Fairy Tale Retellings
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BEAUTY and the BEAST STUDY GUIDE the Story of Beauty and the Beast Has Been Around Since 1740
BEAUTY AND THE BEAST STUDY GUIDE The story of Beauty and the Beast has been around since 1740. A woman named Gabrielle-Suzanne Barbot de Villeneuve wrote the tale, titled La belle et la bête. The Disney movie is actually based on a later version of this story, written in 1756 by Jeanne-Marie Leprince de Beaumont that far DID YOU KNOW? surpassed Villeneuve’s in popularity. The original themes of the story were class disparity and country life as opposed to noble life. FOR FURTHER STUDY… Follow this link to read the original tale of Beauty and the Beast. Fill out this Venn diagram comparing Beaumont’s tale with the Disney version. https://www.pitt.edu/~dash/beauty.html TALE AS OLD AS TIME… Beauty and the Beast is one of the most beloved stories of all time. How many adaptations can you think of that follow this basic storyline? MORE ADAPTATIONS… Once Upon a Time, TV series Beauty and the Beast, 2017 Beastly, 2011 La Belle et la Bete, 1946 The Beautician and the Beast, 1997 HISTORICAL BACKGROUND There’s actually no concrete setting for Beauty and the Beast, but Disney settled on the 1750s as inspiration for this storybook tale. This is pre-revolution France, as the big French Revolution started in 1789. France was, however, facing large tensions between the bourgeoisie (wealthy) and the proletariat (poor). We can assume the king of all France during this time is Louis XV, a highly unpopular king due to his affairs, losing the territory of Canada during the Seven Years’ War, and just being overall a weak king. -
Peter Pan Education Pack
PETER PAN EDUCATION PACK Contents Introduction ............................................................................................................................... 3 Peter Pan: A Short Synopsis ....................................................................................................... 4 About the Writer ....................................................................................................................... 5 The Characters ........................................................................................................................... 7 Meet the Cast ............................................................................................................................ 9 The Theatre Company ............................................................................................................. 12 Who Would You Like To Be? ................................................................................................... 14 Be an Actor .............................................................................................................................. 15 Be a Playwright ........................................................................................................................ 18 Be a Set Designer ..................................................................................................................... 22 Draw the Set ............................................................................................................................ 24 Costume -
Study Guide for Educators
Study Guide for Educators A Musical Based on the Play by Sir James M. Barrie Music by Mark Charlap Additional Music by Jule Styne Lyrics by Carolyn Leigh Additional Lyrics by Betty Comden and Adolph Green Originally Adapted and Directed by Jerome Robbins 1 This production of Peter Pan is generously sponsored by: Ng & Ng Dental and Eye Care Joan Gellert-Sargen Jerry & Sharon Melson Ron Tindall, RN Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to the Pacific Conservatory Theatre at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. -
Peter Pan Character List
Peter Pan Character List A two-act play adaptation of the novel by J.M. Barrie Darling Home Wendy Darling 15 years old John Darling 14 years old Michael Darling 10 years old Mary Darling Their Mother George Darling Their Father Great Aunt Agatha Their Great Aunt Liza The Darlings’ maid Cartwright The Darling’s butler Nana /Croc The Darlings’ St. Bernard / the Croc Lost Boys Peter Pan The boy who never grew up Rufio The most intense and angry lost boy Pockets Second in command known for stealing Dodge Always finds ways to get out of trouble using charm Patches The troublemaker – likes to get everyone fighting Glut Constantly eats and smells terrible Ace Fast and a fast talker Thud Known for his physical strength Rat Never can be trusted – even by Lost Boys Latchboy Can get out any lock, very wiry Prentiss Still learning what it is to be a lost boy Curly Not very smart but very loveable James Tries to use reason – which no one listens to. Danny Taken with Glut – very smart – no one listens to him Laddie Ends up getting taken with Glut, scared of everything The Pirates Captain Hook The Captain Smee Captain Cook’s loyal assistant Gentleman Starkey The First Mate – does not tolerate anything Robert Mullins The Ships Gunner Billy Jukes Youngest pirate Hector Is grumpy all of the time Cecco A pirate of Italian Descent Mr. Holiday Loves his mustache – vain Alf Lazy –hates being a pirate Morgan More of a Dandy than a Pirate Cookson The worst cook Chay Loves everything about being a Pirate Hawkins The Doctor Bellamy His brother is a lost boy – very conflicted Norrington Wants to get rid of Hook and take over The Tribe Tiger Lily The Chiefs daughter Mano The Chief and father of Tiger Lily Lea The Mother of Tiger Lily Kona The Old Mother of the Chief – very set in her ways Kalani Is a true fighter, yet never given the chance Loni Best at the bow - also wants to be a fighter Kalena Mean. -
Study Guide Prepared by Jeri Hammond and Ann Sorvari
Disney’s Beauty and the Beast a Wheelock Family Theatre Study Guide prepared by Jeri Hammond and Ann Sorvari 200 Riverway │ Boston, MA 02215-4176 box office: 617.879.2300 │ www.wheelockfamilytheatre.org Be Our Guest at Wheelock Family Theatre’s Production of Disney’s Beauty and the Beast The story of Beauty and the Beast brings to Wheelock Family Theatre audiences a spunky, intellectually curious heroine in Belle. She is admirable from the first for her loyalty to her eccentric father, her love of reading (even though it brands her as “different”), and her refusal to accept a proposal of marriage from an arrogant and boastful nobleman. Over the course of the play, she learns that love sometimes comes from the least likely and least romantic of sources, that the surface is not the whole truth, and that home is where the heart is. Her Beast learns that love cannot be forced, that love means freeing, not caging, your beloved, and that true power comes from giving it away. These two are surrounded by an entertaining collection of characters—some comic, some caring, some evil, some beastly, some silly—who add spice to the central story and help underscore the overall message about the unselfish generosity of love. Welcome to the heartwarming world of this wonderful tale! On Your Way to the Theatre… Beauty and the Beast is a story with which many, or even all, students are likely to be familiar, especially in the Disney animated film version, which is the basis for the WFT production. Some students may be curious to see how a live stage production will deal with Lumiere, Mrs. -
Audience Guide, Beauty and the Beast
Audience Guide Choreography by Lew Christensen Staged by Leslie Young Music by Pyotr I. Tchaikovsky The Benedum Center for the Performing Arts February 14 - 23, 2020 Artists: Hannah Carter, Alejandro Diaz | Photo: Duane Rieder Created by PBT’s Department of Education and Community Engagement, 2020 The Pittsburgh Ballet Theatre Education Department is grateful for the support of the following organizations: Allegheny Regional Asset District Highmark Foundation Anne L. and George H. Clapp Charitable Trust BNY Jack Buncher Foundation Mellon Foundation Peoples Natural Gas Claude Worthington Benedum Foundation Pennsylvania Council on the Arts Eat ‘n Park Hospitality Group Pennsylvania Department of Community and Economic Edith L. Trees Charitable Trust Development ESB Bank Pittsburgh Cultural Trust Giant Eagle Foundation PNC Bank—Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. and Lucy K. Schoonmaker The Heinz Endowments Henry C. Frick Educational Fund of The Buhl Foundation Contents 2 The Origins of Beauty and the Beast 3 Select List of Beauty and the Beast Adaptations 4 About the Ballet 5 Synopsis 6 The Music 6 The Choreography 9 The Répétiteur 9 Costumes and Sets 12 Theater Programs 12 Theater and Studio Accessibility Services 1 The Origins of Beauty and the Beast When it was published in 1740, Beauty and the Beast was a new take on an centuries-old canon of stories, fairy tales and myths, found in all cultures of the world, about humans who fall in love with animals. Maria Tatar, author of Beauty and the Beast: Classic Tales About Animal Brides and Grooms from Around the World, notes that these stories - about love, courtship, romance, marriage - give “a vivid, visual grammar for thinking about abstractions: cruelty and compassion, hostility and hospitality, predators and victims.”* They explore issues that are “as old as time:” the layers, complexities and contradictions at the heart of relationships. -
Download Date 24/09/2021 22:16:07
Re-enchanting Beauty and the Beast: Undoing and Redoing the Classic Item Type text; Electronic Thesis Authors Bemis, Caitlin Mae-Anjanette Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 22:16:07 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/318819 Abstract The tale of “Beauty and the Beast” is a well-known classic. In the past fifty years, the tale has often been retold and subsequently expanded. These expansions include more characters and plot twists that make the story more interesting and appealing to contemporary audiences and writers alike. Primarily, the new characters and plot additions bring new depth to the titular characters. Overall, the two become more well-rounded and three-dimensional in contrast to the original archetypal and contrived characters they were in the original tale. While nothing is wrong with fairy tales in and of themselves, typical modern audiences crave stories with more depth and less contrived of a feel to them. The retellings are still contrived, as the general tale remains the same and the author is simply adding to it. The purpose of the additions is to make the story come across as less contrived. Through the examination of two books by Robin McKinley: Beauty and Rose Daughter; two books by Mercedes Lackey: The Fire Rose and Beauty and the Werewolf; as well as Disney’s Beauty and the Beast and Daniel Barnz’s Beastly, I explore the various approaches and how the story comes across in its new medium. -
Peter Pan Script
1 Peter Pan Act 1, Scene 1: The Darling Nursery (WENDY, dressed in her mother’s hat, and JOHN, wearing his father’s top hat, are dancing while LIZA dusts the hearth. PROLOGUE WENDY AND JOHN ONE, TWO THREE ONE TWO THREE ONE, TWO THREE ONE, TWO THREE (NANA pushes MICHAEL into the room) MICHAEL I won’t go to bed, Nana, I won’t go to bed. Liza, it isn’t six o’clock yet, is it? LIZA Yes. MICHAEL Nana, do I have to go to bed? NANA Woof! Woof! (NANA pushes MICHAEL out the door) WENDY Liza, we’re pretending we’re Mother and Father and we’re going to the ball tonight. Come play! LIZA Always playing games. I have much more important things to do than play at make-believe and dancing. (Wendy and JOHN resume the dance) WENDY AND JOHN One, two, three, one, two, three-- (MRS. DARLING enters and goes to the window) 2 MRS. DARLING Wendy! John! WENDY Mother! JOHN Oh, Mother! You look lovely! MRS. DARLING Why, thank you! (To Wendy) What are you doing in my old hat? JOHN We’re playing at being you and Father. I’m Father. (Mimicking his father’s voice) “A little less noise there--a little less noise!” MICHAEL (Entering with NANA) Mother! They never let me play Father. They never let me dance. MRS. DARLING Well, we’ll soon fix that, (She takes the top hat from JOHN and places it on MICHAEL’S head) May I have the honor of this dance, Mr. -
Peter Pan Flame.Indd
Women’s Health CLINIC OCTOBER 2015 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE So Come With Me Where Dreams Are Born! I WAS SIX YEARS OLD. I HAD ALREADY SEEN MY FIRST BROADWAY MUSICAL (THE MUSIC MAN) AND I WAS SINGING IN TALENT SHOWS. I WAS ALSO A VORACIOUS READER AND I LIVED A GOOD PORTION OF MY LIFE IN FRONT OF THE TV WATCHING DISNEY FILMS, AND OLD MOVIES. I WAS TOTALLY CAUGHT UP IN MAGICAL ADVENTURES. Then a couple of days after my sixth As much as I love this show it is nearly birthday, NBC broadcast a live version of unbelievable to me that in my five decade a current Broadway hit musical and I fell theatrical career I have never worked on in love with that show – a love I’ve kept to a production of it. this very day. The show was PETER PAN starring Mary Martin. Well that will no longer be true when I get to direct The Fireside’s fabulous new NBC broadcast it regularly after that production of PETER PAN in February in 1960, 1963, 1966, 1973, 1989, and of 2016! I am so excited to finally bring 1991. I watched every broadcast and to life this timeless tale of Lost Boys, even though I grew into in my 20’s Pirates, Indians, and that magical place and my 30’s I never lost that feeling of called Neverland. The music is tuneful “The music is tuneful and happy, enchantment and wonder. I have since and happy, the dancing is high-spirited, the dancing is high-spirited, the seen the Broadway revivals starring the costumes are fanciful, and the costumes are fanciful, and the Sandy Duncan and Cathy Rigby and I escapades of Peter, Wendy, Tiger Lily, escapades of Peter, Wendy, Tiger have DVD’s of the original Mary Martin and the notorious Captain Hook are filled Lily, and the notorious Captain telecasts and the Cathy Rigby revival. -
Beauty and the Beast: Across Cultures and Time
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 5-2013 Beauty and the Beast: Across Cultures and Time. Bridgette Johnson East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/honors Part of the English Language and Literature Commons Recommended Citation Johnson, Bridgette, "Beauty and the Beast: Across Cultures and Time." (2013). Undergraduate Honors Theses. Paper 104. https://dc.etsu.edu/honors/104 This Honors Thesis - Withheld is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Johnson 1 Beauty and the Beast: Across Cultures and Time By: Bridgette Johnson Johnson 2 Table of Contents Introduction 3 Part One: The Classic Tales Chapter One: The Beauty 8 Chapter Two: The Beast 16 Part Two: The Modern Tales Chapter One: The Beauty 24 Chapter Two: The Beast 31 Epilogue 38 Johnson 3 Introduction The tale of Beauty and the Beast has enchanted audiences since Lucius Apuleius wrote “Cupid and Psyche” in the second century in The Golden Ass . The idea of a beautiful woman falling in love with a man whom is hideous, or whom she is not allowed to look upon has stubbornly persisted into the twenty-first century, especially since Disney turned the story into an animated feature film in 1991. Both Beauty and the Beast take different forms in different cultures and evolve even more when the classic tales are compared to modern retellings. -
Masaryk University
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature THE INFLUENCE OF TIME AND HISTORICAL EVENTS ON THE STORY OF PETER PAN IN FILMS Bachelor Thesis Brno 2018 Supervisor Author Mgr. Barbora Kašpárková Eva Nešporová Declaration I hereby declare that I worked on the following thesis on my own and that I used only the sources listed in the bibliography. Prohlášení Prohlašuji, že jsem závěrečnou bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních zdrojů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy university a se zákonem č. 121/2000 Sb. o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. V Brně dne 30.3. 2018 ..................................... Eva Nešporová Acknowledgment I would like to express my gratitude to my supervisor Mgr. Barbora Kašpárková for the useful comments and guidance that she provided through the writing process of this thesis. Abstract This bachelor thesis focuses on the story of Peter Pan, also known as “a boy who would not grow up”, and on changes that appeared during the past hundred years. The thesis analyzes three different films that were made in the past seventy years and compares them with the original story called Peter Pan by James Matthew Barrie, first published in the year 1911. The analytic part consists of Peter Pan, directed in 1953 by the Walt Disney Company, Peter Pan by Paul John Hogen, directed in 2003, and Pan by Joe Wright, the latest film made, from 2015. The analysis focuses mainly on the issue of racism and feminism that appeared in the adaptations. -
Walt Disney World Resort
confidence character courage &+:' " Badges at the ® Resort. !" #$%"&'(#( ""("&"(" "(!#'!)( *!")!"!"$ +)!#!!''&)& ")- !® Resort! !"-' '!®!"$"! _ bug at +"1"®(!) '"2! _ 3 at Epcot®(" 4)®"#)!3# _ (!(231"® Park !!7 8!!$")! (!#''&!)#)! '"""$ Use this handbook to get inspired and see the options available to !$!!" _ these should serve as a visual guide !#)!#$ )!)'9!'!7 Special Thanks to the Girl Scouts of Citrus! ©Disney GS2012-6811 = 31" = Epcot ® Park ® = 4 ) = +"1" ® = ® Park ® Resort Daisies Lupe - Honest & Fair Become an apprentice sorcerer and set off on a quest to stop the Disney Villains from taking over the Magic Kingdom Park, as you play Sorcerers of the Magic Kingdom. Magic spells in the form of special cards will lead you to the Villains’ hiding places. Share your cards with friends and take turns defeating the Villains to help save the park. Sunny - Friendly & Helpful Take a moment to chat with a Disney Cast Member about their job at the Walt Disney World Resort. They will enjoy sharing some Disney magic with you! Zinni - Considerate and Caring Create a souvenir Duffy the Disney Bear cut-out as you visit the Kidcot Fun Stops located throughout World Showcase in Epcot. Swap your Duffy with a fellow Girl Scout at different locations and take turns coloring and drawing to observe each person’s creativity. Once you’re done, share your Duffy with a friend. Tula - Courageous and Strong Catch the fun-filled, dream-inspired musical stage show, Dream Along With Mickey at the Magic Kingdom Park. Observe how your favorite Disney Characters are courageous and strong. For instance, Peter Pan displays courage when he accepts Captain Hook’s challenge.