St. Martin Book Fair Program June 4 – 6, 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Anguilla Library Service Annual Report 2010
Anguilla Library Service Annual Report 2010 “Whatever the cost of our libraries, the price is cheap compared to that of an ignorant nation.” Walter Cronkite Anguilla Library Service Edison L Hughes Library & Educational Complex 1 - 264- 4 9 7 - 2 4 4 1 [email protected] 3 / 3 1 / 2 0 1 1 Jan – Dec Anguilla Library Service Annual Report 2010 2010 Department of Library Services Annual Report 2010 2 Jan – Dec Anguilla Library Service Annual Report 2010 2010 CONTENTS 1. Director’s Remarks………………………………………………………………………………………………7 2. Information Resources…………………………………………………………………………………………8 2.1 Collection Management 2.2 Circulation and IT 2.3 Patrons 3. Staff Matters……………………………………………………………………………………………………..18 3.1 Management 3.2 Staff Development 3.3 In-House Matters 4. Reaching Out……………………………………………………………………………………………………21 4.1 Schools’ Library Programme 4.2 Cushion Club 4.3 Book of the Week 4.4 Children’s Library Annual Summer Programme 4.5 Exhibitions 5. Physical Environment……………………………………………………………………………………….43 6. Promoting Partnerships…………………………………………………………………………………….48 7. Financial Summary……………………………………………………………………………………………54 8. Going Forward…………………………………………………………………………………………………..55 Appendix 1 Sources of Support………………………………………………………………………………57 Appendix 2 ALS Organisation Chart…………………………………………………………………………60 3 Jan – Dec Anguilla Library Service Annual Report 2010 2010 2010 At a Glance 464 customers 27,908 items checked out, 5,499 more joined the library, than last year total of library cardholders now 2903 Strategic planning for next 5 years started Community enjoyed remembering Anguillian lore More than through talks, 1,700 Internet exhibitions… bookings including WiFi users Total of 21,820 items in library database “Jolly” summer programme for kids. Over 50 children know more about “jollification” 4 Jan – Dec Anguilla Library Service Annual Report 2010 2010 MISSION STATEMENT TO PROVIDE CONTEMPORARY, COMPREHENSIVE AND INTEGRATED LIBRARY, ARCHIVES AND INFORMATION SERVICES RELEVANT TO THE SOCIAL, CULTURAL, EDUCATIONAL, BUSINESS AND INFORMATIONAL NEEDS OF THE COMMUNITY. -
Development Aid and Higher Education in Africa: the Need for More Effective Partnerships Between African Universities and Major American Foundations
CODESRIA Bulletin, Nos 1 & 2, 2012 Page 1 Editorial ODESRIA entered the year 2012 with a new Diaspora. Rabat also confirmed a trend that began earlier Executive Committee, a new President and a on; the General Assembly is becoming a great scientific Cnew Vice President, all of whom were elected attraction for scholars around the world. The debates on during the 13th General Assembly of the Council held in climate change, global knowledge divides, higher December 2011 in Rabat, Morocco. The new President education leadership, the "Arab Spring" / "African is Professor Fatima Harrak of the Institute of African Awakening", China-Africa relations, land grabbing, the Studies, Mohammad V Souissi University in Rabat, and future of multilateralism, the meaning of pan Africanism the Vice-President is Prof. Dzodzi Tshikata of the today, international migrations, and other major issues University of Ghana, Legon. The full list of members of were extremely rich, as can be seen in the summary of the new Executive Committee follows this editorial. the report of the General Assembly published in this issue As the 13th President of CODESRIA, Prof. Harrak took of the Bulletin. The full report will also soon be published. over from Prof. Sam Moyo of the Africa Institute of Most of the 200 or so papers presented at the Assembly Agrarian Studies in Harare. CODESRIA, with the are already on the CODESRIA website, and revised guidance of the Executive Committee, achieved quite a versions will be published in special issues of CODESRIA lot, including the launching of new research and policy journals and in the Book Series, as a way of extending dialogue initiatives, the publication of many good books the debates that started in Rabat to the wider scholarly and the launching of a new journal of social science community. -
MW Bocasjudge'stalk Link
1 Bocas Judge’s talk To be given May 4 2019 Marina Warner April 27 2019 The Bocas de Dragon the Mouths of the Dragon, which give this marvellous festival its name evoke for me the primary material of stories, songs, poems in the imagination of things which isn’t available to our physical senses – the beings and creatures – like mermaids, like dragons – which every culture has created and questioned and enjoyed – thrilled to and wondered at. But the word Bocas also calls to our minds the organ through which all the things made by human voices rise from the inner landscapes of our being - by which we survive, breathe, eat, and kiss. Boca in Latin would be os, which also means bone- as Derek Walcott remembers and plays on as he anatomises the word O-mer-os in his poem of that name. Perhaps the double meaning crystallises how, in so many myths and tales, musical instruments - flutes and pipes and lyres - originate from a bone, pierced or strung to play. Nola Hopkinson in the story she read for the Daughters of Africa launch imagined casting a spell with a pipe made from the bone of a black cat. When a bone-mouth begins to give voice – it often tells a story of where it came from and whose body it once belonged to: in a Scottish ballad, to a sister murdered by a sister, her rival for a boy. Bone-mouths speak of knowledge and experience, suffering and love, as do all the writers taking part in this festival and on this splendid short list. -
Special Issue November/December 2015 Founding Editors Richard Georges David Knight Jr
Special Issue November/December 2015 Founding Editors Richard Georges David Knight Jr. Consulting Editors Carla Acevedo-Yates Traci O’Dea Freeman Rogers Guest Editors Ayanna Gillian Lloyd Marsha Pearce Colin Robinson Art Direction Clayton Rhule Moko is a non-profit journal that publishes fiction, poetry, visual arts, and non-fiction essays that reflect a Caribbean heritage or experience. Our goal is to create networks with a Pan-Caribbean ethos in a way that is also sensitive to our location within the British and United States Virgin Islands. We embrace diversity of experience and self-expression. Moko seeks submissions from both established and emerging writers, artists, and scholars. We are interested in work that encourages questioning of our societies and ourselves. We encourage you to submit your best work to us whether it be new visual art, fiction, poetry, reviews, interviews, or essays on any topic relevant to the Caribbean experience. We publish in March, July, and November. www.mokomagazine.org Moko November 2015 Number 7 Moko (ISSN: 2333-2557) is published three times a year. Address correspondence to PO Box 25479, EIS 5113, Miami, Florida 33102-5479. Copyright © 2015 Moko. All rights reserved. All works published or displayed by Moko are owned by their respective authors. Any resemblance to actual events, locales, or persons, living or dead, in creative works contained herein is entirely coincidental. 2 MOKO | CARIBBEAN ART LETTERS FIRING THE CANON TABLE OF CONTENTS Firing the Canon Guest Editorial 5 VISUAL ART Arriving in the Art World Marsha Pearce 7 Featured Artist Nominator Harley Davelaar Tirzo Martha 11 Versia Harris Annalee Davis 17 Alex David Kelly Richard Mark Rawlins 21 Kelley-Ann Lindo Deborah Anzinger 27 Jean-Claude Saintilus André Eugène 31 Lionel Villahermosa Loretta Collins Klobah 39 FICTION Holding Space Ayanna Gillian Lloyd 51 Featured Author Nominator Alake Pilgrim Monique Roffey 55 Anna Levi Monique Roffey 61 Brenda Lee Browne Joanne C. -
Linton Kwesi Johnson Artist-In-Residence | Fall 2014 Institute of African American Affairs New York University Linton Kwesi Johnson Fall 2014 Artist-In-Residence
Institute of African American Affairs presents PHOTO © DANNY DA COSTA Linton Kwesi Johnson Artist-in-Residence | Fall 2014 Institute of African American Affairs New York University Linton Kwesi Johnson Fall 2014 Artist-in-Residence THE PROGRAMS FRIDAY, SEPT 19, 2014 / 7:30 PM Linton Kwesi Johnson main lecture: “African Consciousness in Reggae Music” Growing up in London, reggae music provided Johnson with not only a sense of identity but also a career as a successful recording artist and performer. Kimmel Center – NYU • Rosenthal Pavilion • 10th Floor PHOTO © DANNY DA COSTA DA © DANNY PHOTO 60 Washington Square South • New York, NY THE ARTIST TUESDAY, SEPT 23, 2014 / 7:00 PM Linton Kwesi Johnson is a Jamaican-born British national An Evening of Poetry whose work focuses on African Caribbean cultural expressions in poetry and reggae music, from both sides of the Atlantic during with Linton Kwesi Johnson a career spanning over four decades. The program of events for Johnson’s brief tenure at NYU–IAAA will include examining these followed by discussion chaired by British Caribbean novelist and fields of artistic creativity. Johnson will also take the opportunity essayist, Caryl Phillips, Professor of English at Yale University. to draw on the expertise of some eminent friends in the academy Kimmel Center – NYU • E&L Auditorium • 4th Floor with the aim of engaging students and members of the public in 60 Washington Square South • New York, NY the discussions. Johnson was born in Chapleton, in the parish of Clarendon, Jamaica. After moving to London at an early age and later attending the University of London’s Goldsmiths College, he FRIDAY, SEPT 26, 2014 / 6:00 PM began writing politically charged poetry. -
Vol 23 / No. 1 & 2 / April/November 2015
1 Vol 23 / No. 1 & 2 / April/November 2015 Volume 23 Nos. 1 & 2 April/November 2015 Published by the discipline of Literatures in English, University of the West Indies CREDITS Original image: Nadia Huggins Anu Lakhan (copy editor) Nadia Huggins (graphic designer) JWIL is published with the financial support of the Departments of Literatures in English of The University of the West Indies Enquiries should be sent to THE EDITORS Journal of West Indian Literature Department of Literatures in English, UWI Mona Kingston 7, JAMAICA, W.I. Tel. (876) 927-2217; Fax (876) 970-4232 e-mail: [email protected] OR Ms. Angela Trotman Department of Language, Linguistics and Literature Faculty of Humanities, UWI Cave Hill Campus P.O. Box 64, Bridgetown, BARBADOS, W.I. e-mail: [email protected] SUBSCRIPTION RATE US$20 per annum (two issues) or US$10 per issue Copyright © 2015 Journal of West Indian Literature ISSN (online): 2414-3030 EDITORIAL COMMITTEE Evelyn O’Callaghan (Editor in Chief) Michael A. Bucknor (Senior Editor) Glyne Griffith Rachel L. Mordecai Lisa Outar Ian Strachan BOOK REVIEW EDITOR Antonia MacDonald EDITORIAL BOARD Edward Baugh Victor Chang Alison Donnell Mark McWatt Maureen Warner-Lewis EDITORIAL ADVISORY BOARD Laurence A. Breiner Rhonda Cobham-Sander Daniel Coleman Anne Collett Raphael Dalleo Denise deCaires Narain Curdella Forbes Aaron Kamugisha Geraldine Skeete Faith Smith Emily Taylor THE JOURNAL OF WEST INDIAN LITERATURE has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full time academics and with minimal funding or institutional support, the Journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. -
Wisemind Nov2016
“The free exchange of support and ideas is an CONTENTS essential condition to world understanding and equally to world progress." - Haile Selassie 1 Wisemind e-magazine would like to thank PG 3 ….………… OUR EMPEROR SPEAKS all the people who have helped and are helping PG 4 …….... THE GRAND CORONATION to make this magazine a reality. PG 8 ……….………... HOMESCHOOLING: AN IMPORTANT EDUCATION OPTION We would like to take this opportunity to invite ones to submit news, views & opinions, however this invitation PG 11 …………………. ANCIENT SOUNDS does not guarantee immediate publication, but may be PG 14 …………….. AFRICANS LIVE ON A published, also depending upon available space. CONTINENT OWNED BY EUROPEANS! ARTICLES, REASONINGS AND PG 21 …………...... HENRY LOUIS GATES PHOTOGRAPHS CAN BE SENT TO: PG 22 ………… TEACHER ALTHEA - POEM [email protected] PG 24……................. ADVERTISEMENTS THE WISEMIND E-MAGAZINE CAN BE DOWNLOADED FREE @ TRICESBABY.COM/?P=3041 WISEMINDPUBLICATIONS.COM/NEWS COVER DESIGN: RAS RAVIN-I COVER ART: CHARLES KITTRELL LAYOUT: RAVIN-I / KATRICE BEEPATH GRAPHIC DESIGN: RAVIN-I / KATRICE BEEPATH CONTRIBUTING WRITERS: IJAHNYA CHRISTIAN / SIS. JENNIFER BALALA TRANSCRIPTIONS: RAS FLAKO / RAS RAVIN-I CHIEF EDITOR – KATRICE BEEPATH DISCLAIMER: THE ARTICLES CONTAINED IN THE WISEMIND E-MAGAZINE ARE NOT NECESSARILY THE OPINIONS AND/OR IDE- OLOGY OF THE WISEMIND E-MAGAZINE STAFF OR EDITORIAL MANAGERS OR ANY OF OUR PERSONNEL. THE ARTICLES ARE SOLELY THE IDEAS/OPINIONS/PROPERTY OF THE CONTRIBUTING AUTHORS. ALL ARTICLES AND PHOTOGRAPHS SUBMITTED A RE SUBJECTED TO EDITING AND APPROVAL. WISEMIND E-MAGAZINE RESERVES THE RIGHT TO REFUSE SUBMISSION OF ARTICLES. NO ARTICLES, PHOTOGRAPHS OR GRAPHICS MAY BE COPIED, REPRODUCED OR STORED IN ANY TYPE OF RETRIVAL SYSTEM WITHOUT THE EXPRESS PERMISSION OF THE EDITORS OR AUTHORS. -
EJH Alliance, LLC Building Foundations for Self Reliance
EJH Alliance, LLC Building foundations for self reliance CARIBBEAN PHILANTHROPY: PAST AND POTENTIAL for The Ford Foundation Final Draft Etha J. Henry, President EJH Alliance, LLC [email protected] Table of Contents I. EXECUTIVE SUMMARY …………………………………………………………… 3 II. PARAMETERS AND PURPOSE ……….…………………………………………… 7 III. STUDY GOALS AND DESIGN……………………………………………………… 8 IV. CARIBBEAN CONTEXT …………………………………………………………… 9 V. FINDINGS AND OBSERVATIONS ………………………………………………… 12 VI. STRATEGIC RECOMMENDATIONS………………………………………………. 21 VII. COMMENTARY/CONCLUSION……………………………………………………. 24 VIII. APPENDICES ………………………………………………………………………… 26 • INTERVIEW GUIDE • INDIVIDUALS INTERVIEWED • BIBLIOGRAPHY I. EXECUTIVE SUMMARY Introduction “The Kalinago* determined resistance to political and cultural dominance has relevance to the people of the Caribbean today in their struggle for self determination and survival as a viable group of nations.” So states noted Scholar Beverly Steele, in her “Grenada, A History of Its People.” Participants in this study seem to validate this view. The theme of remembering and honoring history, culture and tradition as the underpinnings of Caribbean giving has reverberated throughout this Caribbean History, culture Philanthropic Tour. and traditions as underpinnings of This report represents a limited study of Caribbean Caribbean giving philanthropic giving within a subset of the English reverberated speaking Caribbean Nation States - A representative throughout the sample of The Leeward and Windward Islands: Anguilla, study tour Antigua -
A Review of the Mermaid of Black Conch by Monique Roffey.Anthurium , 17(1): 7, 1–4
Glassie, A 2021 Catch and Release: A Review of The Mermaid of Black Conch by Monique Roffey. Anthurium, 17(1): 7, 1–4. DOI: https://doi.org/10.33596/anth.448 REVIEW Catch and Release: A Review of the Mermaid of Black Conch by Monique Roffey Alison Glassie University of Virginia, US [email protected] Review of Monique Roffey,The Mermaid of Black Conch: A Love Story. Peepal Tree Press, 2020. 188 pages. Keywords: Monique Roffey; ocean; mermaids; queer; love story In Monique Roffey’s latest novel, the Costa Award-winning The Mermaid of Black Conch: A Love Story, a thousand-year old Taino mermaid named Aycayia resurfaces to indict the logics of possession and extraction that have shaped the Caribbean since colonial contact. Having swum afoul of a sportfishing derby off the rural island of Black Conch in 1976, Aycayia is hooked—quite literally—by “white men from Florida [who] came to fish for marlin and instead pulled a mermaid out of the sea” (7). The ensuing novel, which follows its eponymous mermaid’s rescue and slow, temporary transformation from “barnacled, seaweed-clotted mer- maid” to womanhood, explores Aycayia’s awakening sexuality and foregrounds the transgressive—perhaps even queer—nature of love itself (7). Subtitled “a love story”, The Mermaid of Black Conch is actually a story about love. This distinction is less semantic than it might initially seem. As the novel juxtaposes relation- ships founded upon power, possession and extraction with the genuine loves and frustrations—erotic and otherwise—of the characters who participate in Aycayia’s rescue and wonder aloud about the curse that binds her to the sea, it suggests, following Angelique Nixon and Antonio Benitez-Rojo, that in queerness of gender, sexuality, and literary form, one finds a Caribbeanness as fluid and expansive as the sea itself.1 The author of six novels, four of which are set in Trinidad and the Caribbean, Roffey is a Senior Lecturer on the MA/MFA in Creative Writing at Manchester Metropolitan University, and a tutor at the Norwich Writers Centre. -
P E E P a L T R E E P R E
P E E P A L T R E E P R E S S 2017 Welcome to our 2017 catalogue! Peepal Tree brings you the very best of international writing from the Caribbean, its diasporas and the UK. Founded in 1985, Peepal Tree has published over 370 books and has grown to become the world’s leading publisher of Caribbean and Black British Writing. Our goal is to publish books that make a difference, and though we always want to achieve the best possible sales, we’re most concerned with whether a book will still be alive and have value in the future. Visit us at www.peepaltreepress.com to discover more. Peepal Tree Press 17 Kings Avenue, Leeds LS6 1QS, United Kingdom +44 (0)1 1 3 2451703 contact @ peepaltreepress.com www.peepaltreepress.com Trade Distribution – see back cover Madwoman SHARA MCCALLUM “These wonderful poems open a world of sensation and memory. But it is a world revealed by language, never just controlled. The voice that guides the action here is openhearted and openminded—a lyric presence that never deserts the subject or the reader. Syntax, craft and cadence add to the gathering music from poem to poem with—to use a beautiful phrase from the book, ‘each note tethering sound to meaning.’” —Eavan Boland Sometimes haunting and elusive, but ultimately transformative, the poems in Shara McCallum’s latest collection Madwoman chart and intertwine three stages of a woman’s life from childhood to adulthood to motherhood. Rich with the 9781845233396 / 80 pages / £8.99 POETRY complexities that join these states of being, the poems wrestle with the idea of JANUARY 2017 being girl, woman and mother all at once. -
Newsletter, August 2015
NN°°66 NEWSLETTER, AUGUST 2015 1 C.R.O Mission: To organise and centralise the Caribbean Rastafari Community through sustainable trade and developmen- tal programmes and activities in pursuit of our ultimate goals of reparations and repatriation. MARCUS MOSIAH GARVEY : CENTENARY OF UNIA/ TWO AMYS’ P. 3/ 6 Empress Ijahnya congratulations to King Ras FrankI non resident Ambassador of Ithiopia P.7 Guyana Rastafari Council Press Release P. 8 Yejide NjamBi Parry : Back-2-my-Roots Holistic Center P. 9/10 « The Rasta Woman » by Kathy Howell P. 11 CRO’s report on the 2nd CARICOM REPARATIONS CONFERENCE ( Oct 14/ Antigua) P.12/ 13 RASTAFARI INTERNATIONAL NEWS : The UWI MONA begin marijuana cultivation P. 14 ICAR Barbados report P.15/1 6 RASTAFARI News: Events flyers P.17/18 Pictures of St Lucia’s march for MARCUS GARVEY 2013 P.19 C.R.O’s Executive meeting report (St Lucia Sept 2013) P.20/26 Excerpts from Sir Hilary Beckles address in London P.27 Photos of CRO (Martinique, Antigua) P.28 Principles and Praxis of Reparations as David A. Comissiong P.29/ 32 CRO Contact, Membership and Donations P.33 2 MARCUS MOSIAH GARVEY Centenary of U.N.I.A Universal Negro Improvement Association As Marcus Garvey returned to Jamaica in 1914, after four years in Central America and Europe, he came upon the autobiography of Booker T. Was- hington, the conservative dean of American black leaders. It was while reading Up from Slavery, Garvey said, that he deve- loped his vision for the Universal Negro Improvement Associa- tion. -
Rastafari: Race and Resistance on a Global Scale Spring 2019 Thursdays 3
Rastafari: Race and Resistance on a Global Scale Spring 2019 Thursdays 3- Robbie Shilliam 341 - Mergenthaler [email protected] Office Hours: Thurs 11-1 and by appointment Think of Rastafari and you will probably conjure images of smiling dreadlocked musicians, draped in red, gold and green colors, spliff hanging out of mouth, greeting you with an “irie” or “one love” against a languid palm-tree backdrop. You’ll probably think of men. You’ll probably think of an over-active sexuality. If you don’t immediately conjure that image, then you’ll probably know a lot more about Rastafari than the average person. But even that knowledge will most likely be cursory, in good part because Rastafari have tended to avoid the public spotlight, oftentimes for very good reasons. However, many Rastafari now assert that it is time for a greater understanding (Rastafari would say over-standing) amongst the world’s publics. The questions are endless. For instance, is Rastafari a lifestyle, a faith, a movement? (Rastafari call it a “livity”). Is it just a Jamaican, or Caribbean thing? (The Rastafari colors are from the Ethiopian flag; many Rastafari call themselves I-thiopians). Can white people be “Rasta”? (Still somewhat of a contentious issue in some quarters; however, the Rastafari creed proclaims “death to all oppressors, black and white”). In fact, what does the word Rastafari itself mean? (Rastafari is the crown prince title of Haile Selassie I, the famous Ethiopian emperor. In the Amharic language, ras is a military title, while tafari means, “to inspire awe”). The premises of this course are that: a) Rastafari has been fundamental to pan-African struggles of the 20th century; b) Rastafari contains, by virtue of its many contending (and contentious) histories, practices and philosophies, a microcosm of Black and anti-colonial struggle on a global scale; c) Rastafari even contains a microcosm of the general struggle for global justice, and for humanity to bring “heaven on earth”.