Publishing Swinburne; the Poet, His Publishers and Critics
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Jacques Seebacher : Hugo Et La Quadrature Des Religions
Retour Jacques Seebacher : Hugo et la quadrature des religions Communication au Groupe Hugo du 20 septembre 2003. Ce texte peut être téléchargé au format pdf Si Dieu nous a faits à son image, nous le lui avons bien rendu. Voltaire. Vers la fin de l'hiver 1842, Hugo a quarante ans, « la force de l'âge » ; il épouse pleinement l'Académie française, publie Le Rhin qui, écrit sur le décours de la crise politique européenne, lui ouvrira les portes de la Chambre des pairs. Mais Juliette, sa maîtresse, jalouse, se moque pour ne pas pleurer, et tombe malade. Son fils, François Victor, se débat, probablement contre la tuberculose qui l'emportera quelque trente ans plus tard. Sa fille Léopoldine ne pense qu’à se marier avec Auguste Vacquerie, lequel va devoir enterrer ses neveux l'un après l'autre. C'est de cette période que Hugo date, dans Les Contemplations (III, 4), le quatrain Écrit au bas d'un crucifix, jailli en fait sous sa plume dans la nuit du 4 au 5 mars 1847, cinq ans plus tard, trois ans et demi après la noyade de Léopoldine, au moment où son travail pour ce qui sera Les Misérables l'attache au questionnement des insurrections de Paris ou de Buzançais, des ouvriers et des paysans. Vous qui pleurez, venez à ce Dieu, car il pleure. Vous qui souffrez venez à lui, car il guérit. Vous qui tremblez, venez à lui, car il sourit. Vous qui passez, venez à lui, car il demeure. Le deuil, la souffrance, l'angoisse s'y conjuguent dans le symbolisme du « passage » qui fit la force et le triomphe des christianismes : Jésus, «Dieu fait homme», pleurant comme nous et comme Madeleine au tombeau de Lazare, est le ressusciteur bientôt ressuscité qui apaisera toute crainte, laquelle renvoie au principe de mort, puisqu'il est « la voie, la vérité, la vie », donc le principe permanent d'assomption dans l'éternité. -
Bibliographie
BIBLIOGRAPHIE I. ŒUVRES DE VICTOR HUGO A. ŒUVRES COMPLETES 1. Éditions publiées du vivant de Victor Hugo 2. Les grandes éditions de référence. B. ŒUVRES PAR GENRES 1. Poésie Anthologies Recueils collectifs Œuvres particulières 2. Théâtre Recueils collectifs Divers Œuvres particulières 3. Romans Recueils collectifs L’Intégrale Œuvres particulières 4. Œuvres « intimes » Correspondance Journaux et carnets intimes 5. Littérature et politique Littérature Politique Divers 6. Voyages 7. Fragments et textes divers 8. Œuvre graphique II. L’HOMME ET SON ŒUVRE Études d’ensemble A. L’HOMME 1. Biographies 2. Victor Hugo et ses contemporains Ses proches Le monde artistique et littéraire 3. Aspects, événements ou épisodes de sa vie Exil Lieux familiers Politique Voyages B. L’ŒUVRE 1. Œuvre littéraire Critique et interprétation Hugo vu par des écrivains du XXe siècle Esthétique Thématique Influence, appréciation 2. Genres littéraires Poésie Récits de voyage Romans Théâtre 3. Œuvres particulières 4. Œuvre graphique, illustration I. ŒUVRES DE VICTOR HUGO A. ŒUVRES COMPLÈTES Cette rubrique présente une sélection d’éditions des œuvres complètes de Victor Hugo : d’abord celles parues du vivant de l’auteur, puis quatre éditions qui font autorité. On trouve plus loin, classées aux différents genres abordés par l’écrivain : la collection « L’Intégrale », publiée par les Éditions du Seuil (Théâtre, Romans, Poésie) et divers recueils collectifs, en particulier les « Œuvres poétiques », publiées par Gallimard dans la « Bibliothèque de la Pléiade ». 1. Éditions publiées du vivant de Victor Hugo Il ne s’agit pas d’œuvres complètes au vrai sens du terme, puisque Victor Hugo continuait à écrire au moment même de leur publication. -
Popular Fiction 1814-1939: Selections from the Anthony Tino Collection
POPULAR FICTION, 1814-1939 SELECTIONS FROM THE ANTHONY TINO COLLECTION L.W. Currey, Inc. John W. Knott, Jr., Bookseller POPULAR FICTION, 1814-1939 SELECTIONS FROM THE THE ANTHONY TINO COLLECTION WINTER - SPRING 2017 TERMS OF SALE & PAYMENT: ALL ITEMS subject to prior sale, reservations accepted, items held seven days pending payment or credit card details. Prices are net to all with the exception of booksellers with have previous reciprocal arrangements or are members of the ABAA/ILAB. (1). Checks and money orders drawn on U.S. banks in U.S. dollars. (2). Paypal (3). Credit Card: Mastercard, VISA and American Express. For credit cards please provide: (1) the name of the cardholder exactly as it appears on your card, (2) the billing address of your card, (3) your card number, (4) the expiration date of your card and (5) for MC and Visa the three digit code on the rear, for Amex the for digit code on the front. SALES TAX: Appropriate sales tax for NY and MD added. SHIPPING: Shipment cost additional on all orders. All shipments via U.S. Postal service. UNITED STATES: Priority mail, $12.00 first item, $8.00 each additional or Media mail (book rate) at $4.00 for the first item, $2.00 each additional. (Heavy or oversized books may incur additional charges). CANADA: (1) Priority Mail International (boxed) $36.00, each additional item $8.00 (Rates based on a books approximately 2 lb., heavier books will be price adjusted) or (2) First Class International $16.00, each additional item $10.00. (This rate is good up to 4 lb., over that amount must be shipped Priority Mail International). -
Caricature in the Novel, 1740-1840 a Dissertation Submitted in Part
UNIVERSITY OF CALIFORNIA Los Angeles Sentiment and Laughter: Caricature in the Novel, 1740-1840 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Leigh-Michil George 2016 © Copyright by Leigh-Michil George 2016 ABSTRACT OF THE DISSERTATION Sentiment and Laughter: Caricature in the Novel, 1740-1840 by Leigh-Michil George Doctor of Philosophy in English University of California, Los Angeles, 2016 Professor Jonathan Hamilton Grossman, Co-Chair Professor Felicity A. Nussbaum, Co-Chair This dissertation examines how late eighteenth- and early nineteenth-century British novelists—major authors, Laurence Sterne and Jane Austen, and lesser-known writers, Pierce Egan, Charles Jenner, and Alexander Bicknell—challenged Henry Fielding’s mid-eighteenth-century critique of caricature as unrealistic and un-novelistic. In this study, I argue that Sterne, Austen, Egan, and others translated visual tropes of caricature into literary form in order to make their comic writings appear more “realistic.” In doing so, these authors not only bridged the character-caricature divide, but a visual- verbal divide as well. As I demonstrate, the desire to connect caricature with character, and the visual with the verbal, grew out of larger ethical and aesthetic concerns regarding the relationship between laughter, sensibility, and novelistic form. ii This study begins with Fielding’s Joseph Andrews (1742) and its antagonistic stance towards caricature and the laughter it evokes, a laughter that both Fielding and William Hogarth portray as detrimental to the knowledge of character and sensibility. My second chapter looks at how, increasingly, in the late eighteenth century tears and laughter were integrated into the sentimental experience. -
The Collection of Victor Niederhoffer Part II (1640) Lot 44
The Collection of Victor Niederhoffer part II (1640) September 19, 2019 EDT, Main Floor Gallery Lot 44 Estimate: $1000 - $1500 (plus Buyer's Premium) [Literature] [Dickens, Charles] (Browne, Charles Farrar) Artemus Ward's Lecture. (As delivered at the Egyptian Hall, London.) Edited by his Executors, T.W. Robertson & E.P. Hingston. With Numerous Illustrations from the Panorama London: John Camden Hotten, 1869. First edition, first printing. Square 8vo. With frontispiece portrait of the author and other illustrations. Publisher's original gilt-stamped green cloth, beveled boards, all edges gilt, front hinge cracked and partially separated from text block, rear hinge starting, corners bumped, spine ends scuffed, other light scattered wear; heavy foxing to title page, frontispiece, and first few leaves, light foxing scattered throughout. 4pp. publisher's ads following text. Charles Dickens's copy with his armorial book plate and his Gadshill Place library label on the front pastedown; also with a later owner's bookplate on the front free endpaper recto, which bears a manuscript note, "This book was bought on 5th of December 1878 at the Southeran's sale of Dickens' library." Charles Farrar Browne (1834-1867) known as Artemus Ward, was a popular humorist, both as writer and performer who developed a rich vernacular American style, was Abraham Lincoln's favorite contemporary writer, and came to be one of Mark Twain's closest friends. BAL 1533, "This is bibliographically one of the most extraordinary books of the 19th (or any other) century. The publisher attempted by means of varied type to indicate the rise & fall of the lecturer's voice. -
Publishing Swinburne; the Poet, His Publishers and Critics
UNIVERSITY OF READING Publishing Swinburne; the poet, his publishers and critics. Vol. 1: Text Submitted for the degree of Doctor of Philosophy Department of English Language and Literature Clive Simmonds May 2013 1 Abstract This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of Poems and Ballads in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. -
The Bibliography of Thackeray; a Bibliographical List, Arranged In
QJarnell Unioetaitg SItbrarg Stljata, Nem Inrfe FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSITY CORNELL UNIVERSITY LIBRARY 924 096 767 037 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924096767037 THE BIBLIOGEAPHY OF THACKERAY. THE A BIBLIOGRAPHICAL LIST ARRANGED IN CHRONOLOGICAL ORDER OF THE PUBLISHED WRITINGS IN PROSE AND VERSE AND THE SKETCHES AND DRA WINGS OF WILLIAM MAKEPEACE THACKERAY (FROM 1829 TO 1880) A COMPANION AND SUPPLEMENT TO THE EDITION DE LUXE LONDON: ELLIOT STOCK 62 PATERNOSTER ROW E.C. TO JOSIAH TEMPLE THIS LITTLE BIBLIOGRAPHY -tS AFFECTIONATELY AND GKATEEULLY INSCRIBED PREFACE. A LARGE proportion of this little Bibliography is. necessarily occupied with the enumeration of Thacke- ray's contributions to Fraser's Magazine and to Punch, both ranging over periods of ten years. As many of these are not reprinted in any edition of his Collected Works, I have endeavoured to make the list as com- plete as possible ; and in the case of the contributions to Fraser, I have every reason to believe I have suc- ceeded. But in the case of Punch (where, indeed, one is almost overwhelmed with the embarras de richesses), I have preferred rather to omit some items of minor interest than to run the risk of including anything doubtful. For although the well-known and familiar signature of the spectacles at once identifies any illustration as Thackeray's, it does not necessarily follow that the letter-press accompanying it was always his. -
Lives of Some Great Novelists
LIVES OF SOME GREAT NOVELISTS John Scales Avery July 29, 2021 INTRODUCTION1 Human history as cultural history We need to reform our teaching of history so that the emphasis will be placed on the gradual growth of human culture and knowledge, a growth to which all nations and ethnic groups have contributed. This book is part of a series on cultural history. Here is a list of the other books in the series that have, until now, been completed: lives in Mathematics • Lives in Exploration • Lives in Education • Lives in Poetry • Lives in Painting • Lives in Engineering • Lives in Astronomy • Lives in Chemistry • Lives in Medicine • Lives in Ecology • Lives in Physics • Lives in Economics • Lives in the Peace Movement • The pdf files of these books may be freely downloaded and circulated from the following web addresses: https://www.johnavery.info/ http://eacpe.org/about-john-scales-avery/ https://wsimag.com/authors/716-john-scales-avery 1This book makes some use of my previously-published book chapters, but most of the material is new. Contents 1 MIGUEL DE CERVANTES 7 1.1 The life of Cervantes . .7 1.2 Don Quixote ................................... 11 1.3 Literary works of Cervantes . 11 2 JANE AUSTEN 15 2.1 Jane Austen's life . 15 2.2 Edward Austen Knight and Admiral Sir Francis Austen . 20 2.3 Love between Jane Austen and and Tom Lefroy ends in tears . 20 2.4 List of Jane Austen's publications . 20 3 MARY SHELLEY 27 3.1 Mary Shelley's famous parents . 27 3.2 A wild romance . -
World Literature
world literature Peter Harrington london This catalogue celebrates the international conversation that is literature, and the creativity that can spark when writers and texts cross national, linguistic, and cultural borders. For his lifelong commitment to literary internationalism, Jorge Luis Borges is a key figure here. One of the star items is Borges’s own annotated copy of Dante (20). Another is a man- uscript of the only poem he composed in the English language (17). We also have a scarce signed set of his Biblioteca de Babel series (21), which brought the great short stories of world literature to a South American audience. Many other items connect notable authors across place and time: Dylan Thomas’s school- boy copy of Omar Khayyám (item 179), T. S. Eliot’s Rimbaud (61), and E. M. Forster’s Chek- hov (41), for example. Among international presentations, Umberto Eco’s Name of the Rose to García Márquez is a show-stopper (58), as is García Márquez inscribing One Hundred Years of Solitude to his English publisher (67). A compelling example of international readership is found in a first American edition of Moby Dick being read by a poet in Hawaii who correspond- We are exhibiting at these fairs: ed with Melville (127). Classical literature is fundamental to our global network of inspiration, and where else to begin but with the editio princeps of Homer, printed in Florence in 1488 (83)? We also have, list- 7–9 June 2019 ed under its translator’s name, a scarce inscribed copy of T. E. Lawrence’s beautifully-printed firsts london English version (109). -
Modernism and Modern Nepali Poetry – Dr
Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editing Advisors Dr. Govinda Raj Bhattarai Rajeshwor Karki Proposer Dr. Laxman Prasad Gautam Editor Momila Translator & Language Editor Mahesh Paudyal Publisher Nepali Kalasahitya Dot Com Pratishthan [Nepali Art & Literature Dot Com Foundation] (Under the project of Nepal Academy) Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editor : Momila Translator & Language Editor : Mahesh Paudyal Publisher : Nepali Kalasahitya Dot Com Pratishthan (Nepali Art & Literature Dot Com Foundation) ©:Publisher Edition : First, 2011 Copies : 1001 Cover Design : Graphic Workshop Layout : Jeevan Nepal Printer : Modern Printing Press Kantipath, Kathmandu, Phone: 4253195 Price : NRs. 1,200.00 IRs. 1,000.00 US$ 25.00 Euro 20.00 ISBN: 978-9937-2-3657-7 DANCING SOUL OF MOUNT EVEREST (an anthology of selected modern Nepali poems) Editorial Context Heart-Transfer/Moksha Esteemed Readers! Here in editorial context, I extend words of gratitude that express themselves, though they might have remained apparently unexpressed. All of your accepted / unaccepted self-reflections shall become collages on the canvas of the history assimilated in this anthology. Dear Feelers! Wherever and whenever questions evolve, the existential consciousness of man keeps exploring the horizon of possibilities for the right answer even without the ultimate support to fall back upon. Existential revelations clearly dwell on the borderline, though it might be in a clash. In the present contexts, at places, questions of Nepali identity, modernity, representativeness, poetic quality, mainstream or periphery, temporal boundaries and limitations of number evolve – wanted or unwanted. Amidst the multitude of these questions, Dancing Soul of Mount Everest has assumed this accomplished form in its attempt to pervade the entirety as far as possible. -
A History of French Literature
A History of French Literature Edward Dowden A History of French Literature Table of Contents A History of French Literature.........................................................................................................................1 Edward Dowden.......................................................................................................................................2 PREFACE................................................................................................................................................4 BOOK THE FIRST. THE MIDDLE AGES.........................................................................................................5 CHAPTER I. NARRATIVE RELIGIOUS POETRY—THE NATIONAL EPIC—THE EPIC OF ANTIQUITY—ROMANCES OF LOVE AND COURTESY...............................................................6 CHAPTER II. LYRICAL POETRY—FABLES, AND RENARD THE FOX—FABLIAUX—THE ROMANCE OF THE ROSE...................................................................13 CHAPTER III. DIDACTIC LITERATURE—SERMONS—HISTORY.............................................18 CHAPTER IV. LATEST MEDIÆVAL POETS—THE DRAMA.......................................................24 BOOK THE SECOND. THE SIXTEENTH CENTURY...................................................................................30 CHAPTER I. RENAISSANCE AND REFORMATION......................................................................31 CHAPTER II. FROM THE PLÉIADE TO MONTAIGNE..................................................................36 BOOK -
The Project Gutenberg Ebook of the Slang Dictionary, by John Camden Hotten This Ebook Is for the Use of Anyone Anywhere at No Co
The Project Gutenberg EBook of The Slang Dictionary, by John Camden Hotten This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: The Slang Dictionary Etymological, Historical and Andecdotal Author: John Camden Hotten Release Date: February 16, 2013 [EBook #42108] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE SLANG DICTIONARY *** Produced by Henry Flower, Delphine Lettau and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber’s Note: The cover image was produced by the transcriber using a modified illustration from the book, and is placed into the public domain. [i] [ii] A CADGER’S MAP OF A BEGGING DISTRICT. EXPLANATION OF THE HIEROGLYPHICS. No good; too poor, and know too much. Stop,—if you have what they want, they will buy. They are pretty “fly” (knowing). Go in this direction, it is better than the other road. Nothing that way. Bone (good). Safe for a “cold tatur,” if for nothing else. “Cheese your patter” (don’t talk much) here. Cooper’d (spoilt) by too many tramps calling there. Gammy (unfavourable), likely to have you taken up. Mind the dog. Flummuxed (dangerous), sure of a month in “quod,” prison. Religious, but tidy on the whole. [iii] THE SLANG DICTIONARY ETYMOLOGICAL HISTORICAL AND ANECDOTAL “THE WEDGE” AND THE “WOODEN SPOON.” A NEW IMPRESSION LONDON CHATTO & WINDUS 1913[iv] [v] PREFACE.