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Securing Our Dance Heritage: Issues in the Documentation and Preservation of Dance by Catherine J
Securing Our Dance Heritage: Issues in the Documentation and Preservation of Dance by Catherine J. Johnson and Allegra Fuller Snyder July 1999 Council on Library and Information Resources Washington, D.C. ii About the Contributors Catherine Johnson served as director for the Dance Heritage Coalition’s Access to Resources for the History of Dance in Seven Repositories Project. She holds an M.S. in library science from Columbia University with a specialization in rare books and manuscripts and a B.A. from Bethany College with a major in English literature and theater. Ms. Johnson served as the founding director of the Dance Heritage Coalition from 1992 to 1997. Before that, she was assistant curator at the Harvard Theatre Collection, where she was responsible for access, processing, and exhibitions, among other duties. She has held positions at The New York Public Library and the Folger Shakespeare Library. Allegra Fuller Snyder, the American Dance Guild’s 1992 Honoree of the Year, is professor emeritus of dance and former director of the Graduate Program in Dance Ethnology at the University of California, Los Angeles. She has also served as chair of the faculty, School of the Arts, and chair of the Department of Dance at UCLA. She was visiting professor of performance studies at New York University and honorary visiting professor at the University of Surrey, Guildford, England. She has written extensively and directed several films about dance and has received grants from NEA and NEH in addition to numerous honors. Since 1993, she has served as executive director, president, and chairwoman of the board of directors of the Buckminster Fuller Institute. -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
Securing Our Dance Heritage: Issues in the Documentation And
DOCUMENT RESUME ED 437 893 IR 019 828 AUTHOR Johnson, CatherineJ.; Snyder, Allegra Fuller TITLE Securing Our DanceHeritage: Issues in the Documentation and Preservation of Dance. INSTITUTION Council on Libraryand Information Resources, Washington, DC ISBN ISBN-1-887334-69-6 PUB DATE 1999-07-00 NOTE 51p. AVAILABLE FROM Council on Library and Information Resources, 1755 Massachusetts Ave., N.W., Suite 500, Washington, DC 20036 ($15). Tel: 202-939-4750. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Access to Information; *Archives; Cultural Activities; *Dance; Fine Arts; Information Sources; Information Storage; *Preservation; Special Libraries; User Needs (Information) ABSTRACT The great research collections of the United States have resulted, in part, from a long and productive collaboration among scholars, librarians, and archivists. This booklet focuses on the documentation of, access to, and preservation of dance heritage. It discusses the cultural and intellectual value of dance and articulates what elements of dance should be recorded and made accessible so that scholars, performers, creators, and the public can grasp fully the rich history of human expression embodied in dance. It also explores the various strategies used for making those resources accessible and the challenges of preserving the fragile media on which these sources are recorded. (Contains five figures and 78 references.) (AEF) Reproductions supplied by EDRS are the best that can be made from the original document. AS es, .. SS& AS v ® A . 0 0 0 ( PERMISSION TO REPRODUCE AND U S DEPARTMENT OF EDUCATION Office of Educational Research and Improvement DISSEMINATE THIS MATERIAL EDUCATIONAL RESOURCES INFORMATION HAS BEEN GRANTED BY CENTER (ERIC) ofThis document has been reproduced as B.H. -
Great Falls Genealogy Library Current Collection October, 2019 Page 1 GFGS # Title Subtitle Author Co-Author Copyright Date
Great Falls Genealogy Library Current Collection October, 2019 GFGS # Title Subtitle Author Co-Author Copyright Date 1st Description 4859 Ancestral Lineages Seattle Perkins, Estelle Ruth 1956 WA 10748 ??Why?? Pray, Montana Doris Whithorn 1997 MT Historical & Genealogical Soc. of 3681 'Mongst the Hills of Somerset c.1980 PA Somerset Co.,Inc 5892 "Big Dreams in a Small Town" Big Sandy Homecoming 1995 1995 Homecoming Committee 1995 MT 7621 "Come, Blackrobe" De Smet and the Indian Tragedy Killoren, John J., S.J. 2003 Indians 10896 "Enlightened Selfishness": Montana's Sun River Proj Judith Kay Fabry 1993 MT 10312 "I Will Be Meat Fo My Salish"… Bon I. Whealdon Edited by Robert Bigart 2001 INDIANS 7320 "Keystone Kuzzins" Index Volume 1 - 8 Erie Society PA 10491 "Moments to Remember" 1950-1959 Decade Reunion University of Montana The Alumni Center 1960 MT 8817 "Our Crowd" The Great Jewish Families of New York Stephen Birmingham 1967 NEW YORK 8437 "Paper Talk" Charlie Russell's American West Dippie, Brian W. Editor 1979 MT 9837 "Railroads To Rockets" 1887-1962 Diamond Jubilee Phillips County, Montana Historical Book Committee 1962 MT 296 "Second Census" of Kentucky - 1800 Clift, G. Glenn c.1954 KY "The Coming Man From Canton": Chinese Exper. In 10869 Christopher W. Merritt 2010 MT MT 1862-1943 9258 "The Golden Triangle" Homesteaading In Montana Ephretta J. Risley 1975 MT 8723 "The Whole Country was…'One Robe'" The Little Shell Tribe's America Nicholas C. P. Vrooman 2012 Indians 7461 "To Protect and Serve" Memories of a Police Officer Klemencic, Richard "Klem" 2001 MT 10471 "Yellowstone Kelly" The Memoirs of Luther S. -
Country Dance and Song
COUNTRY DANCE / AND SONG ~25 June 1995 ·n·\E FLOWER DANCE. OP'I'UB VI£ N N 0 IS£ CHILDREN ·. ATWill, PUBLISH£R , 201 BNOA.DWA.Y , NEW-YORK . Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A. Salmons Ted Sannella Kari Smith Jeff Warner Jay Ungar COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditional dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. ISSN: 0070-1262 © COUNTRY DANCE AND SONG, June 1995, Country Dance and Song Society, Inc., Northampton, Massachusetts. Cover: The Flower Dance of the Viennoise Children is reprinted courtesy of the Harvard Theatre Collection. See "The Garland Dance in America Since 1846, " p. 2ff. Country Dance and Song Volume 25 June 1995 CONTENTS A History of Garland Dancing in America by Rhett Krause . .. ... ........ ...... .. .... ... Swedish Sword Dances of the Sixteenth-seventeenth Centuries: Olaus Magnus and Others by Stephen D. Corrsin . -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
COUNTRY DANCE and SONG 22 June 1992 Country Dance and Song
.. COUNTRY DANCE AND SONG 22 June 1992 Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsey John Pearse Richard Powers Sue A. Salmons Ted Sannella Jay Ungar Jeff Warner COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditional dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. ~ COUNTRY DANCE AND SONG, June 1992, Country Dance and Song Society, Inc., Northampton, Massachusetts. Cover: Figure 1 for "Step Dancing on the Boston Stage: 1841-1869": Sheridan and Mack had their Boston debut as Clog dancers with the Morris Brothers in January 1868. Photo reprinted courtesy of the Harvard Theatre Collection. (Seep. 12.) Country Dance and Song Volume 22 June 1992 CONTENTS Step Dancing on the Boston Stage: 1841-1869 by Rhett Krause . ~ . 1 Morris Dancing and America Prior to 1913, Part II by Rhett Krause . 20 Nineteenth-Century Ballroom Dancing: A Brief Review by David E. E. Sloane . 36 Excerpt from "He Demons" .. -
Margaret Dale, Adapting the Stage to the Screen
MARGARET DALE, ADAPTING THE STAGE TO THE SCREEN: AESTHETIC, APPROPRIATION, AND INTIMACY IN BALLET PROGRAMMING FOR POST -WAR BBC TELEVISION Jessica Margaret Escue, B.A., B.B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2010 APPROVED: Sandra Larke-Walsh, Major Professor Steve Craig, Committee Member Andrew Crisell, Committee Member Timothy R. Wilson, Committee Member Samuel J. Sauls, Director of Graduate Studies, Department of Radio, Television and Film C. Melinda Levin, Chair of the Department of Radio, Television and Film James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Escue, Jessica Margaret. Margaret Dale, adapting the stage to the screen: Aesthetic, appropriation, and intimacy in ballet programming for post-war BBC television. Master of Arts (Radio, Television and Film), December 2010, 149 pp., references, 71 titles. This thesis examines the aesthetic of ballets adapted for BBC Television by producer Margaret Dale, beginning with her entrance to the BBC’s training program in 1955 and culminating with her commissioned work Houseparty, which aired in 1964. A historical and organizational framework is discussed regarding the BBC’s cultural mission and view of arts programming, as well as general developmental milestones in programming contextualizing Dale’s working conditions. Particular focus is placed upon the appropriation of Romantic narrative ballets and their significance in reinforcing an aristocratic and culturally divisive structure in the arts. Textual analyses consider issues of restaging, camera placement, and lighting, as well as television’s intimacy and relationship to characterization in ballet narratives. Copyright 2010 by Jessica Margaret Escue ii ACKNOWLEDGEMENTS I wish to extend a special thank you to Dr. -
A Collection of Articles and Photographs Chronicling the Burgettstown Community Library
Burgettstown Community Library A Collection of Articles and Photographs Fort Vance Historical Society Shelve-Less Library Poses Problem For Junior Club' Sponsors "Open House" at the new· home for the Burgettstown Library . in ·he Munay School building has f) een temporairily delayed because of lack of shelving material. The ·~wo rootr..s made available by the ; choo~ board for the Library now being m oved from the Culley ·milding on Railroad street, have been cheerfully renovated with a liberal sprinkling olf paint and :Japer and on Sunday a commit ee of civic minded citizens laid new linoleum on · the flooa·. The ":Jooks are packed in boxes and ready to be 'hauled from tr.,e old· quarters as scon as ::naterial for the shelving has been secured by •the Junior Woman's clup." .An aouncement of "open house" dates will be pubiished C'n Oct. 3, in .he meantime book borrowers are requested to h old- the books and :·eit:l.:n them promptly when t..l-Je ne:y quarters are opened. Shelve-Less Library Poses Problem for Junior Club Sponsors Burl!ettstown Enternrise-Sentemher 26. 1946 Enternrise Shelve-Less Library Poses Problem For Junior C lub' Sponsors "Open House" at the new· home for the BurgettstO\\·n Library . in ·he Murr-ay School building has ':>een tempora.rily delayed because of lack of shelving material. The ·':wo roon:s made available by the >chool board for the Library now being moved from the Culley )Ui1ding on Railroad street, have been cheerfully renovated with a liberal sprinkJing olf paint and 'Japer and on Sunday a commit ee of civic minded citizens laid new· linoleum on · the floc[·. -
A New Definition of Dance Brings World-Acclaimed Dancers with Disabilities to Miami: October 25 & 26, 2016
FOR IMMEDIATE RELEASE MEDIA CONTACTS: Francine Andersen (305) 375-5024 [email protected] Stephen Belth (516) 359-2548 [email protected] A NEW DEFINITION OF DANCE BRINGS WORLD-ACCLAIMED DANCERS WITH DISABILITIES TO MIAMI: OCTOBER 25 & 26, 2016 Public workshops and masterclasses at Miami-Dade County Auditorium demonstrating and teaching integrative dance and inclusive creative movement to local dancers, choreographers, dance educators and students (MIAMI, September 26, 2016)—VSA Florida’s A New Definition of Dance is coming to Miami on Tuesday, October 25 and Wednesday, October 26, 2016. Presented by the Miami-Dade County Department of Cultural Affairs at Miami-Dade County Auditorium through the All Kids Included and Culture Shock Miami programs, the schedule includes free dance workshops over the two days for professional dancers, dance educators and choreographers, and masterclasses for students, ages 13-22. Now in its second year, VSA Florida’s A New Definition of Dance features internationally renowned dancers of exceptional merit, who also have disabilities. The workshops and masterclasses are being led by: West African musician and dancer Sidiki Conde; Hai Cohen and Tali Wertheim from Israel’s Vertigo Dance Company; U.S. Navy veteran Dwayne Scheuneman, founder of the Tampa-based REVolutions Dance group; Chinese classical dancer Liu Yan; and Merry Lynn Morris from the University of South Florida’s School of Theatre and Dance. Watch video about Dwayne Scheuneman, teaching dance workshop to children. Click here. https://youtu.be/S07VPu6UMUY Participants must register in advance for admission to the free workshops and master classes, as space is extremely limited. Registration forms may be found online at http://www.miamidadearts.org/education/vsa-floridas-new-definition-dance-miami or call (305) 375-5024. -
Conmmonwealth of Australia ASIC Gazette A34A/05 Dated 1
Commonwealth of Australia Commonwealth of Australia Gazette No. ASIC 34A/05, Thursday, 1 September 2005 Published by ASIC ASIC Gazette Contents Banking Act Unclaimed Money as at 31 December 2004 Specific disclaimer for Special Gazette relating to Banking Unclaimed Monies The information in this Gazette is provided by Authorised Deposit-taking Institutions to ASIC pursuant to the Banking Act (Commonwealth) 1959. The information is published by ASIC as supplied by the relevant Authorised Deposit- taking Institution and ASIC does not add to the information. ASIC does not verify or accept responsibility in respect of the accuracy, currency or completeness of the information, and, if there are any queries or enquiries, these should be made direct to the Authorised Deposit-taking Institution. RIGHTS OF REVIEW Persons affected by certain decisions made by ASIC under the Corporations Act and the other legislation administered by ASIC may have rights of review. ASIC has published Practice Note 57 [PN57] Notification of rights of review and Information Sheet [INFO 1100] ASIC decisions – your rights to assist you to determine whether you have a right of review. You can obtain a copy of these documents from the ASIC Digest, the ASIC website at www.asic.gov.au or from the Administrative Law Co-ordinator in the ASIC office with which you have been dealing. ISSN 1445-6060 (Online version) Available from www.asic.gov.au ISSN 1445-6079 (CD-ROM version) Email [email protected] © Commonwealth of Australia, 2005 This work is copyright. Apart from any use permitted under the Copyright Act 1968, all rights are reserved. -
Tony Barrand by Allen Dodson
“The dance should be in your body”—an Interview with Tony Barrand by Allen Dodson CDSS is proud to recognize Dr. Anthony G. (Tony) Barrand as the 2008 recipient of its Lifetime Achievement Award. Tony’s contributions have been numerous: he is a founder of the Marlboro Morris Ale; an archivist, historian and author on morris dance; and a singer of English and American song, both with John Roberts and as a member of the ensemble Nowell Sing We Clear. As a faculty member, first at Marlboro College in Vermont and later at Boston University, Tony has directed the work of many students who have contributed to our understanding of Anglo-American dance. In 1986 he was diagnosed with MS, which over time has curtailed his dancing but not his commitment and interest in filming dances and working with students. He currently is a faculty member in the University Professors Program at Boston University, and continues to perform with John and Nowell Sing We Clear. Tony has been involved with so many different dance activities and groups through the years, as well as singing solo and with others, that even in the course of a two hour interview it wasn’t possible to talk about all of them. What follows are excerpts from my interview with him at his house in October 2008. I’ve provided some notes to assist with context and to bridge between topics, but otherwise have let Tony speak for himself. ~ A.D. ALLEN: I remember reading a review of your Keele was very interested in bringing in ideas book Six Fools and a Dancer in an English from American small colleges into their publication which referred to you as “an program, and so had one year exchange Englishman who only learned Morris dancing programs with Swarthmore on the east coast once he moved to America.” Is that pretty much and Reed College on the west coast.