DOCSLIB.ORG

Cks) Fo|K Lalfkku

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cks) Fo|K Lalfkku dsUæh; ckS) fo|k laLFkku okÆ"kd çfrosnu 2016-2017 pksxyelj] ysg&194101] ynk[k ¼t- o d-½ 1 2 fo"k;kuqØe.kh i‘-la- 1- laf{kIr bfrgkl 5 2- mís’; 6 3- çcU/ku 7 4- mi&lfefr;ksa dk xBu 7 5- /ku 8 6- deZpkjh la[;k 8 7- ladk; rFkk foHkkx 8 8- uohu ços’k 11 9- laxks"Bh@dk;Z’kkyk 11 10- ’kSf{kd ;k=k 12 11- çdk’ku 12 12- ’kks/k dk;Z 13 13- ifjlj 13 14- iqLrdky; 13 15- laxzgky; 14 16- fo’ks"k O;k[;ku@vU; ’kSf{kd fØ;kdyki% 14 ¼d½ Lo- X;y&lzl cdqyk fjuiksNs O;k[;kuekyk ¼[k½ fujarj fpfdRlk f’k{kk ij dk;Z’kkyk ¼x½ HkksVh fnol ¼?k½ nokbZ;ksa dh lqfo/kk ¼³½ okf"kZd ØhMk&çfr;ksfxrk ¼p½ okf"kZd@ekfld if=dk 17- ikB~;Øe 15 18- Nk=o‘fÙk 16 19- fo|kfFkZ;ksa dks ikB; iqLrd ,oa dkfi;ksa dk fu%’kqYd forj.k 16 20- ijh{kk ifj.kke 17 21- [email protected] fo|ky; 17 22- okf"kZdksRlo 17 23- vU; egRoiw.kZ ?kVuk;sa 18 ¼d½ Hkkjr jRu MkW- Hkhejko vEcsMdj dh t;Urh ¼[k½ loZiYyh MkW- jk/kkD`ÿ".ku dh t;Urh] v/;kid fnol ¼x½ fgUnh fnol 3 ¼?k½ cqe ¼Hkxoku cq) ds çopuksa½ dk ikB ¼³½ yík[k ds ckS) eBksa }kjk ea= ikB] ,d vewrZ lkaLD`ÿfrd /kjksgj ¼p½ LoPN Hkkjr vfHk;ku 24- 'khrdkyhu f’kfoj 20 25- ckS) nk’kZfud 'kkL=&vuqokn ifj;kstuk 20 26- fgeky;h ckS)&laLD`ÿfr&fo’odks’k ifj;kstuk ds ladyu dk vkjEHk 20 27- ik.Mqfyfi laj{k.k dsUnz 20 28- mikf/k@mikf/k&i= çkIr djus ds i’pkr~ Nk=ksa dh fu;qfDr 21 29- Mqftax QksMax fo|ky; 21 ¼d½ laf{kIr bfrgkl ¼[k½ ijh{kk ifj.kke ¼x½ vU; fØ;k&dyki ¼?k½ deZpkjh la[;k 30- ckS) n’kZu laLD`ÿr fo|ky;] dsykax ¼fg-ç-½ 23 ¼d½ laf{kIr bfrgkl ¼[k½ ijh{kk ifj.kke ¼x½ deZpkjh la[;k ifjf’k"V i) izcUÌd lfefr dh lajpuk 25 ii) f’k{kk lfefr dh lajpuk 27 iii) foRr lfefr dh lajpuk 29 iv) çdk’ku lfefr dh lajpuk 30 v) xzUFkky; lfefr dh lajpuk 31 vi) ’kks/k lfefr dh lajpuk 32 vii) dsUnzh; ckS) fo|k laLFkku dh deZpkjh la[;k 33 viii) dsUnzh; CkkS) fo|k laLFkku] ysg dk ijh{kk ifj.kke 35 ix) [email protected] fo|ky;ksa ds fo|kfFkZ;ksa ds fo|ky;okj ,oa 36 d{kkokj ukekadu dk fooj.k x) ijh{kk dk ifj.kke ¼Mh-ih-,l-] taLdkj½ 39 xi) Mh-ih-,l-]taLdkj dh deZpkjh la[;k 40 xii) ijh{kk dk ifj.kke ¼ch-Mh-,l-oh-] dsykax½ 41 xiii) deZpkjh la[;k ¼ch-Mh-,l-oh-] dsykax½ 42 4 1- laf{kIr bfrgkl % lu~ 1959 ls iwoZ ynk[k ds fo}ku~] Je.ksj ,oa fHk{kq mPp ckS) f’k{kk ds fy, frCcr tkrs FksA os frCcr tkdj ogk¡ ds fofHkUu izfl) egkfogkjksa] ;Fkk&fMªxqax] xnu] lsjk] V’kh Ygquiks] Msªiqax] lD;k] l³~&³x Nkslfy³] nsjxs vkfn esa vusd o"kksZa rd ckS) fo|kvksa dk v/;;u djrs FksA ijUrq lu~ 1959 dh nqHkkZX;iw.kZ ?kVuk ds ifj.kkeLo:i vpkud bl ijEijk esa O;o/kku iSnk gqvkA rRi’pkr~ ;g vko’;drk vuqHko dh xbZ fd ckS) n’kZu ds fof/kor~ v/;;u ds fy, Hkkjr esa gh ,d ckS) fo|k dsUnz dh LFkkiuk dh tk;A ckS) laLD`ÿfr ,oa n’kZu ds izpkj&izlkj ds fy, ysg dks fpfu~gr fd;k x;k] tks izkD`ÿfrd] HkkSxksfyd ,oa ikjEifjd n‘f"V ls loZFkk vuqdwy FkkA rnuqlkj pkSngosa nykbZ ykek th ds ofj"B xq: ;ksaxftu fyax fjUiksNs }kjk orZeku dsUnzh; ckS) fo|k laLFkku dh iwtu&fof/k }kjk LFkkiuk dh xbZA ;g laLFkku izkjaHk esa ^ckS) n’kZu egkfo|ky;* ds uke ls tkuk tkrk FkkA lu~ 1962 esa Lo- dq’kksd cdqyk th ds vkxzg ij rRdkyhu iz/kkuea=h if.Mr tokgjyky usg: us ynk[k ds yksxksa ds chp bl izdkj ds laLFkku dh vko’;drk dk vuqHko fd;kA rnuqlkj mUgksaus bl laLFkku dks izca/ku ,oa foRrh; lgk;rk ds fy, Hkkjr ljdkj ds laLD`ÿfr ea=ky; dks lkSaiuk Lohdkj fd;kA izkjEHk esa bl laLFkku esa ek= 10 fHk{kq Nk= v/;;u djrs Fks] tks ynk[k ds fofHkUu xksuikvksa ls lac) FksA Nk=ksa dks HkksV lkfgR; rFkk ckS) n’kZu i<+kus ds fy, nks v/;kidksa dks fu;qDr fd;k x;k FkkA yxHkx rhu o"kksZ rd lHkh fo|kfFkZ;ksa ,oa v/;kidksa dk [kpZ mi;ZqDr nl xksuikvksa us ogu fd;kA lu~ 1959 ls 1961 rd ;g fo|ky; ysg esa fLFkr jgkA mlds i’pkr~ bldks ysg ls yxHkx 8 fdyksehVj dh nwjh ij fLFkr fLirqd xk¡o esa LFkkukUrfjr fd;k x;kA lu~ 1973 esa laLFkku dks ysg ls 8 fdyksehVj nf{k.k&iwoZ fn’kk esa pksxyelj esa iqu% LFkkukUrfjr fd;k x;kA lu~ 1964 esa laLFkku dks ,d ’kSf{kd laLFkku ds :i esa tEew o d’ehj iath;u dkuwu 1941 ds vUrxZr iathD`ÿr fd;k x;kA izkjEHk esa ;gk¡ ckS) n’kZu ds vfrfjDr laLD`ÿr] fgUnh] HkksVh ,oa vaxzsth fo"k;ksa dk v/;kiu gksrk FkkA lu~ 1973 esa laLFkku dks lEiw.kZkuUn laLD`ÿr fo’ofo|ky;] okjk.klh] m-iz- ls lEc) djk;k x;k vkSj lhekar {ks= ds Nk=ksa ds fy, mi;qDr ikB~;Øe 'kq: fd, x,A Hkkjr ljdkj ds ekuo lalk/ku fodkl ea=ky; ¼mPprj f’k{kk foHkkx½ us fo’Okfo|ky; vuqnku vk;ksx dh flQkfj’k ij ;wthlh vf/kfu;e 1956 ds vuqHkkx 3 ds v/khu vf/klwpuk la[;k ,Q 9&5@2001&;w3 ¼,½] fnukad 15&01&2016 ds vuqlkj dsUnzh; ckS) fo|k laLFkku] ysg dks ^ekfur fo’ofo|ky;* dk ntkZ iznku fd;k x;kA ckS) fo|k ds izdk.M frCcrh fo}ku~ HknUr ;s’ks Fkqcru us 1967 rd laLFkku ds izFke izkpk;Z ds :Ik esa dk;Z fd;kA rRi’pkr~ izfl) ckS) fo}ku yksNksl fjUiksNs th dh laLFkku ds f}rh; izkpk;Z ds :Ik esa fu;qfDr gqbZA MkW- V’kh iytksj us lu~ 1979 ls 2005 rd laLFkku ds izkpk;Z ds :i esa dk;Z fd;kA lu~ 2005 ls 2010 rd ik¡p o"kZ izkpk;Z ds :i esa dk;Z djus ds ckn MkW- uokax Nsfjax laLFkku ds izkpk;Z ds in ls lsokfuo‘fÙk gq, vkSj 15 twu] 2010 dks MkW- okaxNqx nkstsZ usxh us izkpk;Z in dk izHkkj xzg.k fd;kA rnuUrj] fnukad 19&12&2011 dks lEiUu gqbZ izca/kdkfj.kh dh cSBd esa izkpk;Z ds in dks funs’kd ds :i esa iquukZedj.k djus dk fu.kZ; fy;k x;kA fnukad 12&12&2014 dks MkW- okaxNqx nkstsZ usxh us funs’kd in NksM+k vkSj funs’kd in dk izHkkj izks- xs’ks dksuNksx oaxnq dks lkSaik x;kA 5 2- mís’; % laLFkku dk ewy mís’; Nk=ksa dh izfrHkk vFkkZr~ O;fDrRo dks ckS) fopkj] lkfgR;] dyk ,oa fofo/k vk/kqfud fo"k;ksa ds Kku }kjk fodflr vkSj lqlfTtr djuk gSA lEiw.kZ fgeky;h {ks=ksa dh ckS) laLD`ÿfr ,oa dyk dh f’k{kk gsrq ;g bl ns’k dk ,d vf}rh; laLFkku gSA laLFkku ckS) n’kZu vkSj lkaLD`ÿfrd v/;;u esa Lukrd] LukrdksRrj vkSj MkWDVjsV dk;ZØe pykrh gS vkSj QhMj Ldwyksa dks LFkkfir vkSj mudh ns[kjs[k Hkh djrk gSA mi;qZDr mís’;ksa dh iwfrZ ds fy, laLFkku us fuEufyf[kr y{; fu/kkZfjr fd, gSa& 1- Kku dh 'kk[kkvksa esa mRD`ÿ"Vrk ,oa uohurk dh vksj ys tkus ds fy, mPp f’k{kk iznku djuk ftUgsa eq[; :Ik ls LukrdksRrj vkSj 'kks/k fMxzh ds Lrj ij mi;qDr le>k tk lds] tks fo’ofo|ky; dh vo/kkj.kk ds vuq:Ik gksa vFkkZr fo’ofo|ky; f’k{kk izfrosnu ¼1948½] Hkkjr esa mPp f’k{kk ds uohdj.k] dk;kdYi ij lfefr dk izfrosnu ¼2009½ vkSj ekfur fo’ofo|ky;ksa ds fy, leh{kk lfefr dk izfrosnu ¼2009½A 2- fo’ofo|ky; f’k{kk iz.kkyh ds mís’; gsrq fof’k"V lg;ksx ds fy, fo’ks"k {ks=ksa esa ijhf{kr ;ksX;rk ds lkFk dke esa yxkuk vFkkZr~ 'kS{kf.kd dke ,d lkekU; LoHkkookys dk;ZØeksa ;Fkk& dykfo"k;] foKku] bathfu;fjax] fpfdRlk] nar fpfdRlk dh i<+kbZ] QkesZlh rFkk izcU/k vkfn esa ikjaifjd laLFkkvksa }kjk fu;fer :i ls ikjaifjd fMxzh ¼mikf/k½ iznku djrk gS] muls Li"V :Ik ls vUrj djus ;ksX; gksA 3- Kku dh mUufr rFkk ,d Ik;kZIr iw.kZdkfyd ladk;@’kks/kdRkkZ ¼ih,p-Mh- vkSj iksLV MkWDVjy½ }kjk fofo/k fo"k;ksa esa fofHkUu 'kks/kdk;ksZa ds ek/;e ls bl dk izpkj djus gsrq mPp xq.koRrk okys f’k{k.k rFkk 'kks/k lqfo/kk,a iznku djukA 4- iwoZ esa ckS) n’kZu egkfo|ky; ds uke ls tkuk tkus okyk 'kSf{kd laLFkku&dsUnzh; ckS) fo|k laLFkku] Pkksxyelj] ysg ds fodkl vkSj izca/ku dh ns[kHkky vkSj lqlapkyu djukA 5- fofHkUu dk;ZdeksZa ds v/;;u rFkk ckS) n’kZu dh fofo/k 'kk[kkvksa ,oa lkaLD`ÿfrd v/;;u ds {ks= esa 'kks/kdk;Z djds mikf/k vkSj izek.ki= iznku djus gsrq vuqns’k nsukA 6- 'kks/k] izdk’ku] th.kksZ)kj vkSj f’k{kk dh mUufr ds fy, lqfo/kk iznku djuk rFkk ckS) n’kZu dh ,slh 'kk[kkvksa ds Kku dk izlkj djuk ftUgsa laLFkku mfpr le>saA 7- fo’o ds fdlh Hkh Hkkx esa fLFkr 'kSf{kd vkSj vU; laLFkkuksa ds lkFk lg;ksx djuk ftu ds mís’; bl laLFkku ds mís’; ds leku gksaA lg;ksx bl izdkj djuk ftlls fd mu ds leku mís’;ksa dh izkfIr vkSj ykHkdkjh gksaA 8- ns’k fons’k ls ckS) n’kZu ,oa laLD`ÿfr ds fo}kuksa dks ckS) n’kZu rFkk laLD`ÿfr ij Hkk"k.k] laxks"Bh vkSj fopkj&foe’kZ ds fy, vkeaf=r djukA 9- ,sls lHkh dk;ksZa dks djuk tks fd laLFkku ds vkaf’kd ;k lEiw.kZ mís’;ksa dks izkIr djkus esa vko’;d] vkdfLed ,oa ykHkdkjh gksaA 6 3- izca/ku % laLFkku dk izca/ku la;qDr lfpo] laLD`ÿfr foHkkx] Hkkjr ljdkj dh v/;{kRkk esa xfBr ,d izca/kdkfj.kh lfefr ds }kjk lEiUu gksrk gSA bl izca/kdkfj.kh lfefr ds lnL;ksa dh lajpuk fofHkUu ea=ky;ksa] foHkkxksa] la?kksa] fo’ofo|ky;ksa rFkk ckS) fo}kuksa ds izfrfuf/k;ksa ls gksrh gSA izca/kdkfj.kh lfefr ds iquxZBu dh igyh cSBd ls ysdj lnL;ksa ds dk;Zdky dh vof/k rhu lky gSA laLFkku ds funs’kd bl izca/kdkfj.kh lfefr ds lnL;&lfpo gaSA orZeku esa bl izca/kdkfj.kh lfefr dh lajPkuk i‘"B la[;k 25 ij ifjf’k"V ds :i esa gSA bl izca/kdkfj.kh lfefr dh cSBd gj N% eghuksa ds ckn vk;ksftr dh tkrh gSA izca/kdkfj.kh lfefr ds ikl vf/kdkj dk iz;ksx djus ;k lHkh drZO;ksa dk ikyu djus] dk;Z djus rFkk laLFkk ds Kkiu&i= esa crk;s x;s mís’;ksa dks izHkko esa ykus ds fy,@ykxw djus ds fy, tks Hkh vko’;d ;k ifj.kkeh vkSj vkdfLed dk;Z gksa mu lc dks djus dk vf/kdkj gSA iqujfi Hkkjr ljdkj le;&le; ij egRoiw.kZ uhfr ds ekeyksa esa funsZ’k ns ldrh gS] ftl dk vuqlj.k izca/kdkfj.kh dks djuk gksxkA 4- mi&lfefr;ksa dh lajpuk % izca/kdkfj.kh lfefr ds funsZ’kksa ds leqfpr ikyu gsrq rFkk 'kSf{kd] foRr] vuqla/kku vSj izdk’ku vkfn ds ekeyksa esa lg;ksx djus ds fy, vusd mi&lfefr;ksa dh lajpuk dh xbZ gSA bu mi&lfefr;ksa dk laf{kIr fooj.k fuEufyf[kr gS % 1½ f’k{kk lfefr % izca/kdkfj.kh }kjk iz[;kr if.Mrksa ,oa fo}kuksa dh ,d f’k{kk lfefr dh xBu fd;k x;k gSA rRlEcU/kh {ks=ksa esa izca/kdkfj.kh lfefr dks mldh vko’;drkuqlkj lykg nsus ds fy, o"kZ esa ,d ;k nks ckj bl lfefr dh cSBd gksrh gSA bl lfefr dh orZeku lajpuk ifjf’k"V ds :i esa i‘"B la- 27 ij gSA 2½ foRr lfefr % laLFkk ds Lej.k&i= vkSj laLFkku ds fu;e ,oa fofu;eu ds vuqlkj mi&lfpo ¼foÙk½@funs’kd ¼foRr½] laLD`ÿfr ea=ky;] Hkkjr ljdkj] ubZ fnYyh dh v/;{krk esa ,d foRr lfefr dk xBu fd;k x;k gSA laLFkku ds funs’kd rFkk izca/kdkfj.kh lfefr dks laLFkku ds /ku&lEifRr ,oa foRr ls lacaf/kr fo"k;ksa ij lykg nsus ds fy, o"kZ esa ,d ;k nks ckj bl lfefr dh cSBd gksrh gSA bl lfefr dh orZeku lajpuk
Load more

Recommended publications
  • The Alchi Monastery Life, Learnings and More from Ladakh by Prof
    D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource The Alchi Monastery Life, learnings and more from Ladakh by Prof. Sumant Rao and Ruchi Shah IDC, IIT Bombay Source: http://www.dsource.in/resource/alchi-monastery 1. Alchi Village 2. Alchi Monastery 3. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Alchi Village The Alchi Monastery Life, learnings and more from Ladakh Alchi is a small village about 70 kms away from the city of Leh. The first impression one gets, is how the location by of a famous monastery has lent its identity to this small but scenic village that has sprung up with small cafes, Prof. Sumant Rao and Ruchi Shah craft shops, and home stays. IDC, IIT Bombay Interestingly it is one of the oldest monasteries, but its lies on a lowland and not high up on a hilltop. The unique style and workmanship is influenced by the Kashimiri style of architecture and painting. Source: http://www.dsource.in/resource/alchi-monastery/ alchi-village 1. Alchi Village 2. Alchi Monastery 3. Contact Details The Alchi village. D’source 3 Digital Learning Environment for Design - www.dsource.in Design Resource The Alchi Monastery Life, learnings and more from Ladakh by Prof. Sumant Rao and Ruchi Shah IDC, IIT Bombay Source: http://www.dsource.in/resource/alchi-monastery/ alchi-village 1. Alchi Village 2. Alchi Monastery 3. Contact Details Handcrafted puppets at the various craft shops in Alchi. D’source 4 Digital Learning Environment for Design - www.dsource.in Design Resource The Alchi Monastery Life, learnings and more from Ladakh by Prof.
    [Show full text]
  • Ladakh Package
    Office: Karma Lodge, Near Shanti Stupa. Leh 194101 Ladakh, India M: +91 7780852447 WhatsApp : + 91 9469515545 W: www.naturetrackstours.com E-Mail : [email protected] : [email protected] : [email protected] RECOGNIZED BY TOURISM DEPARTMENT OF LADAKH GOVT, OF INDIA REGISTRATION NO: TRM/TR 2010 GST. NO. 01BDAPD9400M1Z LADAKH PACKAGE TOUR NAME: SWAGATAM LADAKH DURATION: 5 NIGHTS, 6 DAYS ROUTE: LEH TOWN, NUBRA VALLEY, SHAM VALLEY, PANGONG LAKE ITINERARY Day 1: Arrival Leh by flight & transfer to Hotel. Arrival Leh Kushok Bakula Airport. Upon arrival you will be welcome & met by our representative and transfer to Hotel for check in followed by welcome tea or coffee. Complete half day for rest acclimatize and Lunch will be serve in Hotel. Afternoon at 3:30 PM visit Shanti Stupa & Leh Market. Dinner and overnight stay at Leh in Jorchung Hotel or similar. Day 2: Full day sightseeing of Sham valley (140 km 6 – 7 hrs). Today after breakfast at 9:00 AM leave to sightseeing around toward Sham valley; Hall of fame Museum, Spituk monastery, Gurdwara Pather Sahib, Magnetic Hill, confluence of Indus & Zanskar River. After photography at panoramic view of confluence drive straight to Alchi village on the way panoramic view of village and you will be reached Alchi village at 1:00 or 2:00 PM and have your Lunch in Zimkhang Holiday restaurant. After Lunch visit 11th century Alchi Choskor monastery listed in world heritage site. After sightseeing of Alchi monastery return back Leh by same route and you will be reached Leh at 5:00 or 6:00 PM.
    [Show full text]
  • THE EARLY BUDDHIST HERITAGE of LADAKH RECONSIDERED CHRISTIAN LUCZANITS Much Ofwhat Is Generally Considered to Represent the Earl
    THE EARLY BUDDHIST HERITAGE OF LADAKH RECONSIDERED CHRISTIAN LUCZANITS Much ofwhat is generally considered to represent the earliest heritage of Ladakh cannot be securely dated. It even cannot be said with certainty when Buddhism reached Ladakh. Similarly, much ofwhat is recorded in inscriptions and texts concerning the period preceding the establishment of the Ladakhi kingdom in the late 151h century is either fragmentary or legendary. Thus, only a comparative study of these records together 'with the architectural and artistic heritage can provide more secure glimpses into the early history of Buddhism in Ladakh. This study outlines the most crucial historical issues and questions from the point of view of an art historian and archaeologist, drawing on a selection of exemplary monuments and o~jects, the historical value of which has in many instances yet to be exploited. vVithout aiming to be so comprehensive, the article updates the ground­ breaking work of A.H. Francke (particularly 1914, 1926) and Snellgrove & Skorupski (1977, 1980) regarding the early Buddhist cultural heritage of the central region of Ladakh on the basis that the Alchi group of monuments l has to be attributed to the late 12 and early 13 th centuries AD rather than the 11 th or 12 th centuries as previously assumed (Goepper 1990). It also collects support for the new attribution published by different authors since Goepper's primary article. The nmv fairly secure attribution of the Alchi group of monuments shifts the dates by only one century} but has wide repercussions on I This term refers to the early monuments of Alchi, rvIangyu and Sumda, which are located in a narrow geographic area, have a common social, cultural and artistic background, and may be attIibuted to within a relatively narrow timeframe.
    [Show full text]
  • Études Mongoles Et Sibériennes, Centrasiatiques Et Tibétaines, 51 | 2020 the Murals of the Lotsawa Lhakhang in Henasku and of a Few Related Monuments
    Études mongoles et sibériennes, centrasiatiques et tibétaines 51 | 2020 Ladakh Through the Ages. A Volume on Art History and Archaeology, followed by Varia The murals of the Lotsawa Lhakhang in Henasku and of a few related monuments. A glimpse into the politico-religious situation of Ladakh in the 14th and 15th centuries Les peintures murales du Lotsawa Lhakhang de Henasku et de quelques temples apparentés. Un aperçu de la situation politico-religieuse du Ladakh aux XIVe et XVe siècles Nils Martin Electronic version URL: https://journals.openedition.org/emscat/4361 DOI: 10.4000/emscat.4361 ISSN: 2101-0013 Publisher Centre d'Etudes Mongoles & Sibériennes / École Pratique des Hautes Études Electronic reference Nils Martin, “The murals of the Lotsawa Lhakhang in Henasku and of a few related monuments. A glimpse into the politico-religious situation of Ladakh in the 14th and 15th centuries”, Études mongoles et sibériennes, centrasiatiques et tibétaines [Online], 51 | 2020, Online since 09 December 2020, connection on 13 July 2021. URL: http://journals.openedition.org/emscat/4361 ; DOI: https://doi.org/ 10.4000/emscat.4361 This text was automatically generated on 13 July 2021. © Tous droits réservés The murals of the Lotsawa Lhakhang in Henasku and of a few related monuments.... 1 The murals of the Lotsawa Lhakhang in Henasku and of a few related monuments. A glimpse into the politico-religious situation of Ladakh in the 14th and 15th centuries Les peintures murales du Lotsawa Lhakhang de Henasku et de quelques temples apparentés. Un aperçu de la situation politico-religieuse du Ladakh aux XIVe et XVe siècles Nils Martin Études mongoles et sibériennes, centrasiatiques et tibétaines, 51 | 2020 The murals of the Lotsawa Lhakhang in Henasku and of a few related monuments...
    [Show full text]
  • Srinagar and Leh
    Srinagar and Leh 24th Jun’16 Friday: Arrive Delhi Upon arrival in Delhi, an Eastbound representative holding a signboard in your name will meet you at the International Airport. You will then be escorted to your hotel and assisted with check in. Overnight at Hotel 25th Jun’16 Saturday: Delhi - Srinagar This morning you will be transferred to the airport to board your flight to Srinagar. On arrival, you will be assisted and transferred to your hotel. We will spend the rest of this day acclimatizing and walking around in the local markets. Overnight at Hotel 26th Jun’16 Sunday: In Srinagar Today we will start our day with photographing the beautiful mosques with great street scenes. The Hazratbal mosque is located on the banks of the Dal Lake. The special significance of this mosque is a relic, which is believed by many Muslims of Kashmir that this is hair of the prophet Muhammad. The shrine – mosque complex is situated on the western shore of the Dal Lake opposite Nishat Bagh and commands a grand view of the lake and the mountains. Atta Mohammed Khan constructed the Hari Parbath fort on Sharika hill in the 18th century. The original temple atop the Shankaracharya hill is believed to have been built by Ashoka’s son Jaluka around 200 BC, on the site of the Takht-i-Suleiman or the throne of Solomon. Overnight at Hotel 27th Jun’16 Monday: In Srinagar Early this morning, we will take a Shikara ride (a small gondola type boat) to visit Dal Lake’s floating fruit and vegetable markets.
    [Show full text]
  • A1chi and the Drigungpa School of Tibetan
    A1chi and the Drigungpa School ofTibetan Buddhism: The Teacher Depiction in the Small Chorten at A1chi By Christian LuczanitsI When Roger Goepper first published the discove7 of an inscribed lineage depiction in the Three-storeyed Temple at A1chi, thereby establishing a connection between the temple and the Drigungpa ('Bri-gung-pa) School, it came as a surprise. This depiction, which is located at the entry wall of the lantern and is therefore not accessible and barely visible to visitors on the temple's ground floor, terminates with the founder of the Drigungpa School, Jigten Gonpo ('Jig-rten-mgon-po 1143-1217). Drigungpa, as he is called in the caption, was a prominent pupil of the eminent Kagytipa (bKa'-brgyud-pa) scholar Phagmodrupa (Phag-mo-gru-pa rDo-rje rgyal-po 1110-70). In addition, Drigungpa also founded the Drigung monastery in Central Tibet in 1179, and with it one of the eight lesser Kagytipa branches established by pupils of Phagmodrupa. This lineage thus provides an approximate date for the finishing ofthe temple, namely the early 13th century. 3 The surprise was two-fold. On the one hand, it was generally assumed that the Alchi Sumtsek (gSum-brtsegs), as the Three-storeyed Temple is commonly referred to, pre-dates the date implied by the depiction. On the other hand, 1 I am grateful to Roger Goepper and Jaroslav Poncar for providing all their documentation on Alchi for my research as well as to Amy HelIer for her continuous willingness to share some of her materials and ideas with me. The results, presented in this paper, were accumulated during a three-year research period, which was supported by a grant from the Austrian Academy ofSciences (APART), and during a six-months research period at The Metropolitan Museum of Art, New York, which was supported by the Andrew W.
    [Show full text]
  • Buddhist Tourism Report
    TOWARDS SUSTAINABLE SPIRITUALISM Buddhist Tourism - Linking Cultures, Creating Livelihoods TITLE TOWARDS SUSTAINABLE SPIRITUALISM: Buddhist Tourism - Linking Cultures, Creating Livelihoods YEAR September, 2014 AUTHORS Public and Social Policies Management (PSPM) Group, YES BANK No part of this publication may be reproduced in any form by photo, photoprint, COPYRIGHT microfilm or any other means without the written permission of YES BANK Ltd. & ASSOCHAM. This report is the publication of YES BANK Limited (“YES BANK”) & ASSOCHAM and so YES BANK & ASSOCHAM has editorial control over the content, including opinions, advice, statements, services, offers etc. that is represented in this report. However, YES BANK & ASSOCHAM will not be liable for any loss or damage caused by the reader's reliance on information obtained through this report. This report may contain third party contents and third-party resources. YES BANK & ASSOCHAM takes no responsibility for third party content, advertisements or third party applications that are printed on or through this report, nor does it take any responsibility for the goods or services provided by its advertisers or for any error, omission, deletion, defect, theft or destruction or unauthorized access to, or alteration of, any user communication. Further, YES BANK & ASSOCHAM does not assume any responsibility or liability for any loss or damage, including personal injury or death, resulting from use of this report or from any content for communications or materials available on this report. The contents are provided for your reference only. The reader/ buyer understands that except for the information, products and services clearly identified as being supplied by YES BANK & ASSOCHAM, it does not operate, control or endorse any information, products, or services appearing in the report in any way.
    [Show full text]
  • Technologies of Self
    TECHNOLOGIES OF SELF NAVIN KUMAR GALLERY Conceived, realized, and written by Dr. Tarun Kumar Jain [email protected] Published by Navin Kumar, Inc. +1 (646) 708 - 1530 Copyright © 2019 All Rights Reserved TECHNOLOGIES OF SELF TABLE OF CONTENTS PREFACE 4 INTRODUCTION 5 FORM I NARRATIVE SEMIOSIS 11 Miracles at Śrāvastī 12 Śākyamuni Buddha 16 Arhats Angaja and Pantaka 18 Saint Francis Of Assisi 22 FORM II ONTOLOGICAL HIERARCHIES 25 Eight Mahasiddhas 26 Complete Mandala Cycle of the Sarvadurgatipariśodhana 30 The Immovable One, Acalanātha 40 The Remover of Obstacles, Sarvanivāraṇaviṣkambhin 42 The Boddhisattva of wisdom, Mañjuśrī 46 Jambhala, The Progenitor of Wealth 48 Nāroḍākinī 50 The Dispeller of Misery Śokavinodana Tārā 52 Drapa Ngonshe Jambhala In Paradise 54 the Knowledge-Causing Mother Kurukulla 58 FORM III TIBETAN TECHNOLOGIES OF SELF 61 Karmapa 3 Rangjung Dorje (1284 - 1339) 62 Tertön Sherab Özer (1518 ‒ 1584) 64 Karmapa 9 Wangchuk Dorje (1555 - 1601) 68 Ngor 8 Sanggye Rinchen & Sakya Jampa’i Dorje 7 2 Dalai Lama 7 Kelzang Gyatso (1708 – 1757) 74 Chimed Ozer (1574 – 1661) 80 Jonang Chokle Namgyel (1306 ‒ 1386) 82 Mahasiddha Virupa (837-909) 84 Naza Drakpugpa (1277 - 1350) 86 Thekchen Chokyi Gyalpo (1349 - 1425) 88 PREFACE ...Technologies of the self, which permit individuals to effect by their own means or with the help of others a certain number of operations on their own bodies and souls, thoughts, conduct, and way of being, so as to transform themselves in order to attain a certain state of happiness, purity, wisdom, perfection, or immortality. ~ Michel Foucault, Technologies of Self 1 As an expression of mental states that are often difficult to cast in language, art is a source of perceptual and contemplative stimulation outside the statistical normality of the mundane physical world; it expands our experiential domain and challenges our concepts of what can exist.
    [Show full text]
  • Alchi Tsatsapuri Berliner Str
    TIBET HERITAGE FUND INTERNATIONAL Project office Ladakh: Leh Old Town Initiative LOTI Lakruk House, Stalam, Leh, Ladakh 1941010 J&K India Project office China: China: 4-405 No. 8 building Jiao Dong Xiao Qu 100007 Beijing Project office Germany: Alchi Tsatsapuri Berliner Str. 68 13189 Berlin, Germany Preliminary Report by André Alexander www.tibetheritagefund.org Introduction In one of the most beautiful places in Ladakh, in the valley of Alchi by the banks of the Indus river, stands the monastery of Alchi Choskhor associated Tsatsapuri with the Buddhist saint Rinchen Zangpo. The Stupa Hall monastery is justly world-famous for its superb wall- paintings, dating to the early 13th century. Just a few minutes walk towards the mountains stands another monastery that has remained almost unknown, even though it harbors art and architecture of comparable Ridzong Dukhang quality. Chenrezig Lhakhang THF came first time to Ladakh in 2003 on an Lama´s exploratory mission. At that time, a young man we Reception Room had met in the central Buddhist temple of Leh, the Tsukla-khang, told us about a temple in Alchi with Courtyard remarkable wall-paintings that was partly owned by his family. When we saw it, we were completely stunned by the amount of very beautiful paintings, but also moved because they were in such a deplorable state of decay. This temple, known as Tsatsapuri, appeared abandoned. An old lady living nearby had Ruined Entrance the keys and took care of it as good as she could. residence In 2005 we could organize a survey of Tsatsapuri, and in 2007 the first intervention took place.
    [Show full text]
  • The Legend of Nāthasiddha Cauraṅgī As Reflected in Early Medieval Hagiography, Epigraphy and Art
    The Legend of Nāthasiddha Cauraṅgī as Reflected in Early Medieval Hagiography, Epigraphy and Art Amol N. Bankar1 1. Flat No. L‐ 603, Lake Vista, Dattanagar ‐ Jambhulwadi Road, Ambegaon, Pune – 411 037, Maharashtra, India (Email: [email protected]) Received: 30 July 2019; Revised: 04 September 2019; Accepted: 11 October 2019 Heritage: Journal of Multidisciplinary Studies in Archaeology 7 (2019): 915‐933 Abstract: The sad tale of a young prince Cauraṅgī, falsely accused of incest by his adulterous step‐ mother who proceeds to sever his hands and legs, as well as the prince’s subsequent maturation into a great yogī, is the subject of several ballads, folk‐theatre plays and folk songs of the itinerate balladeers touching the hearts of the ordinary people all over India. In this essay I have begun the process of cataloguing and documenting many iterations of this story across a wide range of Indian languages focusing especially on much neglected early medieval old Marāṭhī sources, Iconography and Inscriptions. Keywords: Nātha Saṁpradāya, Cauraṅgīnātha, Līḷā‐caritra, Ratnamāḷā‐stotra, Jñāneśvarī, Tattvasāra, Panhāḷe Kājī Introduction The story of a prince Cauraṅgī, falsely accused of incest by his adulterous step‐mother who proceeds to sever his hands and legs, and the prince’s subsequent maturation into a great yogī, is the subject of several ballads, folk‐theatre plays and folklore songs. The story of Cauraṅgī or Pūran Bhagat is one of the favorite episodes of the Nātha hagiographical repertoire and it is subject of countless versions recited and sung throughout the subcontinent, both among Hindu and Muslim communities. The exploits of this great Siddha and his short biography are included into a range of Tibetan hagiographical collections.1 Perhaps the most celebrated collection of these tales is called ‘Legends of the Eighty‐four Mahāsiddhas’ (Tib.
    [Show full text]
  • Itinerary Itinerary
    LLLAAADDDAAAKKKHHH 2021 IITTIINNEERRAARRYY April to September PAGE 01 ABOUT LADAKH Ladakh - also known as "Land of High Passes" is a high altitude cold desert famous for breathtaking landscapes, crystal clear skies, spectacular passes, Beautiful Monasteries, Snowcapped Peaks, Meandering Rivers, Food, Culture and Festivals which makes it one of the favourite destination amongs travellers. Ladakh is picturesque it is not only known for its scenic beauty but also for some of the most difficult treks in India. BEST TIME TO VISIT April to September PLACES TO VISIT Shanti Stupa Leh Market and Palace Hemis Monastery Shey Monastery Thiksey Monastery Khardungla Pass Chang-la Pass Pangong TSO Lake Nubra Valley Diksit Monastery TSO Moriri Lake Lamayaru, Alchi Zanskar Valley ... and Many More!!! PAGE 02 ITINERARY: Plan 1 : 4 Night 5 Days Destinations Covered : Leh – Sham Valley – Khardungla Pass – Nubra Valley – Pangong Lake Day 1: Arrival – Leh – Shanti Stupa, Leh Palace On arrival at Kushok Bakula airport in Leh (situated at a height of 3,500 meters), you will be transferred to your hotel. Leh Flight is considered one of the most sensational flights in the world. During the day, acclimatize yourself with the weather and high pressure of Ladakh. Evening visit to Shanti Stupa built in 1991 by Japanese Buddhist Bhikshu Gyomyo Nakamura. Shanti stupa provides beautiful and panoramic view of the surrounding landscape. Shanti Stupa in Ladakh was built to promote world peace and a symbol of the ties between Japan and Ladakh. Leh Palace is a former royal palace of the Leh Kingdom. Located in Leh city. It is one tourist attraction of Leh city.
    [Show full text]
  • Pattern Recognition: Tracking the Spread of the Incarnation Institution Through Time and Across Tibetan Territory
    Pattern Recognition: Tracking the Spread of the Incarnation Institution through Time and across Tibetan Territory Gray Tuttle (Columbia University) ithin the limits of my sources, I will outline here the spread of incarnation lineages across time and throughout Tibetan W territory. The cultural institution of children being understood as rebirths (yang srid, but more commonly tulku, sprul sku) of important Buddhist teachers allowed for a concentration of charismatic, economic, and social power that had dramatic consequences for Tibetan society. While scholars have treated the origins of the first and most important of these lineages (the Karmapa, Dalai, and Paṇchen Lamas), no one has attempted to write a general history of the growth of the institution. I have compiled a list of nearly 500 incarnation series for which I have determined the rough start date as well as the location of the seat of the incarnation. I also have information on the location of roughly an additional 1000 incarnations series for which the start date is not known. I use this data to trace the growth of the institution and its spread throughout Tibet. This has been a daunting task for one person to undertake, even with the help of research assistants, but the initial results are quite compelling. Most publications about reincarnate lama lineages have been focused on a few key figures in Central Tibet, while reincarnation lineages from Eastern Tibet, the details of which I will discuss at the end of this article, have received less scholarly attention until fairly recently. In contrast to this pattern, the greatest concentration of reincarnate lineages is found in Amdo (with over 400 named lineages out of a total of more than 1000 throughout Tibet), while even Kham (with some 374 lineages) has over twice the number of Central Tibet (with 150 lineages).
    [Show full text]