuesday, August 10, 2010: Udaan, co-produced by Anurag Kashyap, Sanjay Singh and UTV Motion Pictures and directed by Vikramaditya Motwane, continues to excel in the international market. After being selected in the ‘Un Certain Regard’ category in the Cannes Film Festival, the film has been awarded with the ‘Best Audience’ and the ‘Best Music Score Award’ by the Music Conservatory of Salerno at the prestigious Giffoni Film Festival. With brilliantly composed music by the leading music composer – Amit Trivedi and lyrics by the poetically affluent Amitabh Bhattacharya, Udaan has won the ‘Best Music Score Award’ at the film festival, for reasons best cited at the award function “The music score of UDAAN was able to bring together fusion and tonal music perfectly and to describe landscapes and characters with great gentleness and simplicity. Fusion music which also combined traditional Indian music and urban which proved to be an effective narrative bond." On winning these awards, Amrita Pandey, Senior Vice President- International Distribution and Syndication, UTV Motion Pictures, “Udaan, winning awards at the Giffoni Film Festival Awards is a matter of great pride and honor for us. This is certainly a great incentive for us to produce films of such intriguing and captivating nature in future. The film has scored extremely well with the critics and the audiences alike in India and even internationally. Apart from being showcased at Cannes, Udaan continues to make us proud with such awards. -
Filmfare Awards: the Complete Winners List
FILMFARE AWARDS: THE COMPLETE WINNERS LIST 63RD FILMFARE AWARDS 2018 Category Winner Best Film 'Hindi Medium' Critics' Award for Best Film 'Newton' Best Actor In A Leading Role (Female) Vidya Balan for 'Tumhari Sulu' Best Actor In A Leading Role (Male) Irrfan Khan for 'Hindi Medium' Critics' Award for Best Actor (Male) Rajkummar Rao for 'Trapped' Critics' Award for Best Actor (Female) Zaira Wasim for 'Secret Superstar' Best Director Ashwiny Iyer Tiwari for 'Bareilly Ki Barfi' Best Debut Director Konkona Sensharma for 'A Death in the Gunj' Best Actor In A Supporting Role (Male) Rajkummar Rao for 'Bareilly Ki Barfi' Best Actor in a Supporting Role (Female) Meher Vij for 'Secret Superstar' Best Dialogue Hitesh Kewalya for 'Shubh Mangal Saavdhan' Best Screenplay Shubhashish Bhutiani for 'Mukti Bhavan' Best Original Story Amit Masurkar for 'Newton' Best Actor (Male) in a Short Film Jackie Shroff for 'Khujli' Best Actor (Female) in a Short Film Shefali Shah for 'Juice' People's Choice Award for Best Short Film 'Anahut' Best Short Film (Fiction) 'Juice' Best Short Film (Non Fiction) 'Invisible Wings' Best Music Album Pritam for 'Jagga Jasoos' Best Playback Singer (Male) Arijit Singh for 'Roke na ruke naina' - 'Badrinath Ki Dulhania' Best Playback Singer (Female) Meghna Mishra for Nachdi phira - Secret Superstar Best Lyrics Amitabh Bhattacharya for Ullu ka pattha - Jagga Jasoos Lifetime Achievement Award Mala Sinha and Bappi Lahiri Best Choreography Vijay Ganguly and Ruel Dausan Varindani for Galti se mistake - Jagga Jasoos Best Background Score -
Gvc^R H` ¶E Xcz Svrc Ze Ucrxd 8`
3 ## 4 E &F % &F %F VRGR '%&((!1#VCEB R BP A"'!#$#1!$"#0$"T utqBVQWBuxy( +.41+,35(67 5;5;< 8569': 567'- *(8)15 )(#177 G:5:G"")(*65 G.5"G#*5( ("85#5: <GG:5"8"(K N$1GG#*(8)"7D':1G(" G"5/20"G8686(# H68 *$12>=++!3 >IA H(# 5(%% 0 & 8)(69 (: ! "$% !& R Q "5$56 She said the Centre’s “vin- dictive, casteist and communal " R# $ % R & he Opposition parties on ! ! "# policies” have put not only the TWednesday unleashed a CBI, but also other agencies "5$56 ' sharp attack on the “The Prime Minister’s mes- Minister M Veerappa Moily under similar threat. Cases like Government over the CBI mess sage is very clear that whoever said the removal of the CBI those involving Vijay Mallya, he Government may have with the Congress alleging that comes near Rafale (issue) will director was “illegal, unethical Nirav Modi and Mehul Choksi Tsent the two top-ranking '()$* the CBI Director has been be removed, wiped out,” the and unconstitutional”. and the Rafale deal are blots on officers of the CBI on forced divested of his power to pre- Congress chief charged. “The Congress leader Manish the BJP-led Government’s rule long leave to contain the empt a possible CBI investiga- country and the Constitution Tewari said according to the and they have not been probed internecine warfare within tion into the dubious Rafale are in danger,” he claimed. Lokpal Act and the Supreme properly, she said. However, she India’s premier investigating fighet jet deal, while West The Congress also alleged Court judgment in the Jain added, the BJP misuses official agency, but now it will have to Bengal Chief Minister Mamata the Modi Government and Hawala case, the CBI Director machinery to target anti-BJP battle it out with CBI Director Banerjee alleged the agency senior BJP leaders, scared over has a fixed tenure of two years. -
King Kigeli V and the Shattered Kingdom of Rwanda
1 2 3 4 UMWAMI KING KIGELI V AND THE SHATTERED KINGDOM OF RWANDA (1896-2016) Stewart Addington Saint-David 5 “My wish is that every human being should be treated equally, and as a child of God, both here and in Rwanda.” -H. M. Jean-Baptiste Kigeli V Ndahindurwa, King of Rwanda (r. 1959- 2016) © 2018 Stewart Addington Saint-David. All rights reserved. 6 FOREWORD H. M. YUHI VI BUSHAYIJA King of Rwanda I was born into a branch of the ruling dynasty of the Kingdom of Rwanda as it entered its final phase as the active central component of the country's political and cultural life, during the reign of my late uncle, King Kigeli V Ndahindurwa. The king of Rwanda, called Umwami in our Kinyarwanda language, has always been considered the “father of the nation,” and is seen as the universal patriarch of the countless family groups that constitute the vital human fabric of our country. Through decades of foreign intervention and encroachment, the institution of the monarchy withstood the test of time, and was seen as the central pillar of the Rwandan state. Under the wise rule of my grandfather, Yuhi V Musinga, as well during that of my uncles Mutara III Rudahigwa and Kigeli V Ndahindurwa, the nation was able to preserve its cultural heritage and internal autonomy, all the while moving haltingly toward full independence and eventual self- determination. The monarchy, and the monarch in particular, have always acted as guarantors of stability and continuity across the land, despite the turmoil that engulfed other surrounding nations as the moral, social, and political depredations of colonialism left waves of conflict and bloodshed in their wake.