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Supermarkets in India: Struggles Over the Organization of Agricultural Markets and Food Supply Chains
\\jciprod01\productn\M\MIA\68-1\MIA109.txt unknown Seq: 1 12-NOV-13 14:58 Supermarkets in India: Struggles over the Organization of Agricultural Markets and Food Supply Chains AMY J. COHEN* This article analyzes the conflicts and distributional effects of efforts to restructure food supply chains in India. Specifically, it examines how large retail corporations are presently attempting to transform how fresh produce is produced and distributed in the “new” India—and efforts by policymakers, farmers, and traders to resist these changes. It explores these conflicts in West Bengal, a state that has been especially hostile to supermarket chains. Via an ethnographic study of small pro- ducers, traders, corporate leaders, and policymakers in the state, the article illustrates what food systems, and the legal and extralegal rules that govern them, reveal about the organization of markets and the increasingly large-scale concentration of private capital taking place in India and elsewhere in the developing world. INTRODUCTION .............................................................. 20 R I. ON THE RISE OF SUPERMARKETS IN THE WEST ............................ 24 R II. INDIA AND THE GLOBAL SPREAD OF SUPERMARKETS ....................... 29 R III. LAND, LAW, AND AGRICULTURAL MARKETS IN WEST BENGAL .............. 40 R A. Land Reform, Finance Capital, and Agricultural Marketing Law ........ 40 R B. Siliguri Regulated Market ......................................... 47 R C. Kolay Market ................................................... 53 R D. -
State Name State Code District Name District Code Village/Town Name
Planning Areas/ Development Authorities State Name State District Name District Village/Town Name Village/To Code Code wn Code Haryana 06 Gurgaon 86 Aklimpur 62831 Haryana 06 Gurgaon 86 Babra Bakipur 62866 Haryana 06 Gurgaon 86 Babupur 62812 Haryana 06 Gurgaon 86 Badha 62908 Haryana 06 Gurgaon 86 Baghanki 62923 Haryana 06 Gurgaon 86 Bajghera 62813 Haryana 06 Gurgaon 86 Bar Gujar 62916 Haryana 06 Gurgaon 86 Basharia 62805 Haryana 06 Gurgaon 86 Baskushla 62806 Haryana 06 Gurgaon 86 Baslambi 62844 Haryana 06 Gurgaon 86 Bhang Rola 62807 Haryana 06 Gurgaon 86 Bhondsi 62989 Haryana 06 Gurgaon 86 Bilaspur 62901 Haryana 06 Gurgaon 86 Binola 62902 Haryana 06 Gurgaon 86 Budhera 62808 Haryana 06 Gurgaon 86 Chandla Dungerwas 62903 Haryana 06 Gurgaon 86 Chandu 62821 Haryana 06 Gurgaon 86 Daultabad 62779 Haryana 06 Gurgaon 86 Dhana 62804 Haryana 06 Gurgaon 86 Dhanawas 62869 Haryana 06 Gurgaon 86 Dhankot 62818 Haryana 06 Gurgaon 86 Dharampur 62810 Haryana 06 Gurgaon 86 Dhorka 62825 Haryana 06 Gurgaon 86 Dhumaspur 62834 Haryana 06 Gurgaon 86 Fakharpur 62840 Haryana 06 Gurgaon 86 Fazalpur Badli 62862 Haryana 06 Gurgaon 86 Fazalwas 62905 Haryana 06 Gurgaon 86 Gairatpurbas 62829 Haryana 06 Gurgaon 86 Garhi Harsaru 62837 Haryana 06 Gurgaon 86 Gopalpur 62819 Haryana 06 Gurgaon 86 Gwaliar 62904 Haryana 06 Gurgaon 86 Hamirpur 62823 Haryana 06 Gurgaon 86 Hassanpur 62919 Haryana 06 Gurgaon 86 Hayatpur 62828 Haryana 06 Gurgaon 86 Iqbalpur 62888 Haryana 06 Gurgaon 86 Jamalpur 62845 Haryana 06 Gurgaon 86 Janaula 62847 Haryana 06 Gurgaon 86 Jatola 62850 Haryana 06 -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Annual Report and Accounts 2008
Eros International Plc Annual Report and Accounts 2008 Corporate Office UK UAE Australia Eros International Plc Eros International Plc Eros International Ltd Eros Worldwide FZ LLC Eros Australia Pty. Limited 15-19 Athol Street Unit 23 529 Building No 8 4 Rosewood Way Isle of Man IM1 1LB Sovereign Park Dubai Media City Werrington Tel +44 (0) 8700 418 211 Coronation Road P.O. Box 502121 NSW 2747 Annual Report and Accounts 2008 Fax +44 (0) 8700 418 212 London NW10 7QP Tel +971 (0) 4390 2825 Tel +61 2 9623 3480 Tel +44 (0) 20 8963 8700 Fax +971 (0) 4390 8867 Fax +61 2 9623 3481 Fax +44 (0) 20 8963 0154 Fiji India USA Eros Pacific Limited Eros Multimedia Pvt. Ltd. Eros Entertainment Inc 27 Lodhia Street Satya Dev Building, 2nd Floor 550 County Avenue P.O. Box 1802 Off New Link Road Secaucus Nadi-Fiji Andheri (W) NJ - 07094 Tel +679 670 7722 Mumbai - 400 053 Tel +1 201 558 9001 Fax +679 670 7723 Tel: + 91 22 4053 8500 Fax +1 201 558 9002 Fax: + 91 22 4053 8540 Om Shanti Om (2007) – International box office No. 1, Eros International Plc is a global player in the rapidly honoured at the Berlin Film Festival expanding Indian media and entertainment arena which is growing at over 18% CAGR and slated to cross US$29 billion by 2012 (source: PwC). Being vertically integrated means that Eros not only produces and commissions film projects similar to how Hollywood studios operate but also distributes and exploits films across all formats globally including cinemas, home entertainment, television syndication and digital new media. -
ON the CHRONOLOGY of the TATTVÓRTHA SÚTRA and SOME EARLY COMMENTARIES* (Published In: Wiener Zeitschrift Für Die Kunde Südasiens 29 (1985), Pp
THE CHRONOLOGY OF THE TATTVÓRTHA SÚTRA 1 JOHANNES BRONKHORST ON THE CHRONOLOGY OF THE TATTVÓRTHA SÚTRA AND SOME EARLY COMMENTARIES* (published in: Wiener Zeitschrift für die Kunde Südasiens 29 (1985), pp. 155-184) I. Siddhasena Gaˆi’s È¥kå 1. Of the commentaries to be studied this is by far the most recent one. It comments on the Tattvårtha SËtra and the Tattvårthådhigama Bhå∑ya, and therefore postdates both. More helpful information for determining its date consists in the mention of Dharmak¥rti and his Pramåˆavinißcaya in the commentary on TS 5.31 (I, p. 397). Dharmak¥rti lived in the seventh century at the latest (about 600-660 A.D. according to Frauwallner 1961: 137f.; Lindtner 1980 argues for ca. 530-600). Siddhasena Gaˆi lived after this. He appears to be referred to under the name ‘Gandhahastin’ in Í¥lå∫ka’s commentary on the Ócårå∫ga SËtra (p. 1 and 55 [82]), because ‘Gandhahastin’ is used as a name of Siddhasena Gaˆi in several works (Sukhlal 1974: Intr. p. 55 f.). Í¥lå∫ka wrote in the middle of the 9th century or soon after that (Kapadia 1941: 197). Siddhasena Gaˆi wrote before this. A further specification of Siddhasena Gaˆi’s date is possible, as follows. The Tattvårthådhigama Bhå∑ya on sËtra 9.22 explains the word pråyaßcitta ‘atonement’ and makes in that connection the following observation (II, p. 254): cit¥ sañjñånavißuddhyo˙ dhåtu˙ | tasya cittam iti bhavati ni∑†håntam auˆådikaµ ca | “The root is ‘citÁ in [the senses] “ideation” and “purification”’. Citta is its [derivative], ending in the suffix of the past participle (viz., -ta) and belonging to the words derived with an Uˆådi suffix”. -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Form 20-F Eros International
SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 20-F ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☑ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 001-36176 EROS INTERNATIONAL PLC (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Isle of Man (Jurisdiction of incorporation or organization) 550 County Avenue Secaucus, New Jersey 07094 Tel: +1(201) 558 9001 (Address of principal executive offices) Oliver Webster IQ EQ (Isle of Man) Limited First Names House Victoria Road Douglas, IM2 4DF Isle of Man Tel: (44) 1624 630 630 Email: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Trading Title of each class Symbol(s) Name of each exchange on which registered A ordinary share, par value GBP 0.30 per share EROS The New York Stock Exchange Securities registered or to be registered pursuant to Section 12(g) of the Act. None (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act None (Title of Class) Indicate the number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the annual report. -
List of Applicants Who Submitted Incomplete Application Forms to the Fisheries Department, Haryana, Panchkula for the Post of Fisherman-Cum- Watchman
List of Applicants who submitted incomplete Application Forms to the Fisheries Department, Haryana, Panchkula for the post of Fisherman-cum- Watchman. Sr. No. Name and Father Name Address District State Date of Birth Cate. Quali. Experience Training Other Remarks 1 Aadesh Kumar S/o Ved Parkash VPO Dhos Kaithal Haryana 04-06-1989 BC-B 8th No No 2 Aalam Khan S/o Israil VPO Dhiranki, Hatin Palwal Haryana 01-03-1993 BC-B B.A. No No 3 Aalok Babu S/o Raju Babu #7, New Vivek Vihar Ambala Haryana 01-05-1986 SC 10th No No 4 Aamir Khan S/o Jahir Ahmad VPO Charoda, Tawdu Mewat Haryana 20-09-1993 BC-B 12th No No DOB Certificate also not attached. 5 Aarif Khan S/o Rati Khan VPO Dhankli, Ujina Mewat Haryana 02-10-1998 BC-A 10th No No 6 Aas Mohammad s/o Mehboob Ali Vill Dhanoura ,Murad Nagar Amroha Uttar 01-05-1989 Gen. 8th No No Pradesh 7 Aashish Kumar S/o Lalmani Vpo. Bighana, Allahabad Uttar 05-03-1988 SC 8th No No Pradesh 8 Aashish S/o Mahavir Singh VPO Talav Jhajjar Haryana 17-08-1987 Gen. B.A. No No 9 Abdul Quarim S/o Ismyal Khan VPO Dhouj Faridabad Haryana 13-05-1974 Gen. 8th No No 10 Abdussalam Quareshi S/o Ali Husain VPO Police Line Sawroop Nagar , Sitapur Uttar 12-07-1982 BC-A 10th No No Caste Certificate also not attached. Pradesh 11 Abhijeet Sen Gupta S/o Dev Brat 107/177, Allopshankari Apartment, Allahabad Uttar 15-04-1991 Gen. -
Collected Research Papers in Prakrit & Jainlogy
Collected Research Papers in Prakrit & Jainlogy (Volume II) Edited by NALINI JOSHI (With Preface) Seth H.N.Jain Chair Firodia Publications University of Pune March 2013 NALINI JOSHI 1 Collected Research Papers in Prakrit & Jainlogy (Volume II) Edited by Dr. Nalini Joshi (With Preface) Assisted by Dr. Kaumudi Baldota Dr. Anita Bothra Publisher : Seth H.N.Jain Chair Firodia Publications (University of Pune) All Rights Reserved First Edition : March 2013 For Private Circulation Only Price : Rs. 300/- D.T.P. Work : Ajay Joshi 2 Preface with Self-assessment Impartial self-assessment is one of the salient features in post-modernism. An attempt has been made in this direction in the present preface cum editor's note cum publisher's note. All the research-papers collected in this book are the outcome of the research done jointly with the help of the assistance given by Dr. Anita Bothara and Dr. Kaumudi Baldota, under the auspices of Seth H.N.Jaina Chair which is attached to the Dept. of philosophy, University of Pune. All the three roles viz. author, editor and publisher are played by Dr. Nalini Joshi, Hon. Professor, Jaina Chair. While looking back to my academic endeavor of twenty-five years, up till now, a fact comes up glaringly the whole span of my life is continuous chain of rare opportunities in the field of Jaina Studies. In the two initial decades while working in the "Comprehensive and Critical Dictionary of Prakrits', under the able editorship of Late Dr.A.M.Ghatage, I got acquaintance, with almost five hundred original Prakrit texts. -
Dev.D 1 Dev.D Is an Indian Romantic Drama Film Released on 6 February
Dev.D 1 Dev.D Dev D Theatrical release poster Directed by Anurag Kashyap Produced by Ronnie Screwvala Written by Anurag Kashyap Vikramaditya Motwane Based on Devdas by Sharat Chandra Chattopadhyay Starring Abhay Deol Mahie Gill Kalki Koechlin Music by Amit Trivedi Cinematography Rajeev Ravi Edited by Aarti Bajaj Release date(s) •• 6 February 2009 Running time 144 min Budget 60 million (US$1.0 million) Box office 215.0 million (US$3.6 million) (domestic gross) Dev.D is an Indian romantic drama film released on 6 February 2009. Written and directed by Anurag Kashyap, it is a modern-day take on Sarat Chandra Chattopadhyay's classic Bengali novel Devdas,[1] previously adapted for the screen by P.C. Barua and Bimal Roy and more recently by Sanjay Leela Bhansali.[2] Dev.D was embraced by the media, critics and public. The film is set in contemporary Punjab and Delhi, where familial ties are negotiated by the traditions of patriarchy and marriages are reduced to a game of power and "honour". Plot Dev (Abhay Deol) is the son of a rich businessman. He and Paro (Mahi Gill) are childhood sweethearts. But Dev, being an insecure narcissist, instead of acknowledging her affection and care, nudges Paro over frivolous things. Dev is sent to London for higher studies when his father senses how spoilt his son is. While separated by distance, Paro and Dev's youthful love only blossoms more. Dev arrives in Chandigarh to meet Paro. Their endeavor to make love makes for some dark comic moments. The seeds of suspicion are sown here, which the couple will never be able to weed out for a lifetime. -
Banner Name Proprietor Partner BANNER LIST
BANNER LIST Banner Name Proprietor Partner 1234 Cine Creations C.R.Loknath Anand L 1895 Dec 28 the World Ist Movie Production S.Selvaraj No 2 Streams Media P Ltd., Prakash Belavadi S.Nandakumar 21st Century Lions Cinema (P) Ltd., Nagathihalli Chandrashekar No 24 Frames Pramodh B.V No 24 Frames Cine Combines Srinivasulu J Gayathri 24 Frames Movie Productions (p) Ltd K.V.Vikram Dutt K.Venkatesh Dutt 3A Cine Productions Sanjiv Kumar Gavandi No 4D Creations Gurudatta R No 7 Star Entertainment Studios Kiran Kumar.M.G No A & A Associates Aradhya V.S No A B M Productions P.S.Bhanu Prakash P.S.Anil Kumar A' Entertainers Rajani Jagannath J No A Frame To Frame Movies Venkatesh.M No A.A.Combines Praveen Arvind Gurjer N.S.Rajkumar A.B.C.Creations Anand S Nayamagowda No A.C.C.Cinema - Shahabad Cement Works. M.N.Lal T.N.Shankaran A.G.K.Creations M.Ganesh Mohamad Azeem A.J.Films R.Ashraf No A.K.Combines Akbar Basha S Dr. S.R.Kamal (Son) A.K.Films Syed Karim Anjum Syed Kalimulla A.K.K. Entertainment Ltd Ashok Kheny A.Rudragowda (Director) A.K.N.D.Enterprises - Bangalore N.K.Noorullah No A.L.Films Lokesh H.K No A.L.K.Creations C.Thummala No A.M.J.Films Janardhana A.M No A.M.M.Pictures Prakash Babu N.K No A.M.M.Pictures Prakash Babu N.K No A.M.Movies Nazir Khan No A.M.N.Film Distributor Syed Alimullah Syed Nadimullah A.M.V.Productions Ramu V No A.N.Jagadish Jagadish A.N Mamatha A.J(Wife) A.N.Pictures U.Upendra Kumar Basu No A.N.Ramesh A.N.Ramesh A.R.Chaya A.N.S.Cine Productions Sunanda M B.N.Gangadhar (Husband) A.N.S.Films Sneha B.G B.N.Gangadhar (Father) A.N.S.Productions Gangadhar B.N No A.P.Helping Creations Annopoorna H.T M.T.Ramesh A.R.Combines Ashraf Kumar K.S.Prakash A.R.J.Films Chand Pasha Sardar Khan A.R.Productions K.S.Raman No A.R.S.Enterprises H.M.Anand Raju No A.S.Films Noorjhan Mohd Asif A.S.Ganesha Films Dr.T.Krishnaveni No A.S.K.Combines Aruni Rudresh No A.S.K.Films A.S.Sheela Rudresh A.S.Rudresh A.T.R.Films Raghu A.T.