View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Miami School of Law University of Miami Law School University of Miami School of Law Institutional Repository University of Miami Business Law Review 5-8-2018 “Wake Up, Mr. West!”: Distinguishing Albums and Compilations for Statutory Damages in Copyright within a Streaming–Centric Music Economy Tyler Laurence Follow this and additional works at: https://repository.law.miami.edu/umblr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Tyler Laurence, “Wake Up, Mr. West!”: Distinguishing Albums and Compilations for Statutory Damages in Copyright within a Streaming–Centric Music Economy, 26 U. Miami Bus. L. Rev. 85 (2018) Available at: https://repository.law.miami.edu/umblr/vol26/iss3/6 This Comment is brought to you for free and open access by University of Miami School of Law Institutional Repository. It has been accepted for inclusion in University of Miami Business Law Review by an authorized editor of University of Miami School of Law Institutional Repository. For more information, please contact
[email protected]. “Wake Up, Mr. West!”: Distinguishing Albums and Compilations for Statutory Damages in Copyright within a Streaming– Centric Music Economy Tyler Laurence* The concept of the music album has been a vital cornerstone of the recorded music industry since its adoption in the form of the long–play vinyl record in 1948. For over sixty years, the ability for artists to package a cohesive collection of performances has remained of paramount priority and an art within itself, notwithstanding the flurry of technological innovations that have altered the album’s size, shape, length, and interactivity.