Heritage Newsletter California African-American Genealogical Society January 2019 Volume 31, Number 1 Ten Issues Published Annually CHARLOTTA SPEARS BASS ISSN 1083-8937 She was a feminist, an activist, an educator, the first California African American Genealogical Society African-American woman to own and operate a P.O. Box 8442 newspaper in the United States (1912-1951), the first Los Angeles, CA 90008-0442 African-American woman to be a jury member in the Los Angeles County Court and the first African- General Membership Meetings American woman to be nominated for U.S. Vice Third Saturday monthly,10:00A.M. (dark July & August) President (Progressive Party). Born Charlotta Amanda Spears in Sumter, South Carolina in 1874, Mayme Clayton Library and Museum (MCLM) she moved to Rhode Island where she worked for the 4130 Overland Ave., Culver City, CA 90230-3734 Providence Watchman newspaper for ten years, and (Old Culver City Courthouse across from VA building) in 1910 moved to Los Angeles where she sold subscriptions for the Eagle, a black newspaper 2019 Board of Directors founded by John Neimore in 1879. The Eagle, a Elected Officers twenty-page weekly publication with a staff of 12 and Cartelia Marie Bryant– President circulation of 60,000, was the largest African- Ron Batiste– First Vice President American newspaper on the West Coast by 1925. Norma Bates – Second Vice President/Membership Ronald Fairley – Corresponding Secretary When Neimore became ill, he entrusted the operation Christina Ashe– Recording Secretary of the Eagle to Spears, and upon his death, she Shirley Hurt – Treasurer subsequently bought the newspaper for fifty dollars in Charles Hurt – Parliamentarian an auction and became the owner.
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998).
In the United States District Court for the Middle District of Florida Fort Myers Division
Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 1 of 46 PageID 1 IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF FLORIDA FORT MYERS DIVISION : PRO MUSIC RIGHTS, LLC and SOSA : ENTERTAINMENT LLC, : : Civil Action No. 2:19-cv-00843 Plaintiffs, : : v. : : SPOTIFY AB, a Swedish Corporation; SPOTIFY : USA, INC., a Delaware Corporation; SPOTIFY : LIMITED, a United Kingdom Corporation; and : SPOTIFY TECHNOLOGY S.A., a Luxembourg : Corporation, : : Defendants. PLAINTIFFS’ COMPLAINT WITH INJUNCTIVE RELIEF SOUGHT AND DEMAND FOR JURY TRIAL Plaintiffs Pro Music Rights, LLC (“PMR”), which is a public performance rights organization representing over 2,000,000 works of artists, publishers, composers and songwriters, and Sosa Entertainment LLC (“Sosa”), which has not been paid for 550,000,000+ streams of music on the Spotify platform, file this Complaint seeking millions of dollars of damages against Defendants Spotify AB, Spotify USA, Inc., Spotify Limited, and Spotify Technology S.A. (collectively, “Spotify” or “Defendants”), alleging as follows: NATURE OF ACTION 1. Plaintiffs bring this action to redress substantial injuries Spotify caused by failing to fulfill its duties and obligations as a music streaming service, willfully removing content for anti-competitive reasons, engaging in unfair and deceptive business practices, Case 2:19-cv-00843-JES-NPM Document 1 Filed 11/25/19 Page 2 of 46 PageID 2 obliterating Plaintiffs’ third-party contracts and expectations, refusing to pay owed royalties and publicly performing songs without license. 2. In addition to live performances and social media engagement, Plaintiffs rely heavily on the streaming services of digital music service providers, such as and including Spotify, to organically build and maintain their businesses.
PAIN IN THE SASS - ALL YOU NEED IS LOVE! (AND WI- FI) PDF, EPUB, EBOOK none | 32 pages | 13 Sep 2018 | Ravette Publishing Ltd | 9781841614069 | English | Horsham, United Kingdom Pain in the Sass - All You Need is Love! (and Wi-Fi) PDF Book The key to that is conscious relating. If you find you need more than three SSIDs, perhaps look into other ways of segregating the wireless access. Sticker Forever. Giebler and living in London when they decided to visit family in New Jersey for Christmas in Perfect for phone cases, laptops , journals, guitars, refrigerators, windows, walls, skateboards, cars , bumpers, helmets , water bottles, hydro flasks , computers, or whatever needs a dose of originality. Read on for a lovely dose of LOVE, and feel free to leave a comment with your own favorite quote about love! Tags: xxx tentacion, makeouthill, make out hill, bad vibes, badvibes, rip, love, rapper, music, musician, great, ski the slump god, bad vibes forever, bad, vibes, forever. For more details see Performance Tests: Wired Ethernet and Sell your art. Read our Privacy Policy and Terms and Conditions. Staying away from your own hard drive allows you to use software without leaving any trace of it at all on your system, as well as protecting your personal information. Allow this article to act as a great reminder to simply live in love! Select it and enter your network password to finish connecting. Devices must have wireless adapters to connect wirelessly to Wi-Fi, and most current laptops and mobile devices have these adapters built in. Tags: the originals, original, vampire, werewolf, hybrid, tribrid, always and forever, always and forever, mikaelson, tvd, klaus, niklaus, rebekah, elijah, kol, kai, parker, hope, finn, freya, esther, mikael, davina, camille, damon salvatore, stefan, salvatore, caroline, klaroline, klebekah, klelijah.
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr.
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
Afrimerican Academy Town Hall 2 Summer Camp Start Dates: Arts Culture Arts (June 28Th - August 27Th 2021) May 15Th
KEY DATES Afrimerican Academy Town Hall 2 Summer Camp Start dates: Arts Culture Arts (June 28th - August 27th 2021) May 15th Creating Cultural Bridges Through Business Town Hall 3 Startups Cooking Virtual Online Classes In-Person Student Outings: June 5th Museums - Design Gardening Health & Application Dance S.T.E.A.M. Wellness and more… & Activism Deadline Located in Boston June 12th An Enriching Camp Designed to Educate and Empower Camp Start Who are we serving? The young POCs of Boston June 28th Email [email protected] for info Camp end REGISTER NOW! Aug 27th Welcome to ‘Afrimerican Academy: Community Town Hall & Info Session’ Please fill out polls and surveys. Ask your questions in the Q&A Section. Raise your hands to speak. 2 mins limit. Feel free to comment in the chat. ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ afrimericanone.org WATCH [email protected] AFRIMERICAN TV ON Afrimerican Academy Team Marlon Solomon - President Dapo Olagbaju - Vice President Kiara M. - Intern Uche O. - Intern Glorya Fernandez Cultural Nutrition Instructor/ Outreach Coordinator ‘Building cultural bridges in the African diaspora through Education, Technology & Travel’ Afrimerican Culture Initiative Inc. Afrimerican Culture Initiative Inc. founded in 2015 African Diaspora Cultural Education Consultancy African American, AfroLatinX, Afro-Carribean, African Immigrant and other community members. Develops Independent Research - Northeastern University Redline Sprawl - Nigerian Annuity Project (#Endsars) Social Justice Project Management Afrimerican Academy - BPCS Cultural Nutrition Program Educational Content Creator Afrimerican Academy - Cultural Events - ‘Lives in Me’ Challenge Afrimerican Academy Afrimerican Academy launched in 2020 African Diaspora Cultural Education Resource African Diaspora Cultural Competency (Community Unity & Understanding) Afterschool & Summer programming Free for low income youth in Boston, MA.
Violent music vs violence and music: Drill rap and violent crime in London Bennett Kleinberg1,2 and Paul McFarlane1,3 1 Department of Security and Crime Science, University College London 2 Dawes Centre for Future Crime, University College London 3 Jill Dando Institute for Global City Policing, University College London1 Abstract The current policy of removing drill music videos from social media platforms such as YouTube remains controversial because it risks conflating the co-occurrence of drill rap and violence with a causal chain of the two. Empirically, we revisit the question of whether there is evidence to support the conjecture that drill music and gang violence are linked. We provide new empirical insights suggesting that: i) drill music lyrics have not become more negative over time if anything they have become more positive; ii) individual drill artists have similar sentiment trajectories to other artists in the drill genre, and iii) there is no meaningful relationship between drill music and ‘real- life’ violence when compared to three kinds of police-recorded violent crime data in London. We suggest ideas for new work that can help build a much-needed evidence base around the problem. Keywords: drill music, gang violence, sentiment analysis INTRODUCTION The role of drill music – a subgenre of aggressive rap music (Mardean, 2018) – in inciting gang- related violence remains controversial. The current policy towards the drill-gang violence nexus is still somewhat distant from understanding the complexity of drill music language and how drill music videos are consumed by a wide range of social media users. To build the evidence base for more appropriate policy interventions by the police and social media companies, our previous work looked at dynamic sentiment trajectories (i.e.