Nordic Choral Directors' Conference
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Beautifully Blonde Or Enchantingly Ugly: Re-Imagining the Swedish Nation Through Text and Image in the Illustrated Fairy Tale Annual Bland Tomtar Och Troll (Amongst Gnomes and Trolls)
Copyright by Matthew Owen Anderson 2014 The Report Committee for Matthew Owen Anderson Certifies that this is the approved version of the following report: Beautifully Blonde or Enchantingly Ugly: Re-Imagining the Swedish Nation through Text and Image in the Illustrated Fairy Tale Annual Bland tomtar och troll (Amongst Gnomes and Trolls) APPROVED BY SUPERVISING COMMITTEE: Supervisor: Kirsten Belgum Sandra B Straubhaar Beautifully Blonde or Enchantingly Ugly: Re-Imagining the Swedish Nation through Text and Image in the Illustrated Fairy Tale Annual Bland tomtar och troll (Amongst Gnomes and Trolls) by Matthew Owen Anderson, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2014 Abstract Beautifully Blonde or Enchantingly Ugly: Re-Imagining the Swedish Nation through Text and Image in the Illustrated Fairy Tale Annual Bland tomtar och troll (Amongst Gnomes and Trolls) Matthew Owen Anderson, M.A. The University of Texas at Austin, 2014 Supervisor: Kirsten Belgum Much like oft-repeated quotes or catchy movie soundtrack tunes, famous illustrations often outweigh and outlast their original contexts and establish themselves as iconic cultural reference points for generations to come. Over the last 100 years in Sweden, John Bauer’s fairy tale illustrations have maintained a strong grip on that nation’s popular imaginary through over thirty reprint editions, museum exhibits, stamp collections, and, of course, stylistic imitations. While their century-old narrative contexts remain relatively unknown and uninteresting to contemporary audiences, his beautifully blonde children, enchantingly ugly trolls, and stark, Swedish landscapes continue to be bought, sold, and validated as embodying a typically Swedish relationship to nature. -
Wilhelm Peterson-Berger
SWEDISH CHORAL SOCIETY Vol. 2 Sånger för blandad kör a cappella (komplett) Wilhelm Peterson-Berger Erik Westbergs Vokalensemble Musikhögskolans kammarkör i Piteå Erik Westbergs Vokalensemble (foto: Sebastian Lönberg) Musikhögskolans Kammarkör i Piteå (foto: Robin Cox) Om Swedish Choral Society Körsång är en folkrörelse. Det har sjungits i vårt land i generationer, och utomlands har vi gjort oss kända som en riktig körnation med stor bredd och hög kvalitet. Körer och ensembler sjunger i kyrkor och konserthus, på arbetsplatser och torg, i gallerior och på vårdinrättningar, i slott och koja... Man har uppskattat antalet svenskar som regelbundet sjunger i kör till en halv miljon människor. I Sveriges Körförbund finns blandade körer, damkörer och manskörer. Men de kan också delas in i ungdomskörer, vokalgrupper, kyrkokörer, kammarkörer, barbershopkörer, gospelkörer, sceniska körer och företagskörer – listan med nya körtyper växer ständigt! Sveriges Körförbunds historia går tillbaka till tiden kring förra sekelskiftet, då körsångare började organisera sig i regionala och rikstäckande organisationer. Manskörerna bildade redan 1909 Svenska Sångarförbundet och 1925 bildades Sveriges Körförbund av de blandade körerna. 1997 gick de båda förbunden samman. Bland förbundets främsta syften är att hävda körsångens musikaliska, kulturella och sociala betydelse. Ett unikt skivutgivningssamarbete har år 2009 inletts mellan Sveriges Körförbund och skivbolaget Naxos. Syftet med samarbetet är att dokumentera vårt svenska körliv i all dess bredd och mångfald och göra det tillgängligt för en större publik såväl i Sverige som utomlands. Under en tioårsperiod planeras en rad inspelningar som skall visa på de skiftande genrer och körtyper som finns representerade bland medlemmarna i Sveriges Körförbund. Serien – Swedish Choral Society – kommer att bestå av femtio körskivor. -
Download His Report from the Project (PDF)
Lars Vipsjö Rapport DIGITAL SITE-SPECIFIC NARRATION ALCHEMY OR TOOL? Lars Vipsjö Lars Vipsjö Abstract This report is based on the site-specific art that developed during the latter part of the 20th century, by practitioners who wanted a more engaging dialogue between works and viewers. The strategies led many artists to move from galleries and art galleries to landscape and urban environments. A concept for the works that the movement from the galleries led to is Land Art. The Creative Europe-funded project Off Season Art Gardening (OSAG) is based on this movement. The project carries out activities in the form of workshops and lectures and creates artistic installations in the public space, adjacent to three rural towns, in the Netherlands, Sweden and Lithuania. My contribution to the project has partly been to place OSAG in an art and visual science context, and partly to relate the work carried out within the project Kulturarv och Spelteknologi i Skaraborg (KASTiS) - Cultural Heritage and Game Technology in Skaraborg, to the same context. Within KASTiS is the demonstrator Kiras and Luppe's Bestiarium – KLUB. KLUB is a transmedial children's book project that is used to build a contextualising narrative platform for otherwise disparate cultural heritage sites and objects within a large sub-region via fictional characters. The intangible cultural heritage from the area is also part of the project. The report concludes with a recommendation to actors in digital site-specific storytelling, which is partly based on the artist Robert Smithson's thoughts on a dialectic between his works of art displayed inside galleries (Nonsites) and the works created in the landscape (Sites). -
The Singing Bone: Collective Creativity & the Creation of A
THE SINGING BONE: COLLECTIVE CREATIVITY & THE CREATION OF A QUEER IMAGINARY by ELIZABETH ALEXANDRA HOWARD A DISSERTATION Presented to the Department of Comparative Literature and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2020 DISSERTATION APPROVAL PAGE Student: Elizabeth Alexandra Howard Title: The Singing Bone: Collective Creativity & the Creation of a Queer Imaginary This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Comparative Literature by: Dianne Dugaw Chairperson Dorothee Ostmeier Core Member Michael Allan Core Member Amanda Doxtater Core Member Fabienne Moore Institutional Representative and Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2020 ii © 2020 Elizabeth Alexandra Howard This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Elizabeth Alexandra Howard Doctor of Philosophy Department of Comparative Literature June 2020 Title: The Singing Bone: Collective Creativity & the Creation of a Queer Imaginary This dissertation examines how oral folklore and supernatural elements open to view queer ways of imagining in works by French writer Marie-Catherine d’Aulnoy (1650-1705), Scottish poet James Macpherson (1736-1796), and Swedish novelist Selma Lagerlöf (1858-1940). Through their re-writing of supernatural stories from oral tradition, these authors articulate queer imaginaries that envision alternative configurations of identity and desire, in which eroticism expands beyond a binary framework, and in which equality is established between humans and nature. -
Nave Art and Its Reflection in Early Twentieth Century Swedish Music
NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC by ADAM DAVID CORZATT Submitted in partial fulfillment of the requirements for the degree of Master of Arts Thesis Advisor: Daniel Goldmark Department of Music CASE WESTERN RESERVE UNIVERSITY May 2009 2 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of _______________Adam D. Corzatt__________________________ candidate for the _____M.A. in Music History___________degree *. (signed)________Daniel Goldmark_____________________________ (chair of the committee) _______________Georgia Cowart_____________________ _______________Mary Davis_________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) ____25 March 2009_______ *We also certify that written approval has been obtained for any proprietary material contained therein. 3 Table of Contents Title Page …………………………………………………………………………………......1 Committee Signature Sheet ……………………………………………………………...……2 Table of Contents …………………………………………………………………………......3 List of Examples ……………………………………………………………………………...4 List of Figures ………………………………………………………………………………...5 Abstract ……………………………………………………………………………………….6 NAÏVE ART AND ITS REFLECTION IN SWEDISH MUSIC Introduction ………………………………………………………………………….7 Primitivism vs. Naïvism ……………………………………………………………..9 Naïve Visual Art ……………………………………………………………………14 Aspects of Naïve Art ……………………………………………………………….29 Naïve Art Portrayed in Music ……………………………………………………..30 -
Art Bulletin of Nationalmuseum Stockholm Volumes 24–25 Foreword
Danish Golden Age Portraits in the Nationalmuseum – New Acquisitions Going Back a Hundred Years Magnus Olausson Director of Collections Art Bulletin of Nationalmuseum Stockholm Volumes 24–25 Foreword Dr. Susanna Pettersson Director General Associate Professor Art Bulletin of Nationalmuseum, Stockholm, (An Unpublished Drawing on Panel by Salvator (In the Breach of Decorum: Painting between is published with generous support from the Rosa Depicting a Landscape with a Philosopher Altar and Gallery, Fig. 9, p. 163). Friends of the Nationalmuseum. and Astrological Symbols, Fig. 6, p. 22). © Wikimedia Commons/ CC BY 2.0 © The Capitoline Museums, Rome. Archivio (In the Breach of Decorum: Painting between Nationalmuseum collaborates with Svenska Fotografico dei Musei Capitolini, Roma, Sovrinten- Altar and Gallery, Fig. 13, p. 167). Dagbladet, Bank of America Merrill Lynch, denza Capitolina ai Beni Culturali. © The John & Mable Ringling Museum of Art, Grand Hôtel Stockholm, The Wineagency and (A Drawing for Pietro da Cortona’s Rape of the Sarasota. Bequest of John Ringling, 1936. Nationalmusei Vänner. Sabine Women, Fig. 2, p. 28). (In the Breach of Decorum: Painting between © Bibliothèque Nationale France, Paris. Altar and Gallery, Fig. 19, p. 173). Cover Illustration (The Entry of Queen Christina into Paris in 1656, © Uppsala auktionskammare, Uppsala Étienne Bouhot (1780–1862), View of the Pavillon by François Chauveau, Fig. 2, p. 32). (Acquisitions 2017: Exposé, Fig 4, p. 178). de Bellechasse on rue Saint-Dominique in Paris, © Finnish National Gallery/ Sinebrychoff Art 1823. Oil on canvas, 55.5 x 47 cm. Purchase: the Museum, Helsinki. Photo: Jaakko Lukumaa Graphic Design Hedda and N. D. Qvist Fund. -
The Impact of Multiple Mediatorship on Grazia Deledda's Movement Within the Literary Semi-Periphery
Perspectives Studies in Translation Theory and Practice ISSN: 0907-676X (Print) 1747-6623 (Online) Journal homepage: http://www.tandfonline.com/loi/rmps20 From Nuoro to Nobel: the impact of multiple mediatorship on Grazia Deledda's movement within the literary semi-periphery Cecilia Schwartz To cite this article: Cecilia Schwartz (2018): From Nuoro to Nobel: the impact of multiple mediatorship on Grazia Deledda's movement within the literary semi-periphery, Perspectives, DOI: 10.1080/0907676X.2018.1439979 To link to this article: https://doi.org/10.1080/0907676X.2018.1439979 Published online: 26 Feb 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rmps20 PERSPECTIVES, 2018 https://doi.org/10.1080/0907676X.2018.1439979 From Nuoro to Nobel: the impact of multiple mediatorship on Grazia Deledda’s movement within the literary semi-periphery Cecilia Schwartz Department of Romance Studies and Classics, Stockholm University, Stockholm, Sweden ABSTRACT ARTICLE HISTORY This study aims to highlight the impact of multiple mediatorship on Received 27 June 2017 transnational circulation by focusing on the Italian Nobel Laureate Accepted 1 February 2018 Grazia Deledda. Drawing on two previous studies, I argue that a KEYWORDS combination of field theory and social network analysis is a fruitful multiple mediatorship social network analysis; way of understanding how is performed in multiple mediatorship; semi- the semi-peripheral areas of world literature. The analysis shows periphery; Swedish; Italian; that Deledda’s success in Sweden depended neither on the Deledda; transnational translation of her work into central languages (English, French, literature German) nor on the support of single influential mediators in the target culture, but rather on the efforts of three interconnected networks of cultural mediators linking Sweden and Italy. -
The Danish Golden Age and the Nationalmuseum
Art Bulletin of Nationalmuseum Stockholm Volume 23 The Danish Golden Age and the Nationalmuseum Magnus Olausson, Director of Collections and Research Art Bulletin of Nationalmuseum, Stockholm, © The National Library of Sweden, Stockholm Graphic Design is published with generous support from (Fig. 4, p. 38. Fig. 21, p. 211. Fig. 28, p. 215) BIGG the Friends of the Nationalmuseum. © Alte Nationalgallerie, Berlin (Fig. 2, p. 40) Layout Nationalmuseum collaborates with © Hamburger Kunsthalle, Hamburg Agneta Bervokk Svenska Dagbladet and Grand Hôtel Stockholm. (Fig. 3, p. 41) We would also like to thank FCB Fältman & © Neue Pinakothek, Munich Translation and Language Editing Malmén. (Fig. 5, p. 43) Gabriella Berggren, William Jewson, David Jones © The Morgan Library & Museum, New York and Martin Naylor Cover Illustration (Fig. 4, p. 109. Fig. 32–33, p. 217) Christoffer Wilhelm Eckersberg (1783–1853), © The Matthiesen Gallery, London Publishing Danish. “Una Ciociara”– Portrait of a Roman Country (Fig. 1, p. 108) Ludvig Florén, Magnus Olausson (Editors) and Girl, 1816. Oil on canvas, 52 x 46.5 cm. Purchase: © The Ashmolean Museum, Oxford Ingrid Lindell (Publications Manager) Wiros Fund. NM 7334. (Fig. 2, p. 122) © Minneapolis Institute of Art, Minneapolis Art Bulletin of Nationalmuseum is published Publisher (Fig. 3, p. 123) annually and contains articles on the history and Berndt Arell, Director General © Robilant + Voena theory of art relating to the collections of the (Fig. 4, p. 124) Nationalmuseum. Editor © The Swedish National Archives, Stockholm Ludvig Florén and Magnus Olausson (Fig. 3, p. 204) Nationalmuseum © The Nelson-Atkins Museum of Art, Kansas City. Box 16176 Editorial Committee Photo: Joshua Ferdinand SE–103 24 Stockholm, Sweden Janna Herder, Linda Hinners, Merit Laine, (Fig. -
Salomon Eberhard Henschen En Biografi
ACTA UNIVERSITATIS UPSALIENSIS Skrifter rörande Uppsala universitet C. ORGANISATION OCH HISTORIA 100 Editor: Ulf Göranson Salomon Eberhard Henschen En biografi Bo S. Lindberg Abstract Salomon Eberhard Henschen (1847–1930) was one of his era's most prominent doctors. Soon after already graduating from high school at age 15, he devoted himself to studying botany, traveling the world for several years to further his botanic studies. The best known of his travels is his extended stay in Brazil with the Swedish doctor, botanist and donor Anders Fredrik Regnell. Henschen then moved on to study medicine and made a quick career for himself. In 1882, he became professor of medicine at Uppsala University. As a professor, he reformed and systematized medical training, and he also contributed to the modernization of the University Hospital, thereby establishing Sweden's first clinical laboratory. As a doctor, he was a skilled diagnostician of neurodevelopmental disorders, while in other areas, his colleagues did not share his own high opinion of his own skills. Then in 1900, after a fierce battle with his col- leagues, he received a professorship at the Karolinska Institute, where he continued his efforts to improve education and health care over the last 12 years of his career. He was an eminent scientist, who significantly contributed to increasing awareness of the nervous system's anatomy and pathology. Of note, he made major contributions in terms of clarifying the sense of sight localization in the brain's occipital lobe. He himself felt that his discoveries were worth the Nobel Prize, and thus he conducted an acclaimed public battle to achieve the award. -
A Finding Aid to the Ellen Hulda Johnson Papers, 1872-2018, Bulk 1921-1992, in the Archives of American Art
A Finding Aid to the Ellen Hulda Johnson Papers, 1872-2018, bulk 1921-1992, in the Archives of American Art Barbara Aikens and Kelly Nolte; Christopher DeMairo The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee. 2020 December 15 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Personal Papers, circa 1905-2009.......................................................... -
Art Bulletin of Nationalmuseum Stockholm
Art Bulletin of Nationalmuseum Stockholm Volume 23 Art Bulletin of Nationalmuseum Stockholm Volume 23 2016 Art Bulletin of Nationalmuseum, Stockholm, © The National Library of Sweden, Stockholm Graphic Design is published with generous support from (Fig. 4, p. 38. Fig. 21, p. 211. Fig. 28, p. 215) BIGG the Friends of the Nationalmuseum. © Alte Nationalgallerie, Berlin (Fig. 2, p. 40) Layout Nationalmuseum collaborates with © Hamburger Kunsthalle, Hamburg Agneta Bervokk Svenska Dagbladet and Grand Hôtel Stockholm. (Fig. 3, p. 41) We would also like to thank FCB Fältman & © Neue Pinakothek, Munich Translation and Language Editing Malmén. (Fig. 5, p. 43) Gabriella Berggren, William Jewson, David Jones © The Morgan Library & Museum, New York and Martin Naylor Cover Illustration (Fig. 4, p. 109. Fig. 32–33, p. 217) Christoffer Wilhelm Eckersberg (1783–1853), © The Matthiesen Gallery, London Publishing Danish. “Ciociara”– Portrait of a Roman Country (Fig. 1, p. 108) Ludvig Florén, Magnus Olausson (Editors) and Girl, 1816. Oil on canvas, 52 x 46.5 cm. Purchase: © The Ashmolean Museum, Oxford Ingrid Lindell (Publications Manager) Wiros Fund. NM 7334. (Fig. 2, p. 122) © Minneapolis Institute of Art, Minneapolis Art Bulletin of Nationalmuseum is published Publisher (Fig. 3, p. 123) annually and contains articles on the history and Berndt Arell, Director General © Robilant + Voena theory of art relating to the collections of the (Fig. 4, p. 124) Nationalmuseum. Editor © The Swedish National Archives, Stockholm Ludvig Florén and Magnus Olausson (Fig. 3, p. 204) Nationalmuseum © The Nelson-Atkins Museum of Art, Kansas City. Box 16176 Editorial Committee Photo: Joshua Ferdinand SE–103 24 Stockholm, Sweden Janna Herder, Linda Hinners, Merit Laine, (Fig.